“You’ve no idea how I feel – thank you from the bottom of my heart,” an emotional Ozzy Osbourne told fans as he performed from a throne on stage at his beloved Villa Park, reunited with Black Sabbath, less than three weeks ago.
It was an exit on his own terms by heavy metal’s biggest character, with a supporting line-up of hard rock luminaries including Slayer, Metallica and Guns’n’Roses, all inspired by his music.
With Black Sabbath, Osbourne was at the forefront of heavy metal. As Ozzy, he was one of the biggest rock stars in the world. Nowhere was this more evident than at the Back To The Beginning in his home city, where 40,000 fans gathered to see the show billed as his “final bow”.
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Ozzy’s final show
“Without Sabbath, there would be no Metallica,” frontman James Hetfield told the crowd in Birmingham.
It was a sentiment echoed by many of the other acts who performed on stage. Announced by his wife Sharon earlier this year, the show was a chance for the performer to reunite with Black Sabbath and say thank you and farewell to fans after years of health problems, including Parkinson’s disease, which had forced him to cancel recent tour shows.
Other celebrities, from Sir Elton John to Dolly Parton, sent video messages of support. Fans knew it would be his last performance, but could not have known his death, at the age of 76, would come so soon.
It was a truly metal goodbye.
Image: Black Sabbath in the 1970s. Pic: Everett/Shutterstock
‘I think there’s a wild man in everybody’
John Michael Osbourne was born in Solihull in December 1948 and grew up in the Aston area of the West Midlands city.
As a teenager, he was bullied at school. Drink and drugs later became a way to escape his fears, he said in interviews, and after leaving school at 15, he worked several jobs, including labouring and in an abattoir.
It was hearing The Beatles, he said, that made him want to be a musician.
“I think there’s a wild man in everybody,” he says in a resurfaced interview clip. “Ozzy Osbourne and John Osbourne is two different people. John Osbourne is talking to you now.” His eyes widen a little manically, he grins, the voice cranks up. “But if you want to be Ozzy Osbourne, it’s like… it just takes over you.”
Image: (L-R) Tony Iommi, Ozzy Osbourne and Geezer Butler of Black Sabbath at the Grammys in 2014
In 1967, he was recruited to the band that two years later would become Black Sabbath, inspired by a film of the same title. This was a line-up of four working-class schoolfriends – Tony Iommi, Bill Ward and Geezer Butler, alongside Ozzy – who twisted heavy blues into something darker, creating a sound and otherworldly image that felt new, exciting and rebellious.
A self-titled debut album was released in 1970 and made the Top 10 in the UK. The follow-up, Paranoid, released just seven months later, topped the charts after the single of the same name became their big breakthrough. The album also included the unforgettable Iron Man and the anti-war protest song War Pigs – its unmistakeable riff inspiring the Arctic Monkeys’ 2014 single, Arabella.
Black Sabbath went on to release six more albums with Osbourne at the helm before he was fired in 1979 due to his drinking and substance use, something he claimed was no better or worse than other members at the time.
Image: Osbourne in 1978. Pic: Andrew Kent/Retna/Mediapunch/Shutterstock
In 1980, he returned with his debut solo album, Blizzard Of Oz, and the lead single Crazy Train. As a solo artist, he went on to release 13 studio albums – the last being Patient Number 9, in 2022 – and had hits with songs including Mr Crowley, Diary Of A Madman, No More Tears, Bark At The Moon and Shot In The Dark.
His first UK number one was a re-recording of the Black Sabbath ballad Changes, as a duet with his daughter, Kelly, in 2003, and his collaborations over the years included everyone from Alice Cooper (Hey Stoopid in 1991) and Post Malone (Take What You Want in 2019) to, in a somewhat unusual move, Hollywood star Kim Basinger for a re-recording of the dance hit Shake Your Head by Was (Not Was) in 1992.
With Black Sabbath and as a solo star, he is estimated to have sold 100 million records throughout his career – for context, this is reportedly on a par with Sir Paul McCartney’s solo sales – so the numbers speak for themselves.
Image: With daughter Kelly Osbourne and wife Sharon in 2020. Pic: AP
Biting the bat
Osbourne was also a huge personality and played up to his hellraising image – the Prince of Darkness.
The most famous Ozzy story goes like this.
The singer was on stage in Des Moines, Iowa, 1982, when the bat appeared. He assumed it was a toy. So, like any good hellraiser would do, he bit its head off.
Image: Pic: Chris Pizzello/Invision/AP
For more than 40 years, he found himself jokily fielding questions about bats. What do they taste like? (Salty). What happened afterwards? (Headline news, painful rabies shots). Do you have any pets? (Yes. They’re all dead). “I get a lot of weird people at my concerts,” he told David Letterman in 1982, of how the animal came to appear in front of him. “It’s rock ‘n’ roll, y’know”.
He was sometimes irritated by the bat connection. But he also played up to the image, recounting the story in interviews, offering plush bat toys among his merch, and appearing as himself, biting a bat, in the 2000 Adam Sandler comedy Little Nicky, about the son of Satan.
Known for catapulting raw meat at fans during gigs, there were plenty of other tales of darkness and debauchery. Osbourne’s wild persona and on-stage theatrics always went hand-in-hand with the music.
From Prince of Darkness to reality TV
He was famously managed by his wife, Sharon, whom he first met when her dad, Don Arden, was managing Black Sabbath. As well as the music, Sharon and Ozzy together founded the Ozzfest festival tours in 1996 – and in 2002 came his second act.
It’s hard to imagine it now, but before the perfectly coiffed Kardashians it was a scruffy 50-something rocker from Birmingham and his family who ruled the Hollywood reality TV scene. As with his music, he was a pioneer – this time round of a new era of addictive viewing.
The Osbournes followed the lives of Ozzy and Sharon and two of their children, Kelly and Jack (their eldest daughter, Aimee, famously had nothing to do with the show), and the family fallouts and sunny California culture clash proved to be a ratings winner. The MTV series catapulted the metal star to global mainstream celebrity heights.
His marriage to Sharon was tumultuous but the pair always stayed together, and they renewed their wedding vows in 2017. Sharon was the driving force behind Ozzy’s successes, to him eventually getting clean, and behind his farewell show.
Image: Metallica frontman James Hetfield was among those who paid tribute at his final gig earlier in July. Pic: Ross Halfin
Despite weathering the storm of drink and drug use, Osbourne’s air of indestructibility was challenged when a quad bike accident left him with a broken collar bone and ribs, as well as short-term memory loss, in 2003.
The 2020 documentary Biography: The Nine Lives Of Ozzy Osbourne, had summed up with its title the performer’s seeming ability to defy the odds. However, the health problems started to mount up. Scheduled tours were postponed, and in 2023 he told fans holding on to tickets that he had come to the realisation he was “not physically capable” of dealing with life on the road.
But there was one gig he couldn’t miss – a surprise appearance to close the Commonwealth Games in his home city in 2022, just weeks after undergoing surgery.
Now, fans will remember the shows they did get to see, the music that ushered in a new genre – and especially his most recent gig, which was said to have raised around £140m for charities. Just a few days afterwards, his new memoir, Last Rites, was announced. It will be released in October.
Image: Ozzy Osbourne’s star on the ‘Birmingham Walk of Stars’
During his career, Osbourne was inducted into the UK Music Hall of Fame and the US Rock And Roll Hall Of Fame – twice for both, with Black Sabbath and as a solo artist. “Countless artists from many genres have credited Ozzy as a major influence, including Metallica, Lita Ford, Rage Against The Machine, and Busta Rhymes,” reads his US citation. “With his longevity, impact, and iconic persona, Ozzy Osbourne is a phenomenon unlike any other.”
He also has a star on the Hollywood Walk Of Fame – as well as in Birmingham’s Broad Street – an Ivor Novello, and five Grammy wins from 12 nominations.
But other honours, such as the NME’s Godlike Genius award, and Classic Rock’s Living Legend, also give a sense of how much his personality played a part in why he is so beloved by fans and critics alike. In the Nine Lives documentary, daughter Kelly describes him as “the most irresistible mad man you will ever meet in your life”.
Osbourne’s was an unlikely journey from Birmingham to LA. He was a working-class hero of heavy metal, a reality TV favourite – forever the Prince of Darkness.
“People say to me, if you could do it all again, knowing what you know now, would you change anything?” he once said. “I’m like, f*** no… If I’d done normal, sensible things, I wouldn’t be Ozzy.”
The ringleader of a Romanian grooming gang was offered £1,500 by the Home Office to be deported while he was in prison awaiting trial for 10 rapes, a Sky News investigation has found.
But Sky News can exclusively reveal that in summer 2024, while in custody at HMP Perth awaiting trial for serial sex offences, officials handed him a “voluntary return” form under a government scheme paying foreign nationals to leave Britain.
The department later decided not to remove him because of the upcoming court proceedings.
Immigration status renewed during trial
In another twist, just months later – as he stood in a High Court dock facing 10 rape charges – Sky News has discovered Cumpanasoiu’s immigration status, which was due to expire, was automatically renewed under the EU settlement scheme.
Cumpanasoiu was later handed a 24-year extended sentence, with 20 years in jail and four on licence, for sexual and trafficking offences.
Image: Cumpanasoiu winking to the camera during a video filmed near a brothel in Dundee. Pic: Crown Office
Prosecutors described him as a “winking, smirking pimp” who once filmed a victim climbing a tree to escape his anger when she “failed” to make enough money in Dundee brothels.
Following days of questions from Sky News, officials have confirmed his settled status has now been revoked.
The inside story
Sky sources say Home Office workers personally met Cumpanasoiu at Perth prison while he was on remand in August 2024.
Sources say he “expressed a desire to return home” and was handed documents to sign agreeing to a cash-assisted return, but the plan was later blocked.
But in another twist, on 2 December 2024, halfway through the grooming gang trial, his EU settled status was renewed.
A source close to proceedings told Sky News the revelations “smack of incompetence”.
The Home Office does not dispute this version of events.
Image: Romanian grooming gang clockwise from top left: Remus Stan, Alexandra Bugonea, Mircea Marian Cumpanasoiu, Cristian Urlateanu and Catalin Dobre. Pics: Police Scotland
Rape Crisis Scotland said the case raises concerns.
A spokesperson for the charity said: “This was a horrific case, which involved numerous vulnerable survivors who showed tremendous strength and courage by coming forward to seek justice for what had happened to them.
“The severity of this case has, quite rightly, resulted in significant prison sentences for the perpetrators. However, it is not clear why the Home Office tried to intervene before a trial had begun, and any verdict had been reached.
“Survivors must have faith in the criminal justice process and its ability to hold perpetrators accountable for their crimes.
“This incident raises questions about what the Home Office’s intentions were, and why it was able to insert itself into active criminal proceedings in the first place.”
The EU Settlement Scheme was set up after Brexit to allow citizens from the EU, and their family members, to continue living and working in the UK.
People with “settled status” can stay in the UK indefinitely.
Those with “pre-settled status”, such as Cumpanasoiu, must reapply after five years.
Since September 2023, the Home Office has introduced automatic extensions of pre-settled status which means renewals happen electronically unless officials intervene.
There are questions now about whether this automation can lead to offenders such as Cumpanasoiu being overlooked.
Home Office ‘had power to intervene’
Jen Ang, a human rights lawyer and leading expert on migrants’ rights, told Sky News the vast majority of those processed under the EU system are law-abiding citizens.
But Ms Ang, a professor at the University of Glasgow, reveals authorities did have the power to intervene in this case.
Image: Professor Jen Ang
She said: “In this case the Home Office did have the power and the right to stop the automatic renewal. At any point where it is possible that someone is about to become unsuitable for settled status, the Home Office could have intervened.
“The optics of this in the context of such a high-profile and horrific crime are not great.”
‘The public are entitled to be concerned’
Thomas Leonard Ross KC, a leading Scottish defence lawyer, described the decision-making as “flawed”.
He said: “I mean automatically renewing pre-settled status in 99.9% of occasions can be done without any risk to the public. But clearly this particular individual has been assessed to be an extremely dangerous person.
“The public are perfectly entitled to be concerned. A decision of this type made automatically without any assessment as to the risk that he might pose is clearly a flawed decision.”
A Home Office spokesman said: “This man will serve his sentence for the abhorrent crimes he committed and will be considered for deportation at the earliest opportunity.
“A deportation order will automatically trigger the revocation of an individual’s right to be in the UK, including pre-settled status.”
The novel has survived the industrial revolution, radio, television, and the internet. Now it’s facing artificial intelligence – and novelists are worried.
Half (51%) fear that they will be replaced by AI entirely, according to a new survey, even though for the most part they don’t use the technology themselves.
More immediately, 85% say they think their future income will be negatively impacted by AI, and 39% claim their finances have already taken a hit.
Tracy Chevalier, the bestselling author of Girl With A Pearl Earring and The Glassmaker, shares that concern.
“I worry that a book industry driven mainly by profit will be tempted to use AI more and more to generate books,” she said in response to the survey.
“If it is cheaper to produce novels using AI (no advance or royalties to pay to authors, quicker production, retainment of copyright), publishers will almost inevitably choose to publish them.
“And if they are priced cheaper than ‘human made’ books, readers are likely to buy them, the way we buy machine-made jumpers rather than the more expensive hand-knitted ones.”
Image: Chevalier, author of the book Girl With A Pearl Earring, with the painting of the same name. Pic: AP
Why authors are so worried
The University of Cambridge’s Minderoo Centre for Technology and Democracy asked 258 published novelists and 74 industry insiders how AI is viewed and used in the world of British fiction.
Alongside existential fears about the wholesale replacement of the novel, many authors reported a loss of income from AI, which they attributed to “competition from AI-generated books and the loss of jobs which provide supplementary streams of income, such as copywriting”.
Some respondents reported finding “rip-off AI-generated imitations” of their own books, as well books “written under their name which they haven’t produced”.
Last year, the Authors Guild warned that “the growing access to AI is driving a new surge of low-quality sham ‘books’ on Amazon”, which has limited the number of publications per day on its Kindle self-publishing platform to combat the influx of AI-generated books.
The median income for a novelist is currently £7,000 and many make ends meet by doing related work, such as audiobook narration, copywriting or ghost-writing.
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Could the AI bubble burst?
These tasks, authors feared, were already being supplanted by AI, although little evidence was provided for this claim, which was not possible to verify independently.
Copyright was also a big concern, with 59% of novelists reporting that they knew their work had been used to train AI models.
Of these, 99% said they did not give permission and 100% said they were not remunerated for this use.
Earlier this year, AI firm Anthropic agreed to pay authors $1.5bn (£1.2bn) to settle a lawsuit which claimed the company stole their work.
The judge in the US court case ruled that Anthropic had downloaded more than seven million digital copies of books it “knew had been pirated” and ordered the firm to pay authors compensation.
However, the judge sided with Anthropic over the question of copyright, saying that the AI model was doing something akin to when a human reads a book to inspire new work, rather than simply copying.
Most novelists – 67% – never used it for creative work, although a few said they found it very useful for speeding up drafting or editing.
One case study featured in the report is Lizbeth Crawford, a novelist in multiple genres, including fantasy and romance. She describes working with AI as a writing partner, using it to spot plot holes and trim adjectives.
“Lizbeth used to write about one novel per year, but now she can do three per year, and her target is five,” notes the author of the report, Dr Clementine Collett.
Is there a role for government?
Despite this, the report’s foreword urges the government to slow down the spread of AI by strengthening copyright law to protect authors and other creatives.
The government has proposed making an exception to UK copyright law for “text and data mining”, which might make authors and other copyright holders opt out to stop their work being used to train AI models.
“That approach prioritises access to data for the world’s technology companies at the cost to the UK’s own creative industries,” writes Professor Gina Neff, executive director of the Minderoo Centre for Technology and Democracy.
“It is both bad economics and a betrayal of the very cultural assets of British soft power.”
A government spokesperson said: “Throughout this process we have, and always will, put the interests of the UK’s citizens and businesses first.
“We’ve always been clear on the need to work with both the creative industries and AI sector to drive AI innovation and ensure robust protections for creators.
“We are bringing together both British and global companies, alongside voices beyond the AI and creative sectors, to ensure we can capture the broadest possible range of expert views as we consider next steps.”
The letter sent by the House Committee on Oversight and Government Reform said members wanted to talk to him because of the widely reported allegations that have been made against him, which he denies, and because of his relationship with Epstein and what he may have seen.
The committee is looking into Epstein’s crimes and his wider sex trafficking network. Andrew was given until today, 20 November, to respond.
Legally he isn’t obliged to talk to them, and to be honest it’s hard to imagine why he would.
The only time he has spoken at length about the allegations against him and his relationship with Epstein was that Newsnight interview in 2019, and we all know how much of a disaster that was.
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2:35
Releasing the Epstein files: How we got here
Yes, this could be an opportunity for him to publicly apologise for keeping up his links with Epstein, which he has never done before, or show some sympathy towards Epstein’s victims, even as he vehemently denies the allegations against him.
But while there is the moral argument that he should tell the committee everything he knows, it could also raise more uncomfortable questions for him, and that could feel like too much of a risk for Andrew and the wider Royal Family.
However, even saying no won’t draw all this to a close. There are other outstanding loose ends.
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The new Epstein files: The key takeaways
There could also still be a debate in parliament about the Andrew problem.
The Liberal Democrats have said they want to use their opposition debating time to bring the issue to the floor of the House of Commons, while other MPs on the Public Accounts Committee have signalled their intention to look into Andrew’s finances and housing arrangements.
And then there are the wider Epstein files over in America, and what information they may hold.
From developments this week, it seems we are edging ever closer to seeing those released.
All of this may mean Andrew in other ways is forced to say more than he wants to, even without opening up to the Congress committee.