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FKA Twigs says her latest work – a live performance piece at Sotheby’s – is part of her “huge and healing journey” over the last few years, in which she’s learned “how to use and live in my body again”.

The 36-year-old singer and actress opened her first major exhibition on Saturday, the day after her third album – Eusexua – dropped.

It’s a decade since the Cheltenham-born star – real name Tahliah Barnett – released LP1, and a world away from her first professional gigs as a backing dancer for stars including Kylie Minogue and Jessie J.

Described as “a physical and artistic quest for self-healing”, The Eleven comprises a rotating group of 11 “movers”, cycling through 11 ritualised motions that each last 11 minutes and are designed to improve your life.

Each addresses an issue with modern living, including our relationship with technology, simplifying our lives and self-awareness.

For example, if you’re suffering from screen addiction, the first part of a ritual might demand rubbing your hand when you discover that instead of being in the moment you are itching to check Instagram on your phone.

Or if you’ve got personal traits you want to fix, you might “take two hours out on a Saturday to think, ‘Oh, why do I get angry when I stand in a queue in Sainsbury’s?’ You know it’s not because of the queue”.

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She tells Sky News she choreographed the project to “create a sense of calm, and to just gain more control over my life so that I can concentrate on the things of beautiful and wild and free and not get bogged down with all of the noise”.

Twigs, who studied opera and ballet from a young age, will take part in some performances, which will also feature a revolving cast of “special guests”.

It’s not only a first for Twigs, but also for Sotheby’s, as the first piece of live performance art in the London gallery’s 280-year history.

Pic: Jordan Pettitt/PA
Image:
Pic: Jordan Pettitt/PA

‘I’m a wild-rooted, earthy woman’

Twigs cites Madonna, Tracey Emin (her pen pal as a teen) and Serbian conceptual artist Marina Abramovic as three of her muses, adding: “In the last two years, as I am a grown-up now, I’ve really looked to these women just to encourage me to keep going and get my message out there.”

Twigs explains: “There have been so many women that have just created something so much bigger than themselves, and they haven’t given up, and they’ve kept on going and they’ve ignored the naysayers.”

Her work is also inspired by her own life, rich pickings for the star who says: “I feel like I could get 10 albums just out of my life and from [ages] 16 to 18 if I just sat down and really thought about it.”

She says she only wore a certain shade of blue in the year she was writing the album (“a worn Japanese blue” according to the star) and created “a modular wardrobe” along with collaborator Yaz XL to sit alongside the project and “take the stress of looking good out of your life”.

One thing Twigs is clear hasn’t inspired the exhibition’s message is the California wellness trends so popular with celebrities and millionaires.

She says: “I’m half Jamaican from a single-parent working-class family. So, I don’t really know of those Californian things too much. I’ve just made it from my life experience and I’m a wild-rooted, earthy woman.”

The exhibition includes intimate photographs and Polaroids taken by Twigs’s partner, photographer Jordan Hemingway, who she lives with in east London.

Twigs with her partner, photographer Jordan Hemminway. Pic: PA
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Twigs with her partner, photographer Jordan Hemingway. Pic: PA

‘It’s about touching, slapping and holding yourself’

Twigs says rather than seeing the images as revealing, she sees them as “true”, adding: “I don’t really see my body in that way. Revealing or not revealing, I’d probably feel more awkward in an outfit I didn’t like, you know?

The star goes on: “Over the past few years, I’ve been on a huge healing journey and, have had to learn how to use and how to live in my body again.”

She says one message of the show is shrugging off body hang-ups: “It’s about touching yourself and slapping yourself and holding yourself and moving in a way that just gets rid of all inhibitions.

“It’s about realising that we’re in our vessels and we can take control of them… Express ourselves. It’s raw and it’s wild and it’s ugly. And in that way, it’s perfect.”

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It’s been a challenging few years for the singer, filing papers to sue her former partner Shia LaBeouf over alleged abuse four years ago, next month will see the case finally come to court in LA.

Twigs says the 38-year-old Hollywood star physically and emotionally abused her during their year-long relationship.

LaBeouf has denied the claims but apologised for the hurt he has caused.

FKA Twigs. Pic: Aidan Zamiri/ Ivor Novello Awards
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Twigs has been inspired by ‘strong’ women. Pic: Aidan Zamiri/ Ivor Novello Awards

‘Sistah Space feels like home’

With one in four women suffering domestic abuse during their lifetime, it’s a reality Twigs feels needs to be addressed.

As an ambassador for Sistah Space, a UK charity supporting African and Caribbean heritage women affected by domestic and sexual abuse, Twigs says she has found strength from the “strong women” around her.

Twigs explains: “I think that domestic violence and interpersonal relationship violence is a really misunderstood subject, and I think it can be even more complicated when you’re of colour and from different cultures.

“Sistah Space is an amazing organisation that helps support women and survivors, find their voice again, find their feet again after going through something really horrific. Sistah Space feels like home to me.

“I spoke to Ngosi [Fulani, the founder of Sistah Space] today on the way here, actually. And all of these incredibly strong women really inspired me to make this work and to keep going and to have tenacity and strength and all of these things to carry on and fight through in my own journey.”

Twigs with actor Bill Skarsgard in The Crow reboot. Pic: Lionsgate
Image:
Twigs with actor Bill Skarsgard in The Crow reboot. Pic: Lionsgate

Eusexua

The exhibition ties in with Twigs’s new album Eusexua – a “Twigism” coined by the star summing up that lightbulb moment when things just click.

With a new album out, a film out in the UK next month (the reboot of cult classic The Crow opposite Swedish actor Bill Skarsgard) and filming another, plus this exhibition, there’s no denying it’s an exciting year for the star.

But with her feet firmly on the ground, Twigs is just happy to be sharing her work with the world.

She sums up: “I feel like I’ve always kept myself very busy and I really love what I do and I love expressing myself and I love the arts and I’m just really grateful for all the opportunities to get them out there into the world.”

The Eleven is at Sotheby’s in London from Saturday 14 to Thursday 26 September and is free to view.

FKA Twig’s third studio album, Eusexua, is out now.

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‘Love you bro’: Zayn Malik’s tribute to Liam Payne at first show since former bandmate’s death

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'Love you bro': Zayn Malik's tribute to Liam Payne at first show since former bandmate's death

Zayn Malik paid tribute to former One Direction bandmate Liam Payne as he kicked off his solo tour.

Payne died last month of multiple traumas and “internal and external haemorrhage” after falling from a third-floor balcony in Buenos Aires, according to a post-mortem.

Images from Leeds’s O2 Academy on Saturday showed Malik – who delayed his Stairway To The Sky tour due to Payne’s funeral on Wednesday – shared a tribute.

A message was displayed with a heart on a large blue screen behind the singer reading: “Liam Payne 1993-2024. Love you bro.”

The 31-year-old also previously postponed the US leg of the tour after the “heartbreaking loss”.

He later rescheduled the Edinburgh shows, which had been planned for 20 and 21 November, to December due to “unforeseen circumstances”.

Following Payne’s death, Malik said he “never got to thank” him for his support during some of the “most difficult” times.

“I will cherish all the memories I have with you in my heart forever,” he said in a post on Instagram.

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Malik rose to fame in 2010 when Simon Cowell teamed him up with Payne, Harry Styles, Louis Tomlinson and Niall Horan on talent show The X Factor.

Malik left the band in 2015 and all members went on to pursue their own solo careers.

An investigation has been launched into Payne’s death by prosecutors and three people have been charged in connection with the incident.

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Kanye West accused of sexual assault on set of music video in new lawsuit

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Kanye West accused of sexual assault on set of music video in new lawsuit

Rapper Ye – formerly known as Kanye West – has been accused of sexual assault in a civil lawsuit that alleges he strangled a model on the set of a music video.

Warning: This story contains details that readers may find distressing

The lawsuit alleges the musician shoved his fingers in the claimant’s mouth at the Chelsea Hotel in New York City in 2010, in what it refers to as “pornographic gagging”, Sky News’ US partner network NBC News reported.

The model who brought the case – which was filed on Friday in the US District Court for the Southern District of New York – was a background actor for another musician’s music video that Ye was guest-starring in, NBC said, citing the lawsuit.

She is seeking compensatory and punitive damages against the 47-year-old.

A representative for Ye was approached for comment by NBC News on Saturday.

The New York City Police Department said it took “sexual assault and rape cases extremely seriously, and urges anyone who has been a victim to file a police report so we can perform a comprehensive investigation, and offer support and services to survivors”.

The lawsuit alleges that a few hours into the shoot, the rapper arrived on set, took over control and ordered “female background actors/models, including the claimant, to line up in the hallway”.

The rapper is then believed to have “evaluated their appearances, pointed to two of the women, and then commanded them to follow him”.

The lawsuit adds the claimant, who was said to be wearing “revealing lingerie”, was uncomfortable but went with Ye to a suite which had a sofa and a camera.

When in the room, Ye is said to have ordered the production team to start playing the music, to which he did not know his lyrics and instead rambled, “rawr, rawr, rawr”.

The lawsuit claims: “Defendant West then pulled two chairs near the camera, positioned them across from each other, and instructed the claimant to sit in the chair in front of the camera.”

While stood over the model, the lawsuit clams Ye strangled her with both hands, according to NBC.

It claims he went on to “emulate forced oral sex” with his hands, with the rapper allegedly screaming: “This is art. This is f****** art. I am like Picasso.”

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Universal Music Group is also named in the lawsuit as a defendant and is accused of failing to investigate the incident.

The corporation did not immediately respond to a request for comment by NBC.

Jesse S Weinstein, a lawyer representing the claimant, said the woman “displayed great courage to speak out against some of the most powerful men and entities within the entertainment industry”.

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Joy star James Norton on the ‘postcode lottery’ of IVF – and playing the scientist who was part of creating the first ‘test-tube baby’

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Joy star James Norton on the 'postcode lottery' of IVF - and playing the scientist who was part of creating the first 'test-tube baby'

Actor James Norton, who stars in a new film telling the story of the world’s first “test-tube baby”, has criticised how “prohibitively expensive” IVF can be in the UK.

In Joy, the star portrays the real-life scientist Bob Edwards, who – along with obstetrician Patrick Steptoe and embryologist Jean Purdy – spent a decade tirelessly working on medical ways to help infertility.

The film charts the 10 years leading up to the birth of Louise Joy Brown, who was dubbed the world’s first test-tube baby, in 1978.

James Norton stars in Joy. Pic: Kerry Brown/ Netflix
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In the UK, statistics show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade

Norton, who is best known for playing Tommy Lee Royce in the BAFTA-winning series Happy Valley, told Sky News he has friends who were IVF babies and other friends who have had their own children thanks to the fertility treatment.

“But I didn’t know about these three scientists and their sacrifice, tenacity and skill,” he said. The star hopes the film will be “a catalyst for conversation” about the treatment and its availability.

“We know for a fact that Jean, Bob and Patrick would not have liked the fact that IVF is now so means based,” he said. “It’s prohibitively expensive for some… and there is a postcode lottery which means that some people are precluded from that opportunity.”

Bill Nighy, Thomasin McKenzie and James Norton star in Joy. Pic: Netflix/ Kerry Brown
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Bill Nighy, Thomasin McKenzie and James Norton star in Joy. All pics: Netflix/ Kerry Brown

Now, IVF is considered a wonder of modern medicine. More than 12 million people owe their existence today to the treatment Edwards, Steptoe and Purdy worked so hard to devise.

But Joy shows how public backlash in the years leading up to Louise’s birth saw the team vilified – accused of playing God and creating “Frankenstein babies”.

Bill Nighy and Thomasin McKenzie star alongside Norton, with the script written by acclaimed screenwriter Jack Thorne and his wife Rachel Mason.

The couple went through seven rounds of IVF themselves to conceive their son.

James Norton and Thomasin McKenzie star in Joy. Pic: Kerry Brown/ Netflix
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Norton portrays scientist Bob Edwards, while McKenzie plays embryologist Jean Purdy

While the film is set in the 1970s, the reality is that societal pressures haven’t changed all that much for many going through IVF today – with the costs now both emotional and financial.

“IVF is still seen as a luxury product, as something that some people get access to and others don’t,” said Thorne, speaking about their experiences in the UK.

“Louise was a working-class girl with working-class parents. Working class IVF babies are very, very rare now.”

In the run-up to the US election, Donald Trump saw IVF as a campaigning point – promising his government, or insurance companies, would pay for the treatment for all women should he be elected. He called himself the “father of IVF” at a campaign event – a remark described as “quite bizarre” by Kamala Harris.

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Bill Nighy ‘proud’ of new film on IVF breakthrough

“I don’t think Trump is a blueprint for this,” Norton said. “I don’t know how that fits alongside his questions around pro-choice.”

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In the UK, statistics from fertility regulator HEFA show the proportion of IVF cycles paid for by the NHS has dropped from 40% to 27% in the last decade.

“It’s so expensive,” Norton said. “Those who want a child should have that choice… and some people’s lack of access to this incredibly important science actually means that people don’t have the choice.”

Joy is in UK cinemas from 15 November, and on Netflix from 22 November

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