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Director George Miller says the Mad Max film franchise that exists today was borne out of limitations.

Originally an emergency room doctor, the Australian director transitioned into film and created the story of a world where limitation is a central theme and abundance a dream.

Pic: Warner Bros/Domain Pictures
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(L-R): Taylor-Joy with Miller on set. Pic: Warner Bros/Domain Pictures

The Australian director made his first Mad Max film in 1978 with a crew of 35 and a fresh-faced Mel Gibson as the lead.

He says it was filmed on a discarded camera lens from a Steve McQueen film, and the lack of resources to create the project ended up working in his favour.

director George Miller attends the unveiling ceremony of Chris Hemsworth's star on the Hollywood Walk of Fame in Los Angeles, California, Pic: Reuters
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George Miller. Pic: Reuters

He tells Sky News: “The first Mad Max was definitely borne out of limitations. It ultimately turned out to be very key to it.”

The 79-year-old says the original story was written as a “contemporary story set in the city of Melbourne,” but financial limitations spawned the idea of it being set in a “dystopian future”.

“We couldn’t afford to have car chases in the middle of the street,” he says. “We couldn’t afford [to have] the extra cars or put stuntmen in those cars. We couldn’t have extras in the street, trams or busses and we couldn’t use the buildings so we decided to set it a few years in the future.”

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Miller says they decided to instead focus on what they could use and thus the Mad Max franchise we know today was created.

“We could shoot in backstreets, where there were no extras and no cars, or shoot in really old, decrepit buildings where the people wouldn’t ask you for rent. And that led to the film becoming more allegorical.

“Had we not done that? I don’t think we’d be still doing it.”

Pic: Warner Bros/Domain Pictures
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Pic: Warner Bros/Domain Pictures

Burnt land and no speed limits

Miller is a cinephile at heart and for Mad Max, he had a vision – for it to be shot on a “big anamorphic widescreen”.

He previously credited his childhood in rural Queensland and the over-powering car culture there as the influences for Mad Max.

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At the time, the area consisted of completely flat roads, burnt land and no speed limits – the results of which Miller witnessed as an emergency room doctor at the age of 26.

“We couldn’t afford the cameras, or the lenses, but there was a set of lenses in Australia at the time, in one particular place that had been dumped out of Hollywood from the movie that Sam Peckinpah shot called The Getaway with Steve McQueen and Ali MacGraw”.

All but one of these lenses was “wrecked”.

He says: “The rental house virtually gave it to us for nothing. There was one lens called the 35mm lens, and we used that and it allowed us to get much more dynamics in the shot”.

Pic: Warner Bros/Domain Pictures
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Pic: Warner Bros/Domain Pictures

Why are moments in the Mad Max franchise sped up?

Inspired by the silent film era, Miller’s aim was to create “pure cinema” and make “‘a silent film with sound”.

To achieve the aesthetic he craved, he played around with frame rates.

In film, video is essentially a number of images (frames) captured sequentially to make the image move. Movies display 24 frames per second.

Miller says his plan was to shoot everything at high speed but, because of financial restraints, could not use speed ramps as it would cost the equivalent of a day of filming.

When he started to edit Mad Max he noticed “something was too slow” and to achieve the look he desired, began removing frames from the sequence.

“It looks a little bit like the old silent movies and sped up. By the time I got to Mad Max two, we would shoot at 20 frames or 18 frames. And so, I started to do a lot of that.”

Pic: Warner Bros/Domain Pictures
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Pic: Warner Bros/Domain Pictures

Reflecting on Furiosa: A Mad Max Saga, he says: “Nowadays digitally I shoot most things at 48 frames because you can ramp it up and down from 48 frames, provided you’ve got the resolution, you can do so much more with that.”

The film Mad Max was released in 1979 and put Mel Gibson on the road to stardom.

Oddly, at that time the film distributor in the US, American International Pictures, opted to dub the strong Australian accents used by the actors for fears that they would not be understood by American audiences.

A far cry from misunderstanding the Australian accent, the country’s actors have become some of the most well-known faces in Hollywood nowadays.

Pic: Warner Bros/Domain Pictures
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Pic: Warner Bros/Domain Pictures

Furiosa: A Mad Max Saga

Miller’s latest release, Furiosa: A Mad Max Saga serves as a prequel to Mad Max: Fury Road.

It was written before the Tom Hardy film began in production in order to “fully understand” the characters on screen.

It stars Anya Taylor-Joy as Imperator Furiosa and Chris Hemsworth as Dementus.

Miller says it feels good for the prequel to finally be in cinemas.

“We had a magnificent cast and crew who gave their very best. We tried to get the best story we could have on the screen using all the tools we have and hopefully it means something significant to people.”

Pic: Warner Bros/Domain Pictures
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Pic: Warner Bros/Domain Pictures

Miller on the future of film

The Australian director decided against using de-ageing technology for the role of Furiosa and instead cast Anya Taylor-Joy to play the character first depicted by Charlize Theron.

It is not that he is against using AI technology in fact, Taylor-Joy recently revealed they used software to mix her face with that of the child actor, Alyla Browne, for her scenes.

Miller says the beauty of cinema is that it constantly changes.

“From the very beginning of cinema, which is 130 years old, there’s always change. The silent era and sound. Then there was Technicolor, then there was the digital dispensation in the early 90s. Once that’s come along, things have changed so rapidly even since then.”

Always attracted to the tech behind the scenes, Miller cites the digital ability to make Sheep-Pig talk in Babe or Mumble tap dance in Happy Feet as game-changing moments for him.

“By the time we got to do Fury Road, I realiSed, ‘Oh my God, we could do things that we never dreamed of doing back in the celluloid days’.

“Technology will keep changing and advancing… I don’t think we should limit ourselves if the tools are available. It’s always been the case, and cinema has to adjust.”

Furiosa: A Mad Max Saga is in cinemas now

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Glastonbury: Shania Twain says she wants to ride a horse to her set

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Glastonbury: Shania Twain says she wants to ride a horse to her set

Shania Twain is hoping to arrive for her Glastonbury set in style by riding a horse to the Pyramid Stage – but admits she’ll “have to find out if it’s allowed”.

The country music icon will be following in the footsteps of Dolly Parton, Diana Ross, and Johnny Cash as she takes to the stage for the prestigious legends slot on Sunday – usually a highlight of the festival weekend.

Asked if she had any special plans for her show, the Canadian singer told BBC Breakfast: “I love horses. I love animals, I’m going to see if there’s a horse around I can borrow.”

She continued: “I’d love to ride a horse to the stage… I’ll have to find out if it’s allowed.”

It wouldn’t be the first time the 58-year-old singer has incorporated a horse into her performance.

Twain used to sing her hit “You’re Still The One” while sitting on the back of a white horse during her Las Vegas residency at Caesars Palace between 2012 and 2014.

She was also seen riding a horse through a yucca plantation in the video for her 2005 single Don’t!.

Twain also often appears on social media with her own horses – including three Tennessee walking horses and two American saddlebreds.

Shania Twain performs in New York in 2017. Pic: AP
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Shania Twain performs in New York in 2017. Pic: AP

Meanwhile, Twain has suggested her Glastonbury show will be free of guest appearances – ruling out sharing the stage with Harry Styles two years after they sang together at Coachella.

The singer said she is “overwhelmed” to be following in the footsteps of music icons such as Barry Gibb, Kylie Minogue, and Lionel Ritchie – who have all graced the stage for the Legends slot in previous years.

She said: “It’s been explained to me that it is a real event, a once in a lifetime thing. Everyone keeps going: ‘Let me tell you about it. Let me tell you about my experiences’.”

Twain’s 1997 album Come On Over is one of the top 10 best-selling global albums of all time and its singles, including Don’t Be Stupid (You Know I Love You) and From This Moment On, will likely feature in her Glastonbury set list.

She said: “I’m planning on getting up there and having so much fun. I’d love to be able to sing with everyone and be a part of the journey of the crowd. So, I’m going to do everything familiar. I want to do the hits. I want to do what they know.”

Emily Eavis opens the gates on the first day of the Glastonbury Festival at Worthy Farm in Somerset. Picture date: Wednesday June 26, 2024. PA Photo. See PA story SHOWBIZ Glastonbury. Photo credit should read: Yui Mok/PA Wire
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Emily Eavis opens the gates on the first day of the Glastonbury Festival. Pic: PA

People arrive for the Glastonbury Festival at Worthy Farm in Somerset. Picture date: Wednesday June 26, 2024. PA Photo. See PA story SHOWBIZ Glastonbury. Photo credit should read: Yui Mok/PA Wire
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People arrive for the Glastonbury Festival. Pic: PA

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Thousands of festival-goers will descend on Worth Farm in Somerset as the world-famous festival opens its gates on Wednesday.

The Met Office has said campers can expect “mostly warm, dry and settled” weather for the next five days, but scattered showers could begin from day one and last until the end of the weekend.

This year’s event will see headline performances from global stars including pop singer Dua Lipa, Coldplay, and American singer Sza.

Other attractions at the 900-acre festival, which runs from Wednesday until Sunday, include speeches, film screenings and Q&As, circus performances, comedy sets and more.

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Glastonbury: Gates open to festival – but rain could be on the way

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Glastonbury: Gates open to festival - but rain could be on the way

The gates to this year’s Glastonbury Festival have opened – with revellers scrambling to find the best camping spots.

A brass band played as organiser Emily Eavis led the countdown for the start of the world-famous music event.

However, arriving alongside the army of campers at Worthy Farm in Pilton, Somerset, could be scattered showers, forecasters warn.

Emily Eavis opens the gates on the first day of the Glastonbury Festival at Worthy Farm in Somerset. Picture date: Wednesday June 26, 2024. PA Photo. See PA story SHOWBIZ Glastonbury. Photo credit should read: Yui Mok/PA Wire
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Emily Eavis opens the gates on the first day of the world-famous event. Pic: PA

Pic: PA
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Pic: PA

Festival-goers have been told to expect “mostly warm, dry and settled” weather for the next five days.

But scattered showers could begin from day one and last until the end of the weekend, according to the Met Office.

As in previous years, there will be no amplified entertainment on Wednesday, with the main music stages not kicking off until Friday.

This year’s headliners include pop star Dua Lipa, British rock band Coldplay, and American singer Sza, while Canadian country star Shania Twain will play the coveted legends slot.

Other attractions at the 900-acre festival, include speeches, film screenings and Q&As, circus performances, and comedy sets.

People queue for entry on the first day of the Glastonbury Festival at Worthy Farm in Somerset. Picture date: Wednesday June 26, 2024. PA Photo. See PA story SHOWBIZ Glastonbury. Photo credit should read: Yui Mok/PA Wire
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Festival-goers queue for entry on the first day. Pic: PA

People queue for entry on the first day of the Glastonbury Festival at Worthy Farm in Somerset. Picture date: Wednesday June 26, 2024. PA Photo. See PA story SHOWBIZ Glastonbury. Photo credit should read: Yui Mok/PA Wire
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Pic: PA

Rock band Squeeze open the Pyramid Stage on Friday at midday, followed by rising star Olivia Dean, K-pop group Seventeen and singer Paul Heaton.

Later, PJ Harvey and LCD Soundsystem will warm up for Dua Lipa ahead of her main stage debut.

The 28-year-old star is expected to treat revellers to a selection of her hit songs, including Houdini and Training Season from her third studio album, Radical Optimism, released earlier this year.

On Saturday, the main stage will welcome Nigerian stars Femi Kuti and Ayra Starr, followed by US ’80s chart-topper Cyndi Lauper and rock band Keane.

Mercury Prize winner Michael Kiwanuka and British rapper Little Simz will play in the evening before Coldplay top the bill.

It will be the band’s first appearance since 2016 and make them the first act to headline Glastonbury five times.

Pic: PA
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Campers are well-prepared for the five-day festival. Pic: PA

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Pic: PA

Pic: PA
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Pic: PA

The main stage on the final day will open with a performance by Interlinked Ballet, with Seasick Steve and Paloma Faith set to play in the afternoon.

They will be followed by Twain, who is expected to play her hits including Man! I Feel Like A Woman!, You’re Still The One and That Don’t Impress Me Much.

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The sun is out, but showers are forecast. Pic: PA

Pic: PA
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Pic: PA

The country star follows in the footsteps of artists such as Dolly Parton, Kylie Minogue and Diana Ross in the prestigious slot.

US singer and actress Janelle Monae and Nigerian singer Burna Boy will take over for the evening session before SZA closes out the Pyramid Stage with her hits including Saturn and Kill Bill.

The US singer, real name Solana Imani Rowe, who was named international artist of the year at the Brit Awards in March, will be making her festival debut this year.

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A number of spots across the schedule have been left as “TBA”, including a space at 6pm on Saturday on the Woodsies stage.

In previous years, acts such as the Foo Fighters, The Killers and Radiohead have surprised festival-goers in these secret slots.

The festival will also pay tribute to DJ Annie Nightingale, the first female presenter on BBC Radio 1, who died in January at the age of 83.

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England at Euro 2024: The football songs you need to know (and some you don’t)

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England at Euro 2024: The football songs you need to know (and some you don't)

Everyone seems to know the score, they’ve seen it all before…

Or have we? Now England have got through the group stage, it’s time for the nation to start getting its hopes up way too early – yes, there are still a few hurdles to overcome before the Euro 2024 final, but no matter – and think about (whisper it) football possibly, maybe coming home.

We have David Baddiel, Frank Skinner and The Lightning Seeds’ Ian Broudie to thank for that central refrain now synonymous with England and football; a song full of unashamed nostalgia for the days of the World Cup victory (1966, you might have heard of it), perfectly capturing the mix of “oh-so-nears” pessimism since and the cautious hope that comes with being an England fan.

Released for Euro ’96, back when it was only a mere 30 years of hurt, Three Lions is still the ultimate anthem for English football.

At Euro 2020, the song was everywhere as the men’s team reached its first international tournament final since 1966 – but ended the run with the all-too-familiar agony of defeat by penalties to Italy. In 2022, England were finally crowned champions of Europe after the Lionesses beat Germany in the final – and did indeed bring football home.

So… can it stay here? Can Gareth Southgate’s men make it a double?

From a homage to former England manager Sven-Goran Eriksson to a celebration of baked goods, here are a few official and unofficial songs to add to your Euro 2024 playlist. After Three Lions, of course. And Three Lions ’98, because no one likes change.

We still believe…

This Time (We’ll Get It Right)

After failing to qualify for the World Cup in 1974 and 1978, 1982 was not only a big year for football but a big year for England in the charts. Frontman Kevin Keegan was no stranger to the Top 40, having released the single Head Over Heels In Love a few years earlier, and he led the squad in their promise to “get it right… this time”. Sadly, it wasn’t to be. Keegan, for his part, missed a sitter (he didn’t get it right) against the hosts and England failed to progress beyond the second group stage, despite remaining unbeaten throughout the tournament in Spain. The song charted at number two though, so every cloud.

We’ve Got The Whole World At Our Feet

“There’s not a single team that we can’t beat,” sang the England squad ahead of Mexico 1986. Unfortunately, they hadn’t reckoned with Maradona and his Hand of God. To add insult to injury, chart success also eluded them, with We’ve Got The Whole World At Our Feet only reaching number 66 (as if they needed another reminder). However, Gary Lineker did win the tournament’s Golden Boot for top scorer.

All The Way

For the Euros in West Germany in 1988, Stock, Aitken and Waterman took charge of the music, which led to this upbeat number that epitomised the pop sound of the time. Sadly, it only reached number 64 in the charts – mirroring England’s success in the tournament (they went out early after failing to win any of their games in the group stage).

World In Motion

England’s second-finest track comes from New Order, includes a magnificent rap from John Barnes and mercifully has minimal input from the rest of the squad. Released for Italia 90, this was the World Cup of Gazza’s tears, of England’s first heartbreaking penalties defeat – losing 4-3 to West Germany in the semi-finals – and of Lineker infamously getting caught short on the pitch. There aren’t many football songs that break out of the novelty bracket but this is just such a track, perfectly encapsulating the hopeful optimism of England fans without, for the most part, really sounding like a football song at all.

Eat My Goal

Not an official England track but Collapsed Lung’s football anthem Eat My Goal, released in 1996, became the soundtrack to Coca-Cola’s “Eat Football, Sleep Football, Drink Coca-Cola” advertising campaign that tied in with Euro 96.

Vindaloo

As well as the revived Three Lions, the France 98 World Cup also brought us Fat Les, aka Blur bassist Alex James, actor Keith Allen and artist Damien Hirst. Thanks to its easy to chant “nah nah nahs” and triumphant “We’re! Gonna! Score! One! More! Than! You!”, Vindaloo was an affectionate parody that became the unofficial hit of the tournament. Featuring comedian Paul Kaye (best known as Dennis Pennis) in a video sending up The Verve’s Bittersweet Symphony, also look out for David Walliams and Matt Lucas, and a young Lily Allen, who are in there somewhere.

(How Does It Feel To Be) On Top Of The World

This one was actually the official song for 98, even though it’s Vindaloo you probably remember. Featuring a medley of artists including The Spice Girls, Echo And The Bunnymen, Space and Ocean Colour Scene – aka England United – but no actual England players (apart from a few cameos in the video), the song featured a nice sing-song chorus but wasn’t quite as memorable or rousing as the other offerings that year, and charted at number nine. This was the World Cup of Michael Owen’s incredible goal against Argentina, David Beckham’s infamous red card and defeat by Argentina on penalties – all in the same game.

Meat Pie, Sausage Roll

After the success of Three Lions, football songs were cool again – which meant everyone wanted to release one. Contenders in 1998 also included Granddad Roberts And His Son Elvis, with this ridiculous song that should have been sponsored by Greggs. “Ooh, we got a corner,” is the refrain, while it ends with the bizarre line: “No wonder my wee smells like Sugar Puffs, the stress I’m under.”

We’re On The Ball

Ant & Dec took over official duties for the 2002 World Cup in South Korea and Japan, hailing then manager Sven-Goran Eriksson as England’s “super Swede” and referencing captain Golden Balls and the 5-1 win over Germany in the qualifiers the previous year. Despite the single essentially being PJ and Duncan’s musical revival, England were not quite ready to rumble and lost 2-1 to eventual winners Brazil in the quarter-finals.

Sven, Sven, Sven

Released a year earlier, Sven, Sven, Sven, by comedy duo Bell & Spurling, was also inspired by the 5-1 victory and the nation’s love for Eriksson at the time. Featuring women in England bikinis and dressed in Bavarian costume, the video is a reminder of how much times have changed in the last 20 years or so. The pair released an updated version, Gareth, Gareth, Gareth, for the World Cup in 2018, but it wasn’t quite as successful as their top 10 debut.

All Together Now

Written about the Christmas truce in the First World War in 1914, when soldiers from both sides put their weapons down to exchange gifts and play football in No Man’s Land, this song by The Farm was released in 1991 and has been used by numerous football teams since. Re-released for the 2004 Euros in Portugal, England were beaten by the hosts on penalties (naturally) in the quarter-finals.

World At Your Feet

The official England song for the Germany 2006 World Cup was released by Embrace, best known for hits including All You Good Good People, Come Back To What You Know, Ashes and Gravity in the 1990s and 2000s. “With the world at your feet, there’s no one you can’t beat/Yes it can be done,” sang frontman Danny McNamara. A nice effort that charted at number three and spent six weeks in the Top 40, but England were not so successful. Wayne Rooney was red-carded in the quarter-final against Portugal and Cristiano Ronaldo became known as the winker – oh, and as chance would have it, they were knocked out on penalties.

Shout

While the only music people really remember from the South Africa World Cup in 2010 is Shakira’s Waka Waka (This Time For Africa) and the deafening sound of vuvuzelas, Dizzee Rascal and James Corden did also team up to release this unofficial song for England. Sampling Tears For Fears’ Shout and including the line “come and have a go if you think you’re hard enough”, the song did top the charts, but it probably won’t be remembered as one of the England greats. England went out 4-1 to Germany in the final 16, so it wasn’t the team’s greatest performance, either.

Sing 4 England

Chris “Unbelievable, Jeff” Kamara released Sing 4 England for the Euros in 2012, co-hosted in Poland and Ukraine. Harking back to the naff but lovable-sounding typical football songs of the 80s and 90s, it gets full marks for rousing positivity. “Come on and sing for ENG-ER-LAND”. We were all encouraged but sadly, we’d seen it all before, and England lost in the quarter-finals, to Italy, on penalties.

Ole (We Are England 21)

Ole was the Euro 2020 (yes, still Euro 2020, even though the tournament took place in 2021 – blame COVID) effort from Krept & Konan. A contemporary rap track that – ole, ole, oles aside – moved away from the traditional football song but still reflected the mood of the nation. Until they lost the final, to Italy, on penalties.

Sweet Caroline

Neil Diamond’s 1969 hit Sweet Caroline became a feel-good hit all over again during the pandemic in 2020, and also smashed it at the Euros. DJ Tony Perry made the decision to play the song after England made it through to the quarter-finals thanks to a win over Germany, and a fan favourite was born. In a video message, the US singer-songwriter told The Telegraph he was “thrilled” to see fans belting the song out at Wembley, saying: “Well, I hope you can do it again – here’s to England.” Because good times never seemed so good – so good, so good… until the final, that is.

Whole Again

This sugary Atomic Kitten hit from 2000 found a new audience thanks to a reworked version paying tribute to Southgate – so much so that Natasha Hamilton and Liz McClarnon went viral after performing it live to football fans watching the quarter-final victory over Ukraine in Croydon, so decided to re-release it as a new single. While some might say they could have put a bit more effort in and changed the rest of the lyrics, now is not the time for nit-picking. Altogether now, positive thoughts: “Southgate, you’re the one, you still turn me on – football’s coming home again.” Well, it was if you were living in Italy.

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