Martin Clunes on nepotism in the arts: ‘If you’re s*** you won’t get the gig. You’ve got to punch your weight’
Martin Clunes says the entertainment industry is “too on-show to carry a dolt”, and the children of successful actors don’t get work just because of who their parents are.
The 63-year-old actor is currently starring in county lines drama Out There opposite Louis Ashbourne Serkis, which sees a single-parent farmer and his teenage son tangle with drug-dealing gangs in Monmouthshire.
Clunes and Louis Ashbourne Serkis. Pic: ITV
Serkis is the son of Lord Of The Rings actor Andy Serkis and Sherwood star Lorraine Ashbourne, and starred in his first TV show, Inspector Morse prequel Endeavour, when he was just 10.
Clunes tells Sky News: “I was involved in [Serkis’s] casting, so it was just like, ‘Oh, this is Andy and Lorraine’s boy. Oh, that’s interesting. If he’s s***, he won’t get the… Sorry, if he’s no good, he won’t get the gig’.
“You’ve got to punch your weight, cos that’s how it works, I think the industry is too on-show to carry a dolt. If someone was awful at it and they just got the gig because of whose child they were, it would really show, and you’d mess your project up.”
The six-part drama is produced by Clunes’s wife Philippa Braithwaite, who also produced long-running ITV comedy-drama Doc Martin in which Clunes also starred.
Clunes goes on: “I think it’s just a point of interest – maybe you get a second look, or somebody is curious, or somebody knows them. But I don’t remember ever having met Andy and Lorraine before doing this [show].”
Clunes’s own father was golden age star Alec Clunes, who sadly died when Clunes was just eight. His maternal uncle was Sherlock Holmes actor Jeremy Brett, and his grandparents were music hall entertainers.
Alec Clunes (centre) with Julie Andrews (left) and his wife Daphne (right), Martin’s mum, in 1959. Pic: Reuters
‘The Year of the Nepo Baby’
New York Magazine called 2022 “The Year of the Nepo Baby” highlighting the number of famous “actors, singers, directors who just happen to be the children of actors, singers, directors”.
And earlier this year, Spice Girl Mel B’s daughter Phoenix Brown said nepo babies had never faced so much hate, particularly on social media.
The 25-year-old DJ and entrepreneur asked whether “nepo babies [were] taking the flak for wider inequality in society?” in a piece she wrote for the Radio Times earlier this year.
A nepo baby, short for nepotism baby, is defined by the Merriam-Webster dictionary as “a person who gains success or opportunities through familial connections”.
Serkis too says he thinks there are misconceptions over perceived nepotism in the industry.
A young Louis (2nd left) with his family on the red carpet in 2012. Pic: Reuters
‘It’s a tough industry’
The 20-year-old actor tells Sky News: “If you hear a surname, you always think of an association, but growing up and acting, it’s never really been about that. It’s been about attacking the role that I’ve worked hard to get or that I’ve been lucky enough to audition for.
“I think when a casting director hears [your name], it’s nothing more than a surname. And the way that we look at it is that it can only get you so far because it’s a tough industry. It’s competitive. And roles aren’t just handed out based on who your father is or who your mother is. I think it’s kind of slightly misconceived.”
Serkis calls his working relationship with Clunes “a beautiful partnership”, while Clunes says that through “the shared trauma of the series” the characters get thrown closer together “jumpstarting the father-son thing”.
Clunes with Caroline Catz in Doc Martin. Pic: Rex Features
‘It ain’t Doc Martin’
The ITV drama marks Clunes’s first return to the screen after wrapping Doc Martin in 2022.
When asked if this role is “against type”, the BAFTA-winning actor insists, “I don’t know what my type is”, before conceding, “Certainly it ain’t Doc Martin”.
“Doing one thing for 18 years, you kind of get that watermarked through you a bit,” he adds.
The farming role has parallels with Clunes’s own life, who after moving out of London over a decade ago, lives on a 130-acre farm in Dorset which produces hay and haylage for equestrian use.
He can even drive a tractor and a digger, skills he puts to good use in the first episode of the drama. Serkis, meanwhile, who says he’s “grown up and lived in the city all my life”, got to learn to drive a tractor for the show.
Pic: ITV
The next Jeremy Clarkson?
While farming has been a hot topic in recent weeks, due to Labour’s rulings on farmland inheritance tax in the Autumn Budget, Out There was filmed in Wales over a year ago.
Clunes says: “Farming was there and it was in trouble while we were making this. It’s just got a magnifying glass over it at the moment… It’s been struggling for a long time.”
A man of many talents, Clunes jokes that his CV boasts “sword fighting and lambing”, adding “and I know how to get a dripper into a sheep’s mouth”.
But despite his farming ability, Clunes says he has no aspirations to become a celebrity mouthpiece for the farming community.
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Jeremy Clarkson tells govt to ‘back down’
While fellow celebrity Jeremy Clarkson, who owns Diddly Squat Farm in the Cotswolds, has been vocal on the issue, Clunes has no ambition to get involved.
Asked if he too might join marches, or speak for the cause, Clunes is resolute: “No.”
When pushed, he says: “I have my opinions on it, but I’m not at the forefront of anything.”
While a reality series of Clunes’s Farm isn’t likely any time soon, Out There begins on ITV on Sunday at 9pm.
Entertainment
Scottish artist Nnena Kalu wins Turner Prize 2025 for hanging Barcelona sculptures and Liverpool exhibition
Scottish artist Nnena Kalu has won the 2025 Turner Prize with two exhibitions, including a series of brightly coloured sculptures.
The Glaswegian, 59, took home the visual arts prize along with £25,000 at an award ceremony on Tuesday in Bradford, this year’s UK City of Culture.
As reported by The Guardian, she is the first artist with a learning disability to win the award.
Nnena Kalu, from Glasgow, is the winner of this year’s Turner Prize. Pic: Nnena Kalu/ActionSpace/PA
Along with Hanging Sculpture 1-10, which European art exhibitors Manifesta commissioned her to create at a disused power station in Barcelona, Ms Kalu won for her presentation in Conversations, a group exhibition at Walker Art Gallery in Liverpool.
For the sculpture series, the artist created the vividly-coloured works from repeated lines and wrappings of different materials, making nest or cocoon-like forms.
Hanging Sculpture 1 – 10 by Nnena Kalu. Pic: PA
The installation consisted of 10 large brightly-coloured sculptures that hung from grey concrete pillars of the industrial site.
Meanwhile, for Conversations, Kalu presented work in pen, graphite and chalk pen on two pieces of paper.
Conversations by Nnena Kalu. Pic: PA
The jury, which was chaired by Alex Farquharson, the director of Tate Britain, commended Kalu’s “bold and compelling work” and praised the “lively translation of expressive gesture” in the abstract sculpture and drawing.
The panel also acknowledged her scale, composition and colour, highlighting “the powerful presence” her works have.
Nnena Kalu’s nominated Turner Prize works. Pic: PA
Kalu is also a resident artist at ActionSpace’s studio, which supports learning disabled artists across London at Studio Voltaire, and beat out fellow shortlisted artists Rene Matic, Mohammed Sami and Zadie Xa.
The works by the four artists are currently available to see at a free exhibition at Bradford’s Cartwright Hall Art Gallery until 22 February.
Jonathan Orrell views work by Nnena Kalu for the Turner Prize. Pic: PA
Named after British painter JMW Turner, this year’s prize marked the 250th anniversary of his birth.
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Previous winners include artist Damien Hirst in 1995 and filmmaker Sir Steve McQueen in 1999, while last year’s winner, Jasleen Kaur, picked up the prize for Alter Altar – which covered a red sports car with a giant ornamental doily mat.
Entertainment
Rappers Bob Vylan sue Irish broadcaster RTE over claim lead singer led ‘antisemitic chants’ at Glastonbury gig
Punk-rap duo Bob Vylan are suing Irish national broadcaster RTE for defamation, claiming it misrepresented chants led by the band when they played this year’s Glastonbury festival.
The group, which performed at Dublin’s Vicar Street last month, claim they were defamed in a report by RTE News that said the lead singer led antisemitic chants when they played the Somerset festival in June.
During their performance, singer Pascal Robinson-Foster, whose stage name is Bobby Vylan, led a chant of “death, death, to the IDF [Israel Defence Forces]”.
File pic: PA
Pic: PA
It provoked widespread criticism of the artist, including from Glastonbury organiser Emily Eavis, and the BBC, which live streamed their show.
Phoenix Law launched legal action on behalf of Robinson-Foster and drummer Wade Laurence George at Ireland’s High Court on Monday, according to court records.
The firm said: “The proceedings arise from a broadcast aired by RTE News following Bob Vylan’s performance at Glastonbury Festival on 28 June 2025.
“During this broadcast, comments were made alleging that the lead singer of Bob Vylan led antisemitic chants. These allegations are categorically denied by our clients and are entirely untrue.”
Phoenix Law said Bob Vylan had made statements expressing support for Palestinian self-determination and criticising military actions by the IDF (Israel Defence Forces).
His comments did not target Jewish people or express hatred towards any group, the firm said, suggesting they were “politically charged but not antisemitic in nature”.
Solicitor Darragh Mackin said the pair “are no stranger to utilising their freedom of expression to speak out against the genocide in Gaza“.
Mr Mackin said there was “a fundamental distinction between speaking critically about the role of the Israeli state forces, and being antisemitic”.
“The former is speech within the confines of political expression, whereas the latter is a form of hatred directed towards Jewish people,” he added.
Read more on Sky News:
Who are Bob Vylan?
The BBC apologised, including to the Jewish community, and said it regretted not pulling the live stream of the set and promised not to live stream “high-risk” acts in future.
It partially upheld complaints made over the broadcast, accepting the live stream broke the corporation’s editorial guidelines.
Ofcom’s chief executive, Dame Melanie Dawes, said the BBC needed to “get a grip quicker” on handling such controversies and complete its internal reports and investigations sooner.
Last month, the Metropolitan Police said detectives would take no further action over similar alleged chants made at a Bob Vylan gig in London in May.
The individual was not arrested but an investigation was ongoing, the Met said.
Avon and Somerset Police said a man, in his 30s, understood to be Mr Robinson-Foster, had voluntarily attended an interview in relation to the band’s Glastonbury performance. Enquiries are ongoing, the force said on Tuesday.
The US condemned the act’s “hateful tirade”, revoking their visas, while several festivals cancelled their upcoming appearances.
Speaking to Louis Theroux in October, Bobby Vylan said he had no regrets about the chants and would do it again “tomorrow”.
Sky News has contacted RTE for comment.
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