Soap star Helen Worth is set to make her final appearance on Coronation Street on Christmas Day, after more than 50 years.
Worth, 73, made her first appearance as Gail Platt on 29 July 1974 and has been at the heart of several major storylines over the years.
She said in June that her golden anniversary year “felt like the perfect time to leave the show”, having made the decision to quit at the start of the year.
“I have been truly blessed to have been given the most incredible scripts week in week out, and to have worked with fantastic actors, directors and a brilliant crew,” she said when her exit was announced.
“The past 50 years have flown by and I don’t think the fact that I am leaving has quite sunk in yet.”
Her storylines have included her turbulent relationships with her children Nick (Ben Price), Sarah (Tina O’Brien) and David (Jack P Shepherd) and mother Audrey (Sue Nicholls).
Gail has had five husbands over the years, with her exit storyline focused on whether she will make it down the aisle with a sixth in the form of Jesse Chadwick (John Thompson).
In the Christmas Eve episode, her serial killer former husband Richard Hillman (Brian Capron) returned from the dead after more than 20 years.
In the dream sequence, Hillman urged Gail not to go ahead with her wedding.
The storyline planned initially for Gail’s exit, which would have seen Sean Wilson reprise his role as Martin Platt, had to be re-written after the 59-year-old unexpectedly left the show for “personal reasons”.
The actor later claimed he was axed by soap bosses after a historic assault allegation emerged, which he denies.
He was later told that after a police investigation, no further action would be taken.
At the time of Worth’s announcement, Coronation Street executive producer Iain MacLeod said she is a “legend” and “icon”.
“Gail has given us countless hours of entertainment but it should also be said that Helen herself is a consummate professional and a thoroughly good egg,” he said.
“Everyone connected to the show will miss having her around the place just as much as the viewers will miss having her on their screens and we wish her all the very best for the future.”
Gail’s final appearance on Coronation Street airs at 7pm on ITV 1 on Christmas Day.
It’s been five years since since we last caught up with Gavin and Stacey, and, more importantly, since Nessa got down on one knee to propose to Smithy.
Left on a Christmas cliffhanger, not since Rachel got off the plane has the nation been so invested in the fate of a will-they-won’t-they. Because Gavin and Stacey might have sweetly brought the worlds of Billericay and Barry together, but Nessa and Smithy’s anti-romance provided the comedy heart.
So. Seventeen years after that eventful first night in a central London hotel room (and en suite), one of the most beloved British comedies of all time has finally come to an end.
* Warning – some spoilers for Gavin & Stacey: The Finale ahead *
Gavin and Stacey are getting ready for a wedding. There is talk of suit fittings and bridesmaids and Smithy standing at the end of the aisle.
It’s the night before the stag and the hen dos, an occasion in itself, and in Essex, Gavin’s mum Pam is stressing about the “flow of the buffet”. Dad Mick is now retired, so her home, her sanctuary, is filled with golf balls and “Sky Sports blasting”. In Wales, Stacey’s mum Gwen appears to have a secret and Uncle Bryn is worrying about his roof rack and whether everyone will be ready to hit the road in three hours and 11 minutes.
So it seems Smithy did indeed say yes. Hurrah! But does this all feel a bit too easy? In John Lewis for official wedding list business, we finally catch a glimpse of his bride-to-be.
And… she isn’t Nessa. She is, in fact, Sonia, the girlfriend he fleetingly introduced five years ago, who left the 2019 Christmas celebrations early. Back then, they didn’t appear to be a match made in heaven. Have things changed?
“I’m so excited,” Sonia tells her fiance. “Somebody’s already bought the handheld Dyson.”
Smithy is more concerned about his stag – “the most important day of my life”.
Elsewhere, Stacey is keen to spice up hers and Gavin’s sex life, Dawn and Pete have finally ended their marriage (but not their sniping), and Nessa and Smithy’s son, Neil the Baby, is now 16 and about to start a plumbing course.
Over the course of an hour-and-a-half, we find out what happened five years ago and what Smithy did, or didn’t, say to Nessa. In a turn of events no one was expecting, there was Cossack dancing involved. Now, she wants to bail on Sonia’s hen do – “full Gareth” – and later reminds Smithy she won’t be at the wedding itself, but not because she has other plans. “We both knows that.”
As the families and friends are reuniting for a wedding, the finale is filled with familiar faces: Budgie and co are back (of course, when there’s a stag do involved), Smithy’s little sister makes an appearance, despite him blocking her on Snapchat, and Dave Coaches also has an unexpected new role…
We also hear more celebrity anecdotes from Nessa – she “done The Knowledge back in the day” and drove a black cab, which is how she “fell in with Hale and Pace” – and jokes referencing everything from Byker Grove to Baby Reindeer.
And of course, the infamous fishing trip. The finale gets tantalisingly close to revealing what happened, but Bryn is saved by the bell; or in this case, Gwen’s omelette and a fire alarm.
As always, the laughs and emotion are perfectly balanced, with one particularly lovely moment coming from Mick’s stag-do speech. He and Pam weren’t able to have another child after Gavin, he tells the boys, but when a seven-year-old Smithy came into their lives, “it didn’t feel like there was anything missing anymore”. There’s no time to get too sentimental though – not when there’s a foam party on the horizon.
As the big day approaches, Smithy’s friends start to voice their doubts. We see he still has Nessa’s ring. But she’s thinking of leaving Barry and returning to the ships…
At the preview screening, Corden and Jones were joined by castmates, who all shared their experiences of filming the final scenes.
“I remember just getting to the end and thinking, my God, I’m never going to get through that,” said Joanna Page, who plays Stacey, of the first time she read the script. I [knew I was] going to find that so hard to film because they’re all my friends and it’s such memories.”
Larry Lamb, who plays Mick, described the script as “another miracle from the dream weavers” Corden and Jones, and became emotional as he added: “I do not think I can ever remember being so moved by something either that I’ve been involved with or not involved with.”
Alison Steadman, who plays Pam, said she was “completely choked” watching the episode back. “It’s been one of the best jobs of my whole career,” she said. And it was never hard, she added, for her and Lamb to feel “like husband and wife”.
Up there with presents, turkey and Wham!, Christmas TV specials are as much a part of the UK’s annual traditions come 25 December. The best, from the soap drama of EastEnders and Coronation Street to the comedy of The Royle Family and The Office, are always remembered.
In saying goodbye to Gavin and Stacey, Nessa and Smithy, Corden and Jones have left fans with a pretty much perfect ending. Tears, laughs, joy – it has it all.
The finale sums up what is at heart a show about family, the one we are born into and the one we build. Gavin & Stacey is loved because it is so relatable, particularly at Christmas, capturing so well those wonderful snapshots of life spent with very different friends and relatives, whose paths otherwise might not cross.
“You just want it to feel satisfying,” Corden said of the ending. The last day in particular, he said, “was probably the most emotional film set that I’ve ever been on”.
Richard Perry, a hitmaking record producer who worked with Carly Simon, Rod Stewart, Ringo Starr and the Beatles, has died aged 82.
Perry, a recipient of a Grammys Trustee Award in 2015, died on Tuesday at a Los Angeles hospital after suffering cardiac arrest, friend Daphna Kastner said.
“He maximised his time here,” said Ms Kastner, who called him a “father friend” and said he was godfather to her son.
“He was generous, fun, sweet and made the world a better place. The world is a little less sweeter without him here. But it’s a little bit sweeter in heaven.”
Perry, who dated celebrities such as Jane Fonda and Elizabeth Taylor, was widely known as a “musician’s producer”.
Singers turned to him for a variety of reasons, including to try to update their sound, as in Barbra Streisand’s case, or to revive their career, like for Fats Domino.
“Richard had a knack for matching the right song to the right artist,” Streisand wrote in her 2023 memoir, My Name is Barbra.
More from Ents & Arts
Starr’s album Ringo, released in 1973, would prove the drummer was a commercial force in his own right.
The album featured work from the other three Beatles as well as contributions from Harry Nilsson, Billy Preston, Steve Cropper, Martha Reeves and all five members of The Band.
It reached No. 2 on Billboard and sold more than 1m copies.
Hit singles included the chart toppers Photograph, co-written by Starr and George Harrison, and a remake of the 1950s favourite You’re Sixteen.
I’m the Greatest was another memorable track on the album as, thanks to Perry’s help, Starr, Lennon and Harrison came together for a near-total Beatles reunion just three years after the band’s break-up.
Perry was briefly married to the actor Rebecca Broussard.
Alec Baldwin will not appear again in court for involuntary manslaughter over a fatal shooting on the set of Rust after New Mexico prosecutors dropped their appeal.
The trial against him earlier this year collapsed after just three days over testimony that prosecutors had withheld potential evidence from the defence.
Baldwin was holding a gun which went off on the set in New Mexico in 2021, killing cinematographer Halyna Hutchins and wounding director Joel Souza.
The 66-year-old, an actor and co-producer on the film, denied ever pulling the trigger and said he had been directed to aim it at a camera.
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2:43
From July: Baldwin case dismissed by judge
After the trial had ended, special prosecutor Kari Morrissey filed an appeal and claimed the case was “improperly dismissed” by Judge Mary Marlowe Sommer.
The state’s district attorney’s office said on Monday that while it still strongly disagreed with the judge’s decision, it “did not intend to exhaustively pursue the appeal”.
Local prosecutors added: “As a result, the State’s efforts to continue to litigate the case in a fair and comprehensive manner have been met with multiple barriers that have compromised its ability to prosecute to the fullest extent of the law.”
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Baldwin’s lawyers Luke Nikas and Alex Spiro said the decision “is the final vindication of what Alec Baldwin and his attorneys have said from the beginning – this was an unspeakable tragedy but Alec Baldwin committed no crime”.
It means Judge Marlowe Sommer’s original ruling – that the case accusing Baldwin of involuntary manslaughter has been dismissed and cannot be filed again – stands.
The case collapsed when Baldwin’s defence team learnt the Santa Fe sheriff’s office had taken possession of live rounds as potential evidence on the same day the film’s armourer, Hannah Gutierrez, was convicted of involuntary manslaughter.
Investigators did not list these live rounds in the Rust file and they were not disclosed to defence lawyers, prompting a motion to dismiss the case.
After Mr Spiro claimed evidence had been concealed on day three of the trial, Ms Morrissey called herself as a witness and said the ammunition was not connected to the case.
In a bizarre moment, Mr Spiro put it to Ms Morrissey during questioning that she simply did not “like Mr Baldwin very much”.
After she replied “that is absolutely untrue” and praised his acting and politics, Mr Spiro told the court that she had referred to the actor as a “c*********” and an “arrogant p****” to witnesses. She said she did not recall this.
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2:48
From July: Watch extraodinary moment in Baldwin case
Dismissing the trial, Judge Marlowe Sommer found the prosecution’s conduct on the live rounds was “highly prejudicial” to Baldwin and there was “no way for the court to right this wrong”.