“What Sean Combs is being accused of is not rare. He’s not an anomaly.”
For a year in the early noughties, Elisabeth Ovesen was a hip-hop video star dancing alongside some of the biggest names in the business. It was an era of big-budget music videos filled with, in rap especially, money, cars, and women.
She kept diaries. In 2005, she published Confessions Of A Video Vixen, recounting her difficult upbringing and relationships before finding a seemingly glamorous lifeline to financial security.
Under the name Karrine Steffans, she detailed her experiences on video sets as a 22-year-old woman, her relationships and sexual encounters with rappers, other music stars and executives. Most of her own experiences involving famous stars were consensual, she says; the book is a cautionary tale about a feted industry, her stories highlighting misogyny and power imbalances in terms of age and status, how women were used and discarded, rather than criminal behaviour.
But Ovesen says she was also aware of a much darker side to the music industry, and Hollywood in general.
In the wake of the #MeToo movement – and most recently the charges filed in the US against rapper Sean “Diddy” Combs, which he has strenuously denied – she says she wants people to know there are others “getting away” with similar behaviour and crimes.
Her words echo those of lawyer Tony Buzbee, who has filed several lawsuits against Combs. He has also claimed A-listers are paying off victims to avoid being publicly named.
Image: Pic: AP
‘Everything that’s coming out wasn’t a secret’
Speaking to Sky News on Zoom, Ovesen recounts the night she first met Combs, saying she was “kind of ordered” to his house. Despite this, in hindsight, being a “weird” experience, she says he treated her well and with respect. “We’re at a club, I was with people he knew, our cars were leaving at the same time,” she says. Combs leaned out of a window to talk to the men in her car, “talking about me like I’m property”.
The men decided she would go to his house, she says. “It was kind of like, ‘send her’. In retrospect now I realise how weird that is.”
She says this was shortly after Combs’ break-up with Jennifer Lopez in 2001. “He was very sweet and very docile with me and very respectful. The next morning we had brunch at his house… again, [he was] pleasant, warm.” She says she went to other parties with Combs and he was always the same.
But he knew she kept diaries, she claims. “So my experiences with him are a lot different than hundreds of other people’s… I have seen him flare up. I have seen things that did not involve me.”
These are not her stories to tell, she says. “I don’t want to overshadow actual victims. I’m nobody’s victim.”
However, Ovesen says she became aware of the hip-hop star’s alleged behaviour, his abuse of former girlfriend Cassie, which he publicly apologised for, and the claims of “freak-off” parties detailed in the charges against him.
“I knew what kind of person he was to other people. Everything that’s coming out now about Sean wasn’t a secret… him and Cassie, that was an open secret in LA, in the industry. Everyone knew. The issue with something like that is that if someone says, ‘yeah, I was there, I’ve seen it. I know for sure’. Then the question becomes, well, what were you doing there?”
Image: Elisabeth Ovesen, formerly known as Karrine Steffans, pictured after the release of the book, in 2006. Pic: JSSImages/BEImages
Misogyny and abuse in the hip-hop industry, and in the wider music industry – Hollywood in general – is rife, Ovesen says.
“If we’re looking at this one person and the industry this person is in, now let’s look at all the men who are not saying anything at all,” she says. “I want to be very clear that what Sean is being accused of is not rare. He’s not an anomaly… the behaviour is learned and perpetuated.”
Ovesen says some men she knew from the industry at the time had a family home – “and then there’s a party house”. Drugs were rife, she says, and she witnessed heroin, cocaine and crack being taken “by prominent celebrity men”.
Women are treated as objects and often suffer sexual abuse, she says. Some men too, and under-age boys and girls, she claims.
Artists “have the same agents, the same managers, the same handlers, the same accountants… they have the same friends. They share jets. They use each other’s houses. They share women. They share secrets. It’s not [just] a Sean Combs problem, it is a worldwide issue. It’s about men with money, men with power.”
When Ovesen arrived in LA, she was looking for dancing work. Being “discovered” for music videos, with payment of thousands of dollars for a day or two on set, would set her up. But she says she was never naïve about the industry and also acknowledges that a lot of her experiences were “fun”.
“I always knew what it was. I always knew why I was there. Women were being used as props and to make the men look good, and we were disposable and not treated with respect, for the most part. But coming from my particular background – having been an exotic dancer – that didn’t deter me or bother me at the time.”
Image: Ovesen’s book, Confessions Of A Video Vixen, published by Harper Collins
CCTV cameras and NDAs
This is no longer Ovesen’s world, she points out. She has published several books since her first, and has also given lectures about her experiences. However, she says she has friends in the industry who say things haven’t changed.
She claims she went to house parties and woke to “screaming in the middle of the night – women being beaten, slapped, pushed around”, as well as men being abused, and closeted artists who feel “shame”, which turns to anger, “around sexual proclivities”.
Non-disclosure agreements (NDAs) are signed and people are often paid off, she says. “It’s not rare or weird, it’s just the way it always has been, where the men do awful things and then they pay people off.” NDAs were often presented at the doors to celebrity homes before parties. Ovesen says she signed one herself on one occasion in 2000, but refused after this.
“They have cameras everywhere,” she says, as would be typical for security of an expensive property. “Not only is that NDA going to tell you, whatever you see here stays in this house, it’s also going to explain if anything happens to you, you can’t sue. And there’s also a clause about any videotaping.”
Image: Pic: iStock
Ovesen claims there are prominent actors, artists, producers and executives all involved in similar behaviour. She never witnessed an alleged “freak-off” party – because, she says again, Combs was aware she kept a diary. “But did I know about them? Yes. Did I hear about them? Yes.”
There are others who have “their own version”, she says. “I’m thinking of one actor in particular – an Oscar-winning actor”.
She says she was called a “whore” and a liar when she published her book, and in the years afterwards. People were “angry I discussed men they revered in a way that didn’t uphold that reverence”, she says. But nothing was sugarcoated, even “my willing participation. I didn’t try to make myself look good, I just told the truth”.
Ovesen wanted people to know what the industry was like. “Women are shamed about our consensual sex, we’re shamed about our non-consensual sex. Women are shamed no matter what they do.”
Since the rise of the #MeToo movement, she has noticed a change in the reaction, from younger women discovering her for the first time. She is frustrated there had to be a change at all, but pleased for younger women, she says. Next year, she will release an updated version of her book, marking 20 years since it was published.
“I want this new generation to understand how important it is to believe women, to support each other.”
Sky News has contacted representatives for Combs for comment.
What is Combs accused of?
Image: Pic: AP Photo/Suzanne Plunkett 2000
Combs was arrested on suspicion of racketeering conspiracy and sex trafficking in September and has remained in prison ahead of a trial currently set for May, having been denied bail.
The hip-hop mogul has pleaded not guilty to charges that he coerced and abused women for years with the aid of a network of associates and employees, while silencing victims through blackmail and violence – including kidnapping, arson and physical beatings.
He is also facing several civil lawsuits, with one lawyer saying he is representing dozens of accusers. Combs says his sexual relationships were consensual, and denies all wrongdoing.
Earlier this week, it emerged that rapper Jay-Z has been accused of raping a 13-year-old girl after the MTV Video Music Awards in 2000, allegedly alongside Combs. A federal lawsuit – which originally only named Combs – was refiled to add Jay-Z, whose real name is Shawn Carter.
Jay-Z has strenuously denied those allegations and called for the identity of the accuser to be revealed, or for the case to be dismissed. He responded to the allegations in a lengthy statement sent to NBC News, Sky News’ US partner.
“These allegations are so heinous in nature that I implore you to file a criminal complaint, not a civil one!!” he said. “Whomever would commit such a crime against a minor should be locked away, would you not agree?
“These alleged victims would deserve real justice if that were the case.”
The rapper, who has three children with his wife Beyonce, continued: “My only heartbreak is for my family. My wife and I will have to sit our children down, one of whom is at the age where her friends will surely see the press and ask questions about the nature of these claims, and explain the cruelty and greed of people. I mourn yet another loss of innocence.
“Only your network of conspiracy theorists, fake physics, will believe the idiotic claims you have levied against me that, if not for the seriousness surrounding harm to kids, would be laughable.”
A criminal investigation has been launched into the Glastonbury performances of Kneecap and Bob Vylan.
Police announced the decision on Monday afternoon after reviewing video footage and audio of both sets, which took place on Saturday.
It comes after the BBC said it regretted the decision not to pull the live stream for Bob Vylan’s Glastonbury performance, during which frontman Bobby Vylan shouted anti-IDF (Israel Defence Forces) chants.
Later on Monday, as the story had made headlines throughout the day, drummer Bobbie Vylan released a video statement on Instagram, saying politicians who have spent time criticising the band should be “utterly ashamed” for giving “room” to this over other issues.
He also addressed what was said on stage, saying: “Regardless of how it was said, calling for an end to the slaughter of innocents is never wrong. To civilians of Israel, understand this anger is not directed at you, and don’t let your government persuade you that a call against an army is a call against the people.”
Image: Moglai Bap and Mo Chara of Kneecap perform at Glastonbury. Pic: Reuters
In a statement, Avon and Somerset Police said that after reviewing footage of both performances, further enquiries are required and a criminal investigation is now being undertaken.
“A senior detective has been appointed to lead this investigation,” a spokesperson said. “This has been recorded as a public order incident at this time while our enquiries are at an early stage.”
The force said the investigation will be “evidence-led and will closely consider all appropriate legislation, including relating to hate crimes”.
“We have received a large amount of contact in relation to these events from people across the world and recognise the strength of public feeling,” it added. “There is absolutely no place in society for hate.”
What happened?
Image: Bob Vylan performing on the West Holts Stage, during the Glastonbury Festival at Worthy Farm in Somerset. Yui Mok/PA Wire
During Bob Vylan’s set, the duo performed in front of a screen that showed several messages, including one that said Israel’s actions in Gaza amount to “genocide”.
Bobby Vylan also led chants of “death to the IDF”.
The set was live streamed by the BBC as part of its Glastonbury coverage, but has not been made available on demand.
Politicians including the prime minister have criticised the performance. Glastonbury organiser Emily Eavis said the chants “crossed a line” and that there was no place at the festival for “antisemitism, hate speech or incitement to violence”.
A BBC spokesperson said the broadcaster respected freedom of expression “but stands firmly against incitement to violence”.
They added: “The antisemitic sentiments expressed by Bob Vylan were utterly unacceptable and have no place on our airwaves…
“The team were dealing with a live situation, but with hindsight we should have pulled the stream during the performance. We regret this did not happen.”
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What’s the Glastonbury controversy?
Media watchdog Ofcom said it was in talks with the BBC and that the broadcaster “clearly has questions to answer” over the stream.
Irish-language rap trio Kneecap were on stage afterwards. Before their appearance at the festival, there had been calls for Glastonbury to remove them from the bill – as rapper Liam Og O hAnnaidh (who performs as Mo Chara) is facing a terror charge, accused of displaying a flag in support of the proscribed group Hezbollah at a gig in London last November.
Glastonbury organisers kept them on the line-up, but the BBC chose not to stream their set live. An edited version was later made available on demand.
On stage, the band led chants of “f*** Keir Starmer”.
O hAnnaidh’s bandmate Naoise O Caireallain (Moglai Bap) said they would “start a riot outside the courts” for O hAnnaidh’s next appearance, before clarifying: “No riots, just love and support, and support for Palestine.”
Hundreds of people turned out in protest for his first court appearance earlier this month.
After the police investigation was announced, Culture Secretary Lisa Nandy criticised the “appalling and unacceptable” scenes at Glastonbury and said the government would not tolerate antisemitism.
She said she had called BBC director-general Tim Davie after the broadcast of Bob Vylan’s set to find out why it had aired, and why the feed had not been cut.
“I expect answers to these questions without delay,” she said.
Ms Nandy said she had spoken to members of the Jewish community, including attendees at Glastonbury, who said they were concerned by imagery and slogans and ended up creating their own “safe space”.
Christopher Landau, the US deputy secretary of state, said the band had been banned from the US ahead of a tour later this year due to their “hateful tirade” at the festival.
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Bob Vylan were set to perform in Chicago, Brooklyn and Philadelphia in the autumn. They are due to perform at Radar Festival in Manchester on Saturday and Boardmasters, a surfing and music festival in Newquay, Cornwall, in August.
Sharing a statement on Instagram after the Glastonbury set, Bobby Vylan said: “Teaching our children to speak up for the change they want and need is the only way that we make this world a better place.
“As we grow older and our fire starts to possibly dim under the suffocation of adult life and all its responsibilities, it is incredibly important that we encourage and inspire future generations to pick up the torch that was passed to us.”
The war in Gaza, which has continued for more than 18 months, began after Hamas militants launched attacks in Israel on 7 October 2023, killing 1,200 people and taking roughly 250 hostages.
More than 860 Israeli soldiers have been killed since the war began, more than 400 of them during the fighting in Gaza.
Israel’s offensive in Gaza has devastated the enclave and killed around 56,500 people, according to the Hamas-run health ministry, which does not differentiate between civilians and combatants, but says more than half of the dead are women and children.
An inquest has found drag queen The Vivienne did not intend to take their life when they died after taking ketamine.
Coroner Jacqueline Devonish concluded The Vivienne, whose real name is James Lee Williams, died by “misadventure” after suffering cardio respiratory arrest.
In March, the star’s family revealed the performer had died “from the effects of ketamine use causing a cardiac arrest”, saying they wanted to raise awareness about the dangers of the drug.
Cheshire Coroner’s Court heard five drug snap bags were found, including in a bedroom draw and a bin in the bathroom, in their home in Chorlton-by-Backford, near Chester.
Police attended and confirmed there were no suspicious circumstances.
The inquest heard friends and family had no worries about Williams’s mental health and the performer was looking forward to future roles on TV and in the theatre, although did “occasionally” take ketamine.
The star’s family told the hearing the performer should not be remembered for their use of the Class B drug and that drugs did not define the person they were.
Williams’s father Lee Williams described them as “an outgoing character who was full of life” and “just wanted to make people laugh”.
“He achieved his goals. He had future goals he wanted to achieve. Along the way he always wanted to try to help his community, which he did and try to help other drag queens,” he said.
“He was always available. He never turned anybody down. He never turned his back on anybody. He never said no.
“He loved the stage, that’s where he saw the rest of his career being, on the stage, in the theatre. That’s what he loved to do.”
Williams’s funeral in Bodelwyddan, Denbighshire, North Wales, was attended by RuPaul’s Drag Race UK contestants Tia Kofi and Baga Chipz, along with Steps singer Ian “H” Watkins, TV personality Kim Woodburn and Coronation Street actress Claire Sweeney.
Image: The Vivienne at the premiere of the film ‘Wicked’ in November 2024. Pic: AP
During their time on the show, under their drag name, Williams admitted having been a drug addict for four years.
“It was party, drugs, but I couldn’t leave the drugs at the party, it was constant for me,” they said.
They added that their addiction was a “habit that caught on a bit too quick and a bit too hard”.
The TV personality, who grew up in Colwyn Bay, North Wales, before moving to Liverpool, came third in the 2023 edition of Dancing On Ice.
The star performed as the Wicked Witch of the West in a UK and Ireland tour of The Wizard Of Oz musical and reprised the role in the West End at the Gillian Lynne Theatre last year.
They were due back on stage in March as the Childcatcher in a tour of Chitty Chitty Bang Bang, a role they first played last year.
The government is seeking expert advice after illegal use of ketamine surged to record levels.
In the year ending March 2023, an estimated 299,000 people aged 16 to 59 had reported use of the substance, which is controlled as class B, according to the Home Office.
At their Glastonbury set on Saturday, punk-rap duo Bob Vylan’s singer led chants of “death, death to the IDF”.
The chants have been labelled antisemitic by the BBC and the organisation has since apologised for airing the performance.
But shadow home secretary Chris Philp has called for the broadcaster to be prosecuted, saying it “should not be transmitting hateful material designed to incite violence and conflict”.
Avon and Somerset Police has now launched a criminal investigation into the Glastonbury performances of Bob Vylan and Kneecap.
What should the BBC have done – and will the corporation face prosecution?
Host Sarah-Jane Mee speaks to Channel Four’s former head of news and current affairs, Dorothy Byrne, to understand what the BBC should have done differently. She also speaks to legal expert Joshua Rozenberg about whether Bob Vylan’s performance constitutes a hate crime and if the BBC may be prosecuted for broadcasting it.