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Conclave has taken the top prize at this year’s BAFTA film awards, winning best film as well as outstanding British film.

Based on Robert Harris’s 2016 novel of the same name, and centred around the selection of a new pope, the movie also won best adapted screenplay and best editing.

Thanking his ensemble cast as he accepted the award, director Edward Berger said: “What you did to me on set when I watched you was pure magic, it was beyond my grasp or understanding.”

It’s not the first BAFTA success for the German filmmaker, who swept the board two years ago with his remake of All Quiet On The Western Front, taking seven prizes. Conclave is his first English-language film.

Adrien Brody in the press room after winning the Best Actor in a Leading Role award for The Brutalist during the 78th British Academy Film Awards, at the Royal Festival Hall, Southbank Centre, London. Picture date: Sunday February 16, 2025. PA Photo. See PA story SHOWBIZ Bafta. Photo credit should read: Ian West/PA Wire.
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Adrien Brody . Pic: PA

BAFTA Awards 2025: The full list of winners

Despite being the most nominated movie of the night, Conclave did not take any acting prizes, with its star Ralph Fiennes losing out to The Brutalist lead Adrien Brody in the hotly contested best actor category.

Brody’s portrayal of Hungarian architect Lazlo Toth saw the 51-year-old actor bag his first BAFTA statuette.

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New York-born Brody said the gong was “incredibly meaningful”, adding: “England has felt quite a bit like home lately.”

The three-and-a-half-hour-long epic, which is largely set in America following World War II, also took best director, best original score and best cinematography.

Accepting his director award, Brady Corbet, told the audience that despite being “humbled” and “grateful” for his win, there really was “no such thing” as best director.

Conclave and The Brutalist were joint winners across the night, taking four gongs each.

Ralph Fiennes at the BAFTAs. Pic: Reuters
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Ralph Fiennes. Pic: Reuters

Anora, about a Brooklyn sex worker who marries into money, saw its break-out lead star, Mikey Madison take the top prize, after many had forecast a win for Demi Moore.

Accepting her award, the 25-year-old actress took her moment on the stage to honour the sex worker community, who she said had helped her immeasurably in her preparation for the role, telling them: “I see you. You deserve respect and human decency. I will always be a friend and an ally.”

Anora also took the casting prize.

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Timothee Chalamet and Kylie Jenner

Emilia Perez, which has come under fire in recent weeks following resurfaced tweets from its lead star Karla Sofia Gascon, took best film not in the English language. Gascon was not at the event.

An emotional Zoe Saldaña, took best supporting actress for her outstanding performance in the musical – in which she acts, sings and dances – telling the audience her win was “so validating” and “a true honour”.

Zoe Saldana was named best supporting actress for her performance in Emilia Perez. Pic: PA
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Zoe Saldana was named best supporting actress for her performance in Emilia Perez. Pic: PA

As she accepted her prize the 46-year-old star said: “I was told not to cry by my children, so I’m going to try. This is so validating because the very few times I tried to go for roles with a British accent I was told this isn’t going to happen.”

She ended her emotional speech by saying: “Films are supposed to change hearts and challenge minds and I hope Emilia Perez did something like this, because voices need to be heard, just not my English accent.”

Saldana, who won in the same category at the Golden Globes last month will be hoping to follow up her success with an Oscar in March.

An early front-runner in awards season, mostly Spanish language movie Emilia Perez had already been under fire from parts of the trans community for what some considered to be a retrograde step in representation, as well as those who objected to stereotypical depictions of Mexicans, as well as its handling of the sensitive topic of narcotics crime, which has claimed hundreds of thousands of lives.

Going into the night with 11 nominations, it took two overall.

Jesse Eisenberg won the BAFTA for best original screenplay for A Real Pain. Pic: PA
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Jesse Eisenberg won the BAFTA for best original screenplay for A Real Pain. Pic: PA

Kieran Culkin, 42, won best supporting actor for his role in comedy A Real Pain, with his co-star and the film’s writer Jesse Eisenberg accepting the gong on his behalf due to a member of Culkin’s family being unwell, meaning he stayed in New York to be by their side.

The movie, about two cousins revisiting their family history in Poland, also took best original screenplay.

Body horror The Substance took a well-deserved win for best makeup and hair, despite Moore missing out on the best actress win.

Back to host for a second year running, Scottish actor David Tennant opened the show singing The Proclaimers’ I’m Gonna Be (500 Miles), before encouraging members of the starry audience to get involved.

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BAFTA Awards 2025: The big wins and moments of the night

With 42 gongs to hand out, from a host of well-known presenters, the first award of the night went to Dune: Part Two which took special visual effects. It also won best sound.

Elsewhere, Wallace And Gromit: Vengeance Most Fowl bagged best children’s and family film as well a best animated feature.

Accepting his second prize, Aardman director Nick Park joked: “I didn’t actually write a second speech.”

Republican Irish-language band Kneecap lived up to their promise, giving it plenty of attitude on the red carpet, and with the film’s director Rich Peppiatt taking outstanding debut.

The music biopic about Mo Chara, Moglai Bap and DJ Provai (who wore his trademark balaclava in the colours of the Irish flag) had been up for six BAFTAs, despite failing to make it onto the Oscars shortlist last month.

Kneecap on the BAFTA Film Awards 2025 red carpet. Pic: PA
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Kneecap on the red carpet. Pic: PA

While it was up for seven awards, BAFTA voters didn’t seem to be feeling too much of the Wicked magic, with the Wizard Of Oz prequel taking just two prizes – best production design and best costume design.

Despite being up for six awards, A Complete Unknown, went home empty-handed.

Lack of gongs aside, the movie’s star Timothée Chalamet still managed to cause plenty of buzz on the night, thanks to the fact he was accompanied to the ceremony with his girlfriend Kylie Jenner – part of the ubiquitous Kardashian clan.

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Meet the stars on the BAFTAs red carpet

In a pre-announced win, British star Warwick Davis, best known for fantasy film Willow and the Harry Potter movies, was awarded the prestigious BAFTA film fellowship for both his performing and advocacy work.

The In Memoriam section of the night was led by Wicked star Jeff Goldblum playing As Time Goes By on the piano as late stars including Dame Maggie Smith, David Lynch and Dame Joan Plowright were honoured.

MediCinema was awarded the Outstanding British Contribution to Cinema award, and Alien Romulus actor David Jonsson won the only publicly voted award of the night, the rising star, which celebrates up-and-coming talent.

And in a balloon-filled performance, Take That’s current line up of Gary Barlow, Howard Donald and Mark Owen performed their 2008 hit Greatest Day, a track which has been given a new lease of life thanks to its prominence in Anora.

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Inflation: Cost of living challenges require bold decisions

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Inflation: Cost of living challenges require bold decisions

You know bad economic news is looming when a Chancellor of the Exchequer tries to get their retaliation in first.

Treasury guidance on Tuesday afternoon that Rachel Reeves has prioritised easing the cost of living had to be seen in the light of inflation figures, published this morning, and widely expected to rise above 4% for the first time since the aftermath of the energy crisis.

In that context the fact consumer price inflation in September remained level at 3.8% counts as qualified good news for the Treasury, if not consumers.

Money latest: What inflation hike means for state pension and rail fare increases

The figure remains almost double the Bank of England target of 2%, the rate when Labour took office, but economists at the Bank and beyond do expect this month to mark the peak of this inflationary cycle.

That’s largely because the impact of higher energy prices last year will drop out of calculations next month.

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Inflation sticks at 3.8%

The small surprise to the upside has also improved the chances of an interest rate cut before the end of the year, with markets almost fully pricing expectations of a reduction to 3.75% by December, though rate-setters may hold off at their next meeting early next month.

September’s figure also sets the uplift in benefits from next April so this figure may improve the internal Treasury forecast, but at more than double the rate a year ago it will still add billions to the bill due in the new year.

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Minister ‘not happy with inflation’

For consumers there was good news and bad, and no comfort at all from the knowledge that they face the highest price increases in Europe.

Fuel prices rose but there was welcome relief from the rate of food inflation, which fell to 4.5% from 5.1% in August, still well above the headline rate and an unavoidable cost increase for every household.

Read more from Sky News:
Beef market in turmoil and affecting farmers and consumers
Rachel Reeves looking at cutting energy bills in budget

The chancellor will convene a meeting of cabinet ministers on Thursday to discuss ways to ease the cost of living and has signalled that cutting energy bills is a priority.

The easiest lever for her to pull is to cut the VAT rate on gas and electricity from 5% to zero, which would reduce average bills by around £80 but cost £2.5bn.

More fundamental reform of energy prices, which remain the second-highest in Europe for domestic bill payers and the highest for industrial users, may be required to bring down inflation fast and stimulate growth.

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Schools must be ‘brave enough’ to talk about knives – as Harvey Willgoose’s killer is sentenced

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Schools must be 'brave enough' to talk about knives - as Harvey Willgoose's killer is sentenced

Schools need to be “brave enough” to talk about knives, Sky News has been told, as the killer of Sheffield teenager Harvey Willgoose is sentenced today.

The 15-year-old was stabbed outside the school canteen at All Saints Catholic high school by a fellow pupil in February this year.

His killer, who was also 15 and cannot be identified for legal reasons, had brought a 13cm hunting knife into school.

Harvey Willgoose. Pic: Sophie Willgoose
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Harvey Willgoose. Pic: Sophie Willgoose

Following Harvey’s murder, his parents Caroline and Mark Willgoose told Sky News they wanted to see knife arches in “all secondary schools and colleges”.

“It’s 100% a conversation, I think, that we need to be empowered and brave enough to have,” says Katie Crook, associate vice principal of Penistone Grammar School.

The school, which teaches 2,000 pupils, is just a few miles away from where Harvey was killed.

After being contacted by the Willgoose family, it has decided to install a knife arch.

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The arch – essentially a walk-through metal detector – has been described as a “reassuring tool” and “real success” by school leaders.

“We’re really lucky here that we don’t have a knife crime problem – but we are on the forefront with safeguarding initiatives,” says Mrs Crook.

“I didn’t really think we needed one at first,” says Izzy, 14. “But then I guess at Harvey’s school they wouldn’t think that either and then it did actually happen.”

Joe, 15, says he did find the knife arch “intimidating” at first.

“But after using it a couple of times,” he says, “it’s just like walking through a doorway”.

“And it’s that extra layer of, like, you feel secure in school.”

After Harvey’s death, then home secretary Yvette Cooper said that she would support schools in the use of knife arches.

But there remains no official government policy or national guidance on their use.

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Some headteachers who spoke with Sky News feel knife arches aren’t the answer – saying the issue required a societal approach.

Others said knife arches themselves were a significant expense to schools.

But Mrs Crook says they are “well worth the funding” if they prevent “a student making a catastrophic decision”.

“I’m a parent and, of course, my focus every day is keeping our students safe, just as I want my son to be kept safe in his setting and his school.”

Mrs Crook says she thinks schools would “welcome” a discussion at “national level” about the use of knife arches and other knife-related deterrents in schools.

“It’s sad, though that this is what it’s come to, that we’re having lockdown drills in the UK, in our school settings.

“But I suppose some might argue that has been needed for a long time.”

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Shrinking herds and rising costs: The beef market is in turmoil – and inflation is spiralling

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Shrinking herds and rising costs: The beef market is in turmoil - and inflation is spiralling

If you eat beef, and ever stop to wonder where and how it’s produced, Jonathan Chapman’s farm in the Chiltern Hills west of London is what you might imagine. 

A small native herd, eating only the pasture beneath their hooves in a meadow fringed by beech trees, their leaves turning to match the copper coats of the Ruby Red Devons, selected for slaughter only after fattening naturally during a contented if short existence.

But this bucolic scene belies the turmoil in the beef market, where herds are shrinking, costs are rising, and even the promise of the highest prices in years, driven by the steepest price increase of any foodstuff, is not enough to tempt many farmers to invest.

For centuries, a symbolic staple of the British lunch table, beef now tells us a story about spiralling inflation and structural decline in agriculture.

Mr Chapman has been raising beef for just over a decade. A former champion eventing rider with a livery yard near Chalfont St Giles, the main challenge when he shifted his attention from horses to cows was that prices were too low.

“Ten years ago, the deadweight carcass price for beef was £3.60 a kilo. We might clear £60 a head of cattle,” he says. “The only way we could make the sums add up was to process and sell the meat ourselves.”

Processing a carcass doubles the revenue, from around £2,000 at today’s prices to £4,000. That insight saw his farm sprout a butchery and farm shop under the Native Beef brand. Today, they process two animals a week and sell or store every cut on site, from fillet to dripping.

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Today, farmgate prices are nearly double what they were in 2015 at £6.50 a kilo, down slightly from the April peak of almost £7, but still up around 25% in a year.

For consumers that has made paying more than £5 for a pack of mince the norm. For farmers, rising prices reflect rising costs, long-term trends, and structural changes to the subsidy regime since Brexit.

“Supply and demand is the short answer,” says Mr Chapman.

“Cow numbers have been falling roughly 3% a year for the last decade, probably in this country. Since Brexit, there is virtually no direct support for food in this country. Well over 50% of the beef supply would have come from the dairy herd, but that’s been reducing because farmers just couldn’t make money.”

Political, environmental and economic forces

Beef farmers also face the same costs of trading as every other business. The rise in employers’ national insurance and the minimum wage have increased labour costs, and energy prices remain above the long-term average.

Then there is the weather, the inescapable variable in agriculture that this year delivered a historically dry summer, leaving pastures dormant, reducing hay and silage yields and forcing up feed costs.

Native Beef is not immune to these forces. Mr Chapman has reduced his suckler herd from 110 to 90, culling older cows to reduce costs this winter. If repeated nationally, the full impact of that reduction will only be fully clear in three years’ time, when fewer calves will reach maturity for sale, potentially keeping prices high.

That lag demonstrates one of the challenges in bringing prices down.

Basic economics says high prices ought to provide an opportunity and prompt increased supply, but there is no quick fix. Calves take nine months to gestate and another 20 to 24 months to reach maturity, and without certainty about price, there is greater risk.

There is another long-term issue weighing on farmers of all kinds: inheritance tax. The ending of the exemption for agriculture, announced in the last budget and due to be imposed from next April, has undermined confidence.

Neil Shand of the National Beef Association cites farmers who are spending what available capital they have on expensive life insurance to protect their estates, rather than expanding their herds.

“The farmgate price is such that we should be in an environment that we should be in a great place to expand, there is a market there that wants the product,” he says. “But the inheritance tax challenge has made everyone terrified to invest in something that will be more heavily taxed in the future.”

While some of the issues are domestic, the UK is not alone.

Beef prices are rising in the US and Europe too, but that is small consolation to the consumer, and none at all to the cow.

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