Streams of Punjabi music have seen a massive rise, but some fans aren’t pleased with the direction the genre is heading in.

The 2002-hit Mundian To Bach Ke by UK-based producer Panjabi MC is what put the music on the map for the very first time.

Since then, the music has changed, and many more people are listening.

Data from Spotify shared exclusively with Sky News reveals that UK streams have risen by 286% over the past five years and a massive 2077% globally.

“The signs are there that Punjabi music is only going to continue to grow in influence around the world,” said Safiya Lambie Knight, head of music, UK & Ireland at Spotify.

The blend with hip-hop alongside collaborations with mainstream artists such as Burna Boy and Ed Sheeran has captivated listeners, regardless of their spoken language.

With billions of views and streams, one of the top-performing artists in the genre right now is Karan Aujla.

Originally from a village called Ghurala in India, the 27-year-old’s quick-witted bars and innovative melodies helped him make history earlier this year as the first Punjabi artist to win a Juno Award.

Speaking exclusively to Sky News after his show at London’s O2 arena, Aujla said: “I’m just a kid that came from nothing, from a small village so if you told me 10 years before I’ll be performing at the O2 London and selling out the whole arena, I wouldn’t know if that’d be possible, but we did it today.

“So if anybody out there is watching me, just know that it’s all possible.

Aujla’s ability to fuse genres such as hip-hop and R&B with Punjabi folk music has earned him a fanbase of non-Punjabis too.

“I feel like music itself has no language, and it’s just so lovely how somebody that doesn’t know your language could still vibe to your music. And I’ve seen that with my own eyes at my shows and in my DMs, or like on Facebook or wherever, when people send me videos of jamming to my songs, but they’re from a whole different country.”

He added: “I feel like Punjabi music will be one of the biggest things in this whole world in the next few years, and I believe in that.”

But as the genre has grown over the last few years, some of the top singers have come under increased scrutiny for promoting and glorifying drugs, violence and gun culture through their lyrics and music videos.

It was this trend that forced one of the genre’s biggest radio stations – Panjab Radio, based in London – to ban some singers from their airwaves.

The station’s managing director, Surjit Singh Ghuman MBE, who made the decision three years ago, said: “My personal belief is that lots of youngsters went from Punjab to Western countries, especially Canada and America, where there’s a big drug scene there, there’s a big gun culture there, and I think it all stemmed from there.

“It makes me feel sad because that is not our culture. Guns and drugs is not Punjabi culture.”

Mr Ghuman said that when the station started broadcasting in 2000: “We didn’t need to listen to the whole song, but now with the new music, we have to listen to every single song before it goes onto the system because there’s lots of swear words.

“I think it’s all about the views now. It doesn’t matter what the message is you’re giving to the youngsters or the community, it is to do with earning money.”

But Mr Ghuman is hopeful “positive changes are coming” and that singers will “start to focus their songs on the rich Punjabi culture rather than violence”.

However, while there’s hope, the controversies don’t seem to be fading.

Just last month, singer AP Dhillon, who’s signed to the same record label as Taylor Swift, released a song called Old Money, which contains violent scenes throughout its music video, so much so that it required a warning at the start.

This month, Dhillon’s home in Canada was shot at several times and vehicles were set alight. Nobody is believed to have been injured in the attack.

Preliminary investigation suggests that this was a targeted event according to the Royal Canadian Mounted Police, who are still investigating the suspects in the attack to establish a motive.

Sky News asked AP Dhillon’s team for a comment.

For now, the UK stands as a quieter but important player in the world of Punjabi music – a place where the focus remains on cultural celebration rather than controversy.

While controversies have accompanied its rise, the genre’s ability to evolve and resonate with diverse audiences suggests a bright future ahead.

Lily Allen says she had her children “for all the wrong reasons,” at a “high pressure” point in her career when she felt “overwhelmed”.

The singer and actress had her two daughters, Marnie, 12 and Ethel, 11, with her ex-husband Sam Cooper when she was in her mid-20s.

By the time she became a mum, she’d already had hit singles including Smile and The Fear, released two studio albums and received a Brit Award for best British female solo artist.

Speaking about motherhood on the BBC podcast Miss Me?, which Allen hosts with her long-time friend Miquita Oliver, she said: “I think I had children for all the wrong reasons, really.

“Because I was yearning for unconditional love, which I haven’t felt in my life since I was a child.”

The now 39-year-old star added: “And also, my career was at such high speed, high pressure, and I felt like very overwhelmed by what was happening. I just didn’t get much respite you know?

“And I felt like the only way to stop people hassling me was to say, ‘It’s not about me, actually this is about this other person that’s inside me’.

When asked by Oliver if it worked, Allen says: “Yeah, they did leave me alone. I don’t think I really understood what was happening, what I got myself into.”

The daughter of actor Keith Allen and film producer Alison Owen, she went on to discuss her own childhood.

“My mum, bless her, had children really early as well, and she really struggled. But she doesn’t really talk about the struggle. And so… She inadvertently gaslit me into thinking it was, you know, easy.

“You just sort of throw the kid over your shoulder and you get on with it.

“Her job was very static, and in one place and went to an office and mine wasn’t like that at all. It wasn’t easy. It just wasn’t easy.”

The ‘nasty scars’ caused by absent parents

Allen previously told the Radio Times podcast that while she loves her children, having them “ruined her career”.

She said her decision to prioritise them over her pop career was a decision she made so as not to inflict the “nasty scars” of being an “absent” parent onto them.

She also said the myth of having it all “really annoyed” as it simply was not true.

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Allen, whose younger brother is Game Of Thrones actor Alfie Allen, married Stranger Things star David Harbour in 2020.

Away from her music career, Allen has branched out into acting over the last few years, starring in two plays in London’s West End, and winning a role in Sky drama Dreamland last year.

Sir Michael Craig-Martin is one of the most influential artists of his generation – but he says he’s had “terrible things” said about the work he’s now famous for.

The 83-year-old’s long career is now the subject of a major retrospective opening this weekend at the Royal Academy.

But he told Sky News: “I’ve had terrible things said about all the work that now people think is wonderful… If you can’t survive criticism… you’re in the wrong game.”

The Royal Academy retrospective brings together his life’s work in one show, including his early experimental sculpture, his landmark conceptual work and a new immersive digital work.

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While much of Sir Michael’s painting has been dominated with depictions of modern icons, like laptops and iPhones, he says technology has made it “harder for people to look” at his work.

“We’ve become probably the most visual age there’s ever been and at the same time it’s become harder and harder for people to actually look,” he said.

“[Paintings] don’t move – you have to come to them, you have to give them a little time,” he explained, adding that nowadays people are more “used to something that’s doing something for them”.

The subject matter of much of Craig-Martin’s large-scale, vivid colour paintings of everyday objects – from trainers to paperclips, glasses to coffee cups – is universally understood and easily accessible.

“What’s ordinary is what unites everybody,” he explains.

“When you buy a coffee, they give you the cup. You don’t buy the cup, it’s free with the coffee, and yet to make a painting out of it is to give it a certain kind of presence, a certain kind of dignity, a way of looking at it that may be different, to what its value or use is.”

Now in his 80s, Sir Michael’s work has become sought-after around the world. Not only has he proven to be one of the most successful artists of his generation, he’s also been one of the most influential teachers.

In the late 80s, his students at Goldsmiths would go on to be the headline-making Young British Artists, or YBAs as they became known – and they include Damien Hirst and Sarah Lucas.

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“They were very, very young,” Sir Michael explained. “There were people who said to me that it was very dangerous for them to be having this kind of success because they were so young and my advice to them at the time was ‘if the door opens, it’s best to go through it’.”

Decades before, in 1974, he’d made headlines of his own with a piece called An Oak Tree – now widely considered a landmark moment in the history of conceptual art.

Recreated for the retrospective, provocatively you won’t find any big logs propped up in a gallery as the piece is just a glass of water on a glass shelf.

“People often do say to me… it changed my idea about what I thought art was, what it could be, my relationship, and that’s an amazing thing to be able to say.”

Challenging us all to look with fresh eyes at the ‘ordinary’ all around us, Michael Craig-Martin’s body of work is proof of why he is one of the most extraordinary artists working today.

Michael Craig-Martin is at the Royal Academy in London from 21 September to 10 December.