Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.

As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.

Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.

“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.

Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.

A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.

“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.

“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.

“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.

“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.

“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.

“Thank you from the bottom of our hearts for your unwavering support.”

Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.

He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.

James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.

It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.

However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.

His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.

In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.

Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.

But some called the record a masterpiece, a eulogy to the 1960s.

In the early 1970s, Stone became erratic and missed shows. Some members left the band.

But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.

Ms Silva filed for divorce less than a year later.

Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.

The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.

He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.

In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.

That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.

Stone had a son, Sylvester, with Ms Silva.

He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.

A judge in the US has dismissed actor Justin Baldoni’s $400m (£295m) defamation lawsuit against his It Ends With Us co-star Blake Lively.

Baldoni filed the countersuit against the 37-year-old in response to her launching legal action in December, accusing him of sexual harassment against her while filming the 2024 movie.

The 41-year-old and production company Wayfarer Studios countersued in January for $400m, accusing Lively and her husband, “Deadpool” actor Ryan Reynolds, their publicist, the New York Times, and others of orchestrating a smear campaign to extort him.

He accused Lively of trying to “hijack” the movie and then blaming him when her “disastrous” promotional approach prompted an online backlash against her.

“It Ends With Us” garnered mixed reviews, but grossed more than $351m (£259m) worldwide, according to reports.

In a statement, lawyers representing Lively said: “Today’s opinion is a total victory and a complete vindication for Blake Lively, along with those that Justin Baldoni and the Wayfarer Parties dragged into their retaliatory lawsuit, including Ryan Reynolds, Leslie Sloane and The New York Times.

“As we have said from day one, this ‘$400 million’ lawsuit was a sham, and the court saw right through it.

“We look forward to the next round, which is seeking attorneys’ fees, treble damages and punitive damages against Baldoni, Sarowitz, Nathan, and the other Wayfarer Parties who perpetrated this abusive litigation.”

Sky News has approached Baldoni’s representatives for comment.

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US District Court Judge Lewis Liman has ruled that Baldoni can’t sue Lively for defamation over claims she made in her lawsuit, because allegations made in a lawsuit are exempt from libel claims.

The judge also dismissed Baldoni’s defamation lawsuit against The New York Times, which had reported on Lively’s sexual harassment allegations.

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Mr Liman also ruled that Baldoni’s claims that Lively stole creative control of the film didn’t count as extortion under California law.

Baldoni’s legal team can revise the lawsuit if they want to pursue different claims related to whether Lively breached a contract, the judge said.

“It Ends With Us,” an adaptation of Colleen Hoover’s bestselling 2016 novel that begins as a romance but takes a dark turn into domestic violence, was released in August last, exceeding box office expectations with a $50m (£37m) debut.

But the movie’s release was shrouded by speculation over discord between Lively and Baldoni.

Maybe Happy Ending, a romantic-comedy about a pair of androids falling in love, has won six Tony Awards, including best new musical.

The story charts the relationship between two decommissioned robots, becoming a commentary on human themes and the passage of time.

Starring Darren Criss and Helen J Shen, Maybe Happy Ending enjoyed huge success at the 78th annual ceremony held at the Radio City Music Hall in New York on Sunday.

The acclaimed Broadway production’s awards also included Criss winning best leading actor in a musical, alongside prizes for best direction of a musical, best original theatre score, best book of a musical, and best scenic design of a musical.

In other awards, Purpose, Branden Jacobs-Jenkins’ drawing room drama about an accomplished black family exposing hypocrisy and pressures during a snowed-in gathering, won best new play.

Jacobs-Jenkins becomes the first black playwright to win the award since August Wilson took home the accolade in 1987 for Fences.

It underlines a triumphant year for Jacobs-Jenkins after scooping the Pulitzer Prize for Purpose – and winning back-to-back Tonys after his Appropriate won best play revival in 2024.

Kara Young – the first black female actor to be nominated for a Tony in four consecutive years – became the first black person to win two awards consecutively, picking up the trophy for featured actress in a play for her work in Purpose.

Sunset Blvd won best musical revival, handing composer Andrew Lloyd Webber his first competitive Tony since 1995, when the original show won.

The current version is a stripped-down, minimalist production.

Sarah Snook took home the trophy for leading actress in a play for her tireless work in The Picture Of Dorian Gray, where she plays all 26 roles.

“I don’t feel alone any night that I do this show,” Snook said, dismissing the idea of her play as a one-woman show.

“There are so many people onstage making it work and behind the stage making it work.”

Oh Mary! saw Sam Pinkleton win best director and Cole Escola landing best actor in a play.

Francis Jue won best actor in a featured role in a play for his work in a revival of Yellow Face.

Jak Malone won best actor in a featured role in a musical for the British import, Operation Mincemeat: A New Musical.

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Eureka Day, Jonathan Spector’s social satire about well-meaning liberals debating a school’s vaccine policy, won the best play revival trophy.

Stranger Things: The First Shadow – based on the 12-time Emmy-winning Netflix hit sci-fi series, won best scenic design, lighting design and sound design of a play.

The production, which has been running in London’s West End, also picked up a special award for its illusions and technical effects.