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Conclave has taken the top prize at this year’s BAFTA film awards, winning best film as well as outstanding British film.

Based on Robert Harris’s 2016 novel of the same name, and centred around the selection of a new pope, the movie also won best adapted screenplay and best editing.

Thanking his ensemble cast as he accepted the award, director Edward Berger said: “What you did to me on set when I watched you was pure magic, it was beyond my grasp or understanding.”

It’s not the first BAFTA success for the German filmmaker, who swept the board two years ago with his remake of All Quiet On The Western Front, taking seven prizes. Conclave is his first English-language film.

Adrien Brody in the press room after winning the Best Actor in a Leading Role award for The Brutalist during the 78th British Academy Film Awards, at the Royal Festival Hall, Southbank Centre, London. Picture date: Sunday February 16, 2025. PA Photo. See PA story SHOWBIZ Bafta. Photo credit should read: Ian West/PA Wire.
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Adrien Brody . Pic: PA

BAFTA Awards 2025: The full list of winners

Despite being the most nominated movie of the night, Conclave did not take any acting prizes, with its star Ralph Fiennes losing out to The Brutalist lead Adrien Brody in the hotly contested best actor category.

Brody’s portrayal of Hungarian architect Lazlo Toth saw the 51-year-old actor bag his first BAFTA statuette.

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New York-born Brody said the gong was “incredibly meaningful”, adding: “England has felt quite a bit like home lately.”

The three-and-a-half-hour-long epic, which is largely set in America following World War II, also took best director, best original score and best cinematography.

Accepting his director award, Brady Corbet, told the audience that despite being “humbled” and “grateful” for his win, there really was “no such thing” as best director.

Conclave and The Brutalist were joint winners across the night, taking four gongs each.

Ralph Fiennes at the BAFTAs. Pic: Reuters
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Ralph Fiennes. Pic: Reuters

Anora, about a Brooklyn sex worker who marries into money, saw its break-out lead star, Mikey Madison take the top prize, after many had forecast a win for Demi Moore.

Accepting her award, the 25-year-old actress took her moment on the stage to honour the sex worker community, who she said had helped her immeasurably in her preparation for the role, telling them: “I see you. You deserve respect and human decency. I will always be a friend and an ally.”

Anora also took the casting prize.

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Timothee Chalamet and Kylie Jenner

Emilia Perez, which has come under fire in recent weeks following resurfaced tweets from its lead star Karla Sofia Gascon, took best film not in the English language. Gascon was not at the event.

An emotional Zoe Saldaña, took best supporting actress for her outstanding performance in the musical – in which she acts, sings and dances – telling the audience her win was “so validating” and “a true honour”.

Zoe Saldana was named best supporting actress for her performance in Emilia Perez. Pic: PA
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Zoe Saldana was named best supporting actress for her performance in Emilia Perez. Pic: PA

As she accepted her prize the 46-year-old star said: “I was told not to cry by my children, so I’m going to try. This is so validating because the very few times I tried to go for roles with a British accent I was told this isn’t going to happen.”

She ended her emotional speech by saying: “Films are supposed to change hearts and challenge minds and I hope Emilia Perez did something like this, because voices need to be heard, just not my English accent.”

Saldana, who won in the same category at the Golden Globes last month will be hoping to follow up her success with an Oscar in March.

An early front-runner in awards season, mostly Spanish language movie Emilia Perez had already been under fire from parts of the trans community for what some considered to be a retrograde step in representation, as well as those who objected to stereotypical depictions of Mexicans, as well as its handling of the sensitive topic of narcotics crime, which has claimed hundreds of thousands of lives.

Going into the night with 11 nominations, it took two overall.

Jesse Eisenberg won the BAFTA for best original screenplay for A Real Pain. Pic: PA
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Jesse Eisenberg won the BAFTA for best original screenplay for A Real Pain. Pic: PA

Kieran Culkin, 42, won best supporting actor for his role in comedy A Real Pain, with his co-star and the film’s writer Jesse Eisenberg accepting the gong on his behalf due to a member of Culkin’s family being unwell, meaning he stayed in New York to be by their side.

The movie, about two cousins revisiting their family history in Poland, also took best original screenplay.

Body horror The Substance took a well-deserved win for best makeup and hair, despite Moore missing out on the best actress win.

Back to host for a second year running, Scottish actor David Tennant opened the show singing The Proclaimers’ I’m Gonna Be (500 Miles), before encouraging members of the starry audience to get involved.

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BAFTA Awards 2025: The big wins and moments of the night

With 42 gongs to hand out, from a host of well-known presenters, the first award of the night went to Dune: Part Two which took special visual effects. It also won best sound.

Elsewhere, Wallace And Gromit: Vengeance Most Fowl bagged best children’s and family film as well a best animated feature.

Accepting his second prize, Aardman director Nick Park joked: “I didn’t actually write a second speech.”

Republican Irish-language band Kneecap lived up to their promise, giving it plenty of attitude on the red carpet, and with the film’s director Rich Peppiatt taking outstanding debut.

The music biopic about Mo Chara, Moglai Bap and DJ Provai (who wore his trademark balaclava in the colours of the Irish flag) had been up for six BAFTAs, despite failing to make it onto the Oscars shortlist last month.

Kneecap on the BAFTA Film Awards 2025 red carpet. Pic: PA
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Kneecap on the red carpet. Pic: PA

While it was up for seven awards, BAFTA voters didn’t seem to be feeling too much of the Wicked magic, with the Wizard Of Oz prequel taking just two prizes – best production design and best costume design.

Despite being up for six awards, A Complete Unknown, went home empty-handed.

Lack of gongs aside, the movie’s star Timothée Chalamet still managed to cause plenty of buzz on the night, thanks to the fact he was accompanied to the ceremony with his girlfriend Kylie Jenner – part of the ubiquitous Kardashian clan.

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Meet the stars on the BAFTAs red carpet

In a pre-announced win, British star Warwick Davis, best known for fantasy film Willow and the Harry Potter movies, was awarded the prestigious BAFTA film fellowship for both his performing and advocacy work.

The In Memoriam section of the night was led by Wicked star Jeff Goldblum playing As Time Goes By on the piano as late stars including Dame Maggie Smith, David Lynch and Dame Joan Plowright were honoured.

MediCinema was awarded the Outstanding British Contribution to Cinema award, and Alien Romulus actor David Jonsson won the only publicly voted award of the night, the rising star, which celebrates up-and-coming talent.

And in a balloon-filled performance, Take That’s current line up of Gary Barlow, Howard Donald and Mark Owen performed their 2008 hit Greatest Day, a track which has been given a new lease of life thanks to its prominence in Anora.

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Salt Path author Raynor Winn responds to claims she lied about ‘true’ story

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Salt Path author Raynor Winn responds to claims she lied about 'true' story

Salt Path author Raynor Winn has said claims she lied about her story are “highly misleading” and called suggestions her husband made up his illness “utterly vile”.

A report in The Observer disputed key aspects of the hit book, billed as an “inspiring and life-affirming true story” about a couple’s coastal trek.

Winn released a lengthy statement denying the paper’s claims and shared medical letters apparently sent to her husband, Moth, that appear to support a diagnosis for a rare neurological condition, Corticobasal Degeneration (CBD).

One letter mentions his prior “CBS [Corticobasal Syndrome] diagnosis”, while another concludes he has “an atypical form” of CBD.

The author said accusations he lied about having CBD/CBS are false and have “emotionally devastated” him.

Pic: Steve Tanner/Black Bear
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Raynor and husband Moth (centre) with actors Jason Isaacs (L) and Gillian Anderson (R). Pic: Steve Tanner/Black Bear

“I have charted Moth’s condition with such a level of honesty, that this is the most unbearable of the allegations,” Winn wrote on her website.

The Observer claimed to have spoken to experts who were “sceptical” about elements of his story, such as a “lack of acute symptoms and his apparent ability to reverse them”.

PSPA, a charity that supports people with CBD, ended their relationship with the family following The Observer’s claims.

Winn said she had never suggested walking was “some sort of miracle cure” and that there can be “symptoms for many years before they finally reach a diagnosis”.

“Even then, many sufferers’ symptoms present in an atypical way,” she wrote.

“They might not present with the same symptoms, occurring in the same order, or with the same severity.”

Pic: Steve Tanner/Black Bear
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The memoir was turned into a film, released. Pic: Steve Tanner/Black Bear

Winn also posted the letters on Instagram and said they are grateful Moth’s condition is slow-progressing.

She clarified it is now commonly referred to by specialists as CBS, “which describes the symptoms observed during life”.

The bestselling book was also recently released as a film, starring Jason Isaacs and Gillian Anderson, charting the couple’s 630-mile trek along the Cornish, Devon, and Dorset coast – a journey sparked by the devastation of losing their house.

The Observer claimed the portrayal of a failed investment in a friend’s business wasn’t true, rather they lost their home after Raynor Winn embezzled money from her employer, Martin Hemming, and had to borrow to pay it back and avoid police action.

Winn’s statement said the dispute with Mr Hemmings wasn’t the reason they lost their home – but admitted she may have made “mistakes” while in the job.

“For me it was a pressured time,” she wrote. “It was also a time when mistakes were being made in the business. Any mistakes I made during the years in that office, I deeply regret, and I am truly sorry.”

She admitted being questioned by police but said she wasn’t charged.

Winn added: “I reached a settlement with Martin Hemmings because I did not have the evidence required to support what happened. The terms of the settlement were willingly agreed by both parties.”

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The author reiterated the book’s version of events: that the loss of their home in Wales stemmed from an investment in a friend’s property portfolio that went sour.

Her statement goes into legal detail about how it transpired and admits – as The Observer suggested – that the couple at one point tried to raffle the house.

However, the author said they “quickly realised it was a mistake as it clearly wasn’t going to work. We cancelled it and refunded the few participants.”

The 63-year-old also denied having any outstanding debts and said it was “blatantly untrue” the couple were hiding behind pseudonyms after The Observer quoted people who said they knew them by the surname Walker.

“Winn is my maiden name and like most women who have married I’ve used both my maiden name, Winn, and married name, Walker,” said the statement.

She also explained she preferred the first name Raynor, rather than her birth name Sally Ann, so took that as her pen name; while Moth is an abbreviation of her husband’s name, Timothy.

“The legal names we use on our bank records, our utility bills etc. Our friends and neighbours use Sal and Tim interchangeably with Ray and Moth – there is nothing hiding in our names,” she said.

Sky News has contacted The Observer for a response to Winn’s statement.

Raynor Winn had been scheduled to make numerous appearances over the summer, performing with Saltlines, her collaboration with Gigspanner Big Band.

However, the band has since announced on social media that she will no longer be taking part in the tour.

She was also scheduled to take part in various Q&As, conversations, writing courses and festivals.

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Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

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Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

Actor Michael Madsen, who starred in Reservoir Dogs and Thelma & Louise, died from heart failure, his cardiologist has said.

The 67-year-old was found unresponsive in his home in Malibu, California, last Thursday and pronounced dead.

His doctor said heart disease and alcoholism will be listed as factors which contributed to the star’s death, reported NBC Los Angeles.

With no suspicious circumstances and the death listed as being from natural causes, the Los Angeles Sheriff’s Department considers the case closed.

In a career spanning more than 40 years, Madsen’s film credits include Free Willy, Donnie Brasco and Sin City.

He was also known for his collaborations with director Quentin Tarantino, including in Kill Bill: Vol. 2, The Hateful Eight and Once Upon A Time In Hollywood.

The Chicago-born actor also linked up with Tarantino when he played Mr Blonde in 1992’s Reservoir Dogs.

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Michael Madsen played Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock
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Madsen played numerous roles, including Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock

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His sister, Oscar-nominated actress Virginia Madsen, paid tribute to her brother in a statement to Variety.

She wrote: “My brother Michael has left the stage.

“He was thunder and velvet. Mischief wrapped in tenderness. A poet disguised as an outlaw. A father, a son, a brother – etched in contradiction, tempered by love that left its mark.”

Madsen was preparing to release a new book called Tears For My Father: Outlaw Thoughts And Poems.

A statement by managers Susan Ferris and Smith, and publicist Liz Rodriguez, said the book by “one of Hollywood’s most iconic actors” was currently being edited.

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Fantasy v reality: Lena Dunham’s Too Much is a new spin on the London romcom

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Fantasy v reality: Lena Dunham's Too Much is a new spin on the London romcom

Horse-drawn carriages, picturesque gardens and endless cups of tea are just some of the stereotypical tropes that have shaped America’s romanticised image of England before even stepping foot on the island.

Thanks to classical literature and a steady stream of period dramas, Lena Dunham was no exception.

“I had so many fantasies,” she tells Sky News about growing up slightly obsessed with British culture.

“I loved Jane Austen, I loved Charlotte Bronte, I love British film, I was one of those little Anglophile kids.”

The writer and director believed it would be that area of classically depicted England that would fill her time when she first moved to “jolly old London” as a teenager with her mother for a brief time.

Instead, her attention was taken by another, and possibly equally influential group of artists.

“There was a pop show about S Club 7 and all I did was just sit in the hotel and obsessively watch things relating to [the group],” she said.

“So, I didn’t go home with all this cultural British knowledge. I went home with a deep abiding love of S Club 7 and came back to school when everyone was obsessed with the Backstreet Boys and NSYNC.

“For me, I was literally like, ‘Guys, you got to hear this hot track right off the presses, it’s called Reach For The Stars’.”

Lena Dunham in a clip from Netflix series Too Much. Pic: Netflix
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Pic: Netflix

It wasn’t until her 30s, when the actress moved again to the city, that reality took hold and she quickly learned the difference between the imagined London and the real city.

Some stereotypes hold true, like the universal love for Paddington. Still, TV tropes like renting a flat on a single income in the city does not necessarily mean you’ll be treated to lavish rooms and a picturesque garden.

She says it was social cues she found most challenging to adjust to, as well as the different dictionaries used when speaking, technically, the same language.

“You come to a new country and even though you speak the same language, you’re totally absent from those tools,” she says.

“And I found that really striking as an adult in my 30s, trying to make friends, trying to date. I found it confusing enough to be a person in my own city of origin, so this was extra confounding.”

Too Much, her new Netflix series, is loosely inspired by her own London chapter and follows a workaholic New Yorker in her 30s who is sent across the Atlantic to work on a new project.

The 10-episode show is produced by Working Title – the company behind Bridget Jones, Notting Hill, About A Boy and Love Actually – and stars Hacks breakout actress Megan Stalter and The White Lotus actor Will Sharpe.

Megan Stalter stars as Jessica in Lena Dunham's new Netflix comedy Too Much. Pic: Netflix
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Pic: Netflix

Dunham says she always wanted to write about her time in the UK, but it was a conversation with Irish actor Andrew Scott that got the ball rolling.

“Actually, he’s the reason that I came to know Meg as an actor because he loved her on Hacks and he loved her videos, and he said: ‘Have you watched this woman’s work? I feel like there’s a real connection between you two’, and I started watching because of him and built a show around her.”

In a full circle moment, Scott appears in the series briefly as an arrogantly odd man who crosses paths with Megan Stalter’s character Jessica.

Andrew Scott in Lena Dunham 's new Netflix comedy series Too Much. Pic: Netflix
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Pic: Netflix

The Ridley actor isn’t the only famous face joining the cast in a cameo role. Dunham put a call out to most of Hollywood, and luckily lots were on board.

To name just a few, guest stars include Jessica Alba, Stephen Fry, Adwoa Aboah, Kit Harington, Rita Wilson, Rita Ora, Richard E Grant, Emily Ratajkowski, Andrew Scott, Prasanna Puwanarajah and Jennifer Saunders.

“It was one of those situations where you just reach for the stars, literally, and then you can’t believe when they appear,” says Dunham.

“It was just a non-stop parade of people that I was fascinated by, wanted to be around, completely enamoured of.”

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Lena Dunham speaks to Sky's entertainment reporter Debbie Ridgard
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A whole host of high-profile cameos feature in Lena Dunham’s Too Much

She adds: “I remember asking Naomi Watson, thinking, there’s absolutely no way that you’re going to want to come play this slightly demented woman. And she’s so playful and she’s so joyful and she just wanted to come and engage.

“Also, Jennifer Saunders has meant so much to me for so long, I had the AbFab box set as a kid, and I just think Patsy and Edina are the ultimate kind of messy women.

“She really showed me what comedy could be and… the space that women could occupy in comedy, and so having her come and join the show was really incredible.

“That was an episode that someone else was directing, Alicia McDonald, an amazing director, so I just got to sit and watch at the monitor like I was watching a movie, and it was very surreal for me.”

Too Much is out on Netflix now.

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