Jeremy Kyle has defended both his chat show and his presenting style during the inquest into the death of a man after appearing on the programme.
It came as the court was also shown clips from the unaired show for the first time.
Steve Dymond, 63, was found dead at his home in Portsmouth, Hampshire, in May 2019, seven days after taking part in the show.
Image: Steve Dymond died after filming an episode of The Jeremy Kyle Show. Pic: Family handout/PA
A coroner found he had died of a combination of a morphine overdose and left ventricular hypertrophy in his heart.
Mr Dymond had taken a lie detector test for the ITV programme after being accused of cheating on his ex-fiancee Jane Callaghan. Following his death, the episode was never aired, and the series was later cancelled.
Kyle arrived on day three of the inquest at Winchester Coroner’s Court accompanied by his solicitor, agent and several other people, wearing a dark blue suit, white shirt and light blue tie. He then sat attentively until he was called to give evidence.
The 59-year-old presenter stood by the structure of the show, saying the stories featured were “a journey” containing both “conflict” and “resolution,” and defended his style of presenting saying “it was direct, but it was empathetic, it was honest”.
The court was shown clips from the unaired episode, with one showing Kylesaying to Mr Dymond: “The truth of the matter is you mate, you did make up a cacophony of lies, you can sit there looking upset, people could look at this and think it’s dodgy.”
After revealing the result of the lie detector test, Kyle said: “The test says you are lying, pal, you failed every single question.”
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The clip showed Ms Callaghan bursting into tears with boos being heard from the audience and Mr Dymond looking shocked as he says: “I wasn’t, I have never been unfaithful.”
Kyle replied: “The studio thought you were telling the truth, I wouldn’t trust you with a chocolate button mate.”
Kyle: ‘Grow a pair of balls and tell the truth’
Another clip featured Kyle telling Mr Dymond: “Be a man, grow a pair of balls and tell her the goddam truth.”
While another featured the presenter asking “Has anyone got a shovel?” as Mr Dymond attempted to explain why he had been messaging another woman.
Kyle denied encouraging the audience to take against Mr Dymond, telling the inquest: “Not at all – I asked them to give them a round of applause.” He said clips showed he had “de-escalated” and “calmed” the situation rather than inflaming it.
He went on to tell the court he believed the show took “the right approach”, and he “always believed the stories were a journey.”
He said you could “absolutely” see a journey in Mr Dymond’s case, including where he and his partner “face the truth”. He said: “It is conflict, it is resolution.”
He also made clear he was “not involved in the selection of guests” on his TV show, and was “employed absolutely as the presenter,” and nothing more.
Image: Jeremy Kyle. Pic: Channel 4/ITV/Shutterstock
He later added: “The production, the producing, the after-care, the lie detector test were not my responsibility, I was the presenter,” going on to explain that while he had created a persona for the show, he had not been trained how to handle emotional guests.
When asked by Rachel Spearing, counsel to the inquest, whether he believed Mr Dymond was humiliated on the show, Kyle answered: “I do not”.
Maya Sikand KC, the lawyer representing Steve Dymond’s family, put it to Kyle that some of the things he said to Mr Dymond during the show were “belittling,” to which he answered “I wouldn’t agree”. He said that while Mr Dymond did get upset during filming, “he wasn’t upset from the beginning, that’s the journey and that’s the way the Jeremy Kyle show was.”
The Jeremy Kyle Show first aired in 2005 and ran for 17 series before it was cancelled on 10 May 2019, the day after Mr Dymond’s death.
It was ITV’s most popular daytime programme.
ITV stood by Kyle at the time, with the broadcaster’s director of television Kevin Lygo confirming it was piloting a new show with him later that year, although not in the same 9.30am timeslot.
The process of the lie detector test
Ahead of Kyle’s evidence on Thursday morning, the inquest was told that after filming had finished, Mr Dymond had told a researcher: “I wish I was dead.”
Mr Dymond had rung ITV 40 to 50 times in “desperate” attempts to become a guest on the show, the inquest was previously told.
Video clips from the unaired show were played to the court, showing Mr Dymond being advised about the processes of the lie detector test.
In the video, Mr Dymond asked the polygraph examiner, who was contracted by ITV to carry out the procedure, whether the test is “99.9% accurate”, to which the examiner replied: “They are 95% accurate” with a “narrow risk of error”.
The examiner also advised Mr Dymond that “if you fail one question, you fail the lot”.
The clips also show Mr Dymond watching a video informing him about the test which advises the participant to be “truthful, open and honest”.
Image: Jeremy Kyle. Pic: Rex
Lie detector results added ‘element of drama’
Chris Wissun, director of content compliance at ITV at the time Mr Dymond appeared on the ITV show, returned to the witness box, explaining that the lie detector test was “a very well-established editorial feature of the programme”.
He said Kyle would not have been informed of the lie detector result ahead of time but would discover the outcome in real time during the filming of the show.
Mr Wissun said: “The producer wouldn’t reveal the results to the presenter, the results would be given to him during the programme.
“He would open the envelope and reveal the results and tell the guests what the results were. There was an element of drama in that moment.”
He also said he was not aware that Kyle had been asked to “modify his approach or presenting style” when dealing with Mr Dymond.
Mr Wissun previously told the court he had been informed that Kyle was “very receptive” to advice from the aftercare team about whether he needed to adapt or soften his presenting style for particular guests.
The hearing heard that the show’s aftercare team had offered Mr Dymond eight to 10 sessions of cognitive behavioural therapy for self-esteem and confidence building after the show to help him address his “problem with lying”. Counselling did not go ahead due to his death.
Mr Dymond had been diagnosed with a depressive disorder in 1995 and taken overdoses on four previous occasions – in January 1995, twice in December 2002, and April 2005 – the hearing was told on Wednesday.
The court heard he also made another apparent suicide attempt in 2002.
He was sectioned in September 2005, and a mental health assessment then found he was at “risk of suicide”.
Mr Dymond’s death added to growing scrutiny of the duty of care that reality TV shows have to participants, coming after the death of two former Love Island contestants, Sophie Gradon and Mike Thalassitis, in 2018 and 2019 respectively.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.orgin the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK
Sean “Diddy” Combs has been found guilty of transportation for prostitution following a landmark trial in New York – but cleared of more serious charges of sex trafficking and racketeering conspiracy.
The 55-year-old hip-hop mogul was accused by prosecutors of abusing and coercing three alleged victims, including his former long-term partner, singer and model Cassie Ventura, and other crimes including kidnapping, arson and blackmail.
Jurors decided not all the allegations were proven – but Combs still faces up to 20 years in prison after being convicted of transporting people across the US, including Cassie and another former girlfriend, Jane*, and paying male escorts to engage in sexual encounters.
However, with the not guilty verdict on three other more serious charges – racketeering conspiracy and two of sex-trafficking – he has avoided a maximum possible sentence of life behind bars.
Image: Combs appeared upbeat in court as the verdict was announced. Pic: Jane Rosenberg/ Reuters
The mixed result from the jury came not long into their third day of deliberations. In the courtroom in Manhattan, New York, there were cheers from Combs’s family, and the rapper himself held his hands up in a prayer motion, looking at the jury, and hugged his defence lawyer Teny Geragos.
His mood seemed very different to just a day earlier – when he learned the jury had reached a verdict on four of the five charges, but were split on the racketeering charge. After deliberating for longer on Wednesday, they came to a unanimous decision.
Image: Combs later seemed to become overwhelmed with relief. Pic: Jane Rosenberg/ Reuters
Judge Arun Subramanian adjourned the court while he considered whether to grant Combs bail before sentencing. The rapper has been in prison since his arrest in September 2024 – but his lawyers argue his acquittal on the most serious counts has changed the legal landscape enough that he should now be released.
As the verdict sunk in, Combs appeared overwhelmed, kneeling at his chair and bowing his head in prayer once again.
“I’ll be home soon,” he said as he faced his family members. “I love you, Mum.”
Image: Casandra ‘Cassie’ was heavily pregnant when she gave evidence at the start of the trial. Pic: Jane Rosenberg/ Reuters
Cassie ‘paved the way’
Reacting to the verdict, Cassie’s lawyer Douglas H Wigdor said that although jurors did not find Combs guilty of sex-trafficking Cassie, she had “paved the way” for the other guilty verdicts.
“By coming forward with her experience, Cassie has left an indelible mark on both the entertainment industry and the fight for justice,” he said.
“We must repeat – with no reservation – that we believe and support our client, who showed exemplary courage throughout this trial.”
Cassie, who testified heavily pregnant just three weeks before giving birth, displayed “unquestionable strength”, he added, and “brought attention to the realities of powerful men in our orbit”.
Videos of “freak off” sex sessions with male escorts were shown to jurors only during the seven-week trial, with the footage kept private from members of the public and media in court.
Image: Pic: Reuters/ Jane Rosenberg
Former employees, along with escorts, hotel staff and police officers were among those to give evidence.
Cassie and Jane, who used a pseudonym, also testified. They told the court they were coerced into drug-fuelled freak offs – which were also referred to as “hotel nights” or “wild king nights” – with male escorts, and abused throughout their relationships.
Combs’s defence team presented a very different picture to show that sexual acts, including freak offs, were consensual.
They conceded the music star could be violent, had a bad temper, and used drugs. He also had multiple relationships at the same time. But crucially, they said, while he was “not proud” of some of his behaviour, none of it made him guilty of the charges against him.
After hearing evidence of flights and travel for escorts and Cassie and Jane, paid for by Combs, as well as hotel bookings across the US and the Caribbean, jurors found him guilty of the transportation to engage in prostitution charges. However, they did not find that the allegations against the rapper amounted to sex-trafficking or racketeering.
The Cassie hotel tape
Combs, known variously as Puff Daddy, P Diddy, and Diddy over the years, was once one of the most influential figures in hip-hop – famous as a producer, founder of Bad Boy Records and manager of the late Notorious BIG in the 1990s, as well as a rapper in his own right.
As an artist, he won three Grammys during his career, and had hits including I’ll Be Missing You, Come With Me, and Bad Boy For Life.
In September 2023, he received the “global icon” award from MTV and was given the key to New York City at a ceremony in Times Square, just a few miles away from the streets in Harlem where he spent his first years.
Allegations first came to prominence in November 2023, when Cassie filed a bombshell lawsuit accusing him of coercing her into unwanted sex sessions, as well as blackmail and several incidences of violence.
The suit was settled in 24 hours – for $20m, it emerged during the trial – but months later CNN aired hotel security footageshowing Combs punching and kicking Cassie and throwing her to the floor in 2016.
He apologised after the video aired, saying: “I was disgusted when I did it.”
Footage from the hotel incident was shown during the trial.
Following the verdict, the rapper now awaits sentencing. He also still faces several civil lawsuits, most of which were filed in the wake of his arrest in September 2024.
Punk rap duo Bob Vylan will no longer headline the Radar Festival in Manchester days after leading chants of “death to the IDF” at Glastonbury.
The performance on the West Holts Stage on Saturday was livestreamed on the BBC – leading the corporation to apologise as it described the chants referencing the Israeli military as “antisemitic” and “unacceptable”.
Avon and Somerset Police announced on Monday that it had opened a criminal investigation after reviewing footage of performances at Glastonbury by Bob Vylan and Irish hip hop trio Kneecap.
The force said the case has been recorded as a “public order incident” and said the investigation will be “evidence-led and will closely consider all appropriate legislation, including relating to hate crimes”.
In a post on Instagram on Wednesday, the Radar Festival, which takes place at the O2 Victoria Warehouse in Manchester, wrote: “Bob Vylan will not be appearing at Radar Festival this weekend.”
The festival has not explained why the duo will no longer appear on Saturday night – with its line-up now reading “headliner TBC”.
In response, the group shared the festival’s statement on their Instagram story, adding the caption: “Silence is not an option. We will be fine, the people of Palestine are hurting. Manchester we will be back.”
It comes after the band were barred from the US, where they were due to tour in autumn with performances in Chicago, Brooklyn and Philadelphia.
US deputy secretary of state Christopher Landau said the duo’s visas were revoked for their “hateful tirade at Glastonbury”.
The band have also been pulled from an upcoming performance at a German music venue.
Image: Bob Vylan with their MOBO award in London in November 2022. Pic: Reuters
In a statement on Tuesday, the duo said they were being “targeted for speaking up” after police opened their investigation.
They wrote: “We are not for the death of Jews, Arabs or any other race or group of people.
“We are for the dismantling of a violent military machine. A machine whose own soldiers were told to use “unnecessary lethal force” against innocent civilians waiting for aid.
“A machine that has destroyed much of Gaza.”
The statement added: “We, like those in the spotlight before us, are not the story.
“We are a distraction from the story. And whatever sanctions we receive will be a distraction.
“The government doesn’t want us to ask why they remain silent in the face of this atrocity? To ask why they aren’t doing more to stop the killing? To feed the starving?
“The more time they talk about Bob Vylan the less time they spend answering for their criminal inaction.
“We are being targeted for speaking up. We are not the first, we will not be the last, and if you care for the sanctity of human life and freedom of speech, we urge you to speak up too.”
He is accused of displaying a flag in support of Hezbollah, a proscribed organisation in the UK, at a gig last year.
Kneecap also led the Glastonbury crowd in “Free Palestine” chants.
The BBC has faced strong criticism for continuing to livestream the Bob Vylan performance on iPlayer with on-screen warnings about discriminatory language.
It has since been revealed that BBC director-general Tim Davie was at Glastonbury when the chants were broadcast.
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A BBC spokesperson said: “The director-general was informed of the incident after the performance and at that point he was clear it should not feature in any other Glastonbury coverage.”
Culture Secretary Lisa Nandy criticised the BBC over its decision not to pull the Bob Vylan livestream during the chants on Saturday and said there is “a problem of leadership” at the corporation.
The group was formed in Ipswich in 2017, and are known for addressing political issues in their albums, including racism, masculinity and class.
The group are scheduled to perform at the Boardmasters surfing and music festival in Newquay, Cornwall in August.
The UK’s YouTubers, TikTok creators and Instagram influencers have been surveyed en masse for the first time ever, and are demanding formal recognition from the government.
The creator economy in the UK is thought to employ around 45,000 people and contribute over £2bn to the country in one year alone, according to the new research by YouTube and Public First.
But, despite all that value, its workers say they feel underappreciated by the authorities.
Image: Max Klyemenko, famous for his Career Ladder videos, wants the government to take creators like himself more seriously. Pic: Youtube
“If you look at the viewership, our channel is not too different from a big media company,” said Max Klymenko, a content creator with more than 10 million subscribers and half a billion monthly views on average.
“If you look at the relevancy, especially among young audiences, I will say that we are more relevant. That said, we don’t really get the same treatment,” he told Sky News.
Fifty-six per cent of the more than 10,000 creators surveyed said they do not think UK creators have a “voice in shaping government policies” that affect them.
Only 7% think they get enough support to access finance, while just 17% think there is enough training and skills development here in the UK.
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Nearly half think their value is not recognised by the broader creative industry.
The creative industries minister, Sir Chris Bryant, said the government “firmly recognises the integral role that creators play” in the UK’s creative industries and the fact that they help “to drive billions into the economy” and support more than 45,000 jobs.
“We understand more can be done to help creators reach their full potential, which is why we are backing them through our new Creative Industries Sector Plan,” he said.
Image: Ben Woods said the government needs to “broaden its lens” to include creators
“The UK has got a fantastic history of supporting the creative industries,” said Ben Woods, a creator economy analyst, Midia Research who was not involved in the report.
“Whether you look at the film side, lots of blockbuster films are being shot here, or television, which is making waves on the global stage.
“But perhaps the government needs to broaden that lens a little bit to look at just what’s going on within the creator economy as well, because it is highly valuable, it’s where younger audiences are spending a lot of their time and [the UK is] really good at it.”
According to YouTube, formal recognition would mean creators are factored into official economic impact data reporting, are represented on government creative bodies, and receive creator-specific guidance from HMRC on taxes and finances.
For some, financial guidance and clarity would be invaluable; the ‘creator’ job title seems to cause problems when applying for mortgages or bank loans.
Image: Podcaster David Brown owns a recording studio for creators
“It’s really difficult as a freelancer to get things like mortgages and bank accounts and credit and those types of things,” said podcaster David Brown, who owns a recording studio for creators.
“A lot of people make very good money doing it,” he told Sky News.
“They’re very well supported. They have a lot of cash flow, and they are successful at doing that job. It’s just the way society and banking and everything is set up. It makes it really difficult.”
The creative industries minister said he is committed to appointing a creative freelance champion and increasing support from the British Business Bank in order to “help creators thrive and drive even more growth in the sector”.
The government has already pledged to boost the UK’s creative industries, launching a plan to make the UK the number one destination for creative investment and promising an extra £14bn to the sector by 2035.
These influencers want to make sure they are recognised as part of that.