‘I was more afraid of my mom than kids who roughed me up’: 50 Cent on using his childhood on screen

Published

3 years ago

July 14, 2021

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Curtis Jackson also goes by the name 50 Cent, but despite the moniker suggesting otherwise it seems the star doesn’t do things by halves.

When he put out his first album Get Rich Or Die Tryin’ it became the best-selling debut hip-hop record ever, while his TV show Power has been one of the most successful series on premium pay television in the US, according to network Starz.

It led to four spin-off series being commissioned and the latest, Power Book III: Raising Kanan, focuses on how Jackson’s character in Power, drug dealer Kanan Stark, became the man he did.

Jackson tells Sky News he requested to the show’s creator Courtney A Kemp that he wanted to play “the worst character that they’ve seen on television – so if I play a bad guy, I want to play a real bad guy”.

But the prequel shows how he ended up that way, with Jackson narrating the story of Kanan’s younger years.

“To go into the prequel on his character is to show all of his trauma and all of the things that he – the things you go through make you who you are, I believe that – and the things that he went through and his experiences that hardened him to the point that he was that guy that we saw in Power at the beginning,” he says. “So you kind of see the things that he’s gone through that turned him into that.”

In order to give the character authenticity, Jackson borrowed from his own experiences growing up in the borough of Queens in New York City.

One of the show’s opening scenes sees a young Kanan running home to his mother after being beaten up, but instead of comforting him she tells him he needs to learn to fight back and accompanies him for the rematch.

“These are real things, like, I really experienced being roughed up in the park before my mom sent me back to the park, and I was just more afraid of her than the kids in the park, so I ended up going back to fight them instead of dealing with my mom,” he says.

“And you deal with that and it kind of changes your perspective, like, I’m not going to go back whining to my mother for her to send me back, I’ll just handle it before she finds out that I’m scared or afraid of the other person, so it kind of changed a part of my character in the very early stages.

“It was probably the biggest thing to describe what my relationship with my mom was like fairly early on, you know, because she was the only provider, so she was like the source of everything that’s good; if she’s angry with you then nothing good is around, you know what I’m saying, and you’re like, wow, no, just take me back to the park, I’d rather fight than deal with this.”

As a father himself now, Jackson recognises that idolising of parents by their children from the other side of the relationship.

“There’s a point where kids view their parents as superheroes because they don’t understand everything else in life that they have to do, work and everything else to create the comforts.

“My little guy now, he sees me like that, he thinks, ‘my dad could do it – there’s no question my dad could do it’, like if somebody can jump further and he’ll say ‘my dad can jump that far’, he thinks I can do everything, and it’s amazing.”

Jackson’s own mother passed away when he was eight, and he went on to be raised by grandparents. There, he was one of nine and there wasn’t a lot of money to go around, but his mother’s friends kept him in their lives; the star says it was them who inspired him to do whatever it took to make money.

“I look at my journey, some of the decisions that my mom made have guided mine, and it’s because people from her life had what was a representation of financial freedom, they had those nice things in front of me,” he says.

“They got everything that you would want, so it kind of led me down the same path of the hustling and going to do different things, and, you know, I just hit the roof of that and wanted to do more, so I got involved in music and entertainment where we do things that exceed that level of success, completely.

“Like, that [what his mum’s friends had] is the smallest thing, you know what I mean, it just felt big at that point, when I was little.”

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Jackson has returned to the studio to make new music for Raising Kanan. The tracks see him collaborating with up-and-coming artists – mirroring his own experiences of starting out in the music industry, when he worked with Eminem and Dr Dre – but now it’s Jackson who’s the experienced one boosting the profile of others.

The start of his career was strange to negotiate, he says. “My first album Get Rich Or Die Tryin’ was the largest debuting hip-hop album – still – 13 million records sold on the first album. If your first record is that big – you know that saying, you never have a second chance at a first impression – so people will never really appreciate you as much as they did at that point.”

With a second series of Power Book III: Raising Kanan commissioned before the first even aired, another Starz show called Black Mafia Family and a series for Netflix in the works, Jackson has plenty to keep him busy.

He says that in terms of his TV career, he was inspired to make his own shows by someone he looks up to.

“Sylvester Stallone’s career is my hero career, and it’s because he made the projects that made his career work. He made Rocky, he made Rambo, made Escape Plan – he makes these franchises himself, comes up with the right idea that could work for him and writes the project and everything.”

“So I like that, to develop the things that I’m involved in, that I feel passionate enough about the project after I’ve gone through it step by step.”

Power Book III: Raising Kanan is out now on streaming service Starzplay

Entertainment

Bernard Hill: Lord Of The Rings and Titanic actor dies aged 79

Published

20 hours ago

May 5, 2024

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Bernard Hill: Lord Of The Rings and Titanic actor dies aged 79

Actor Bernard Hill, who played roles in Lord Of The Rings and Titanic, has died aged 79, his agent has confirmed.

Hill also featured as Yosser Hughes in the iconic drama series Boys In The Blackstuff.

He was given a number of awards for his role as King Theoden in the Lord of the Rings trilogy and played Captain Edward Smith in the 1997 Oscar-winning film Titanic.

The actor was born in Blackley, Manchester, in 1944 and graduated with a diploma in theatre in 1970.

He was married to fellow actor Marianna Hill, with whom he shared a son. His agent Lou Coulson said he died in the early hours of Sunday.

Hill will return to TV on Sunday night starring in the second series of Martin Freeman’s The Responder.

Fans have already started to pay tribute to him on social media.

Scottish musician Barbara Dickson wrote of their time working together: “It’s with great sadness that I note the death of Bernard Hill. We worked together in John Paul George Ringo and Bert, Willy Russell marvellous show 1974-1975.

“A really marvellous actor. It was a privilege to have crossed paths with him. RIP Benny x.”

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Entertainment

Madonna plays biggest-ever show to 1.6 million fans on Rio’s Copacabana beach

Published

21 hours ago

May 5, 2024

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Madonna plays biggest-ever show to 1.6 million fans on Rio's Copacabana beach

Madonna has played her biggest-ever gig to an estimated 1.6 million people on Copacabana beach in Rio de Janeiro.

It was the last show in her Celebration tour and she performed hits such Like A Prayer, Vogue, Hung Up, Into The Groove and Like A Virgin.

The Brazil city was buzzing ahead of Saturday’s free two-hour show, with hotels and Airbnb’s packed and about 170 extra flights expected into the city.

Helicopters and drones buzzed over the beach as the Queen of Pop took to the stage at 10:37pm, nearly 50 minutes late.

“Here we are in the most beautiful place in the world,” Madonna told the crowd as she pointed out Rio’s famous mountains and Christ the Redeemer statue.

The 65-year-old opened up with Nothing Really Matters from 1998’s Ray of Light album.

Eighteen speaker towers were dotted along the beach to ensure everyone could hear the US star’s vocals.

Brazilian musicians and people from local samba schools were involved in the show – with many fans dressing up in Madonna-themed outfits.

“Since Madonna arrived here, I’ve been coming every day with this outfit to welcome my idol, my diva, my pop queen,” said Rosemary de Oliveira Bohrer, 69, who wore a version of Madonna’s iconic gold cone bra.

Many fans had staked out a spot many hours – or even days – before the show, while others took in the spectacle from yachts or apartment balconies.

Madonna’s website said it was the biggest she had ever done – more than 10 times the 130,000 she played to in Paris in 1987.

However, Rio is used to huge shows – The Rolling Stones and Rod Stewart have played to similar-size crowds there.

Thousands of police were on duty for Saturday’s show, which city authorities estimated drew a crowd of 1.6 million and would earn the local economy about 293 million reals (£46m).

For Madonna, it was the culmination of an 81-date retrospective tour that began in London in October and moved across Europe and North and South America.

The singer embarked upon the tour a few months after being admitted to intensive care with a serious bacterial inaction in June 2023.

Entertainment

Olly Alexander addresses ‘extreme’ remarks from fans on Israel’s Eurovision inclusion

Published

1 day ago

May 5, 2024

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Olly Alexander addresses 'extreme' remarks from fans on Israel's Eurovision inclusion

The UK’s Eurovision Song Contest representative has addressed “extreme” remarks from fans over Israel’s inclusion in the competition.

Olly Alexander was selected as this year’s representative for the UK for the popular singing competition.

It’s set to take place in Malmo, Sweden, next week but tens of thousands are expected to protest Israel’s involvement and its ongoing war in Gaza.

Alexander, the Years & Years singer, has found himself facing criticism from some who called for him to withdraw amid the ongoing war between Israel and Hamas.

Queers for Palestine circulated a letter, signed by thousands including actors Indya Moore, Brigette Lundy-Paine, and Maxine Peake calling for the It’s A Sin actor to pull out of the show.

In March, along with Irish hopeful Bambie Thug, Danish entrant Saba and other Eurovision artists, Alexander released a joint statement, backing “an immediate and lasting ceasefire” but refusing to boycott the event.

Now, speaking out in a new documentary which has followed the 33-year-old as he prepares for the show, he has described some of the comments he and other participants have faced as “very extreme”.

He said: “A lot of the contestants and myself have been having a lot of comments that are like ‘You are complicit in a genocide by taking part in Eurovision’ which is quite extreme. It’s very extreme.

“I understand where that sentiment is coming from but I think it’s not correct.

“It’s an incredibly complicated political situation, one that I’m not qualified to speak on.

“The backdrop to this is actual immense suffering. It’s a humanitarian crisis, a war.

“It just so happens there’s a song contest going on at the same time that I’m a part of.”

Speaking in the BBC’s documentary titled Olly Alexander’s Road To Eurovision ’24, he continued saying that people should boycott Eurovision if they didn’t feel comfortable watching and he respected their decision – but would be taking part himself.

He added: “My plan is to just focus on putting on a good performance in Malmo.

“My team, everyone’s worked so hard, and we’re in the final stretch now.”

Earlier in the week, Alexander broke down crying during an interview with The Times when discussing the pressure he had come under for participating in Eurovision.

He told the paper he knew a number of signatories of the petition against him, and none had reached out to him.

He said: “This is so much bigger than me and Eurovision, it really is. But, obviously, I wish there wasn’t a war or this insane humanitarian crisis.

“I wish for peace and I have found this experience, at times, extremely … I’ve just felt really sad and distressed.”

Speaking on Sky’s Sunday Morning with Trevor Phillips, deputy director general of the European Broadcasting Union who organises Eurovision, Jean Philip De Tender, defended Israel’s inclusion in the competition.

He said: “We do understand the concerns and deeply held views around the war in the Middle East.

“The song contest is a music event organised and co-produced by 37 public broadcasters, it’s not a competition between nations or governments.

“Our governing bodies reviewed the participation of Kan [Israel’s public broadcasting corporation] and found that they met all of the competing rules.”

Phillips pointed out incidences when Kan came under fire for their broadcasting.

This included, he said, when Kan published a video of children singing, in the public broadcaster’s own words, for the “annihilation of Gaza” and when one of their presenters was seen writing “I want to send the people of Gaza artillery shells”.

Mr De Tender said they had been in contact with Kan about the content they published and their editorial output, and had expressed concern on occasion.

He added that Eurovision had competition rules which they had to follow, and taking action beyond these rules to exclude Kan would have been a “political decision as such which we cannot take”.