“Drastic change” is needed to end the “backwards” British stunt industry’s use of men in wigs pretending to be women, according to leading female stunt experts.
“From my point of view, it’s heartbreaking,” says stunt co-ordinator Tiger Lilli Rudge talking to Sky News at Space Studios in Manchester.
A stunt performer for 15 years, she now helps train other women with the skills needed to work in film and television, all too aware from her own experience that they will be fighting on multiple fronts.
“Women put in all the time and effort and are more than capable to do a job…and then you put a wig on a man,” she says.
She adds: “The excuse that they use is that they had to use the man because there wasn’t a woman to do the job, and I can tell you that that is absolutely rubbish because I know hundreds of women that are capable car drivers, bikers, whatever, there’s so much talent out there.”
Decades ago back when male-centred action films were more en vogue, the practice of “wigging” used to be quite common. Today it is largely frowned upon.
It is a term, used within the industry, to describe the process of a wig being put on a stuntman so that they can double as a female character for some of the more dangerous action scenes.
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On Amazon Prime’s big-budget spy show Citadel, as you might expect, all the primary cast have their own assigned stunt doubles who are gender and race-appropriate.
But Sky News obtained photos of a stunt driver wearing a wig and given heavy make-up to pass as female.
Filmed just a couple of months ago, it is understood it happened after an incident with the original female driver meant they turned to a last-minute replacement – and a man happened to be the only person available quickly with the right set of skills.
To some female stunt performers and drivers, this explanation is familiar – there just aren’t enough women in the trade – but we’ve been told even those with the prerequisite skills are not often being booked because, they say, the stunt world remains a “boys club”.
“It’s very backwards,” Ms Rudge insists. “America is much better…we are massively behind here and I think it needs drastic change.”
She says: “The opportunities for women are much lesser so… they have to get all these skills, the bikes, the cars, the horses, yet when it comes down to hiring they’re not getting an opportunity.
“Anything with a weapon, anything with danger, it will automatically go to men….there is a stereotype with women for some reason that they aren’t as good as men.”
A recent study carried out by academic Dr Laura Crossley – a film lecturer from Bournemouth University – found that despite an increase in female action roles women still struggle to get into core stunt teams.
“The overwhelming evidence is that it’s very difficult for women to progress to the roles of the stunt directors and stunt coordinators,” Dr Crossley explains.
“They tend to be the people who will determine who gets brought onto the stunt teams and predominantly they are men.”
She adds: “I don’t think it’s necessarily something that’s being done that’s mendacious or that it’s deliberately trying to freeze women out, I think there’s just this ongoing culture… because stunt workers have existed in this sort of shadowy area for quite a long time… they just don’t tend to get that kind of transparency.
“It is jobs for the boys… if a stunt woman is brought in, she isn’t always part of the core team, she might just be brought in for a scene and then if there’s something else that arises along the way and she’s no longer around, the stunt director probably turns to his core crew and just goes ‘okay, you’re up, you’re going to do it’.”
In 2024, she argues, it’s hard to justify that a man in a wig is the only option.
“This is something that we knew was happening in the 60s and 70s, to a certain extent, but I didn’t realise it had carried on for so long….it should absolutely be industry standard that men cannot double for women and white stunt workers cannot double for people of colour,” she says.
Given the nature of closed film and television sets, it is hard to say for certain how often men double for women.
In relation to the photos we obtained from the set of Citadel Season 2, Sky News understands Amazon MGM endeavour to find gender and ethnic-specific stunt doubles and that stuntmen dressing as women happens only with the rarest of exceptions.
But Ms Rudge argues it shouldn’t be happening at all.
She said: “This comes from the top – production need to acknowledge female stunt coordinators, female coordinators will acknowledge women….unless there is more hiring of women, this isn’t going to change.”
Lynn Ban, star of Netflix reality show Bling Empire: New York, has died after having brain surgery due to a skiing accident.
The 51-year-old jewellery designer from Singapore died on Monday, her son Sebastian announced on social media – weeks after she underwent emergency brain surgery due to a skiing accident.
Last month, Ban, who lived in New York, shared with her Instagram followers that she “had a ski accident that would change my life” while on holiday in Aspen on Christmas Eve.
She revealed a CAT scan showed she had a severe head injury, including a brain bleed, meaning she needed an emergency craniotomy.
She said she woke up in hospital with her husband Jett Kain nearby, and hoped to recover this year.
In an update on her Instagram account on Wednesday, her son Sebastian wrote: “My mum passed away on Monday. I know she wanted to share her journey after her accident and brain surgery, so I thought she would appreciate one last post sharing the news to people who supported her.
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“Many of you followed my mum but never got the chance to know her or meet her in person,” he added.
“I would like to take the chance to share who my mum really was. She was and always will be my best friend, the best mother to me, and someone who cared for all.
“She always had a smile on her face even when times were tough during her recovery process.
“She was a fighter until the end and is the strongest woman I know. She was the funniest and coolest mum I could ever ask for. She took care of me, my dad, and our entire family throughout her whole life.
“Although she may be gone now, I will do everything I can to make sure she is never forgotten and for her life to be celebrated as it deserves to be.
“As a final message to my mum, I would just like to say that I will miss you forever and to end in something she always told me ‘I love you more than life itself’ mum.”
Ban starred in Bling Empire: New York, a spinoff of the popular Netflix reality series Bling Empire, which followed a group of wealthy Asian American socialites living in Los Angeles.
She also had a private jewellery label which catered to a host of celebrities, including thRihanna, Beyonce, Cardi B, Billie Eilish, Madonna, Lady Gaga, Kendrick Lamar and Post Malone.
Pop star Rihanna was among those who paid tribute on social media, writing: “2025 is rocking me at this point! This is too much!!! Lynn you will always be our fairy godmother!”
Designers Bea Akerlund and Phillip Bloch, Younger star Debi Mazar, and A Star Is Born actress Drena De Niro also paid tribute.
Emilia Perez leads the nominations for this year’s Oscars – and has broken the record for the most nominated non-English language film in the history of the awards.
The Spanish-language musical, which tells the story of a Mexican cartel boss who undergoes gender affirmation surgery, stars Zoe Saldana, Selena Gomez and Karla Sofia Gascon – who is the first transgender woman to be nominated in an acting category.
It has 13 Oscarnominations in total, including best picture – breaking the record of 10 nods for a foreign language film set by Crouching Tiger, Hidden Dragon in 2001, and equalled by Roma in 2019.
Post-war epic The Brutalist and the blockbuster musical adaptation Wicked follow with 10 nominations each, while papal thriller Conclave and Bob Dylan biopic A Complete Unknown have eight.
All are up for best picture, alongside Anora, Dune: Part Two, I’m Still Here, Nickel Boys and The Substance.
In the acting categories, Gascon is up for best actress against Wicked star Cynthia Erivo, Anora newcomer Mikey Madison, and Golden Globe winners Demi Moore and Fernanda Torres, for their performances in The Substance and I’m Still Here respectively.
Timothee Chalamet’s portrayal of Dylan in A Complete Unknown has earned him a nomination for best actor, alongside Sebastian Stan, who is shortlisted for his performance as a younger Donald Trump in The Apprentice.
Adrien Brody, who plays a Hungarian architect attempting to build a life in the US after the Second World War in The Brutalist, is also in the running, alongside British star Ralph Fiennes, for Conclave, and Colman Domingo, for the true story prison drama Sing Sing.
In the supporting actor category, Golden Globe winner Kieran Culkin (A Real Pain) is up against his former Succession co-star Jeremy Strong (The Apprentice), along with Yura Borisov (Anora), Edward Norton, (A Complete Unknown) and Guy Pearce (The Brutalist).
US pop singer Ariana Grande gets her first Oscar nomination in the best supporting actress category, for her performance as Glinda the good witch alongside British star Erivo’s green-skinned Elphaba in the box-office smash Wicked. She is up against British star Felicity Jones (The Brutalist), Monica Barbaro (A Complete Unknown), Isabella Rossellini (Conclave), and Saldana for Emilia Perez.
The shortlist for best director includes Sean Baker (Anora), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), Jacques Audiard (Emilia Perez) and James Mangold (A Complete Unknown).
Ricky Gervais has paid tribute to his “beautiful” on-screen dog who featured in his TV show After Life.
The British comedian and actor said Vislor Antilly, also known as Anti, was a “beautiful soul” and they “hit it off straight away”.
Gervais said the German shepherd helped make After Life his “favourite filming experience of all time” and he was glad he told her “a hundred times a day that she was a very good girl”.
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Antilly was Brandy the Dog in all 18 episodes of the Netflix comedy about local newspaper reporter Tony, played by Gervais, who is dealing with his wife’s death.
In the show, which ran for three seasons from 2019 to 2022, Tony is often seen walking Brandy, who stops him from taking his own life.
A statement on the Instagram account of Antilly the Wonder Hound read: “Vislor Antilly, After Life’s Brandy, has sadly passed away. We already miss her terribly. Sleep well xxx.”
She died peacefully at her home in Oxfordshire at the age of 13.
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‘Such sad news’
Reacting to the death, Gervais said: “This is such sad news. Anti was a beautiful soul.”
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The canine also featured in Hollywood movies including Tom Cruise’s Edge Of Tomorrow, Michael Fassbender’s Trespass Against Us and George Clooney’s The Midnight Sky.
And she was in TV shows such as The Capture, Doc Martin, Britain’s Got More Talent, and 8 Out Of 10 Cats Does Countdown.
Her final stunt on camera was released in July last year in the Midsomer Murders episode The Debt Of Lies, where she played a retired police dog who detains the murderer before retiring.
After that, Antilly retired from film and television.
‘Animal actor and stunt performer’
Born in April 2011 in Herefordshire, at the home of West Bromwich-based Vislor Dog Training Centre, Antilly was raised by trainers Travis and Ashley Foster, who appeared in Sir Christopher Nolan’s Batman: The Dark Knight. She visited them on set when she was 10 weeks old.
The biography on her Instagram account read: “Vislor Antilly is an animal actor, stunt performer and charity advocate. She played Brandy in After Life by Ricky Gervais and has a very silly tummy.”