‘The biggest dream is never too big. I feel like I’m living proof of that’
Cynthia Erivo is still on a high. It’s five days after a performance at the Hollywood Bowl when we speak, and the sense of occasion of singing at such a famous, “bucket list” venue, coupled with the emotion of seeing thousands of people coming together to hear live music – her music – after so much time away, means she will never forget it.
“I don’t know if I could even find the words to really, truly describe what I experienced,” she says. “Having 7,000 people being brave enough to come out and listen… being in front of that amount of people, seeing people react the way they did. I still can’t believe it happened.”
Now, the actress and singer is “looking forward to continuing that, getting back to audiences and performing live, because it’s definitely the lifeblood for me”.
At 34, British star Erivo is already an Emmy winner, a Grammy winner and a Tony winner, achieving all three in 2016 and 2017 for her starring role in the Broadway revival of The Color Purple. The treble means she is *just* an Oscar away from the rare EGOT status of having all four; and she’s halfway there, receiving a nomination for best actress, for her portrayal of American abolitionist Harriet Tubman in the biopic Harriet, in 2019.
Most recently, Erivo has played her musical hero, Aretha Franklin, one of the greatest vocalists of all time, in the Genius: Aretha series chronicling five decades of the Queen of Soul’s life. It is a role that could see her add to her trophy cabinet at the upcoming 2021 Emmy Awards.
So hers is already an impressive CV, and she is about to add to it with the release of her debut album. After years of performing in character it is her chance, she tells Sky News, to connect with people “directly as me”.
“It will always feel different when you’re not playing someone else,” she says. “It allows me to show a different part of who I am. The more I can connect honestly, the better, I think.”
Titled Ch 1 Vs 1, it’s clear that Erivo sees this as just the beginning of her story. “My life isn’t over yet,” she says. “There’s lots to come, there’s lots to learn, there’s lots to write. This felt like a new beginning for me when it came to music so I wanted to mark that.”
The record is described as a 12-track journey into the star’s mental and emotional landscape – one marked by heartbreak and sadness, but also triumph and growth.
Erivo says she wants people to know she is a “fully rounded person who has thoughts and feelings just like everybody else”. That she has loved and lost. She doesn’t elaborate, but says: “Life isn’t always black and white, there are definitely grey areas, and there are things I’ve dealt with and have had to come through just like everyone else.”
Erivo played Queen of Soul Aretha Franklin in the Genius: Aretha series. Pic: National Geographic/Richard DuCree
Is that something people forget when it comes to celebrity?
“I think sometimes they do,” she says. “But that’s not necessarily just for me, I think that’s across the board. I think that celebrity or fame – for me, those words are so strange because I still don’t really associate them with myself. It makes me feel really weird to refer to myself as a celebrity because it’s not what I did this for. I think people often forget that behind all of the glitz and whatnot, is a human who deals with stuff, it’s just that often that stuff is out in the open.”
The star says when it comes to writing songs, there is nothing wrong with letting your emotions show. “I’m not afraid to be as truthful as I can be, you know. It doesn’t scare me. I guess I kind of am thrilled by being able to be vulnerable in front of people. I think the more I can do it, hopefully other people will be encouraged to be just as vulnerable.”
Erivo’s first single, The Good, was inspired by a conversation with a friend in mourning. “The phrase she said was that she just wanted to remember ‘the good’. I realised that it could be attached to both the loss of someone or a relationship or anything that forces you to think of the best of the worst of times.”
In the video, Erivo portrays a woman remembering the positive memories of a relationship with another woman that has come to an end.
“I wanted to pay homage to Black love, but often we see Black love – and most love – heterosexually,” she says. “I wanted to see something that felt normal, that showed two women in a relationship… and it wasn’t voyeuristic and it wasn’t fetishistic. It was just a normal relationship going through the ups and downs that relationships go through.“
The star, pictured performing at the Ravinia Festival in Chicago in July, says she is performing live is her ‘lifeblood’. Pic: Patrick Gipson
Born and raised in London, Erivo now lives in the US, where her profile is bigger, but still has family and friends back here.
As a star of stage and screen, and soon the charts, I ask how she feels about the government’s treatment of the arts and entertainment industry in the UK during the pandemic. The promise of £1.57bn in funding came four months into the crisis, which many argued was too late, while confirmation of a £750m insurance scheme for festivals only came earlier this month – again, too late for many events for the second year running.
Then there is the plan requiring people to prove double vaccination status when entering nightclubs and other “crowded venues” from the end of September – bizarrely announced just as restrictions were lifted in July – which has been condemned as an “absolute shambles” by industry figures.
“I think there seems to be this terrible battle that keeps going on in the UK when it comes to the arts and I don’t know why it’s difficult for the government to see that the arts are worth taking care of,” Erivo says. “Because people gain so much, everybody gains from it, even commerce gains from it. If there’s art, there’s a reason for people to visit, there’s a reason for people to see it, that means people are spending money to come and see these shows, to see the plays, the films.
“For me personally, I don’t know that anyone should be forced to have a vaccine, everyone is individual and it’s up to them.
“I do hope that we’ll finally get to a place where people deem the arts a necessary thing, because it is, and it’s often how a lot of people survive. And right now, there are people I know for sure in London who are only just getting back to work, only just getting back to shows and rehearsals. And they’ve desperately needed to be back at work and haven’t really been taken care of, and that saddens me. A lot. So I hope that that gets fixed.”
Before our time is up, I ask Erivo about another professional accomplishment that cements her status as a true multi-hyphenate in the industry. She is soon to become a published author, with her debut children’s book, Remember to Dream, Ebere, to be published in a few weeks. It tells the story of a mother and child who is encouraged to dream big.
“I am telling that story for anybody who has a dream, who thinks that things are impossible, who needs to be encouraged to keep dreaming – adults or children,” Erivo says. “I wrote it because it was the thing that I can relate to the most, the idea that the biggest dream is never too big. I feel like I’m living proof of that. I have definitely been able to live within the dreams that I’ve wanted for myself and I guess I wanted to share it with everybody else. I wanted other people to feel like they have that possibility, too.”
Cynthia Erivo’s debut album, Ch 1 Vs 1, will be released on 17 September.
Entertainment
Peter Andre explains how Mysterious Girl music video came about – and whether he misses his 90s hairstyle
Peter Andre says the famous shirtless dancing in a lagoon for his hit 90s single Mysterious Girl was all his own idea.
Speaking about the video for the global hit, the 51-year-old told Sky News: “We were climbing up a waterfall and I said, ‘Guys, this looks like a great location,’ because I was really part of developing this whole image.
“So, I climbed up in my jeans looking at this place, and I went, ‘Start filming here, this looks like great lighting’.”
Peter Andre in a swimming pool in 1996. Pic: Rex Features
The 1995 reggae / dancehall track featuring rapper Bubbler Ranx was a top 10 hit around the world and reached number two in the UK on its re-release the following year.
In the music video, which was filmed in Thailand, a topless Andre dances and sings while inexplicably wearing a pair of jeans and a belt in a lagoon, in front of a waterfall and on a beach.
Andre and his wife Emily MacDonagh. Pic: PA
Now a father of five, Andre says his children have seen the video and are “proud,” adding “but there are also a few eyerolls… to everything [in the video] really”.
Andre married doctor Emily MacDonagh in 2015 and welcomed their third child in April. He has four other children, seven-year-old son, Theo, and daughter, Amelia, 10, whom he shares with MacDonagh, and 18-year-old son Junior and daughter Princess, 16 – whom he shares with his ex-wife, Katie Price.
As for his slicked-back curtain hairstyle – which was very much en vogue at the time – Andre says he misses it: “I wish I carried it on.”
Peter Andre in 1995. Pic: Fryderyk Gabowicz/picture-alliance/dpa/AP
‘A decline of music videos since the 1980s’
Discussing nostalgia and looking back at changes in the music industry, Andre said times have definitely changed. “I think the 80s were when videos were the most important and then it was a slight sort of decline after that. I think 90s was popular, but as it’s gone on, videos have been less effective.”
He added: “If you look at the 80s, specifically, superstars were superstars.
“If Madonna was on the radio, you knew it was Madonna. If Michael Jackson came on the radio, you knew it was Michael Jackson.
“Now there are great songs out there, but you don’t know who’s who unless you’re in with what’s going on on social media. So, it’s a different time.”
Read more on Sky News:
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Andre was married to Katie Price until 2009. Pic: Reuters
He says the time when “people would wait to go to the store and buy a record and it would be such a huge moment” is long gone.
He admits when recently showing his kids a VHS tape – the way everyone recorded TV and film in the 70s and 80s – they were utterly baffled, asking him “What is that?”
As for his own success in the industry, Andre says he thinks it’s largely due to working with one of the world’s biggest female music stars.
“I can only be grateful for what happened to me because my first big gig was touring with Madonna in Australia in 1980,” he said.
“I was the opening act, the only act actually for the Girly Tour in Australia… And then I came to England as an unknown after selling out arenas in Australia and it was just crazy.”
Billie Eilish has announced a new tour and will be coming to the UK next summer.
The 22-year year old‘s show is named after her latest album – Hit Me Hard And Soft – and will kick off in North America in September.
It will then head to Australia in February 2025, before travelling across Europe and arriving in the UK on 7 July when she will perform for two nights in Glasgow, at OVO Hydro.
Eilish will then play six nights at the O2 in London, and four nights at the new Co-Op Live arena in Manchester – a venue that has been beset with problems as it prepares to open to the public.
The singer will then play two gigs in Dublin, Ireland, at the 3Arena.
A vocal environmentalist, fans are being encouraged to take “sustainable transport” during the tour, which will also feature “eco-villages” and encourage plant-based food options.
The tour will partner with the plant-based food organisation Support + Feed – an initiative founded by Eilish’s mother Maggie Baird – and environmental non-profit organisation REVERB.
The concerts will also aim to reduce “greenhouse gas pollution, decreasing single-use plastic waste, supporting climate action”, the promoters Live Nation said.
Eilish’s third studio album comes out on 17 May, a month after Taylor Swift‘s much lauded album The Tortured Poets Department.
Like Swift, Eilish is encouraging fans to listen to the collection as a whole, saying on her website that the new body of work should be listened to chronologically as it “hits you hard and soft both lyrically and sonically, while bending genres and defying trends along the way”.
She’s not released any singles in advance, encouraging fans to listen “in one go”.
The album cover features Eilish on her back under dark water with a white door open above her.
Eilish and Finneas accept their second Oscar. Pic: AP /Chris Pizzello
Eilish’s last album was 2021’s Happier Than Ever, and her debut record When We All Fall Asleep, Where Do We Go? was released in 2019.
The youngest person ever to have won two Oscars, she took home the award for best original song Oscar gong for Barbie’s What Was I Made For? in March, and won the same prize for James Bond’s No Time To Die in 2022.
Tickets for Hit Me Hard And Soft go on general sale on Friday.
Billie Eilish’s UK tour dates:
Mon 7 July, 2025 – Glasgow, UK – OVO Hydro
Tue 8 July, 2025 – Glasgow, UK – OVO Hydro
Thu 10 July, 2025 – London, UK – The O2
Fri 11 July, 2025 -London, UK – The O2
Sun 13 July, 2025 – London, UK – The O2
Mon 14 July, 2025 – London, UK – The O2
Wed 16 July, 2025 – London, UK – The O2
Thu 17 July, 2025 – London, UK – The O2
Sat 19 July, 2025 – Manchester, UK – Co-op Live
Sun 20 July, 2025 – Manchester, UK – Co-op Live
Tue 22 July, 2025 – Manchester, UK – Co-op Live
Wed 23 July, 2025 – Manchester, UK – Co-op Live
Entertainment
Googlebox star George Gilbey’s mum reveals his last words to her before he fell to his death
The mother of Gogglebox star George Gilbey has revealed his last words to her were “I love you”.
Gilbey died after falling through a plastic skylight while fixing a warehouse roof in Essex in March.
The 40-year-old appeared alongside his mum, Linda McGarry, and stepdad on the hit Channel 4 show.
The family first appeared on the second series of Gogglebox in 2013 but were dropped the following year when Gilbey signed up for the 14th series of Celebrity Big Brother in 2014, reaching the final.
Mrs McGarry said she spoke to him on the phone hours before his death.
Gilbey appeared alongside his mum Linda and stepdad Pete on Gogglebox. Pic: PA
She told The Sun: “He phoned me at 9.30 in the morning and said he was working – and asked me for his ‘breakfast money’.
“I put £30 in his account so he could get food, and he seemed fine.
“He had a drink the night before, and liked a bottle of white wine or two, but was happy that he was working. He ended the phone call by saying, ‘I love you’ like he usually did. I treasure those words.”
She added: “It was an honour for him to have been my son. We had a blast for 40 years.”
Mrs McGarry said her son had struggled with the death of his dad, stepfather and her own Parkinson’s diagnosis.
At the time of his death, he was working to save money to move closer to his seven-year-old daughter, Amelie, in southwest London.
“He wanted to be with Amelie, who he adored,” she told The Sun.
“They were on the third day of a job that was going to last a month, and he was going to get money together from that.
“When they were together, George and Amelie were always laughing. She is going to miss him terribly, like we all will.”
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Gilbey suffered traumatic injuries to his head and torso and died at the scene in Shoeburyness.
An inquest was opened last week but suspended after a request from police pending a criminal investigation.
A man in his 40s from the Witham area of Essex was previously arrested on suspicion of gross negligence manslaughter
He was later released under investigation.
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