The 68th Eurovision Song Contest is taking place in Malmo, Sweden, this year.
It’s a spiritual homecoming of sorts with Sweden’s supergroup Abba – who are the most famous band ever to come out of the contest – crowned the winners 50 years ago.
Loved and loathed in equal measure for its euro pop earworms, evocative power ballads, and eye-watering novelty acts, there’s no clear frontrunner for this year’s show – meaning it’s all to play for.
The political elephant in the room is of course Israel’s participation in light of the ongoing Gaza war, with many artists encouraged to boycott the event due to their participation.
As it stands, no act has withdrawn from the contest.
So, with 37 countries heading into the semi-finals ahead of a grand final featuring 26 songs on Saturday, who might we see take first place on the night?
The top three
Croatia is currently the country to beat, with Baby Lasagne (real name Marko Purisic) singing Rim Tim Tagi Dim.
The 28-year-old bleach-blonde frontman says the title doesn’t translate as anything, other than a catchy repeated riff, but a serious theme lies beneath the full-on performance.
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Image: Croatia’s Baby Lasagna with Rim Tim Tagi Dim. Pic: Sarah Louise Bennett/EBU
The song describes the tension of young Croatians leaving their homeland to seek better opportunities abroad, through the character of a farm boy who leaves his home – and his cat – to become a “city boy”.
Another hot favourite is Switzerland, with Nemo singing The Code.
The 24-year-old non-binary performer draws on their childhood opera singing to pull together an impressive song which scales rap, rock, drum ‘n bass and classical opera.
The message in this one is self-acceptance and the freedom for each one of us to live our lives openly and without fear of judgement.
Image: Switzerland’s Nemo with The Code. Pic: Alma Bengtsson/EBU
Meanwhile, a song that’s been growing in popularity is Ukraine’s Teresa & Maria sung by Alonya Alonya and Jerry Heil.
Alonya, 28, is a well-known rapper in Ukraine, while Heil, 32, found fame on YouTube and appeared on the country’s version of X-Factor.
Utterly hummable, the folk-inflected anti-war song paying tribute to Mother Theresa and the mother of Christ has a strong heritage and shares a songwriter with Kalush Orchestra’s winning 2022 entry Stefania.
Image: Ukraine’s Alyona Alyona & Jerry Heil with Teresa & Maria. Pic: Alma Bengtsson/EBU
In with a chance
Also in the running is Italy with Angelina Mango’s La Noia, which translates as “Boredom”.
The 23-year-old told Italian rock magazine Rockol that while boredom is often seen as a negative thing, she sees it as a time for self-discovery, adding: “Between a life of highs and lows and one of boredom, I will always choose one of highs and lows, but I will always leave myself time for boredom too.”
Image: Italy’s Angelina Mango with La Noia. Pic: Alma Bengtsson/EBU
Meanwhile, Netherlands act Joost has by far the biggest earworm of the crop with Europapa – a song that will delight and infuriate in equal measure. Indeed, one early review of the song proclaimed it was so bad, it had the power to “put you off music forever”.
Despite the silliness of the happy hardcore-infused pop song and the OTT nature of his shoulder-pad-enhanced performance, 26-year-old singer Joost Klein had a heartbreaking inspiration for the song – the loss of both his parents by age 13.
Image: Netherlands act Joost with Europapa. Pic: Sarah Louise Bennett/EBU
The track is about an orphan who travels around Europe trying to find himself, as his father taught him to believe in a Europe without borders, celebrating the national food of each nation en route.
Host country Sweden is also seen as having a chance for back-to-back wins, represented by Norwegian twin brothers Marcus and Martinus Gunnarsen performing their presumptuously titled song Unforgettable.
Image: Sweden’s Marcus & Martinus with Unforgettable. Pic: Alma Bengtsson/EBU
But Eurovision voters – made up equally of public votes and a jury of music experts – will of course be the judge of that.
Other notable mentions include France’s Silmane giving a heartfelt rendition of Mon Amour and Ireland’s Bambie Thug singing Doomsday Blue – a song she’s described as “an electro-metal breakdown”.
Image: France’s Slimane with Mon Amour. Pic: Corinne Cumming/EBU
Image: Ireland’s Bambie Thug with Doomsday Blue. Pic: Sarah Louise Bennett/EBU
What about the UK?
As one of the “Big Five” (the countries that contribute the most to the EBU along with France, Germany, Spain and Italy) the UK is guaranteed a place in the final. Plus, as the host nation, Sweden gets an automatic pass too.
This year the UK are represented by ex-Years And Years star Olly Alexander singing the dance-pop track Dizzy.
Performed in a glass box full of boxers, quirky choreography and a catchy refrain have placed it in the top 10, but we’re unlikely to be contenders for the top spot.
Indeed bookmakers reckon the UK are more likely to come last than nail the top spot.
Image: UK’s Olly Alexander with Dizzy. Pic: Corinne Cumming/EBU
Controversy this year
There have been calls on the European Broadcasting Union EBU to ban Israel from competing in the show, due to their ongoing ground offensive in Gaza.
An apolitical organisation, the EBU has said Israel will remain in the competition.
In comparison to Russia’s removal from the show back in 2022 due to its invasion of Russia, the EBU say Israel’s broadcaster Kan hasn’t broken any rules. They say Moscow was banned for using their broadcasting channels as a tool for political propaganda multiple times.
Image: Israel’s Eden Golan with Hurricane for Israel. Pic: Sarah Louise Bennett/EBU
Normally strong Eurovision contenders, four-time winners Israel is represented by 20-year-old Eden Golan, and ranks in the top 10. But how the public will vote for them in the second semi-final heat on Thursday remains to be seen.
Golan’s song Hurricane was Israel’s third proposed entry after contest bosses rejected their first two songs over lyrics deemed political.
More than 34,000 people have been killed, and over 78,000 have been injured in Gaza since the conflict began, according to Gaza’s Hamas-led health ministry.
Israel retaliated after Hamas fighters killed more than 1,000 Israelis and took hundreds of hostages in attacks on 7 October last year.
Any other songs that have stirred up a fuss?
Spain’s entry, Zorra, by husband and wife act Nebulossa, has drawn controversy because its title can be translated as an anti-female slur.
While it’s been officially translated as “Vixen,” it’s a term used in Spain which would translate in the UK as “Bitch” or “Slut”.
Image: Spain’s Nebulossa with Zorra. Pic: Alma Bengtsson/EBU
Lyrics include: “If I head out solo, I’m a bit of a bitch/ If I’m having fun, I’m the biggest bitch/…When I get what I want (bitch, bitch) /It’s never ’cause I deserve it (bitch, bitch) … Well, she’s been empowering herself, And now she’s a picture-perfect bitch.”
The Feminist Movement of Madrid has called for it to be withdrawn from Eurovision, saying it insults women and is not suitable for a family audience.
Singer Maria Bas has argued her lyrics describe how a woman is referred to as a “zorra” no matter what she does, and that the song highlights society’s double standards, reclaiming a word that is weaponised against women only.
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Spain’s prime minister added his twopenneth this week, saying he liked the song and joking about how right-wing critics might have preferred the national anthem used during the Franco dictatorship as Spain’s Eurovision submission.
The hard-right Vox party hit back by saying Pedro Sanchez would prefer to listen to the communist anthem The Internationale.
The Eurovision semi-finals are on Tuesday and Thursday evening, ahead of the grand final on Saturday night.
Sky News will be in Malmo with updates, a live blog, and all the biggest news from the contest as it happens.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”