Members of the Los Angeles Fire Department presented her with the award and were given a standing ovation as they took to the stage.
Beyonce was joined by her 13-year-old daughter Blue Ivy Carter to accept the prize for her chart-topping album Cowboy Carter, saying said she felt “honoured” to receive the prize, adding: “It’s been many, many years and I just want to thank the Grammys, every songwriter, every collaborator, every producer, all the hard work.”
It was tough competition this year, with female stars including Charli XCX, Sabrina Carpenter, Billie Eilish, Chappell Roan and Taylor Swift in the mix. Andre 3000 and Jacob Collier were also in the running.
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Earlier in the night, a stunned Beyonce told the audience she was “still in shock” after winning best Country album – becoming the first black female artist to take the prize.
After being handed the award by Taylor Swift, the Texas-born star said: “Wow, I really was not expecting this. I want to thank God that I’m able to do what I love after so many years.”
She went on: “Genre is a code word to keep us in place as artists, and I just want to encourage us to do what we’re passionate about.”
Image: Beyonce takes best country album – the first black woman to ever do so. Pic: Reuters
Beyonce has previously been vocal about the lack of wins in the big Grammy categories for artists of colour, who she said were largely relegated to the genre categories.
Last year her husband, rap star Jay-Z, addressed the oversight, telling the audience: “I don’t want to embarrass this young lady, but she has more Grammys than everyone and never won album of the year. So, even by your own metrics, that doesn’t work.”
Beyonce had already made history earlier in the night, winning best country duo/group performance for II Most Wanted featuring Miley Cyrus, but was pipped at the post by Kacey Musgraves, who took best Country song for The Architect.
Ahead of the ceremony, Beyonce announced on social media that she would be taking Cowboy Carter on tour.
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Kendrick Lamar wins Grammy and dedicates award to LA
Diss track triumph for Lamar
Meanwhile, Kendrick Lamar also dominated the night, taking both song and record of the year for his much-talked-about diss track, Not Like Us.
He dedicated his record of the year win “to the city,” and later said he was “starstruck” to be handed his best song award by Diana Ross.
The California-born star had already won three awards earlier in the night.
The first award of the main ceremony, best rap album, went to Doechii for Alligator Bites Never Heal, who became tearful on stage as she became only the third woman ever to take the prize. She later gave a jaw-dropping, high-energy performance.
Her award was presented by Cardi B, one of those past winners, who told the audience: “Rap helped me find my voice, rap helped me find my story, but most of all rap changed my life.”
Image: Sabrina Carpenter said she was ‘going to cry’ after winning her first Grammy. Pic: Reuters
Thanks mum!
Best pop vocal album went to Sabrina Carpenter for Short N’ Sweet, she said she “might cry” for her first Grammy win, thanking her mum for “driving me to every voice lesson,” before going on to apologise for saying “Hell” three times during her acceptance speech.
Carpenter’s gong was presented by Red Hot Chilli Peppers band members Anthony Kiedis and Chad Smith, who sang a burst of their 1991 hit Under The Bridge, in tribute to the City Of Angles – LA.
The evening had a very different tone to previous shows following the devastating Los Angeles wildfires. Black was a common theme on the red carpet and the evening kicked off by highlighting the city’s resilience.
Host Trevor Noah’s opening speech spoke of the “entire communities burned to the ground”, going on, “it’s often said in the darkest time the best of humanity shines through…tonight we’re not only celebrating our favourite music but celebrating the city that brought us our favourite music”.
Raising money for those affected by the disaster, Noah said advertising space had also been given to local LA businesses affected by fire.
The first performance of the night celebrated first responders. I Love LA by Dawes, whose members were directly affected by the Eaton fire, were backed by John Legend, Brad Paisley, Sheryl Crow, Brittany Howard and St Vincent.
Image: Chappell Roan accepts the award for best new artist. Pic: AP
Chappell Roan calls out the labels
Best newcomer went to Chappell Roan, who wore a giant cone hat with a veil spouting from the top to accept her award, which threatened to fall as she accepted her gong.
The 26-year-old singer gave an empassioned speech as she accepted her first Grammy saying: “I told myself if I ever won a Grammy and I got to stand up here in front of the most powerful people in music, I would demand that labels and the industry profiting millions of dollars off of artists would offer a liveable wage and healthcare, especially to developing artists.”
She went on to describe the strain of being signed young, and then dropped by her label, struggling to afford health insurance.
She said “It was so devastating to feel so committed to my art and feel so betrayed by the system and so dehumanised… And if my label would have prioritised artists’ health, I could have been provided care by a company I was giving everything to.
She finished by saying: “So record labels need to treat their artists as valuable employees with a liveable wage and health insurance and protection. Labels, we got you, but do you got us?”
Image: Chappell Roan atop a giant pink pony during her performance. Pic: AP
Earlier, her rocking Pink Pony Club performance had featured a giant pony and host of cowboy clowns.
During the show, Billie Eilish performed on an LA hillside set, and Sabrina Carpenter giving it some old-school Hollywood glamour, with a bit of tap dance thrown in for good measure.
Other performances included Bensoon Boone who used the piano to assist a backflip, British star Raye giving a soulful performance of Oscar Winning Tears, Lady Gaga and Bruno Mars who sang California Dreamin’, and a belly-dance inspired performance from Hips Don’t Lie star Shakira.
The Weeknd also returned to the Grammys after several years of boycot in protest at what he saw as a flawed voting system after his 2020 album After Hours failed to receive a single nomination.
Image: The Weeknd back on the Grammy stage. Pic: Reuters
Other notable early wins of the night included some nostalgic British acts – The Beatles, who took best rock performance for Now And Then, and The Rolling Stones who won best rock album for Hackney Diamonds.
Charli XCX scored her first Grammys for best dance/electronic album and best dance/pop recording, following her culture-shaping Brat album, which was the talk of the summer. She later worked her way through the arena in a performance, which featured Julie Fox and a large haul of knickers, and which Charlie joked might be so racy “it might not make the edit”.
Image: Doechii gave a high-energy performance and won best rap album – only the third woman to ever do so. Pic: Reuters
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Doechii wins best rap album at Grammys
Politics amid the music
Jennifer Lopez presented best Latin pop album, which went to Shakira for Las Mujeres Ya No Lloran. Shakira hugged her two sons as she went to collect her prize, dedicating it to “all my immigrant brothers and sisters in this country – you’re loved, you’re worth it, and I will always fight with you.”
Lady Gaga and Bruno Mars won best pop duo/group performance for Die With A Smile, paying their respects to one anothers career achievements in their acceptance speech.
Gaga also spoke out for trans rights, saying, “Trans people are not invisible. Trans people deserve love. The queer community deserves to be lifted up. Music is love.”
Image: Lady Gaga and Bruno Mars performing California Dreamin’
Alicia Keys – who is now an 18-times Grammy-winning artist – was also awarded the Dr Dre Global Impact Award by rapper and singer Queen Latifah. Taking one of her children on stage to accept her award, she paid tribute to a host of female artists who she said had “opened the doors” before her.
In a nod to politics, she went on to say DEI (diversity, equity and inclusion) was “not a threat, but a gift” adding, “When destructive forces try to burn us down, we burn like a phoenix”.
In the US, the Trump administration is currently calling for the rollback of DEI programs.
Image: Herbie Hancock, left, and Stevie Wonder perform during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP Photo/Chris Pizzello)
Remembering those who are gone
Stars including Will Smith, Cynthia Erivo, Stevie Wonder and Janelle Monae headlined a tribute to the late, legendary producer Quincy Jones, featuring jazz musician Herbie Hancock on the piano, and rendidtions of We Are The World and Thriller.
Led by Coldplayer frontman Chris Martin, the In Memoriam section began by remembering Liam Payne who died in October aged 31 after falling from a hotel balcony in Argentina. It also included actress and singer Marianne Faithful, who passed away over the weekend.
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Officers should focus on “tackling real crime and policing the streets”, Downing Street has said – after the Metropolitan Police announced it is no longer investigating non-crime hate incidents.
The announcement by Britain’s biggest force on Monday came after it emerged Father Ted creator Graham Linehan will face no further action after he was arrested at Heathrow Airport on suspicion of inciting violence over three posts he made on X about transgender issues.
Sir Keir Starmer’s spokesman said police forces will “get the clarity they need to keep our streets safe” when a review of non-crime hate incidents by the National Police Chiefs’ Council and College of Policing is published in December.
“The police should focus on tackling real crime and policing the streets,” he said.
“The home secretary has asked that this review be completed at pace, working with the National Police Chiefs’ Council and the College of Policing.
“We look forward to receiving its findings as soon as possible, so that the other forces get the clarity they need to keep our streets safe.”
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He said the government will “always work with police chiefs to make sure criminal law and guidance reflects the common-sense approach we all want to see in policing”.
After Linehan’s September arrest, Met Police Commissioner Sir Mark Rowley said officers were in “an impossible position” when dealing with statements made online.
Image: File pic: iStock
On Monday, a Met spokesperson said the commissioner had been “clear he doesn’t believe officers should be policing toxic culture war debates, with current laws and rules on inciting violence online leaving them in an impossible position”.
The force said the decision to no longer investigate non-crime hate incidents would now “provide clearer direction for officers, reduce ambiguity and enable them to focus on matters that meet the threshold for criminal investigations”.
Justice minister Sarah Sackman said it is “welcome news” the Met will now be focusing on crimes such as phone snatching, mugging, antisocial behaviour and violent crime.
Asked if other forces should follow the Met’s decision, she said: “I think that other forces need to make the decisions that are right for their communities.
“But I’m sure that communities up and down the country would want that renewed focus on violent crime, on antisocial behaviour, and on actual hate crime.”
The Met said it will still record non-crime hate incidents to use as “valuable pieces of intelligence to establish potential patterns of behaviour or criminality”.
Bob Vylan’s frontman has said he does not regret chanting “death, death to the IDF” at Glastonbury – and would do it again.
The outspoken punk duo sparked controversy with their performance at the festival in June, with the broadcast also leading to fierce criticism of the BBC.
But speaking on The Louis Theroux podcast, Bobby Vylan said he stood by the chant, adding: “I’d do it again tomorrow, twice on Sundays.”
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2:07
BBC bosses grilled over Masterchef, Bob Vylan and Gaza documentary
Vylan claimed this backlash is “minimal” compared with what the people of Palestine are going through – with many losing members of their family or forced to flee their homes.
He said: “If I have their support, they’re the people that I’m doing it for, they’re the people that I’m being vocal for, then what is there to regret. Oh, because I’ve upset some right-wing politician or some right-wing media?”
The musician revealed he was taken aback by the uproar caused by the chant, which was described by the prime minister as “appalling hate speech”.
Vylan added: “It wasn’t like we came off stage, and everybody was like (gasps). It’s just normal. We come off stage. It’s normal. Nobody thought anything. Nobody. Even staff at the BBC were like: ‘That was fantastic! We loved that!'”
A spokesperson at Mindhouse Productions – which was founded by Theroux and produces The Louis Theroux podcast – told Sky News: “Louis is a journalist with a long history of speaking to controversial figures who may divide opinion. We would suggest people watch or listen to the interview in its entirety to get the full context of the conversation.”
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Theroux asked Vylan what he meant by chanting “death to the IDF” – with the musician replying: “It’s so unimportant, and the response to it was so disproportionate.
“What is important is the conditions that exist to allow that chant to even take place on that stage. And I mean, the conditions that exist in Palestine. Where the Palestinian people are being killed at an alarming rate.”
He said he wanted an end to the oppression that the Palestinian people are facing – but argued chanting “end, end the IDF” wouldn’t have caught on because it doesn’t rhyme.
“We are there to entertain, we are there to play music,” Vylan added. “I am a lyricist. ‘Death, death to IDF’ rhymes. Perfect chant.”
He went on to reject claims that their set had contributed to a spike in antisemitic incidents that were reported a couple of days later.
“I don’t think I have created an unsafe atmosphere for the Jewish community. If there were large numbers of people going out and going like ‘Bob Vylan made me do this’. I might go, ‘oof, I’ve had a negative impact here’.”
Vylan’s conversation with Theroux was recorded on 1 October – before the Manchester synagogue attack, and prior to the ceasefire in Gaza coming into effect.
A security guard jailed for plotting to kidnap, rape and murder TV star Holly Willoughby has lost an appeal against his life sentence.
Gavin Plumb was sentenced to life with a minimum term of 16 years last year after being convicted of soliciting murder and encouraging or assisting others to rape and kidnap.
A trial at Chelmsford Crown Court heard that police found bottles of chloroform and an “abduction kit” with cable ties when officers raided the 38-year-old’s flat in Harlow, Essex.
Plumb’s kidnap plan involved attempting to “ambush” Willoughby at her family home, jurors heard.
Plumb argued in his defence that it was just online chat and fantasy.
Image: Police believed Plumb was an ‘imminent threat’ to Holly Willoughby. Pic: PA
He was caught after an undercover police officer in the US infiltrated an online group called Abduct Lovers.
He told the officer, who used the pseudonym David Nelson, that he was “definitely serious” about his plot to kidnap the former This Morning host, leaving him with the impression that there was an “imminent threat” to Willoughby.
Due to the officer’s concern over Plumb’s post, evidence was passed to the FBI, who then contacted police in the UK.
Willoughby, who asked for her victim personal statement to be private, waived her right to anonymity in connection with the charge against Plumb of assisting or encouraging rape.
This breaking news story is being updated and more details will be published shortly.