At this year’s Mercury Prize ceremony, honouring the 12 best albums from the UK and Ireland, many of the shortlisted artists, as well as the winners, English Teacher, spoke out about the issue.
CMAT, whose real name is Ciara Mary-Alice Thompson, is an Oasis fan who plans to go to three gigs next year. But she didn’t pay dynamic pricing, she says, and believes the system should be banned.
“Why is every venue in the UK closing down? Why is every single part of the music industry on its knees, but somebody is benefiting from [increased] ticket prices?
“Because if I was to allow dynamic pricing on my tickets – which I never, ever, ever would, and I have fought against it for the past year – I wouldn’t be getting that [money]. My management wouldn’t.”
CMAT continues: “Where’s this money going? Who’s getting it? Because it’s not benefiting anyone.”
As an independent artist, she says she has maintained more input and control of decision making when it comes to setting prices – and the conversation about dynamic pricing has “reared its ugly head” every so often over the past year.
However, the singer also believes there are artists “pressured into it that either don’t know any better, or don’t actually have the power or the right to fight against it, because they’re in some deal” they cannot escape from.
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As for the inflated Oasis tickets that have already been sold? “Realistically, [sellers] should be refunding people,” she says.
‘There’s economics and there’s creativity’
Oasis fans spent hours in virtual queues after the sale opened on Saturday – only for many to find that some tickets had more than doubled due to “in demand” pricing for the reunion tour.
The Competition and Markets Authority (CMA) has launched an investigation into the Ticketmaster sale, saying it will look into concerns over how dynamic pricing may have been used, and whether or not buyers were given clear and timely information explaining prices could change.
The band deny being aware of the decision to use dynamic pricing.
“I think there’s very, very rarely any instances in history where a commercial venture and a creative, artistic venture have collaborated to the benefit of them both,” says rapper Berwyn, another 2024 Mercury Prize shortlisted artist.
“I think there’s economics and there’s creativity. They both contribute to culture but opposite ends of the spectrum. Oftentimes they meet in the middle and the conversation is very rarely a good one.”
‘It’s not hit the jazz world yet’
“I think putting that barrier to entry on to any kind of event or music, it doesn’t really support inclusivity,” says musician and producer corto.alto, shortlisted for his debut album Bad With Names.
“Thankfully it’s not hit the jazz world yet… although there were big headlines when I announced my tour as well, about dynamic pricing.” He laughs. “Joking, there was not. But it’s something I think has to be looked at, for sure.”
“It makes it really inaccessible,” says Lewis Whiting, from English Teacher. “If you’re selling a ticket for a price, it should stay like that.”
Rapper Ghetts, shortlisted for the second time for his fourth album On Purpose, With Purpose, says he sees fans as family. “I wouldn’t want to overcharge them in any way.
“I always want to put them first and be like, that’s a bit unreasonable, especially in the times that we’re living in. When you look at people’s outgoings and their incomings, it’s a lot to ask for people sometimes.”
Like CMAT, Nia Archives is an Oasis fan – one who is “manifesting” tickets for one of their Manchester shows next year. “But the cost of living crisis really affected a lot of young people and festivals, we’re seeing them shut down because they can’t afford to keep running,” she says.
“I think it’s really important to have that community aspect, to have those free things and real-life moments, people that aren’t so money focused.”
Ticketmaster has said it does not set prices and its website says this is down to the “event organiser” who had “priced these tickets according to their market value”.
In response to the CMA announcement, the company said: “We are committed to cooperating with the CMA and look forward to sharing more facts about the ticket sale with them.”
Ed Sheeran helped Ipswich Town to sign a player over the summer just before getting on stage with Taylor Swift, according to the club’s chief executive.
Mark Ashton claims the pop star got on a video call to encourage a prospective new signing to seal his move to the East Anglia outfit.
He did not reveal the player’s name, but said he is “certainly scoring a few goals” and is a fan of Sheeran, who is a minor shareholder at his hometown club.
“Ed jumped on a Zoom call with him at the training ground, just before he stepped on stage with Taylor Swift,” Ashton told a Soccerex industry event in Miami.
“Hopefully that was a key part in getting the player across the line.”
Sheeran and pop icon Swift were on stage together on 15 August at Wembley Stadium, one day before Sammie Szmodics signed from Blackburn.
After scoring an overhead kick in Ipswich’s 2-1 win over Tottenham this month, he shared a picture of himself with Sheeran on Instagram.
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The voice actor behind Milhouse Van Houten – Bart Simpson’s very uncool friend – is stepping away after 35 years on the show.
Pamela Hayden, who also voiced Jimbo Jones, Rod Flanders, Janey and Malibu Stacy, will sign off from The Simpsons on 24 November in a Treehouse of Horror episode.
“It’s been an honour and a joy to have worked on such a funny, witty, and groundbreaking show,” the 70-year-old said in a statement.
Show creator Matt Groening said: “Pamela gave us tons of laughs with Milhouse, the hapless kid with the biggest nose in Springfield.
“She made Milhouse hilarious and real, and we will miss her.”
Tulisa Contostavlos has opened up about the moment she says her life “fell apart” after being “set up by a British newspaper” and charged with supplying drugs.
The charges against the singer were later dismissed after prosecution witness “fake sheikh” journalist Mazher Mahmood was found to have tampered with evidence during her 2014 trial.
“2013 was the year I was set up by a British newspaper, for concern in the selling of class A drugs,” she told fellow campmate Oti Mabuse.
“The guy’s name was Mahmood and basically, I was approached by a big movie company and they sent me a tweet or a DM from their official account to audition me for a movie role… I’d dabbled in acting, so this opportunity for me was huge.”
Contostavlos, 36, said the role was offering £3.5m and she was flown out for meetings with producers in Las Vegas but told former Strictly Come Dancing star Mabuse “it was a lie”.
She claimed the team behind the movie encouraged her to take on a real-life role of a “bad girl from London who was constantly up to naughtiness, rolling with gangs, up to all kinds of naughty stuff”.
Contostavlos said “they had me dangling on the end of a string”, claiming every time she met with the team they would tell her “we need some drugs”.
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“After months and months, eventually they got a number and it was of someone that wasn’t even a drug dealer, it was an aspiring movie producer and I wanted to make a hook up as well for that person, but I didn’t know anyone that could do that,” she said.
“The long story short is they ended up ordering £800 worth of cocaine from the number that I had given them.
“Then before I knew it, I was being arrested in the concern of the selling of Class A drugs and I was facing four years in prison.”
Contostavlos revealed she lost “all my endorsements” over the incident and “my life fell apart”, she said.
“When it came to the trial, I’d had a conversation with one of their drivers, I was being recorded but I didn’t know, I was saying how anti-drugs I am, so they were very aware of my feelings towards drugs.”
Contostavlos said the driver initially gave a statement confirming she was anti-drugs, however she claimed that as the trial loomed the journalist forced him to change his statement.
In 2016, Mahmood was jailed for 15 months after being found guilty of conspiring to pervert the course of justice relating to his actions in Tulisa Contostavlos’s court case.