“Well, you didn’t think we were gonna let you down, did you?”
So said Jarvis Cocker as he addressed the enormous crowd at Glastonbury‘s Park stage in 2011; thousands and thousands of people stood in front of him to see perhaps the worst-kept secret in the festival’s history, and one of its greatest live music experiences.
The speculation that the then newly reformed Pulpwould play the surprise set that day – after Radioheadthe previous day, no less – had grown so intense that latecomers reportedly had to be turned away, such was demand.
Beyonce, Coldplayand U2 headlined that year, but like many squashed in the Park Stage audience, squelching in the mud, it was the magic of singing along to Do You Remember The First Time?, Something Changed, and Common People I remember above everything.
Over the years, artists including The Killers, The Libertines, Lady Gaga, Foals and Franz Ferdinand have also popped up “unannounced” at Glastonbury. Last year, an act supposedly called The Churnups, conspicuous by their late-evening Pyramid Stage slot despite being an unknown entity, turned out to be The Foo Fighters.
The festival is famous for its secret sets, surprise guests and big names appearing in unexpected places, so while Dua Lipa, Coldplay and SZA headline this year, it is the TBA slots that may well provide some of the most memorable moments.
Image: Foo Fighters frontman Dave Grohl on stage at Glastonbury in 2023. Pic: Anna Barclay
One person in the know is the founder of @secretglasto, a Twitter account which launched 10 years ago and now has almost 80,000 followers and a small team of six keeping the updates going. They have no official ties to the festival, but over the years have cultivated their sources – from people working on stages to sometimes even acts themselves – so they are “90% confident” about whatever they hint at.
“There’s also people that have been good at [revealing] what acts are playing before the line-up comes out,” says the Secret Glasto founder (we’ll call them SG). “So you can take their word a lot more seriously because they have some way of knowing what’s going on – even if you don’t know the specifics as to how they get that information, you can see the track record.”
When it comes to favourite secret sets, SG names Drenge and Wolf Alice, but says it’s “hard to look past The Killers”, who turned up in 2017 – 10 years after headlining for the first time, and two years before returning to headline again.
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THE MAIN SECRET SET TIMES AND STAGES
Firmly Rooted – Friday, 1am
Scissors – Friday, 10.30pm and 1.30am
BBC Introducing – Saturday, 4.30pm
Woodsies – Saturday, 6pm
Levels – Saturday, midnight
Scissors – Saturday, 12.45am and 2am
BBC Introducing – Sunday, 8.30pm
Scissors – Sunday, 1am
“The Killers in a tent, that’s something you feel it would only ever happen at Glastonbury. Compared to most of our secret set rumours we heard that one very late and personally I was very nervous by it, but also we had no other names in the frame. The relief when Frank Carter mentioned it was The Killers after him was palpable!
“So many people I have met since that show have been really thankful because they wouldn’t have gone [without the Secret Glasto tip] because a lot of them actually liked acts playing elsewhere at the time… why would you go to a secret set you don’t know if you’ve got eight out of 10 options elsewhere? The Killers to everyone was a 10 out of 10 option.”
With the potential for people to miss other brilliant acts based on the hints of their anonymous account, SG says they do feel a sense of responsibility, especially as the number of followers has grown.
“Quite a lot of the time for these secret sets, to get a good spot you’re [at the stage] for an entire set before. And you’re missing other things that you would love to see. So it is a big responsibility to make sure that we’re right about our info. There have been some secrets we just haven’t tweeted because we didn’t know who it was.”
Image: Liam Gallagher is currently performing his Definitely Maybe 30th anniversary shows – but he could take a break for Glastonbury? Pic: Dan Reid/Shutterstock
Image: Kasabian frontman Serge Pizzorno on stage headlining Glastonbury in 2014. Pic: James Mccauley/Shutterstock
For many Glastonbury-goers, the account has become a go-to place for reliable hints about the unnanounced acts set to play. There are a few TBA slots on the line-up this year – the biggest of which is set for the Woodsies Stage at 6pm on Saturday.
The bookies’ favourities include Liam Gallagher, fresh from his Definitely Maybe anniversary tour dates; Kasabian, who would mark 10 years since they headlined in 2014; and Pulp, as Cocker will already be on site to perform in the small Stonebridge Bar with Hot Chip’s Alexis Taylor on the Friday. Other names bandied about include Harry Styles, Green Day, Charli XCX and, um, Taylor Swift, who’s set to perform her Eras tour shows in Dublin on the Friday, Saturday and Sunday night, so seems pretty unlikely.
SG is not revealing anything yet, but says Pulp, Kings Of Leon, Kasabian and Charli XCX are among the main acts rumoured.
Image: Could Harry Styles pop up this year? Pic: PA
As well as the Woodsies TBA, SG also says there will be some other “big surprises around the site doing some very small slots”.
However, they won’t mention where. “I don’t even want to mention the stages because I know how skittish some of those areas can be. I know in 2022, there was going to be a stage headliner from one of the recent years playing a very small slot that got canned quite last minute. So yeah, quite hesitant to to reveal more than that, but we have heard of some very interesting things.”
After 10 years of revealing Glastonbury’s secrets, what has SG learned about why the surprise acts have become such a special part of the festival?
“I think it’s just the fact all these acts have decided the money [doesn’t matter], and their egos don’t need placating,” says SG. “You’ve got some acts who would just be like, if we’re not a headliner, no matter what the money is, we would not play a certain slot.”
Glastonbury’s secret acts are there purely to put on something fun for the fans, SG continues. “It creates such a different atmosphere. A lot of the secret sets are bands that feel like Glastonbury helped their careers in some way, and it’s their way of sort of giving back.
“Unlike other British festivals, I think Glastonbury cultivates more of a ‘we go every year, regardless’ mentality. So these acts can feel like the people that supported them at, say, a previous slot that went really well for them will still be there, or at least a sizeable number of them will still be there, to enjoy the secret set they do down the line.”
Actor Anna Maxwell Martin and a group of parents have warned that primary school tests have “devastating effects” for children with special educational needs and disabilities (SEND).
They have written an open letter to the government asking ministers to consider reforming SATs (standard assessment tests) to accommodate the youngsters’ needs.
The 22 parent groups say the system is damaging for children with SEND and they want to see a more inclusive approach which incorporates the needs of the individual child.
The letter to Education Secretary Bridget Phillipson said the current system “actively harms” children with SEND, leaving them often disengaged from school as they move on to secondary school.
Maxwell Martin, who has starred in TV comedy Motherland and police drama Line Of Duty, said: “The government needs to look much harder at how to make things better for children in schools, particularly children with SEND.
“This is a systemic failing within our assessment system, not the fault of any individual teacher or headteacher.”
What has research found?
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Research by the SEND parent group said only 24% of SEND children passed the SATs, and 67% of SEND children did not want to attend school because of them.
Half of the parents questioned also said their child’s self-esteem was damaged, and they believed SATs would have a lasting negative impact.
Image: File pic: iStock
‘Change the system’
The letter to Ms Phillipson said: “Forcing children into a system that actively harms them is not the answer. Changing the system so that our children want to attend is.”
But some think SATs do not serve any child.
Lee Parkinson MBE, a primary school teacher and education consultant from Manchester, said SATs are a negative process for all children, not just children with SEND.
He told Sky News: “SATs don’t serve any child, let alone those with SEND. They were never designed to support learning.”
He called the tests a “blunt accountability tool, a stick to beat schools with, rather than something that helps teachers understand children”.
Image: Primary school teacher Lee Parkinson
‘Speed rewarded over understanding’
Mr Parkinson claimed SATs were “built to catch pupils out. They reward speed over understanding and memorisation over genuine thinking”.
“That alone disadvantages huge numbers of children, but for pupils with SEND the gap becomes a chasm. Processing speed, anxiety, sensory needs, working memory difficulties, language disorders… none of these are accounted for in a system that measures every child by the same stopwatch and mark scheme.”
Mr Parkinson added: “For many SEND pupils, success in school looks like communication gains, emotional regulation, confidence, independence and steady academic growth in a way that matches their needs.
“SATs don’t measure any of that. Instead, they label, limit and distort the reality of what progress actually looks like for the children who need thoughtful, personalised provision the most.”
The open letter also said children with SEND who failed SATs “spend their entire year 6 convinced they are not clever enough”.
Sarah Hannafin, head of policy at school leaders’ union NAHT, said there is an “urgent need” for the government to rethink the value of SATs.
“If statutory tests are here to stay, they must be designed to be accessible for the vast majority of pupils, they should recognise the attainment and progress of all children, and they should not damage children’s confidence or cause distress,” she said.
What does the government say?
A Department for Education spokesperson said: “Primary tests and assessments play a vital role in helping schools ensure every pupil can achieve and thrive, while also identifying those who need additional support.”
“The government’s independent, expert-led Curriculum and Assessment Review panel shaped key recommendations aimed at improving our national curriculum, and included key insights from SEND experts.
“We are actively working with parents and experts to improve support for children with SEND, including through more early intervention to prevent needs from escalating and investing £740 million to encourage councils to create more specialist places in mainstream schools.”
Joshua, who goes in with a record of 28 wins and four losses, promised the American “no mercy” ahead of his comeback.
“I took some time out, and I’m coming back with a mega show. It’s a big opportunity for me. Whether you like it or not, I’m here to do massive numbers, have big fights and break every record whilst keeping cool, calm and collected,” he said.
“Mark my words, you’ll see a lot more fighters take these opportunities in the future. I’m about to break the internet over Jake Paul’s face.”
If Jake Paul wins, he’ll be in the running for a title, according to his manager, Nakisa Bidarian, chief executive of Most Valuable Promotions.
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Image: Jake Paul. File pic: Reuters
He said: “For Jake it’s doing the impossible, silencing the doubters and putting himself in a position to be in conversation for a belt, and he gets that if he beats Anthony Joshua.
“And for Joshua it’s pretty simple: he’s been out for quite a bit of time, he comes back and does one of the biggest events in the world, and if he knocks out Jake Paul he will be idolised by many within boxing.”
He continued: “What we’ve accomplished in four years with Jake, with no amateur background, with no Olympic pedigree, makes everyone kind of take a step back and say, ‘What is going on here? How is this possible?’
“It angers people in boxing that we can come in and get as much attention and notoriety as we have, as quickly as we have.”
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2:46
‘Joshua could inflict horrendous damage on Paul’
Paul was due to face Gervonta Davis this month, but the bout was cancelled after a civil lawsuit was filed against the WBA lightweight champion.
The 28-year-old, who has a 12-1 record, last fought at heavyweight when he beat Mike Tyson by unanimous decision in November last year, in what was the then 58-year-old’s first fight in 19 years, before following that up in June with another unanimous decision victory over Julio Cesar Chavez Jr.
Paul labelled the fight in Miami as “Judgement Day.”
“A professional heavyweight fight against an elite world champion in his prime. When I beat Anthony Joshua, every doubt disappears and no one can deny me the opportunity to fight for a world title.
“To all my haters, this is what you wanted. To the people of the United Kingdom, I am sorry. On Friday, December 19, under the lights in Miami, live globally only on Netflix, the torch gets passed and Britain’s Goliath gets put to sleep.”
The government is reportedly set to ban the resale of tickets for live events above their face value.
Music and sport fans have long complained about live event tickets being quickly bought up only to be immediately relisted at grossly inflated prices.
The process is often carried out using bots – automated apps that repeatedly mimic customers to sweep up large numbers of tickets as soon as they’re released.
The people operating them can be based anywhere in the world.
A government consultation had sought views on a proposed cap of 30% above cost, but The Guardian and Financial Times say ministers are expected to set the resale limit at face value.
Service fees charged will also reportedly be capped.
The government refused to comment when approached by Sky News, but it’s believed an announcement could come on Wednesday.
Labour pledged in their manifesto to put an end to rip-off tickets and repeated the promise when they came to power.
But there has been little word on the policy since, with seven months having gone by since a consultation ended.
Dua Lipa, Coldplay, Sam Fender, Iron Maiden, and Radiohead were among acts who last week urged the government to follow through and “restore faith in the ticketing system”.
Image: Dua Lipa is also sipporting the campaign to reform ticket resales. Pic: AP
The Football Supporters’ Association, some ticketing firms, and groups representing the theatre and music industries also signed the statement.
Ticketmaster parent company, Live Nation Entertainment, said it “fully supports” banning resale above face value and added that it already had such a policy.
Some UK secondary ticketing sites already have a face value cap or limit the mark-up. Others allow prices far in excess of face value.
For example, Viagogo and Stubhub are listing tickets for Radiohead’s Saturday show in London from around £400 for seating and from over £700 for standing.
The official price was £85 for standing and between £75 to £195 for seating (plus fees).
Those prices are almost pocket change compared with some of the amounts quoted earlier this year for the Oasis reunion shows – consumer group Which? found tickets as high as £4,442.
StubHub International warned a price cap would “condemn fans to take risks to see their favourite live events”.
“With a price cap on regulated marketplaces, ticket transactions will move to black markets,” said a spokesperson.
“When a regulated market becomes a black market, only bad things happen for consumers. Fraud, fear, and zero recourse.”
Viagogo made similar claims and said regulated price caps has “repeatedly failed fans”.
“In countries like Ireland and Australia fraud rates are nearly four times higher than in the UK as price caps push consumers towards unregulated sites,” said a spokesperson.