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Dearest gentle reader, it has been a while since our last visit to the ton and this time around, our wallflower Penelope Fetherington is about to bloom.

Played by Derry Girls’ Nicola Coughlan, the close friend of the Bridgerton family just so happens to be the anonymous writer of high society’s gossip column, Lady Whistledown.

Season three focuses on the love story between her and Colin Bridgerton, played by Luke Newton.

“I really do feel parallels between what our characters go through and how we felt as actors on the show,” says Newton about taking on the leading role with Coughlan by his side.

“Colin comes back and he’s got all this attention and as much as he’s still trying to navigate his way through the storyline with Penn… he doesn’t really understand why he’s getting all this attention and he’s trying to process that. And I guess that’s why it doesn’t really see what’s right in front of him immediately.”

He adds: “There’s definitely parallels that cross over into the real world, and I think as an actor, I find it really difficult not to let things sort of like seep into my own life as well.”

Coughlan agrees.

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She says: “You live in these characters for so long that it makes you think and it makes you examine everything. It’s funny because it’s a show that’s light and beautiful and fun and airy, but it was a profound experience. I was shocked by how much I felt going through it. It was amazing.”

Bridgerton series three. Pic: Netflix
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Pic: Netflix

Were the TikTok theories correct?

Since the first images of season three were released, fans of the show have been deep-diving into the possible reasons behind the show’s aesthetic decisions on TikTok – namely about Penelope Fetherington’s hair, make-up and choice of wardrobe and what it means for her relationship with Colin Bridgerton.

“I wanted her physicality to feel distinctly different in each season,” says Coughlan.

“I needed her to start feeling comfortable in her skin because she has this aesthetic transformation initially when she changes her hair, changes her wardrobe, but you could see straight away she doesn’t inhabit it.”

She adds: “She’s completely uncomfortable because she’s not done any inner work so she’s still the same insecure young girl.”

The Irish actress says she has always seen her character as a “yo-yo”, someone who tries to break out of her shyness and speak up only to revert back instantly.

“As she grows and accepts her womanhood and her sexuality, she starts to feel different. And I needed her to feel more relaxed and also then the physicality between us [Newton] had to change as well when they become sort of intertwined.”

What is season three of Bridgerton about?

Bridgerton series three. Pic: Netflix
Image:
Pic: Netflix

Season three follows on from the aftermath of the Fetherington Ball when Penelope overhears Colin say he would never court her.

She decides to forget about her crush on the Bridgerton bachelor and seek a husband who will allow her the freedom to continue her double life as Lady Whistledown.

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The cast also includes Golda Rosheuvel as Queen Charlotte, Adjoa Andoh as Lady Danbury, Hannah Dodd as Francesca Bridgerton and Jessica Madsen as Cressida Cowper.

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Claudia Jessie, who plays Penelope’s former best friend Eloise Bridgerton, says working on the show has been a pleasure.

“You don’t come away from every single job as an actor being like, I’m 100% confident with everything about that job, that doesn’t always happen, but this one’s a pleasure. Because you do.”

She adds: “I guess if you could have got a child to draw a picture of what their ideal acting job would look like, it would probably look like this so, I feel very lucky.”

Potential future spin-offs

It has been over two years since season two first aired on Netflix, allowing some breathing room for the show’s first spin-off, Queen Charlotte.

The limited series looked at the young life of the ton’s royalty as she met her husband, King George III.

Bridgerton series three. Pic: Netflix
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Pic: Netflix

Looking ahead, Madsen, who plays Cressida Cowper, says she would love to see Portia Fetherington in a stand-alone show.

Newcomer Dodd says “Keeping Up With The Cowpers” would be a vibe.

Jessie says any potential spin-off involving her character Eloise would simply be “carnage”.

Part one of Bridgerton season three is available to stream on Netflix from 16 May.

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PM’s rap battle with Sky’s Beth Rigby goes viral – and one of the AI satirists behind it explains why

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PM's rap battle with Sky's Beth Rigby goes viral - and one of the AI satirists behind it explains why

Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.

A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.

On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.

He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.

“So we are the new and improved Spitting Image, the much better Have I Got News For You?”

He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.

Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.

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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.

“Crewkerne Man” says providing satire for younger people is important as Labour is lowering the voting age.

Asked why he is trying to be anonymous, the man said the project is not about one person – or even the whole group – but rather their output.

He also claimed the UK is “increasingly seeing arrests – especially with comedians”, pointing to the Graham Linehan case.

“So we just never know where the Labour Party is going to drive the policy next, in regards to free speech,” he said.

“So for me, certainly it’s a matter of safety.”

Watch Beth Rigby’s actual interview with Sir Keir Starmer below.

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The prime minister defends the budget

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Tilly Norwood: Creator of AI actress insists she’s not designed to steal jobs

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Tilly Norwood: Creator of AI actress insists she's not designed to steal jobs

The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.

AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.

Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.

AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”

“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”

Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”

Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.

“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”

Eline Van der Velden said she wanted the character to 'have her own creative path'
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Eline Van der Velden said she wanted the character to ‘have her own creative path’

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Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.

“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.

The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.

The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.

Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.

In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.

Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.

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Why was Palestine Action proscribed?

She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”

Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.

“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.

Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.

She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”

Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.

“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.

The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.

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