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Consistently billed by organisers as non-political, this year’s Eurovision Song Contest had become mired in controversy before the first act even took to stage

As thousands protest against Israel’s inclusion while its war in Gaza continues – despite international calls for restraint – organisers resisted pressure to exclude Israel.

While Israeli artist Eden Golan was asked to change lyrics organisers felt referred to Hamas’s deadly 7 October attacks, large protests have continued in Swedish host city Malmo throughout this week.

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Waving Palestinian flags, demonstrators shouted “Eurovision united by genocide” – a twist on the contest’s official slogan “united by music”. Israel’s Prime Minister Benjamin Netanyahu previously dismissed genocide claims as “outrageous”.

Calls to ban Israel

Ahead of Saturday’s final, between 6,000 and 8,000 people joined a demonstration, according to police estimates.

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Security has been ramped up in the city, which expected to welcome 100,000 Eurovision fans on top of the thousands of pro-Palestinian protesters.

More than 10,000 campaigners, including climate activist Greta Thunberg, staged a non-violent protest ahead of the semi-final on Thursday.

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Pro-Palestinian protests in Malmo

A smaller group of pro-Israeli supporters, including members of Malmo’s Jewish community, also staged a peaceful demonstration on Thursday, defending Golan’s right to take part in the contest.

This week, former Swedish contestant Eric Saade, who is said to be of Palestinian origin, wore a keffiyeh – a traditional scarf that has become a symbol of support – tied around his wrist as he sang.

Organisers at the European Broadcasting Union (EBU) put out a statement expressing “regret” over Saade’s actions.

Dutch act expelled

As preparations on the day got into full swing, organisers would be hit with two major blows from two of this year’s hotly-tipped performers.

The first of those came from the Netherlands, with organisers announcing Dutch entry Joost Klein had been expelled from the competition after a complaint by a production worker.

Joost Klein. Pic: AP
Image:
Joost Klein. Pic: AP

According to Dutch broadcaster AVROTROS, Klein was filmed despite clearly made agreements, just after getting off stage after his performance at Thursday’s semi final.

“This wasn’t respected,” AVROTROS said in a post on social media platform X, adding: “This led to a threatening movement from Joost towards the camera.”

Klein did not touch the camerawoman, according to AVROTROS, who said it found the artist’s penalty “very heavy and disproportionate”.

Irish act calls for ‘urgent attention’

Barely a few hours later, Ireland’s entry Bambie Thug missed the flag parade in the show’s final rehearsal due to a “situation” needing “urgent attention” from organisers.

The singer has previously hit out at Golan competing in the contest and been outspoken about their pro-Palestinian views before becoming the first Irish qualifier since 2018.

Pic: Reuters
Image:
Bambie Thug. Pic: Reuters

Irish broadcaster RTE reported that the singer called on organisers to address commentary made on Israeli television before their performance in Tuesday’s semi-final.

They told the broadcaster: “I’m angry with other teams breaching their rules of the EBU, and still being allowed in.

“So there’s definitely a war drum sounding in my heart to push the performance even more than I have done before.”

Earlier this week, Bambie Thug told reporters they had been forced to change writing painted on their body ahead of the semi-final performance.

The 31-year-old said the painted script in Ogham – an early Medieval alphabet – had translated to “ceasefire and freedom”.

‘United by love’

While Bambie Thug missed a chunk of rehearsals, another act used his practice on stage to make a statement.

In an apparent reference to Eurovision’s motto, French contestant Slimane stopped mid-way through his rehearsal to say “united by music, yes, but for love, for peace”.

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His chant appeared to be met with a loud round of applause in the auditorium.

Meanwhile, Norway’s Alessandra Mele, who was scheduled to award her country’s points during the show, withdrew due to the “inflamed situation in Malmo this year”, according to broadcaster NRK.

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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
Image:
Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
Image:
Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
Image:
Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
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Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
Image:
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
Image:
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

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In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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Russell Brand charged with rape and sexual assault

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Russell Brand charged with rape and sexual assault

Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

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Ashna Hurynag discusses Russell Brand’s charges

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

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The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

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