This year’s Cannes Film Festival is getting under way with, as always, a French movie opening proceedings and celebrities lining the red carpet.
Lea Seydoux is among the stars in The Second Act, which tells the story of actors working on a doomed movie production – a delightfully wicked way to kick off the world’s most famous film festival.
Away from opening night, here are five more films playing at Cannesthat are worth keeping an eye on.
Furiosa: A Mad Max Saga
Image: Anya Taylor-Joy as Furiosa in Furiosa: A Mad Max Saga. Pic: Warner Bros/ Domain Pictures
A post-apocalyptic action adventure, this is a prequel to Mad Max: Fury Road – which won six Oscars and is largely regarded as one of the best action films ever. Furiosa is by the same director, George Miller, and early reviews suggest it’s somewhat different to its predecessor but equally brilliant. With stars including Anya Taylor-Joy, Chris Hemsworth and Tom Hardy, it should be a great way to kick off summer blockbuster season – in cinemas from 24 May, so audiences who aren’t on the French Riviera don’t have long to wait too long.
Megalopolis
Image: Adam Driver and Nathalie Emmanuel in Megalopolis. Pic: American Zoetrope
Legendary director Francis Ford Coppola‘s self-financed passion project is playing in competition at the festival. The filmmaker is reported to have spent several decades and more than a million dollars of his own money making the sci-fi, which is described as a Roman epic fable set in an imagined modern America. The ensemble cast includes Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne and Dustin Hoffman – and as Coppola’s first film to be released since 2011, expectations are high for this one.
The Apprentice
Image: Jeremy Strong (lawyer Roy Cohn) and Sebastian Stan (Donald Trump) in The Apprentice. Pic: Apprentice Productions Ontario / Profile Productions/ Tailored Films
AsDonald Trumpcontinues to grab headlines in the US, this film looks at the former president’s life before politics, his career in real estate in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, but little else is known about the drama ahead of its world premiere at Cannes. Promoters say it tackles themes of power, corruption and deception – so now it’s a watch and wait to see if the billionaire has anything to say about his life becoming fodder for the big screen.
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Image: Kevin Costner in Horizon: An American Saga. Pic: Warner Bros
Another passion project making its way to the south of France is the first half of this two-parter Western co-written, starring and directed by Kevin Costner. The actor first pitched a version of this movie back in 1988 so it’s been brewing since long before the Western drama series Yellowstone that he’s been busy with during recent years. Audiences will be going in knowing they won’t get the whole story, and with a 181 minute running time it’s quite the commitment – but perhaps not as big as Costner’s himself; he’s personally financed the films, which currently have a budget of almost $100m.
Kinds Of Kindness
Image: Margaret Qualley, Jesse Plemons and Willem Dafoe in Kinds Of Kindness. Pic: Searchlight Pictures
Mere months after Yorgos Lanthimos’s Poor Things won four Oscars, the director has got the gang back together for a new film premiering at Cannes, also starring Emma Stone, Willem Dafoe and Margaret Qualley. Described as a “triptych fable”, the film tells three stories that are loosely connected. Known for his strange tales and specific vison, while Lanthimos’s movies aren’t for everyone they certainly can’t be accused of being dull. However, with little to be gleaned from the teaser trailer that’s been released so far, it will be all eyes on Cannes to see what audiences make of this one.
The Kessler Twins, German sisters famous across Europe for their singing and dancing, have died together through assisted means, local police have said.
Content warning: this article contains references to suicide
Munich officers said in a statement on Tuesday that Alice and Ellen Kessler had died by “joint suicide” at their shared home in Grunwald. They were 89.
The German Society for Humane Dying, a group in support of assisted dying, told Sky’s US partner network NBC News that the sisters had “been considering this option for some time”.
It added they had been members for more than a year and that “a lawyer and a doctor conducted preliminary discussions with them”, and said: “People who choose this option in Germany must be absolutely clear-headed, meaning free and responsible.
“The decision must be thoughtful and consistent, meaning made over a long period of time and not impulsive.”
In an interview last year with the Italian news outlet Corriere della Sera, the sisters said they wished to die together on the same day.
Image: Alice and Ellen Kessler on stage in Stuttgart on 21 November 2006. File pic: AP
A ban on assisted dying in Germanywas overturned by the country’s federal court in 2020.
While the practice is not explicitly permitted, judges said at the time the previous law outlawing it infringed on constitutional rights.
Alice and Ellen were born in 1936 and trained as ballet dancers in their youth. They began their entertainment careers in the 1950s after their family fled from East Germany to West Germany.
Professionally known as The Kessler Twins, they were then discovered by the director of the Lido cabaret theatre in Paris in 1955, launching their international career.
In 1959, the sisters also represented a now-unified Germany at the Eurovision Song Contest, held in Cannes, France.
Actor Anna Maxwell Martin and a group of parents have warned that primary school tests have “devastating effects” for children with special educational needs and disabilities (SEND).
They have written an open letter to the government asking ministers to consider reforming SATs (standard assessment tests) to accommodate the youngsters’ needs.
The 22 parent groups say the system is damaging for children with SEND and they want to see a more inclusive approach which incorporates the needs of the individual child.
The letter to Education Secretary Bridget Phillipson said the current system “actively harms” children with SEND, leaving them often disengaged from school as they move on to secondary school.
Maxwell Martin, who has starred in TV comedy Motherland and police drama Line Of Duty, said: “The government needs to look much harder at how to make things better for children in schools, particularly children with SEND.
“This is a systemic failing within our assessment system, not the fault of any individual teacher or headteacher.”
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Research by the SEND parent group said only 24% of SEND children passed the SATs, and 67% of SEND children did not want to attend school because of them.
Half of the parents questioned also said their child’s self-esteem was damaged, and they believed SATs would have a lasting negative impact.
Image: File pic: iStock
‘Change the system’
The letter to Ms Phillipson said: “Forcing children into a system that actively harms them is not the answer. Changing the system so that our children want to attend is.”
But some think SATs do not serve any child.
Lee Parkinson MBE, a primary school teacher and education consultant from Manchester, said SATs are a negative process for all children, not just children with SEND.
He told Sky News: “SATs don’t serve any child, let alone those with SEND. They were never designed to support learning.”
He called the tests a “blunt accountability tool, a stick to beat schools with, rather than something that helps teachers understand children”.
Image: Primary school teacher Lee Parkinson
‘Speed rewarded over understanding’
Mr Parkinson claimed SATs were “built to catch pupils out. They reward speed over understanding and memorisation over genuine thinking”.
“That alone disadvantages huge numbers of children, but for pupils with SEND the gap becomes a chasm. Processing speed, anxiety, sensory needs, working memory difficulties, language disorders… none of these are accounted for in a system that measures every child by the same stopwatch and mark scheme.”
Mr Parkinson added: “For many SEND pupils, success in school looks like communication gains, emotional regulation, confidence, independence and steady academic growth in a way that matches their needs.
“SATs don’t measure any of that. Instead, they label, limit and distort the reality of what progress actually looks like for the children who need thoughtful, personalised provision the most.”
The open letter also said children with SEND who failed SATs “spend their entire year 6 convinced they are not clever enough”.
Sarah Hannafin, head of policy at school leaders’ union NAHT, said there is an “urgent need” for the government to rethink the value of SATs.
“If statutory tests are here to stay, they must be designed to be accessible for the vast majority of pupils, they should recognise the attainment and progress of all children, and they should not damage children’s confidence or cause distress,” she said.
What does the government say?
A Department for Education spokesperson said: “Primary tests and assessments play a vital role in helping schools ensure every pupil can achieve and thrive, while also identifying those who need additional support.”
“The government’s independent, expert-led Curriculum and Assessment Review panel shaped key recommendations aimed at improving our national curriculum, and included key insights from SEND experts.
“We are actively working with parents and experts to improve support for children with SEND, including through more early intervention to prevent needs from escalating and investing £740 million to encourage councils to create more specialist places in mainstream schools.”
Joshua, who goes in with a record of 28 wins and four losses, promised the American “no mercy” ahead of his comeback.
“I took some time out, and I’m coming back with a mega show. It’s a big opportunity for me. Whether you like it or not, I’m here to do massive numbers, have big fights and break every record whilst keeping cool, calm and collected,” he said.
“Mark my words, you’ll see a lot more fighters take these opportunities in the future. I’m about to break the internet over Jake Paul’s face.”
If Jake Paul wins, he’ll be in the running for a title, according to his manager, Nakisa Bidarian, chief executive of Most Valuable Promotions.
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Image: Jake Paul. File pic: Reuters
He said: “For Jake it’s doing the impossible, silencing the doubters and putting himself in a position to be in conversation for a belt, and he gets that if he beats Anthony Joshua.
“And for Joshua it’s pretty simple: he’s been out for quite a bit of time, he comes back and does one of the biggest events in the world, and if he knocks out Jake Paul he will be idolised by many within boxing.”
He continued: “What we’ve accomplished in four years with Jake, with no amateur background, with no Olympic pedigree, makes everyone kind of take a step back and say, ‘What is going on here? How is this possible?’
“It angers people in boxing that we can come in and get as much attention and notoriety as we have, as quickly as we have.”
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‘Joshua could inflict horrendous damage on Paul’
Paul was due to face Gervonta Davis this month, but the bout was cancelled after a civil lawsuit was filed against the WBA lightweight champion.
The 28-year-old, who has a 12-1 record, last fought at heavyweight when he beat Mike Tyson by unanimous decision in November last year, in what was the then 58-year-old’s first fight in 19 years, before following that up in June with another unanimous decision victory over Julio Cesar Chavez Jr.
Paul labelled the fight in Miami as “Judgement Day.”
“A professional heavyweight fight against an elite world champion in his prime. When I beat Anthony Joshua, every doubt disappears and no one can deny me the opportunity to fight for a world title.
“To all my haters, this is what you wanted. To the people of the United Kingdom, I am sorry. On Friday, December 19, under the lights in Miami, live globally only on Netflix, the torch gets passed and Britain’s Goliath gets put to sleep.”