One of Britain’s most legendary TV dramatists, Sir Phil Redmond, is no stranger to tackling difficult issues on screen.
Courting controversy famously with his hard-hitting storylines on his children’s show Grange Hill for the BBC in 1978, before he switched over to Channel 4 to give it its two most prominent soaps, Brookside (1982) and later Hollyoaks (1995).
He’s been a pivotal figure at Channel 4 from its inception, widely considered to be a father to the channel.
Image: Sir Phil Redmond says the BBC and Channel 4 should team up to survive
While he’s been responsible for putting some of TV’s most impactful storylines to air for them – from the first lesbian kiss, to bodies buried under patios – off-screen nowadays, he’s equally radical about what should happen.
“Channel 4’s job in 1980 was to provide a platform for the voices, ideas, and people that weren’t able to break through into television. They did a fantastic job. I was part of that, and now it’s done.”
It’s not that he wants to kill off Channel 4 but – as broadcasting bosses gather for Edinburgh’s annual TV Festival – he believes they urgently should be talking about mergers.
A suggestion which goes down about as well as you might imagine, he says, when he brings it up with those at the top.
He laughs: “The people with the brains think it’s a good idea, the people who’ve got the expense accounts think it’s horrendous.”
Image: Some of the original Grange Hill cast collecting a BAFTA special award in 2001. Pic: Shutterstock
A ‘struggling’ BBC trying to ‘survive’
With charter renewal talks under way to determine the BBC’s future funding, Sir Phil says “there’s only one question, and that is what’s going to happen to the BBC?”
“We’ve got two public sector broadcasters – the BBC and Channel 4 – both owned by the government, by us as the taxpayers, and what they’re trying to do now is survive, right?
“No bureaucracy ever deconstructs itself… the BBC is struggling… Channel 4 has got about a billion quid coming in a year. If you mix that, all the transmissions, all the back office stuff, all the technical stuff, all that cash… you can keep that kind of coterie of expertise on youth programming and then say ‘don’t worry about the money, just go out and do what you used to do, upset people!’.”
Image: Brookside’s lesbian kiss between Margaret and Beth (L-R Nicola Stapleton and Anna Friel) was groundbreaking TV. Pic: Shutterstock
How feasible would that be?
Redmond claims, practically, you could pull it off in a week – “we could do it now, it’s very simple, it’s all about keyboards and switches”.
But the screenwriter admits that winning people over mentally to his way of thinking would take a few years of persuading.
As for his thoughts on what could replace the BBC licence fee, he says charging people to download BBC apps on their phones seems like an obvious source of income.
“There are 25 million licences and roughly 90 million mobile phones. If you put a small levy on each mobile phone, you could reduce the actual cost of the licence fee right down, and then it could just be tagged on to VAT.
“Those parts are just moving the tax system around a bit. [Then] you wouldn’t have to worry about all the criminality and single mothers being thrown in jail, all this kind of nonsense.”
Image: Original Brookside stars at BAFTA – L:R: Michael Starke, Dean Sullivan, Claire Sweeney and Sue Jenkins. Pic: PA
‘Subsidising through streaming is not the answer’
Earlier this year, Peter Kosminsky, the director of historical drama Wolf Hall, suggested a levy on UK streaming revenues could fund more high-end British TV on the BBC.
Sir Phil describes that as “a sign of desperation”.
“If you can’t actually survive within your own economic basis, you shouldn’t be doing it.
“I don’t think top slicing or subsidising one aspect of the business is the answer, you have to just look at the whole thing as a totality.”
Image: Mark Rylance (L) and Damian Lewis in Wolf Hall: The Mirror And The Light. Pic: BBC
Since selling his production company, Mersey Television, two decades ago, much of his current work has focused on acting as an ambassador for the culture and creative industries.
Although he’s taken a step away from television, he admits he’s disappointed by how risk-averse programme makers appear to have become.
“Dare I say it? There needs to be an intellectual foundation to it all.”
Image: The Hollyoaks cast in 1995. Pic: Shutterstock
TV’s ‘missing a trick’
He believes TV bosses are too scared of being fined by Ofcom, and that’s meant soaps are not going as far as they should.
“The benefits [system], you know, immigration, all these things are really relevant subjects for drama to bring out all the arguments, the conflicts.
“The majority of the people know the benefits system is broken, that it needs to be fixed because they see themselves living on their estate with a 10 or 12-year-old car and then there’s someone else down the road who knows how to fill a form in, and he’s driving around in a £65k BMW, right? Those debates would be really great to bring out on TV, they’re missing a trick.”
While some of TV’s biggest executives are slated to speak at the Edinburgh Television Festival, Redmond is not convinced they will be open to listening.
“They will go where the perceived wisdom is as to where the industry is going. The fact that the industry is taking a wrong turn, we really need somebody else to come along and go ‘Oi!'”
When I ask if that could be him, he laughs. Cue dramatic music and closing credits. As plot twists go, the idea of one of TV’s most radical voices making a boardroom comeback to stir the pot, realistic or not, is at the very least food for thought for the industry.
Prosecutors in the Sean “Diddy” Combs case have urged the judge to reject a request by the hip-hop mogul for acquittal or retrial on prostitution-related charges.
He was cleared of more serious charges of racketeering conspiracy and sex-trafficking. The trial would have been “totally different” if these charges had not been included, his defence team argued, saying they lacked credibility.
Image: File pic: Matt Sayles/Invision/AP
Now, prosecutors have responded to the request for the conviction to be thrown out, or for a retrial, saying in a court document that there was “ample evidence” presented during the trial that supported the jury’s convictions.
“[Combs] masterminded every aspect of freak offs,” the document says. “He transported escorts across state lines to engage in freak offs for pay. He directed the sexual activity of escorts… for his own sexual gratification. And he personally engaged in sexual activity during freak offs.”
The two transportation for prostitution charges Combs was convicted of fall under America’s Mann Act, which prohibits interstate commerce related to prostitution.
The rapper’s lawyers have argued that, to their knowledge, he is “the only person” ever convicted of these charges for the conduct he was accused of in court.
Image: Combs’s reaction after hearing the verdicts following his trial. Pic: Reuters/Jane Rosenberg
“The men chose to travel and engage in the activity voluntarily,” the defence team said in their submission to the judge for acquittal. “The verdict confirms the women were not vulnerable or exploited or trafficked or sexually assaulted during the freak offs or hotel nights.”
In their response, prosecutors said “evidence of the defendant’s guilt on the Mann Act counts was overwhelming”.
Combs, one of the most influential hip-hop producers of all time, is due to be sentenced in October. Each charge carries a potential jail sentence of 10 years.
He would have been facing a mandatory 15 years – and up to life – in prison had he been convicted of the charges of racketeering conspiracy and sex trafficking, of which he was exonerated.
Combs fell to his knees when the verdicts were read out, and his team later hailed it a “victory”.
The rapper has already served nearly a year at a federal jail in Brooklyn, where he has been since his arrest in September 2024.
He has been in contact with Donald Trump about a pardon, a source close to the rapper’s legal team told Sky News’ US partner network NBC News earlier this month, but the president has cast doubt on this actually happening.
Judge Arun Subramanian, who heard the trial, said Combs has not met the burden of showing by clear and convincing evidence a “lack of danger to any person or the community”.
The police watchdog has closed its investigations into the circumstances leading up to the decision to charge TV presenter Caroline Flack with assaulting her boyfriend.
The Crown Prosecution Service (CPS) initially recommended a caution after the alleged assault in December 2019 – but London’s Metropolitan Police appealed and the Love Island host was charged with assault by beating.
Various reviews into the way the case was handled have been carried out by the CPS, the Met, and the Independent Office for Police Conduct (IOPC) since Flack’s death. In April 2024, the star’s mother told Sky News she believes her daughter’s celebrity status likely contributed towards the decision to charge her.
It has now emerged that the IOPC closed its latest investigation, relating to the actions of officers in appealing to the CPS, in January 2025 – finding the outcome was “reasonable and proportionate”.
An IOPC spokesperson said it received a complaint referral from the Met, which contained “a number of allegations about the force’s investigation” into the alleged assault, in March 2024.
Image: Flack presented The Xtra Factor and one series of The X Factor with Olly Murs. Pic: AP
The majority of the allegations had already been investigated by the force and reviewed by the IOPC, the watchdog said, so it found no further action was required. However, the Met was directed to investigate one aspect of the complaint “on the basis there may be new witness evidence available”.
This related to the actions of officers in appealing the initial CPS decision, and five allegations were returned to the force’s Directorate of Professional Standards (DPS) to “resolve in a proportionate manner”, the IOPC spokesperson told Sky News.
In June 2024, the Met found there was “no new evidence that would alter any previous outcomes”, the spokesperson added, and the complainant asked the IOPC to review once again.
“Following that review, in January 2025 we found that outcome to be reasonable and proportionate.”
A Met Police spokesperson said DPS officers made further enquiries and examined the evidence last year. “It did not change the original outcome that the service provided by officers was acceptable,” the spokesperson said.
“The family were advised of the outcome in June [2024] and then appealed that outcome to the IOPC. The IOPC carried out a review and, in January 2025, found no new evidence that would alter any of the previous outcomes.”
Both the Met and the IOPC have closed their investigations. The IOPC said another review could be considered in light of any new evidence.
At the end of Flack’s inquest, coroner Mary Hassell said the alleged assault had “played out in the national press” following her arrest and had a serious impact on her mental health.
In April 2024, her mother Christine Flack told Sky News: “This wasn’t domestic violence. This was an accident. But she was portrayed in the court and in the newspapers as a domestic abuser, and that’s what hurts. That’s what I want got rid of – because she wasn’t.”
She said she believed her daughter was treated differently due to her celebrity status. “And that’s not on. She shouldn’t be treated better, but she shouldn’t be treated worse.”
Image: Caroline Flack at the launch of Strictly Come Dancing, which she went on to win, in 2014. Pic: Dominic Lipinski/PA
This was not the first investigation into the handling of Flack’s case, with the Met initially referring itself to the watchdog just a few days after her death.
The DPS found there was no misconduct, prompting another complaint from Flack’s family to the IOPC.
In 2023, the IOPC ordered the force to apologise for not recording its reason for appealing against the caution, but said it had not identified any misconduct.
Flack’s boyfriend, Lewis Burton, had said he did not support the prosecution, and following her death her management released a statement criticising the decision.
At the time, a CPS spokesperson said it was normal practice for prosecutors to hold a debriefing after complex or sensitive cases have ended.
“This has taken place and found that the case was handled appropriately and in line with our published legal guidance,” they said.
Flack, 40, presented shows including spin-offs I’m A Celebrity… Get Me Out Of Here! NOW! and The Xtra Factor, as well as one season of the main X Factor show with former contestant Olly Murs, before becoming best known as the host of Love Island. She also won Strictly Come Dancing in 2014.
Sky News has contacted Flack’s family for comment.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK
Vienna has been chosen to host the 2026 Eurovision Song Contest.
The capital was selected as Austria’s host city following its Eurovisionvictory in 2025, where artist JJ won with his song Wasted Love in Basel, Switzerland.
The decision followed a bidding process in which officials evaluated different facilities and their capacity to host delegations, fans, and media.
It will be the third time Viennahas hosted the contest, putting it in joint fourth place among the song contest’s most frequent hosts – alongside Copenhagen, Malmo, and Stockholm.
Only Dublin, London and Luxembourg City have hosted more of the events.
The 70th Eurovision final will take place at Vienna’s Wiener Stadthalle arena on 16 May.
Austrian broadcaster ORF will host the event.
More on Eurovision
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Image: JJ from Austria after winning Eurovision 2025. Pic: AP
The director of the Eurovision Song Contest, Martin Green, said: “The EBU (European Broadcasting Union) is thrilled that Vienna has been selected as the host city for the Eurovision Song Contest 2026.
“Vienna’s reputation as one of the most musical cities in the world, and its location in the heart of Europe, makes it the perfect host city for the 70th Eurovision Song Contest.”
Mr Green said the city’s “exceptional” Stadthalle was a great venue for the 60th contest in 2015, and organisers are looking forward to welcoming delegations, artists, and fans next May, “as the world’s largest live music event celebrates 70 glorious years of being united by music”.
“Together with host broadcaster ORF and the city of Vienna we will create a spectacular celebration of music that will reverberate across the world.”
Vienna’s City Hall will host the event’s opening ceremony on 10 May, as well as EuroClub, the contest’s pop-up, nightlife spot.
The square outside City Hall will serve as the Eurovision Village, an open-air screening area for the public.
The mayor of Vienna, Michael Ludwig, said: “In Vienna, we can be proud that our city has been selected by the EBU and ORF as the most suitable host city for one of the world’s largest events.
“We placed great emphasis on offering numerous Eurovision Song Contest events in public spaces that can be visited free of charge.
“As the mayor of Vienna, it is very important to me that cultural events are accessible to everyone, regardless of the size of their wallet.”
Further details, including information about tickets, will be released later this year.
At the 2025 Eurovision final, Israeli singer Yuval Raphael finished in second place after her team reported that she was left “shaken and upset” when pro-Palestinian protesters surged toward a barrier during her performance.
In response to the incident, Swiss police confirmed that two individuals were detained and subsequently released. The event organizer, Swiss broadcaster SRG SSR, said that a crew member was struck with paint but was unharmed.