For years through childhood and early adulthood, Raven van Dorst felt different. The response evoked in others was always ‘too’: too loud, too wild, too aggressive, too messy.
It wasn’t until a visit to a doctor, aged in their early 20s, that it all fell into place. Having struggled to fit in as a little girl, then a young woman, the medic confirmed van Dorst had been born intersex, with aspects of both male and female sex characteristics, and operated on as a baby. It was something their parents had never spoken about.
“I never felt like a girl,” they say now. “I never felt like a boy either. I didn’t know what to feel, what to think.”
The doctor’s explanation made sense of years of frustration. I got a bit of a malfunctioning in my head, but all of a sudden, a lot became clear. It was kind of a relief… At the same time, I also got very sad. I felt disconnected to my family for a while until I could find the courage and the energy to talk to them about it.”
Now aged 39, van Dorst is a rock musician and presenter, a judge on Drag Race Holland and a well known TV personality in the Netherlands. In 2021, they made the decision to change their name and go by they/ them pronouns. Later this month, their rock-metal band Dool will release third album The Shape Of Fluidity, which tackles the themes of gender and identity in today’s changing world.
While coming to terms with who they are and their past has not been easy, the singer says they want to speak out about their experiences to anyone who might be struggling.
“When I was younger, I didn’t know anything about myself. I thought I was a lesbian, and even that was hard back then. I was desperately trying to find like-minded people and thought they didn’t exist. I was lonely and misunderstood and if I had someone back then who could show me the way, I would [have been] really grateful for that.”
‘They called it normalising’
Image: Pic: Mark Nolte
Following the discovery about their birth, they were told they had been operated on to remove male sex characteristics, at the age of about nine months. “My parents didn’t know what to do with the information,” van Dorst says. “It was in ’84, there was no Google.
“They trusted the doctor, [who] said they had to pick a gender, a biological sex, and ‘adjust’ – mutilate, I feel. They called that ‘normalising’ back in the day, you ‘normalise’ an intersex child and pick a sex, basically. And that’s what they did to me. I got mutilated as a baby.
“My parents were advised never to talk about it with me and everything will be fine, we’ll give the child hormones when they’re reaching puberty, stuff like that. But of course, that didn’t work because I always felt different. And people told me I was different.”
Teachers would say not to behave like a boy. “But I’m not a girl, you know? I felt that it wasn’t me. I lived my whole youth like that.”
Last week, the United Nations Human Rights Council voted to adopt a resolution designed to protect the rights of intersex people, the first initiative of its kind and described as a landmark moment by campaigners.
Intersex is a general term for variation within a person’s sex traits, including genitals or internal sex organs, hormones or chromosomes, and the UN estimates that up to 1.7% of babies are born with some form of intersex characteristics.
Many intersex adults exposed to such surgery as children can suffer significant physical and mental suffering, the UN says, including as a result of extensive and painful scarring. Like van Dorst, many also feel they have been forced into sex and gender categories that do not fit.
For van Dorst, it was changing their name and pronouns that made them feel truly liberated. “I felt like I was living the lie the doctors forced me in. They put me in this female straitjacket from which I have been trying to get out of… It took me another couple of years to realise that if I’m not changing my name or changing my pronouns, nothing’s going to change.”
Van Dorst changed details on their passport and on the birth papers that claimed they were born a girl. “Reclaiming my birthright, basically. They tried to erase me from f****** history, erase my nature from history. It’s not right.”
‘It’s okay to be non-conforming’
Image: Dool will play in the UK later this year. Pic: David Fitt
The name Dool is derived from the Dutch word for wandering, and the singer says the upcoming album is about broader themes of identity, personal to all the bandmates. But their story is inevitably intertwined. The song Venus In Flames deals with “shaking off societal expectations, obliterating gender roles”, while Hermagorgon features “gorgon”, the Greek word for female monsters.
“I feel that those doctors, when I was born and they were standing at my cradle, they saw a little monster. They saw a monster, and they tried to fix it. I’m singing, you can’t fix me. I’d rather be your f****** monster than live the lie you’ve made for me.”
Van Dorst says they sought solace in music to escape bullying in childhood, “for being too boyish, too ugly”, and recalls hearing Nirvana for the first time.
“When I was younger, I would dress up like Kurt Cobain, tear up my trousers, dye my hair green and have a mohawk or whatever. I discovered very soon that if you do that on the streets, people make fun of you. But if you go on stage, people think you’re cool. A freak on the streets, but a hero on the stage.”
As the debate around transgender rights continues, The Shape Of Fluidity aims to show how identity can change, with artwork featuring a flag made out of ice.
Image: The cover of The Shape Of Fluidity features a flag made of icy water
“It feels that ever since COVID, the world is going a little bit mad,” says van Dorst. “Polarisation is a really big issue, misinformation is a really big issue, you don’t know what you can believe. Everything that comes through your phone… it’s so much, more than a human brain can handle, in a way.
“This is something we try to address on the album. On the cover, you see a flag, a symbol of identity. You have the UK flag, you can say, this is my country, or there’s a rainbow flag – this is my community – or the flag of your favourite football club. It appeals to a certain part of your identity. And this flag of ours is a changing element, it can evaporate, it can freeze, it can fall from the sky.
“That is exactly what we as a band try to express: it’s okay to be non-conforming and to change and to shape yourself. You don’t have to be a finished and polished person all the time. You can have doubts… I hope it appeals to soul-searching people like us.”
The new measures aim tackle harm caused by hatred and prejudice, extending protections from abusive behaviour to people on grounds including age, disability, religion, sexual orientation and transgender identity. Critics such as Rowling claim the legislation could stifle free speech – and fails to extend these protections to women. The author has been widely condemned in recent years for her views on transgender rights.
Van Dorst says they believe in free speech and understand some of Rowling’s points, but that her arguments are “dangerous”.
“I think people can say whatever the f*** they want, but they should expect a reply, too. She’s acting as if she’s being silenced but no one is silencing her.
“I really do get her points. She wants to protect female rights and they always have been under fire. But she must understand what the LGBT and trans community is going through. I mean, women have been going through that for centuries as well. She should be an ally, in my opinion, not an enemy.
“There should also be space for others, just like there’s now more space for women than there’s been in the centuries before. It’s dangerous and it’s kind of hateful.”
For Dool, van Dorst hopes the music can offer comfort, support, a friend, even, to anyone struggling.
“It’s been a long process, a hard process, I’m not going to lie. I don’t feel like a victim or anything, but it hasn’t been easy.
“Ever since I came out, I’ve had so much response from kids and parents and people in general fighting with gender issues. Struggling with a lot of stuff, and they say [things like], ‘Your story helped me so much because now I can talk to my grandmother, who really likes you on television and thinks you’re really funny. Now I can say, grandma, I kind of feel like Raven does’.
“I never aimed for that. I just basically wanted to rid myself of the straitjacket I was put in. But at the same time, accidentally, it helped a lot of people. Now I understand that it’s important to speak a little louder about this – especially with all the violent voices that are arising all around us at the moment.”
The Shape Of Fluidity is released on 19 April and Dool will perform at Damnation Festival in Manchester in November
Liam Gallagher has criticised a Scottish council for suggesting Oasis fans were “drunk, middle-aged and fat”.
The remarks were revealed following a freedom of information request that was sent to Edinburghcouncil – ahead of the band’s three sold-out shows in Scotland this August.
The documents expressed concerns that the OasisLive ’25 tour would clash with the Edinburgh Festival Fringe – the world’s largest performance arts festival.
Image: Liam Gallagher (left) and Noel Gallagher. Pic: PA
One note warned that there would be a “substantial amount of older fans”, and that because “middle-aged men take up more room”, age and size should be considered in crowd control planning.
Another note suggested “medium to high intoxication” should be expected at the concert.
An additional remark said there was some “concern about crowds of Oasis on weekends as they are already rowdy, and the tone of the band”.
Image: The Fringe is one of the world’s largest performance arts festivals. File pic: PA
It also expressed concern for the “safety” at the Edinburgh Fringe – including for its performers.
“Many performers are considering not attending for that weekend,” one note read.
Liam Gallagherwas not impressed – and left the following message for the council on his social media.
“To the Edinburgh council I’ve heard what you said about Oasis fans and quite frankly your attitude f****** stinks I’d leave town that day if I was any of you lot.”
In a second post, he said: “I’d love to see a picture of all the people on the Edinburgh council bet there’s some real stunning individuals.”
Image: Liam Gallagher said the council’s attitude towards fans ‘stinks’. Pic: AP
David Walker, from the Oasis Collectors Group, has described the comments as “a nasty, sneering stereotype”.
“It’s a jaundiced view,” he added.
Local councillor Margaret Graham said that it is usual practice for the council to “prepare extensively” for major city events.
The culture and communities convener also said: “We’re very proud to host the biggest and best events in Edinburgh throughout the year, which bring in hundreds of millions of pounds to the local economy and provide unparalleled entertainment for our residents and visitors.
“As with any major event which takes place in the city, we prepare extensively alongside our partners to ensure the safety and best possible experience of everyone involved – and Oasis are no different.”
Image: Noel Gallagher (left) and Liam Gallagher at Wembley Stadium in 2008. Pic: PA
Around 210,000 fans are expected to attend the three Edinburgh gigs.
Oasis made their comeback announcement in August last year – ahead of the 30th anniversary of their debut album Definitely Maybe, released on 29 August 1994.
Liam and Noel Gallagher’s return also marks 15 years since the last time the brothers performed together before their infamous fallout – which was prompted by a backstage brawl before a Paris festival in August 2009.
Liam damaged one of his elder brother’s guitars, causing Noel to dramatically quit – ending the partnership that had propelled them to fame and fortune.
“It is with some sadness and great relief… I quit Oasis tonight,” Noel later said in a statement. “People will write and say what they like, but I simply could not go on working with Liam a day longer.”
The feud continued over the years, with the pair exchanging insults publicly – Liam on social media, Noel more when asked about his brother in interviews – but reportedly never speaking in person.
When his documentary As It Was was released in 2019, Liam told Sky News he had wanted to “break [Noel’s] jaw” after he apparently refused permission for Oasis music to be featured in the film.
But after 15 years, they have now made amends – giving thousands of Oasis fans the chance to see them play live once again.
Their top hits include Wonderwall, Don’t Look Back In Anger, Stand By Me, Lyla and The Importance of Being Idle.
Video game actors in the US have ended their strike after nearly a year of industrial action, over the use of artificial intelligence by game studios.
More than 2,500 US performers were barred from working on games impacted by the strike while the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) negotiated a deal with studios.
Now, after more than 11 months of discussions, a “tentative” agreement has been reached.
“Patience and persistence has resulted in a deal that puts in place the necessary AI guardrails that defend performers’ livelihoods in the AI age, alongside other important gains,” said SAG-AFTRA’s national executive director Duncan Crabtree-Ireland.
Actors were banned from working with major game makers like Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa, Insomniac Games, Take 2 and WB Games.
Image: Demonstrators at the picket line outside Warner Bros Studios in August 2024. File pic: AP
Other studios were also impacted by the strike, as actors took industrial action in solidarity.
“We are pleased to have reached a tentative contract agreement that reflects the important contributions of SAG-AFTRA-represented performers in video games,” said Audrey Cooling, spokesperson for the video game producers, to Sky News.
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“It delivers historic wage increases of over 24% for performers, enhanced health and safety protections, and industry-leading AI provisions requiring transparency, consent and compensation for the use of digital replicas in games.”
In the UK, actors protested in solidarity with their American counterparts, while Equity, the UK actors’ union, called for a similar wide-reaching agreement between UK studios and actors.
Earlier this week, the British Film Institute (BFI) released a report detailing the risks posed by AI to the UK screen sector, including video games, and described it as a “direct threat”.
The scripts of more than 130,000 films and TV shows, YouTube videos, and databases of pirated books have been used to train AI models, according to the report.
Image: Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas
AI poses a particular threat to some video game voice actors, according to one expert, because of the nature of their work creating animal or monster sound effects.
“The generic stuff is the easiest thing for generative AI to replace,” Video Games Industry Memo author George Osborn told Sky News previously.
“Just saying to the model, ‘make 200 monster noises’ is much easier than convincingly [making AI] sound like it is having a conversation with someone,” he said.
Unlike the SAG-AFTRA actors’ strike in 2023, which saw blockbusters like Deadpool 3 and Gladiator 2 delayed and entire TV series cancelled, huge delays to games were unlikely.
Games take years to make and any game already in development before September 2023 was exempt from the strike.
Tensions have risen in the game actor community since the industrial action began, as studios appeared to hire international actors to replace the striking US workers.
Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.
As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.
Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.
“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.
Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.
A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.
“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.
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“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.
“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.
“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.
“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.
“Thank you from the bottom of our hearts for your unwavering support.”
Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.
He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.
James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.
It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.
However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.
His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.
In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.
Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.
But some called the record a masterpiece, a eulogy to the 1960s.
In the early 1970s, Stone became erratic and missed shows. Some members left the band.
But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.
Ms Silva filed for divorce less than a year later.
Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.
The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.
He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.
In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.
That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.
Stone had a son, Sylvester, with Ms Silva.
He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.