This year’s Cannes Film Festival is getting under way with, as always, a French movie opening proceedings and celebrities lining the red carpet.
Lea Seydoux is among the stars in The Second Act, which tells the story of actors working on a doomed movie production – a delightfully wicked way to kick off the world’s most famous film festival.
Away from opening night, here are five more films playing at Cannesthat are worth keeping an eye on.
Furiosa: A Mad Max Saga
Image: Anya Taylor-Joy as Furiosa in Furiosa: A Mad Max Saga. Pic: Warner Bros/ Domain Pictures
A post-apocalyptic action adventure, this is a prequel to Mad Max: Fury Road – which won six Oscars and is largely regarded as one of the best action films ever. Furiosa is by the same director, George Miller, and early reviews suggest it’s somewhat different to its predecessor but equally brilliant. With stars including Anya Taylor-Joy, Chris Hemsworth and Tom Hardy, it should be a great way to kick off summer blockbuster season – in cinemas from 24 May, so audiences who aren’t on the French Riviera don’t have long to wait too long.
Megalopolis
Image: Adam Driver and Nathalie Emmanuel in Megalopolis. Pic: American Zoetrope
Legendary director Francis Ford Coppola‘s self-financed passion project is playing in competition at the festival. The filmmaker is reported to have spent several decades and more than a million dollars of his own money making the sci-fi, which is described as a Roman epic fable set in an imagined modern America. The ensemble cast includes Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne and Dustin Hoffman – and as Coppola’s first film to be released since 2011, expectations are high for this one.
The Apprentice
Image: Jeremy Strong (lawyer Roy Cohn) and Sebastian Stan (Donald Trump) in The Apprentice. Pic: Apprentice Productions Ontario / Profile Productions/ Tailored Films
AsDonald Trumpcontinues to grab headlines in the US, this film looks at the former president’s life before politics, his career in real estate in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, but little else is known about the drama ahead of its world premiere at Cannes. Promoters say it tackles themes of power, corruption and deception – so now it’s a watch and wait to see if the billionaire has anything to say about his life becoming fodder for the big screen.
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Image: Kevin Costner in Horizon: An American Saga. Pic: Warner Bros
Another passion project making its way to the south of France is the first half of this two-parter Western co-written, starring and directed by Kevin Costner. The actor first pitched a version of this movie back in 1988 so it’s been brewing since long before the Western drama series Yellowstone that he’s been busy with during recent years. Audiences will be going in knowing they won’t get the whole story, and with a 181 minute running time it’s quite the commitment – but perhaps not as big as Costner’s himself; he’s personally financed the films, which currently have a budget of almost $100m.
Kinds Of Kindness
Image: Margaret Qualley, Jesse Plemons and Willem Dafoe in Kinds Of Kindness. Pic: Searchlight Pictures
Mere months after Yorgos Lanthimos’s Poor Things won four Oscars, the director has got the gang back together for a new film premiering at Cannes, also starring Emma Stone, Willem Dafoe and Margaret Qualley. Described as a “triptych fable”, the film tells three stories that are loosely connected. Known for his strange tales and specific vison, while Lanthimos’s movies aren’t for everyone they certainly can’t be accused of being dull. However, with little to be gleaned from the teaser trailer that’s been released so far, it will be all eyes on Cannes to see what audiences make of this one.
British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.
Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.
While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.
The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”
He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.
His co-star, English actor Elliot Levey, took best actor in a supporting role.
Giant was also named best new play.
Image: Lesley Manville was best actress. Pic: PA
Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.
She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.
Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.
Image: Romola Garai was best actress in a supporting role. Pic: PA
Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.
Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.
Image: Elliot Levey was best actor in a supporting role. Pic: PA
Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!
The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.
The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
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Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
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Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”