“Well, you didn’t think we were gonna let you down, did you?”
So said Jarvis Cocker as he addressed the enormous crowd at Glastonbury‘s Park stage in 2011; thousands and thousands of people stood in front of him to see perhaps the worst-kept secret in the festival’s history, and one of its greatest live music experiences.
The speculation that the then newly reformed Pulpwould play the surprise set that day – after Radioheadthe previous day, no less – had grown so intense that latecomers reportedly had to be turned away, such was demand.
Beyonce, Coldplayand U2 headlined that year, but like many squashed in the Park Stage audience, squelching in the mud, it was the magic of singing along to Do You Remember The First Time?, Something Changed, and Common People I remember above everything.
Over the years, artists including The Killers, The Libertines, Lady Gaga, Foals and Franz Ferdinand have also popped up “unannounced” at Glastonbury. Last year, an act supposedly called The Churnups, conspicuous by their late-evening Pyramid Stage slot despite being an unknown entity, turned out to be The Foo Fighters.
The festival is famous for its secret sets, surprise guests and big names appearing in unexpected places, so while Dua Lipa, Coldplay and SZA headline this year, it is the TBA slots that may well provide some of the most memorable moments.
Image: Foo Fighters frontman Dave Grohl on stage at Glastonbury in 2023. Pic: Anna Barclay
One person in the know is the founder of @secretglasto, a Twitter account which launched 10 years ago and now has almost 80,000 followers and a small team of six keeping the updates going. They have no official ties to the festival, but over the years have cultivated their sources – from people working on stages to sometimes even acts themselves – so they are “90% confident” about whatever they hint at.
“There’s also people that have been good at [revealing] what acts are playing before the line-up comes out,” says the Secret Glasto founder (we’ll call them SG). “So you can take their word a lot more seriously because they have some way of knowing what’s going on – even if you don’t know the specifics as to how they get that information, you can see the track record.”
When it comes to favourite secret sets, SG names Drenge and Wolf Alice, but says it’s “hard to look past The Killers”, who turned up in 2017 – 10 years after headlining for the first time, and two years before returning to headline again.
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THE MAIN SECRET SET TIMES AND STAGES
Firmly Rooted – Friday, 1am
Scissors – Friday, 10.30pm and 1.30am
BBC Introducing – Saturday, 4.30pm
Woodsies – Saturday, 6pm
Levels – Saturday, midnight
Scissors – Saturday, 12.45am and 2am
BBC Introducing – Sunday, 8.30pm
Scissors – Sunday, 1am
“The Killers in a tent, that’s something you feel it would only ever happen at Glastonbury. Compared to most of our secret set rumours we heard that one very late and personally I was very nervous by it, but also we had no other names in the frame. The relief when Frank Carter mentioned it was The Killers after him was palpable!
“So many people I have met since that show have been really thankful because they wouldn’t have gone [without the Secret Glasto tip] because a lot of them actually liked acts playing elsewhere at the time… why would you go to a secret set you don’t know if you’ve got eight out of 10 options elsewhere? The Killers to everyone was a 10 out of 10 option.”
With the potential for people to miss other brilliant acts based on the hints of their anonymous account, SG says they do feel a sense of responsibility, especially as the number of followers has grown.
“Quite a lot of the time for these secret sets, to get a good spot you’re [at the stage] for an entire set before. And you’re missing other things that you would love to see. So it is a big responsibility to make sure that we’re right about our info. There have been some secrets we just haven’t tweeted because we didn’t know who it was.”
Image: Liam Gallagher is currently performing his Definitely Maybe 30th anniversary shows – but he could take a break for Glastonbury? Pic: Dan Reid/Shutterstock
Image: Kasabian frontman Serge Pizzorno on stage headlining Glastonbury in 2014. Pic: James Mccauley/Shutterstock
For many Glastonbury-goers, the account has become a go-to place for reliable hints about the unnanounced acts set to play. There are a few TBA slots on the line-up this year – the biggest of which is set for the Woodsies Stage at 6pm on Saturday.
The bookies’ favourities include Liam Gallagher, fresh from his Definitely Maybe anniversary tour dates; Kasabian, who would mark 10 years since they headlined in 2014; and Pulp, as Cocker will already be on site to perform in the small Stonebridge Bar with Hot Chip’s Alexis Taylor on the Friday. Other names bandied about include Harry Styles, Green Day, Charli XCX and, um, Taylor Swift, who’s set to perform her Eras tour shows in Dublin on the Friday, Saturday and Sunday night, so seems pretty unlikely.
SG is not revealing anything yet, but says Pulp, Kings Of Leon, Kasabian and Charli XCX are among the main acts rumoured.
Image: Could Harry Styles pop up this year? Pic: PA
As well as the Woodsies TBA, SG also says there will be some other “big surprises around the site doing some very small slots”.
However, they won’t mention where. “I don’t even want to mention the stages because I know how skittish some of those areas can be. I know in 2022, there was going to be a stage headliner from one of the recent years playing a very small slot that got canned quite last minute. So yeah, quite hesitant to to reveal more than that, but we have heard of some very interesting things.”
After 10 years of revealing Glastonbury’s secrets, what has SG learned about why the surprise acts have become such a special part of the festival?
“I think it’s just the fact all these acts have decided the money [doesn’t matter], and their egos don’t need placating,” says SG. “You’ve got some acts who would just be like, if we’re not a headliner, no matter what the money is, we would not play a certain slot.”
Glastonbury’s secret acts are there purely to put on something fun for the fans, SG continues. “It creates such a different atmosphere. A lot of the secret sets are bands that feel like Glastonbury helped their careers in some way, and it’s their way of sort of giving back.
“Unlike other British festivals, I think Glastonbury cultivates more of a ‘we go every year, regardless’ mentality. So these acts can feel like the people that supported them at, say, a previous slot that went really well for them will still be there, or at least a sizeable number of them will still be there, to enjoy the secret set they do down the line.”
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.