The artist who created a sculpture which has been called “disturbing” and “shocking” says he’s been “surprised” at the backlash but welcomes difficult conversations it might inspire.
Jason deCaires Taylor told Sky News: “I don’t strive of my artwork to divide people or cause upset. But I do try to talk about issues that are pertinent and relevant to our current times.”
Image: Pic: Jason deCaires Taylor
The 50-year-old artist has a history of producing political work but says this one contained “no political intentions at all” and is based on the painting which inspired Shakespeare‘s tragic heroine Ophelia.
The Alluvia – which is made from recycled glass and steel and features LEDs which light up at night – was installed in the River Stour, in Taylor’s hometown of Canterbury in Kent around a week ago.
However, comments posted on Canterbury City Council’s official Facebook page have included accusations that the work is “tone-deaf” and “offensive”.
One wrote: “I can’t be the only person who finds this deeply offensive. She looks like a drowned woman. How did the council not see the link to women as victims of crime or the sad fact so many drown off the Kent coast as refugees.”
Another said: “I find this sculpture absolutely appalling. It’s not just offensive, it’s downright disturbing. The imagery of a submerged figure, reminiscent of a drowning victim, is both morbid and utterly tone-deaf given the tragic drownings that occur along our coastlines. What on earth were the council thinking?”
Others stood up for the work, with one commenting: “More people seem to be “disturbed”, “offended” and “shocked” by this than they do by images of actual drownings which are happening daily along our coasts. Rather than wasting your hate on an artwork that is designed to provoke, why not put some of that energy into something constructive?”
Another wrote: “It’s a beautiful piece of art and nowhere near as disturbing as the previous sculptures that it has replaced. What kind of world do we live in when anything that offends or “triggers” someone, must be removed??”
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Image: Pic: Jason deCaires Taylor
Image: The Alluvia on the bed of the river Stour near the Westgate bridge in Canterbury, Kent. Pic: Jason deCaires Taylor
The sculpture had replaced two similar female forms, also created by Taylor, which had been in the water since 2008 but which had been damaged due to dredging.
‘If it fosters care and sympathy, that’s good’
Taylor told Sky News: “I was surprised… 99.9% of all the feedback that I’ve received has been very positive… But at the same time, I appreciate everybody takes something different from everything they see.”
While he says there is “no connection” between the work and the ongoing migrant crisis taking place further along the Kent coast, he hopes it could inspire empathy for what’s happening out in the Channel.
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He said: “It’s an extremely tragic situation, and I don’t think ignoring it is the solution. If [this work] can foster any kind of care and sympathy for that situation, then I think that’s a good thing.”
Taylor also said the fact the subject is a young woman is because it draws reference from Sir John Everett Millais’s celebrated painting, on display at Tate Britain.
Image: Pic: Jason deCaires Taylor
‘Art without questions is pointless’
Some of Taylor’s past sculptures have raised issues around the climate crisis, Brexit and the plight of those risking their lives on the perilous migration route from West Africa to Spain.
Taylor says: “Art should ask questions. They should make people think about things that should elicit emotions, that’s really critical.
“If things were ignored and if you tried to please everybody with all your artwork, I think you’d make something very benign and quite frankly, pretty pointless.”
He also feels our age of information overload could be part of the reason for the negative feedback.
“We’re so inundated with images and media, with having our phones interrupting us and screens everywhere we look that people look for divisiveness and things that cause clickbait. I think there is an element of people sort of seeking out controversy.”
Taylor said the majority of negative comments online had come from people who had not been to Canterbury and seen the work in real life, with one call for the statue’s removal coming all the way from Orkney.
Responding directly to calls for his work to be taken out of the river, he said: “People are perfectly in their rights to have [an] opinion. But I would urge them to go and see it first.”
Image: Pic: Jason deCaires Taylor
‘A dead body doesn’t light up at night’
Chair of Canterbury Commemoration Society Stewart Ross, the charity that commissioned the work, told Sky News: “Some people find it offensive and shocking, we have no objection to that. All public art is open to discussion”.
Comparing calls for the work to be removed to the destruction of art during the Reformation, he said: “I feel strongly about this [call for censorship]. It’s what the Taliban do. If you don’t like it, don’t look.”
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Mr Ross said the “confected anger” around the sculpture was “unnecessary” and that the charity was simply “trying to do its best,” adding: “People have been comparing it to a dead body, but I have yet to meet a dead body that lights up in the night”.
Taylor, who has been working as an artist for over 25 years, has sculptures in marine locations around the world including Australia, Mexico, Grenada and Norway. Prices for his sculptures start at around £1,300.
He first donated the two original Alluvia figures to the city of Canterbury in 2008.
Hip hop mogul Sean “Diddy” Combs has lost a bid to delay his upcoming sex-trafficking trial by two months.
US district judge Arun Subramanian said the 55-year-old rapper made his request too close to his trial, which is due to start next month.
Jury selection is currently scheduled for 5 May with opening statements set to be heard seven days later.
Combs has pleaded not guilty to five criminal counts including racketeering and sex trafficking.
Prosecutors with the Manhattan US attorney’s office accuse Combs of using his business empire to sexually abuse women between 2004 and 2024.
Combs’s lawyers say the sexual activity described by prosecutors was consensual.
In a court filing on Wednesday, Combs’s lawyer Marc Agnifilo asked Mr Subramanian to delay the trial because he needed more time to prepare his defence to two new charges which were brought on 4 April.
The charges were of sex trafficking and transportation to engage in prostitution.
Mr Agnifilo also said his team needs extra time to review emails it wants an alleged victim to turn over.
The new allegations brought the total number of criminal charges against the rap mogul to five – following the three original counts, which also included racketeering conspiracy, filed in September.
Federal prosecutors were opposed to any delay, writing in a Thursday court filing that the additional charges brought earlier this month did not amount to substantially new conduct.
They also said Combs was not entitled to the alleged victim’s communications.
Image: A sketch of Combs during one of his court appearances. Pic: Reuters
Meanwhile, Mr Subramanian is weighing other evidentiary issues, such as whether to allow alleged victims to testify under pseudonyms.
Also known during his career as Puff Daddy and P Diddy, Combs founded Bad Boy Records and is credited with helping turn rappers and R&B singers such as Notorious B.I.G, Mary J. Blige, Faith Evans and Usher into stars in the 1990s and 2000s.
But prosecutors have said his success concealed a dark side.
They say his alleged abuse included having women take part in recorded sexual performances called “freak-offs” with male sex workers, who were sometimes transported across state lines.
Combs has been in jail in Brooklyn since September, having been denied bail.
He also faces dozens of civil lawsuits by women and men who have accused him of sexual abuse.
Combs has strenuously denied all allegations of wrongdoing.
Alex Garland says while it’s “the most obvious statement about life on this planet” that the world would be a better place without war, it “doesn’t mean it should never happen”, and there are “circumstances in which war is required”.
The Oscar-nominated screenwriter and director told Sky News: “I don’t think it is possible to make a statement about what war is really like without it being implicitly anti-war, inasmuch as it would be better if this thing did not happen.
“But that’s not the same as saying it should never happen. There are circumstances in which war is required.”
Image: (L-R) Co-writers and co-directors Alex Garland and Ray Mendoza. Pic: A24
His latest film, Warfare, embeds the audience within a platoon of American Navy SEALs on an Iraqi surveillance mission gone wrong, telling the story solely through the memories of war veterans from a real 2006 mission in Ramadi, Iraq.
Garland says the film is “anti-war in as much as it is better if war does not happen,” adding, “and that is about the most obvious statement about life on this planet that one could make.”
Comparing it to ongoing geopolitical conflict across the world, Garland goes on: “It would be better if Gaza had not been flattened. It would be better if Ukraine was not invaded. It would it better if all people’s problems could be solved via dialogue and not threat or violence…
“To be anti-war to me is a rational position, and most veterans I’ve met are anti-war.”
The screenwriter behind hits including Ex Machina, 28 Days Later and The Beach says this film is “an attempt to recreate something as faithfully and accurately as we could”.
Image: The film opens to Swedish dance hit Call On Me. Pic: A24
‘War veterans feel invisible and forgotten’
Almost entirely based on first-person accounts, the 15-rated film opens with soldiers singing along to the video of Swedish dance hit Call On Me – complete with gyrating women in thong leotards.
It’s the only music in the film. The remaining score is made up of explosions, sniper fire and screams of pain.
Garland co-wrote and co-directed the film alongside Hollywood stuntman and gunfight coordinator Ray Mendoza, whom Garland met on his last film, Civil War.
Mendoza, a communications officer on the fateful mission portrayed in the film, says despite the traumatic content, the experience of making the film was “therapeutic”.
Mendoza told Sky News: “It actually mended a lot of relationships… There were some guys I hadn’t spoken to in a very long time. And this allowed us to bury the hatchet, so to speak, on some issues from that day.”
Turning to Hollywood after serving in the Navy for 16 years, Mendoza says past war film he’d seen – even the good ones – were “a little off” because they “don’t get the culture right”.
Mendoza admits: “You feel like no one cares because they didn’t get it right. You feel invisible. You feel forgotten.”
With screenings of Warfare shown to around 1,000 veterans ahead of general release, Mendoza says: “They finally feel heard. They finally feel like somebody got it right.”
As to whether it could be triggering for some veterans, Mendoza says decisively not: “It’s not triggering. I would say it’s the opposite, for a veteran at least.”
Image: D’Pharaoh Woon-A-Tai plays communications officer Ray. Pic: A24
‘I’m an actor – I love my hair’
A tense and raw 90-minute story told in real time, the film’s ensemble cast is made up of young buzzy actors, dubbed “all of the internet’s boyfriends” when the casting was first announced.
Mirroring the Navy SEALs they were portraying, the cast initially bonded through a three-week bootcamp ahead of filming, before living together for the 25-day shoot.
Black Mirror’s Will Poulter, who plays Eric, the officer in charge of the operation, says the film’s extended takes and 360-degree sets demanded a special kind of focus.
Poulter said: “It required everyone to practise something that is fundamental to Navy SEAL mentality – you’re a teammate before you’re an individual.
“When a camera’s roaming around like that and could capture anyone at kind of any moment, it requires that everyone to be ‘on’ at all times and for the sake of each other.
“It becomes less about making sure that you’re performing when the camera lands on you, but as much about this idea that you are performing for the sake of the actor opposite you when the camera’s on them.”
Another of the film’s stars, Reservation Dogs’ D’Pharaoh Woon-A-Tai, plays Mendoza and is the heart of the film.
Woon-A-Tai says the cast drew on tactics used by real soldiers to help with the intense filming schedule: “Laughter is medicine… A lot of times these are long takes, long hours, back-to-back days, so uplifting our spirit was definitely a big part of it.”
He also joked that shaving each other’s heads in a bonding ritual the night before the first day of filming was a daunting task.
“As actors, we love our hair. I mean, I speak personally, I love my hair. You know, I had really long hair. So yeah, it definitely takes a lot of trust. And you know, it wasn’t even at all, but you know it was still fun to do.”
“We’re fully on their side,” drummer Jimmy Brown told Sky News. “I think they shouldn’t give up, they should still be fighting.
“Working people shouldn’t have to take a reduction in their incomes, which is what we’re talking about here.
“We’re talking about people being paid less and it seems to me with prices going up, heating, buying food, inflation and rents going up then people need a decent wage to have a half decent life… keep going boys!”
Image: Members of the Unite union in Birmingham earlier this month. Pic: PA
Workers joined picket lines again on Thursday, with some fearing they could be up to £600 a month worse off if they accept the terms.
“We have total utter support for the bin men and all trade unions,” said guitarist Robin Campbell.
“The other side is always going to say they’ve made a reasonable offer – the point is they’re the ones who’ve messed up, they’re the ones who’ve gone bankrupt, they’re the ones now trying to reduce the bin men’s wages.”
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Lead singer Matt Doyle told Sky News: “It’s a shame that what we’re seeing is all the images of rats and rubbish building up, that is going to happen inevitably, but we’ve just got to keep fighting through that.”
About 22,000 tonnes of rubbish accumulated on the city’s streets after a major incident was declared last month by Birmingham City Council.
Image: Rubbish has blighted the city’s streets for weeks . Pic: PA
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0:57
Bin situation ‘pains me’ – council boss
On a visit to the city, local government minister Jim McMahon said the union and local authority should continue to meet in “good faith” and the government felt there was a deal that could be “marshalled around”.
He paid tribute to the “hundreds of workers” who have worked “around the clock” to clear the rubbish.
“As we stand here today, 85% of that accumulated waste has been cleared and the council have a plan in place now to make sure it doesn’t accumulate going forward,” said Mr McMahon.
Sky News understands talks are not set to resume until next week.