Actor Dhanush criticises AI-altered ending for re-release of hit film Raanjhanaa
Indian actor Dhanush says he has been left “completely disturbed” by the re-release of one of his hit films with an alternative ending assisted by AI – but the production company behind it has rejected criticism of the move.
Hindi-language romantic drama Raanjhanaa, called Ambikapathy in its Tamil-language title, has made headlines over its re-release 12 years after first hitting cinemas in 2013.
Eros Media World says the new version, which sees the film’s original ending switched to a happier one, is a “lawful and creative reinterpretation, not a replacement”, and that the change and use of artificial intelligence has been made clear to viewers.
The company says the alternate ending was “crafted under the direction of a human creative team using AI only as an assistive tool – not as an autonomous content generator”.
In a statement sent to Sky News, group chief executive Pradeep Dwivedi said the studio wanted to offer “fresh dimensions for audiences” and never intended “to undermine the original essence” of the film.
However, the AI-assisted re-release has already drawn criticism from the film’s director Aanand L Rai, and now its star Dhanush has released a statement to say the “AI-altered climax” had left him “completely disturbed”.
“This alternate ending has stripped the film of its very soul, and the concerned parties went ahead with it despite my clear objection,” Dhanush said in a message posted on X. “This is not the film I committed to 12 years ago.”
Dhanush said the use of AI to alter films or other content “is a deeply concerning precedent for both art and artists” that “threatens the integrity of storytelling and the legacy of cinema”.
He added: “I sincerely hope that stricter regulations are put in place to prevent such practices in the future.”
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Eros said Dhanush’s “wonderful performance” in the role of Kundan had brought the character to life “in an unforgettable way”. However, the studio said the actor’s team had been aware of the plans before the re-release and that they had received “no formal objection”.
“While we acknowledge and respect differing views on the use of AI in film, our aim has been to explore how technology can complement storytelling and offer fresh dimensions for audiences – never to undermine the original essence of a film,” Mr Dwivedi said. “The original Raanjhanaa and Ambikapathy remains much loved and widely available, and the IP is fully preserved.”
He added: “Just as storytelling evolves, so too does music – and with responsible use of AI, even the most iconic soundtracks are being respectfully reimagined as remixes to resonate with new generations while preserving their original soul.
“We deeply respect the creative community and remain committed to collaborating in ways that ensure mutual respect, innovation, and progress for the cinematic arts. As one of India’s most storied film studios, Eros remains committed to celebrating Indian cinema, nurturing talent, and embracing technology responsibly.”
Dhanush’s comments come after statements posted by Rai, who has described the re-release as “a betrayal” to the original that has been “dressed up as innovation”.
Writing on Instagram, he said: “This was never just a film to us. It was shaped by human hands, human flaws, and human feeling. What’s now being circulated is not a tribute. It is a reckless takeover that strips the work of its intent, its context, and its soul.”
Responding to the director’s criticism, Mr Dwivedi reiterated that the re-release is “a respectful creative reinterpretation – clearly labelled and separate from the original version” and said such practices are “common in global cinema, and reflect our long-standing commitment to innovation, audience engagement, and cultural preservation”.
He also highlighted an ongoing legal dispute between Eros and Colour Yellow Productions, the studio co-founded by Rai.
Strikes by video game actors ended in June after starting last year. File pic: AP
The re-release comes as artificial intelligence continues to cause concern among some in the creative industries. In June, video game actors in the US ended a strike after nearly a year of industrial action over the use of AI by game studios – an issue that was also part of the concerns raised by the Hollywood writers’ and actors’ strikes in 2023.
Earlier this year, Oscar-nominated film The Brutalist made headlines for using the technology to “refine” Hungarian accents.
It has also been used for de-aging stars such as Harrison Ford for the latest Indiana Jones film and Tom Hanks in the 2024 picture Here – and for helping to create “the last Beatles record” featuring John Lennon’s vocals, released in 2023.
There is a “good side” to the technology but also a “scary side”, Sir Paul McCartney has said, adding: “We will just have to see where that leads.”
A woman who saw a man falling from an upper tier at Wembley Stadium says a similar incident at an Oasis concert over the weekend in which a fan died makes her wonder whether lessons have been learned.
Stephanie Good, 39, said a man fell during a Euro 2020 match between England and Croatia at Wembley in June 2021.
He landed “right next to where we were” on the “stairwell between rows of seats”, she said.
Named as Jon, he reportedly survived but suffered two broken ankles, a fractured femur and fractured pelvis just before kick-off.
Ms Good said she tried to give feedback but was unable to and felt the “emergency response was really lacking”.
Oasis, meanwhile, said they were “shocked and saddened to hear of the tragic death of a fan” at their Wembley concert on Saturday.
The man reportedly fell from the stadium’s upper tier.
In his 40s, he was found with “injuries consistent with a fall” and pronounced dead at the scene, the Met Police said.
Ms Good, an NHS manager from east London, said what happened at the Oasis gig was “so similar” to what she witnessed that it made her wonder “were lessons learned”?
Liam and Noel Gallagher on stage for the first Wembley night of the Oasis reunion tour. Pic: Lewis Evans
During that incident, among stadium staff “nobody seemed to know what to do”, she told the Press Association.
She thinks the man may have been trying to attach a flag to the front of a stand and “somehow managed to fall straight over”.
She said: “They (staff) didn’t seem well-trained in terms of how to respond to a really big emergency.
“Their stewards were kind of paralysed a little bit by fear, or they just weren’t well trained and didn’t know how to call for paramedics.
“It was us who were sort of shouting at them that they needed to get some paramedics.
“The first person on the scene wasn’t a stadium paramedic or St John Ambulance. It was an off-duty firefighter who had seen the guy fall and ran down to just try and offer some help.”
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Regarding the follow-up, Ms Good said staff moved spectators to other seats but did not ask for witness statements.
She added: “They didn’t seek any input from people who’d seen the incident or the aftermath of it. They didn’t seem interested in speaking to anybody about it.
“I was a bit concerned, because I felt that the emergency response was really lacking.”
She then tried to get in touch to give feedback, but was unable to do so and did not receive a response to a message on social media, she said.
A Wembley spokesperson said: “Wembley Stadium operates to a very high health and safety standard, fully meeting legal requirements for the safety of spectators and staff, and is certified to and compliant with the ISO 45001 standard.
“We work very closely and collaboratively with all relevant event delivery stakeholders – including event owners, local authorities, the Sports Grounds Safety Authority and the police – to deliver events to high standards of safety, security and service for everyone attending or working in the venue.”
Sean “Diddy” Combs has been denied bail ahead of his sentencing on prostitution-related charges.
Judge Arun Subramanian said the hip-hop mogul had failed to show sufficient evidence he is not a flight risk and also cited admissions of previous violence made during his trial.
Combs, 55, has been in prison since his arrest in September last year.
During a two-month trial, jurors heard allegations that he had coerced former girlfriends, including singer and model Cassie Ventura, into having drug-fuelled sex marathons with male sex workers, while he watched and filmed them.
Diddy fell to his knees after the verdict was delivered last month. Pic: Reuters/ Jane Rosenberg
In July, he was found guilty of two counts of transportation for prostitution – but cleared of more serious charges of racketeering conspiracy and sex-trafficking, which carried potential life sentences.
The rapper’s legal team hailed this a “victory” and immediately applied for bail ahead of sentencing, citing his acquittal on the top charges.
After this was denied, they submitted another application last week. Judge Subramanian has now rejected the request again.
In denying the motion for bail, the judge found Combs had failed to show sufficient evidence to counter arguments he is a flight risk, writing in a court filing: “Increasing the amount of the bond or devising additional conditions doesn’t change the calculus given the circumstances and heavy burden of proof that Combs bears.”
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He also found that an argument by the music star’s legal team that the squalor and danger of the Metropolitan Detention Center (MDC), where he is being held, did not warrant release.
“The public outcry concerning these conditions has come from all corners,” the judge wrote. “But as Combs acknowledges, MDC staff has been able to keep him safe and attend to his needs, even during an incident of threatened violence from an inmate.”
As well as Combs’s bail application, his legal team has also filed a motion calling for him to be acquitted or given a new trial on the prostitution-related charges only.
The judge has not yet responded to this application.
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Combs is due to be sentenced on 3 October and could be sentenced to up to 20 years in prison.
Discussions on sentencing guidelines which followed the jury’s verdict suggest it is unlikely he will be jailed for this long, with an estimate of around two to five years, taking into account time already served.
However, it is ultimately up to Judge Arun Subramanian to decide the rapper’s punishment.
On Friday, Donald Trump was asked during an interview about a potential pardon for Combs following speculation about the issue.
The president said it was unlikely, adding that the rapper was “very hostile” during his presidential campaign.
Combs, who co-founded Bad Boy Records and launched the career of the late Notorious BIG, was for decades a huge figure in pop culture – a Grammy-winning hip-hop artist and business entrepreneur, who presided over an empire ranging from fashion to reality TV.
As well as the criminal conviction, he is also facing several civil lawsuits.
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