Sean ‘Diddy’ Combs: What it was like to follow ‘the Pied Piper of partying’
In 1990s and early 2000s New York, Sean “Diddy” Combs was the person to be seen with.
Now on trial in Manhattan, his hair grey, his beard grown, it’s hard to imagine that he was “the Pied Piper… of the most elite level of partying of that time” – but that’s how Amy DuBois Barnett describes him.
She was the first Black-American woman to run a major mainstream magazine in the US, and based in Manhattan at a time when hip hop was at its zenith.
“Urban culture really ran the city,” she says. “That’s where so much of the money was… you had all the finance bros trying to get into Puffy (Combs) parties, all the fashion executives trying to get into Puffy parties.”
And while he was welcomed by the highest echelons of the arts and entertainment world, she says: “He was never known for being a calm kind of individual.”
Sean ‘Diddy’ Combs in New York in July 2004. Pic: AP
Combs was “very dismissive” with her, and she admits: “Puff never particularly liked me that much.”
But DuBois Barnett would often get invited to his parties because she was able to feature his up-and-coming artists in her magazines.
From editor-in-chief of Ebony magazine, she’d go on to become the editor-in-chief of Honey and Teen People magazines, and then deputy editor of Harper’s Bazaar.
She says the man she met at those parties “lacked warmth” and seemed “complicated”.
Amy DuBois Barnett
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“When he walked in the room, all of the energy changed. Puffy had his trusted individuals around him… immediately the area around him would become kind of crowded with everybody vying for his attention,” she says.
“I think that was also partially why he didn’t particularly like me because I wasn’t really vying for his attention.
“He really reserved that attention for the people that he was either attracted to… or the people that he thought were important enough to his business success.”
Amy DuBois Barnett (right) with publisher Desiree Rogers at an event for Ebony magazine
She says it was common knowledge that he wasn’t someone to cross due to “rumours… of what he could do”.
“There were a lot of people within journalism, within media, within other industries that were afraid of his influence and also afraid of his temper,” she adds.
“When things at parties would not go his way or somebody didn’t bring him something quickly enough, or… the conversation wasn’t going his way… he would just kind of snap and he was just not afraid to yell at whoever was there.
“There was not a lot of boundaries in his communication, let’s just put it that way.”
Combs on the red carpet at the height of his success
But she says it was a time when a tremendous amount of misogyny was running throughout music, things that in today’s culture would certainly give pause for thought.
“So many things happened to me, everything from getting groped at parties to getting locked in a limousine with music executives and having him refuse to let me out until I did whatever he thought I was going to do, which I didn’t.”
She insists: “We didn’t have the vocabulary to understand the degree to which it was problematic… it was a thread that ran throughout the culture.”
Getting off a private jet during his heyday
Star-studded parties were the ultimate invite
At the time, a ticket to one of Combs’s star-studded “white parties” was the ultimate invite.
She admits: “It was like nothing you’ve ever seen before… the dress code was very strict.
“No beige, no ecru, absolutely white, you would literally be turned away if your outfit was wrong. Puffy did not sort of tolerate people in his parties that didn’t look ‘grown and sexy’ as it were.”
She says people would mingle by the poolside listening to the best DJs in the world, while topless models posed dressed as mermaids and waiters handed out weed brownies from silver platters.
“It was every boldface name you could possibly imagine, just this gorgeous crowd.”
At an event with model Naomi Campbell
Behind the glamour, prosecutors now allege there was a man capable of sexual abuse and violence, and a serious abuse of power. Criminal charges which he’s already pleaded not guilty to and strenuously denies.
Without question, Combs had the golden touch. Expanding his music career into business enterprises that in 2022 reportedly took his net worth to around £1bn. For decades his success story was celebrated.
“I think that in the black community, there is a feeling that if a black man is successful you don’t want to bring him down because there are not that many… these are cultural forces that are rooted in the systemic racism that’s present in the United States… but I think that these were part of what potentially protected Puffy against people speaking out.”
Couple became ‘isolated and very unhappy’
While Combs had amassed a small fortune over the course of two decades which she encountered him, the former magazine editor says his behaviour had markedly changed from the first party she went to, to her last.
“The last was a post-Grammys party, in 2017 or 2018, and just the vibe was very different. He was really kind of isolated in a corner with Cassie, you know, looking very unhappy.”
Diddy and Cassie together on the red carpet
For around 10 years, Combs had a relationship with the singer Cassie Ventura which ended in 2018.
Once over she filed a lawsuit that both parties eventually settled alleging she was trafficked, raped, drugged and beaten by the rapper on many occasions – which he denied. Last week she made similar claims in court.
A court sketch of Cassie giving evidence against Combs in court this week. Pic: Reuters
A court sketch of Combs listening to evidence from his former partner Cassie. Pic: Reuters
“Cassie looked very glassy-eyed and there was a sadness about her energy. Whatever was happening between the two of them, I mean, it didn’t feel positive,” says DuBois Barnett.
“They were sort of holed up in the corner for almost the entire night… it did feel very different from the kind of jubilant of energy that he projected in his earlier incarnations.”
For Combs, his freedom depends on how these next few weeks go. His representatives claim he is the victim of “a reckless media circus”, saying he categorically denies he sexually abused anyone and wants to prove his innocence.
In particular, they say, he looks forward to establishing the “truth… based on evidence, not speculation”.
Entertainment
‘I’m shocked at how fragile I am still’: Cumberbatch and Colman on protecting their sanity from perils of social media
Actor Benedict Cumberbatch says he’s shocked at how “fragile” he still is – despite years in the spotlight and success in the industry.
It might seem like the Doctor Strange star and The Crown actress Olivia Colman have it all when it comes to money and success – but they are also human like the rest of us.
The pair lead the cast of new satirical black comedy The Roses, which sees picture-perfect couple Ivy and Theo Rose – a rising star chef and ambitious architect – raise their two children in California, while chasing their own dreams.
‘I am shocked at how fragile I am’
But behind its dark humour and comic language, the film also looks at the realities of power imbalance, insecurity and wounded pride – in even the strongest of relationships.
And 49-year-old Cumberbatch – whose character faces a major setback in his career – tells Sky News that in real life the glare of social media only intensifies those type of situations.
“I am shocked at how fragile I am still.
“I don’t go anywhere near it [social media] because of that.
“It’s like walking into a place where people want to marry you or kill you. Those extremes.
“I think we will get to a stage, a corporate culture that’s now manifested around it where people are obliged to do that in order to sell their lives, and therefore their brand and what they do for a living.”
Co-star Colman – who’s long-shunned the online world – agrees.
Cumberbatch and Colman in The Roses. Pic: Jaap Buitendijk/ Searchlight Pictures
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“I’m afraid I am very thin-skinned.
“I don’t look at any of it. My husband will look at a review and if it’s nice he’ll show me – but if it’s anything mean he knows to just go ‘don’t look – don’t look.’
“You just have to learn to be thicker-skinned.
“But actually, I think we need people who are sensitive and kind.”
‘Don’t do it… delete it all’
Colman – now 51, and whose leading role in The Favourite bagged her an Academy Award in 2019 – says no amount of experience and success can shield her from criticism.
“My advice to a young’un – sort of dipping their toe into the world of social media for the first time is absolutely don’t do it.
“Delete it all. If you want a happy life, don’t have any of it. I’ve never had it.”
The movie – directed by Meet The Parents’ Jay Roach with The Favourite screenwriter Tony McNamara – also calls into question the notion of success – asking, is it really possible to have it all?
Or is sacrifice inevitable when it comes to spinning the plates of a high-flying career, marriage and parenthood?
Cumberbatch admits “you can’t do it all without there being a cost”.
“You just have to weigh up what those balances are,” he adds.
Colman says “there are I suppose little sacrifices along the way” – from both sides of a relationship.
The comedy drama offers a fresh take on Warren Adler’s novel The War Of The Roses – and the 1989 hit film adaptation- starring Michael Douglas and Kathleen Turner.
Colman and Cumberbatch – both producers on the film – insist they weren’t daunted by that though.
“We wanted to find a project to do together, and we have utter respect for the iconic status of the film and book,” explains Cumberbatch.
“Hopefully this will have its own place in the culture – it’s very different, it’s not a remake – it’s a reimagined jumping-on point.”
“But beyond that, it’s very different,” adds Colman.
Former Doctor Who Ncuti Gatwa and Barbie’s Kate McKinnon also form the cast.
The Roses is out in UK cinemas now.
Entertainment
Top Boy and Eddington actor Micheal Ward granted bail as he appears in court on rape charges
A Banksy artwork, where a glass police box looks like a tank of piranhas, has been moved into protective storage ahead of its display at the London Museum’s new location.
The artwork made headlines last summer when it featured as part of the street artist’s animal-themed collection in the capital, which concluded with a gorilla appearing to lift up a shutter on the entrance to London Zoo.
The piranhas piece is now in the care of the London Museum and will be kept in secure storage before it becomes accessible to the public as part of a permanent display at the museum’s Smithfield location, which is opening in 2026.
The artwork is moved from London’s Guildhall. Pic: PA
The police box had stood in Ludgate Hill since the 1990s before it was painted to resemble a fish tank.
The box was temporarily relocated by the City Of London Corporation to Guildhall Yard, where thousands of visitors viewed it from behind safety barriers, after Banksy confirmed he was responsible for the artwork.
It was later moved to Guildhall’s South Ambulatory.
Banksy’s London animals collection was made up of nine works including a rhino seemingly mounting a silver Nissan Micra, two elephant silhouettes with their trunks stretched out towards each other, and three monkeys that appeared as though they were swinging on a bridge.
Some of the works, which also included a howling wolf on a satellite dish, were removed, covered up or vandalised, after being painted across the city from 5 to 13 August 2024.
Chris Hayward, policy chairman of the City of London Corporation, said: “Banksy stopped Londoners in their tracks when this piece appeared in the Square Mile – and now, we’re making it available to millions.
“By securing it for London Museum, we’re not only protecting a unique slice of the City’s story, but also adding an artwork that will become one of the museum’s star attractions.”
The artwork after it first emerged. Pic: PA
Brendan Barns, chairman of the City of London Corporation’s culture, heritage, and libraries committee, said: “Banksy’s Piranhas are already part of City legend – and soon, they’ll be part of London’s story, too.
“Moving this piece into the care of London Museum guarantees that millions of people will be able to enjoy it, alongside an extraordinary collection that celebrates the capital’s creativity and diversity.”
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Glyn Davies, head of curatorial at London Museum, added: “With the arrival of Banksy’s Piranhas, our collection now spans from Roman graffiti to our first piece of contemporary street art.
“This work by one of the world’s most iconic artists now belongs to Londoners, and will keep making waves when it goes on show next year in the Museum’s new Smithfield home.”
London Museum’s London Wall site opened in 1976 and closed in December 2022 in preparation for the move to Smithfield.
London Museum Docklands remains open.
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