President-elect Trump could keep his pledge to “save” TikTok – and still address national security concerns that spurred Congress to authorize a ban — by brokering a sale of the Chinese-owned app to a US buyer, experts told The Post.
China-based ByteDance has until Jan. 19 to completely divest its stake in TikTok or face a total US ban of the app.
In a last-ditch scramble to nix the law, ByteDance and TikTok have appealed to the Supreme Court and cozied up to Trump in the hope that he can somehow intervene.
The Supreme Court agreed to take up the case on Wednesday and has scheduled oral arguments for Jan. 10 — just nine days before the ban takes effect.
A US appeals court previously rejected TikTok’s bid to block the bill in a 3-0 decision, which suggests the company faces an uphill battle to win a late reprieve.
If Trump agrees that TikTok should remain online in the US and decides to get involved, a full divestiture is the only realistic path forward, according to Michael Sobolik, senior fellow at American Foreign Policy Council and author of Countering Chinas Great Game.
If you really want TikTok to operate in the United States, and if you want it to operate safely for Americans, then there needs to be a complete separation from its parent company, Sobolik said. And there cannot be any sort of ownership or control, direct or indirect, from a foreign adversary government. I don’t think there’s any alternative.
Trump who led the original push to ban TikTok during his first term said at a Monday press conference that he has a warm spot in my heart for TikTok and would take a look at the situation. Soon after, Trump met with TikTok CEO Shou Zi Chew at his Mar-a-Lago resort in Florida.
Details from the meeting have yet to emerge and its unclear whether the talks between Trump and Chew yielded any progress toward a resolution.
Representatives for TikTok and the Trump transition team did not return requests for comment.
Brokering a deal will be no easy feat. TikTok has insisted that it is not for sale and argued that the tight divestment window made finding a buyer impossible, even if it were inclined.
China also has said it will resist any attempt to force a TikTok sale and Beijing has export controls to stop the sale of its algorithm.
Still, the looming deadline creates a great opportunity for a win-win situation if Trump can hammer out a deal, according to Rep. John Moolenaar (R-Mich.), chairman of the House Select Committee on China, which led the charge on the ban-or-sale bill.
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President Trump is a great negotiator. He loves America. He loves our national security, Moolenaar told The Post. He also recognizes that TikTok is a very valuable platform, and I think he will be able to put together a coalition of people who want to see this app continue in the United States, but do it in a secure way.
The Justice Department described TikTok as a national-security threat of immense depth and scale that functions as a Chinese spying and propaganda tool on US soil, capable of secretly manipulating content served to users through its recommendation algorithm and mass data collection such as location-tracking, among other risks.
TikTok has argued that the sale-or-ban law is unconstitutional and vehemently denied that it poses a threat to national security.
Aside from helping to negotiate a deal for TikTok, Trump is limited in what he can do to intervene. The law gives the president the power to impose a 90-day extension on the Jan. 19 deadline if there are signs of significant progress toward a deal.
Trump could push Congress to amend or reverse the law, but that could prove difficult given the overwhelming bipartisan support it received.
He could also direct the Justice Department not to enforce the law but that would shift major legal liability to app store operators like Google and Apple.
Last week, the House Select Committee on China sent letters to Google’s Sundar Pichai and Apple’s Tim Cook reminding them they are obligated to remove TikTok from their app stores by Jan. 19 if a sale wasn’t reached.
The uncertainty about Trumps strategy on TikTok has created a conundrum for Republicans including some close allies who have vocally supported a ban.
“Trump was the original champion for the TikTok ban, so it makes it difficult for his fellow Republicans to now have another opinion, one DC insider who requested anonymity said. Trump can get away with that, but they certainly can’t.”
While softening his rhetoric toward TikTok, Trump has appointed several China hawks and outspoken TikTok critics to key Cabinet and government agency positions.
That includes Secretary of State nominee Marco Rubio, Under Secretary of State nominee Jacob Helberg, incoming US Ambassador to the United Nations Elise Stefanik and FCC Chairman Brendan Carr.
Its possible that Trump will seek to use TikTok as a bargaining chip as part of broader negotiations with China, according to Nathan Leamer, a former FCC policy adviser and CEO of Fixed Gear Strategies.
With Trump in office, its a whole new ballgame to hold China accountable, Leamer said. TikTok is an arrow in his quiver. Maybe they do make a deal for the CCP to divest. No one is against the platform if its separate from ownership by a totalitarian state.
Pulp tried to quash the rumours, Robbie Williams was happy to fuel them – sharing a picture of a blue plaque in his name apparently slapped over a famous Glastonbury sign, before seemingly backtracking.
“30 years later…” he captioned his first social media post early on Friday morning – a reference to his headline-grabbing attendance in 1995.
This was the year Williams was famously pictured partying with Oasis‘s Liam and NoelGallagher, shunning the boyband shackles with bleached-blonde hair and a blacked-out tooth. The writing was on the wall, and the announcement of his departure from Take That came just a few weeks later.
At Glastonbury this year, is the writing quite literally on the wall for a comeback?
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Well, maybe not. A few hours after his post, Williams shared another, less cryptic message to say he would not be performing, along with his list of recommended acts to go and see – The 1975, Busta Rhymes, Charli XCX, Self Esteem and Reverend And The Makers, if you’re interested.
Is he bluffing? Double-bluffing? Who knows, but along with celeb spotting and mud, if there’s one topic of conversation that makes headlines when it comes to Glastonbury, it’s speculation about secret artists. Williams has got everybody talking.
Even before his posts, the Let Me Entertain You singer was among the artists rumoured to be performing secret sets this year, along with Pulp and Haim. Lewis Capaldi and Lorde too, with both “TBA” acts turning out to huge crowds on Friday.
Image: Liam Gallagher And Robbie Williams at Glastonbury Festival in 1995. Pic: Brian Rasic/Getty Images
In recent years, these surprise sets have turned into some of the event’s most memorable moments – think Foo Fighters as “The ChurnUps” in 2023, Pulp’s comeback in 2011, and Lady Gaga treating fans to a small performance in one of the festival’s after hours areas, Shangri-La, in 2009.
Franz Ferdinand, famous for hits including Take Me Out and Do You Want To in the mid-2000s, were the first to do it back in 2008. This was actually due to Pete Doherty’s band Babyshambles pulling out last-minute, but the approach to announcing the switch was, at the time, a novel one.
While officially, the act was “TBA”, frontman Alex Kapranos wasn’t great at keeping the secret, worried people might not turn up. He and bandmates handed out fliers, and word spread.
Image: Franz Ferdinand played the first ever big ‘secret’ set back in 2008. Pic: Yui Mok/ PA
“We played on the Park Stage and we thought, ‘nobody’s going to know we’re playing’,” Kapranos told Sky News ahead of a return performance on Friday. “It actually ended up being one of the most amazing gigs we’ve ever played, people were so up for it and going crazy.
“We weren’t keeping it secret. We were walking about like, ‘we’re playing later on, check it out’. We’re a band from Glasgow called Franz Ferdinand.”
These now not-so-secret performances have become bigger and bigger as each festival rolls around, with leaks making headlines in the run-up to the event.
Providing handy tips and hints – and often eventually confirmation, just in time for fans to be in position – is the Secret Glasto team. They have no official ties to Glastonbury, but over the years have become a reliable source of information.
The account’s founder, who now works in a team of six, spoke to us on site – incognito, of course.
“We’ve got our own sources and we can start checking things because we’ve now had enough years that we can check in with several people,” he said. “And they trust us because we are quite sensible with when we time announcements, which I think is the key thing.”
Sometimes acts themselves will confirm, they said. Their success rate for predictions is “in the low 90%” – but dragged down mainly by inexperience in their first year, which was 2014.
“It was really, really heartwarming to see him get back up,” Secret Glasto said. “There was such goodwill in the crowd and it was just magical. It’s just what secret sets should be about.”
Image: Pulp’s Jarvis Cocker performing on the Park Stage for a secret set at Glastonbury 2011. Pic: AP/ Mark Allan
On Saturday evening, a non-existent act called Patchwork have a pretty important billing just before Raye and then headliner Neil Young on the Pyramid Stage.
Pulp keyboard player Candida Doyle dampened rumours by reportedly saying in an interview earlier this month Glastonbury “weren’t interested” in booking the band.
But is this true?
“It happens a few times,” Secret Glasto said, of artists maybe telling little white lies to keep the secret for as long as possible. “They’ve got to keep the suspense somehow…
“Sources that we got for Pulp were really, really strong. It’s just so exciting for us, for the whole team. This is the most exciting secret set that Glastonbury’s ever done.”
It’s a fine balance – not spoiling the surprise but giving fans enough time to get where they want to be. When a festival is this big – home to around 200,000 people over the weekend – at a lot of stages, fans need to be in place early.
“The point is to always make sure people can get to the set if they wanted to.” But if a huge artist is going to surprise fans on a very small stage, sometimes they have to keep schtum for safety concerns over huge crowds. “Sometimes we’re like, we can’t print this.”
So, will Williams be playing? The rumour is that he could be joining his mate Rod Stewart, who is performing on the Pyramid Stage in the “legends” slot on Sunday.
“Robbie Williams entered this area without accreditation, authorisation, or alignment with prevailing taste,” according to the blue plaque in his social media tease, of his attendance in 1995. “His presence was uninvited, unofficial and ultimately inevitable.”
In his candid documentary series, and biopic Better Man, both released last year, Williams has been open about his struggles with fame and imposter syndrome, and how as an artist known for pop he craved respect from those seen as more credible at a time when indie music reigned.
Officially this year, there is no Robbie Williams on the line-up. Unofficially, who knows? But 30 years since his partying with the Gallaghers, pop music is embraced – and there would be a lot of love for the star if he did make an appearance now.
Lewis Capaldi has made an emotional comeback with a “secret” performance at Glastonbury – two years after announcing a break from the spotlight, where he struggled on stage at the festival.
After revealing his new song, Survive, earlier in the day, Capaldi took to the Pyramid Stage and surveyed the huge crowd in front of him as he launched into his 2019 hit, Before You Go.
“Glastonbury, how you doing?” was the simple introduction after the first chorus, and then came his second song, Grace.
Image: Fan support for Lewis Capaldi was clear. Pic: PA
Before the next one, the Scottish star took it all in again and told the audience: “Glastonbury, it’s so good to be back… I’m not going to say much up here today because if I do, I’ll probably start crying.”
But, he added, he wanted to thank his fans, and “finish what I couldn’t the first time round”.
Along with the headliners and the Sunday afternoon “legends slots”, secret sets from the likes of Foo Fighters, The Killers, and Radiohead have become some of the most talked-about performances at Glastonbury in recent years.
This time round, there had been much speculation about some of the big unannounced slots on the bill – in particular the TBA act scheduled to appear on the festival’s main stage, the Pyramid Stage, just before Alanis Morissette on Friday afternoon.
With various clues trailed on social media and in Glasgow, where Capaldi was born, and Castle Cary, near Glastonbury, by the time Capaldi walked on stage, it was in reality no secret to all but a few of the huge crowd that had turned out for the “surprise”.
Image: Lewis Capaldi performing on the Pyramid Stage at Glastonbury. Pic: PA
The 28-year-old acknowledged the absurdity of his set being “TBA”, describing it as the “worst kept secret” and joking: “I don’t know who’s been f*****g telling people.”
There were chants of “Oh, Lewis Capaldi!” from the crowd before he began his next songs, including Hold Me While You Wait, Bruises, Forget Me, and Someone You Loved.
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His performance was more than just a surprise set.
A few months before his last appearance at Glastonbury, again on the Pyramid Stage, in 2023, Capaldi had released the all-access documentary, How I’m Feeling Now.
It showed his rise from viral hit-maker to a star whose debut album, Divinely Uninspired To A Hellish Extent, became the biggest-selling in the UK in its year of release – and the year after, too.
No mean feat when you consider his competition – Ed Sheeran was second in 2019 and Harry Styles in 2020.
Image: Capaldi on stage at the festival in 2023. Pic: PA
Fans have always loved Capaldi not just for his talent as a singer and songwriter, but for his class-clown humour and his unfiltered, indifferent style.
But his sense of humour and anti-celebrity attitude masked struggles with his mental health and Tourette’s, which he spoke about candidly in the film.
At Glastonbury in 2023, the strain was clear.
Prior to the performance, he had cancelled several shows to rest and recover. On stage, he apologised as he prepared to belt out his hit song Someone You Loved.
“I’m going to be honest, everybody, but I’m starting to lose my voice up here, but we’re going to keep going and we’re going to go until the end,” he told the crowd.
“I just need you all to sing with me as loud as you can, if that’s okay?”
Image: Lewis Capaldi: How I’m Feeling Now. Pic: Netflix
And of course they did, the voices of tens of thousands of people carrying him through.
In a statement afterwards, the star said the sentiment had meant “the world”, before announcing a break for “the foreseeable future”.
“I used to be able to enjoy every second of shows like this, and I’d hoped three weeks away would sort me out,” he said.
“But the truth is I’m still learning to adjust to the impact of my Tourette’s and on Saturday it became obvious that I need to spend much more time getting my mental and physical health in order, so I can keep doing everything I love for a long time to come.”
In May, Capaldi performed his first show in two years – a charity gig in Edinburgh to raise funds for the Campaign Against Living Miserably (Calm), a mental health charity he has supported over the years.
For most artists, playing the Pyramid Stage at Glastonbury is a dream. Now, Capaldi has achieved it once again – this time, fans didn’t need to help him with the sing-along, but of course they joined him anyway. The love from the audience was clear.
“How far will you go to get back to the place you belong?” is one of the lines from Survive.
With this performance, Capaldi showed that this, one of the world’s most famous stages, is still that place for him.