Saoirse Ronan has become one of the Academy Awards’ anomalies after being nominated four times without taking home a statuette.
The American-born Irish star received her first Oscars nod at the age of just 13, when she featured in the best supporting actress category for her role in Atonement.
Since then, despite being shortlisted three times for best actress for Brooklyn, Lady Bird and Little Women, she has never won.
Now, the 30-year-old is set to compete in both the lead and supporting actress categories at the 2025 awards for her new films The Outrun and Steve McQueen’s Blitz.
If she secures one or both nominations, she would become the youngest actor to receive five, or six, nods.
Directed by Nora Fingscheidt, The Outrun, which is inspired by the life of writer Amy Liptrot, follows a Scottish woman struggling with alcoholism while living in fast-paced London.
In a bid to maintain her sobriety, she returns home to Orkney and finds herself in the process.
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“Nora really wanted us to have our input in terms of who these characters were and situations that we would find them in”, Ronan told Sky News.
“We had a script that was written and the structure of it was there, but we were sort of able to fill in the gaps a little bit.”
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The Scottish drama marks the first time Ronan has worked as a producer on a project and she says she took a lot from the experience.
She said: “There is a lot going on behind the scenes that actors are protected from, and sometimes I think it would be valuable for an actor to know the drama that exists when they’re not around.
“I think it might make people behave a little bit better and to know that it is sort of like a domino effect when there’s one thing that’s out of place, it really will affect everything else by you not getting on to a call at a certain time.”
She said it gave her a new appreciation for the craft.
“It’s very difficult to get an independent movie made and to try and source the money needed to just even pay people is difficult sometimes.
“So, yes, it’s just having an awareness of and the graft involved and that has definitely made me appreciate the movies that I’m on so much more where I am just an actor and I don’t have to worry about any of that stuff at all.”
The film also stars The Lazarus Project’s Paapa Essiedu as her boyfriend Daynin.
Battling with the person she has become, her character Rona returns to the Orkney Islands to try to reconnect with nature.
The Oscar nominee said sea swimming at a remote location was therapeutic for the cast and crew.
“We finished [shooting] on Papa Westray, where we had to have a micro crew. There’s 90 inhabitants on the whole island.
“We stayed in people’s homes because there’s no hotels or anything like that. We ate together every night. We walked to work like it was a very stripped back experience in terms of filmmaking.
“And I think that was sort of felt like art imitating life a little bit after all the chaos of the beginning of the shoot. To have that at the end was wonderful.”
Adele has bid a tearful farewell to her Las Vegas residency show, as the Someone Like You star admitted she doesn’t know when she’ll perform again next.
The British singer-songwriter, 36, launched Weekends with Adele at Caesars Palace in November 2022 and performed her 100th show there on Saturday.
Her mammoth run of sell-out shows at the venue, which seats around 4,000 people, has been a success but has taken its toll.
John David Washington says he felt like he had to conceal his desire to act because of the external expectations of him being the child of Denzel and Pauletta Washington.
He tells Sky News it took some time for him to pursue an acting career, choosing football instead to assert his “independence” and create his own “identity” separate from his famous family.
“I’ve been wanting to do this my whole life… but I was hiding it,” he said.
“I had to conceal that passion based on my relationship to the world and more specifically, my folks being in the industry, so I chose ball.
“I loved ball, but I was sort of hiding my love for the arts under a helmet – literally an American football helmet – and so when I wanted to become an actor, when I decided to pursue it, that was a big shock to some people.”
The 40-year-old actor says when he decided to pursue an acting career, he kept the decision quiet.
“Some people didn’t know I was even pursuing it professionally until I got a job,” he said.
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Since switching to acting, John David has starred in a number of notable roles including the protagonist in Christopher Nolan’s Tenet, Ron Stallworth in BlacKkKlansman and Joshua in The Creator.
He also led the stage revival of the 2022 Tony-nominated play The Piano Lesson on Broadway alongside Samuel L Jackson.
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“He [Jackson] originated the role [I play] in 1987 at Yale with Lloyd Richards and August Wilson,” John David said.
“So it was of great importance for us to learn from both he and Michael Potts about August Wilson. It was a great blessing for me, I think, for all of us to have him present on set.”
The Piano Lesson is the third August Wilson play to be adapted for the screen by Denzel Washington’s production company Mundy Lane Entertainment.
It is part of a pledge made by the Gladiator II actor to make all 10 of the playwright’s works into films.
The Netflixproject is directed by another Washington family member, Malcolm, and stars most of the cast from the Broadway revival.
Set in 1936 Pittsburgh in the aftermath of the Great Depression, the film centres on a family heirloom, a piano, that is etched with the carvings of their family history made by their enslaved ancestor.
Malcolm says he started reading the play for the first time during the pandemic and immediately wanted to be involved in the film adaptation.
“I think with this movie, reclamation of story and identity is so central to the theme and it’s something that’s central to my life where I both acknowledge the fertile ground that I was raised on and who I am today.
“That’s what Wining Boy [played by Michael Potts] really is trying to do, he’s trying to build on that legacy, so that’s a story that really resonated with me.”
The filmmaker added: “I take all the gifts that my ancestors laid in front of me, and I’m trying to build something for the next generation to pass down – all of their gifts, plus mine to the next generation and let them build on it.”
Malcolm says his goal was to put family at the forefront of the production. By dedicating his feature debut to “Mama”, he is acknowledging the dedication and sacrifices that mothers make for the growth of their families.
“There’s so much pointing to my mother in particular, who inspired this adaptation so much. I see so much of her life in Berniece’s character [played by Danielle Deadwyler] – and that became a guiding light for me in this adaptation,” he said.
“As we made this thing and started reconnecting with our ancestors, my mum became like a kind of representative of them.
“She’s the matriarch of our family. She tells me about my grandparents and great-grandparents and the line that I come from, and I see them in her.
“And when the movie ends, I want people to kind of have that moment of reflection for their own lives. So in dedicating it to her, I was trying to dedicate it to all mums everywhere.”
Blockbuster Wicked has landed the largest opening weekend of 2024 at Vue International.
The film, starring Oscar-nominated actress Cynthia Erivo and Grammy-winning pop star Ariana Grande as Elphaba and Glinda, surpassed both Gladiator II and Paddington In Peru.
It has also had the largest opening weekend for a stage musical adaptation in the cinema chain’s history.
A boss for Vue International said it had seen a “sea of pink and green” over the weekend.
Released on Friday, Wicked is up 60% on Les Miserables’ opening weekend in 2012 and three times larger than the 2022 film adaptation of Matilda.
Founder and chief executive of Vue International Tim Richards said: “Vue has seen a sea of pink and green over the opening weekend of Wicked, which has shown continued high demand for the big screen experience.
“We saw record-breaking pre-sales for Wicked, followed by a chart-topping opening weekend – the biggest for 2024.”
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The film is the first of two parts, with the second expected in November next year.
Wicked and Gladiator II – known together as Glicked – have reportedly failed to beat out Barbenheimer, Barbie and Oppenheimer, in its own opening weekend last summer.