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I’ve tested a few different Cyrusher electric fat tire bikes over the years, and they all have the same basic qualities: The fit and finish might not match the pros, but the bikes offer a fun helping of ridiculous excessiveness. The Cyrusher XF900 full-suspension fat tire e-bike might just be the most excessive yet, in all the best ways.

The Cyrusher XF900 launched late last year and is even larger in person than I had expected from the photos. It doesn’t just look massive – it is massive.

It’s overbuilt so that you can take it just about anywhere and throw it at just about any terrain.

Between the fat tires and full-suspension, the Cyrusher is basically begging you to finally leave the asphalt behind and do some real exploring.

While I tested it with a fair amount of commuting-style riding, a lot of my adventures didn’t just head for the trails – they left the trails behind completely.

Take a look at how the bike fared in my video review below, then keep reading for my complete review!

Cyrusher XF900 video review

Cyrusher XF900 tech specs

  • Motor: 750W nominal, 1.5 kW peak rear hub motor
  • Top speed: 45 km/h (28 mph)
  • Range: Up to 100 km (62 mi) claimed, actually less (see below)
  • Battery: 48 V 17Ah (816 Wh)
  • Charge time: 5-7 hours
  • Max load: 150 kg (330 lb)
  • Weight: 34 kg (74 lb)
  • Frame: 6061 aluminum
  • Suspension: Front dual crown air fork, rear spring shock
  • Brakes: Zoom hydraulic disc brakes with 180 mm rotors
  • Extras: 21-speed Shimano drivetrain(!), LCD display with speedometer, wattmeter, battery gauge, PAS level indicator, odometer, tripmeter, headlight and tail light, included fenders and rear rack

An extra helping of parts

The Cyrusher XF900 comes pretty much fully loaded.

The rear hub motor is nominally 750W, but they’ve overloaded it to pull 1.5 kW of peak power. On a lighter e-bike that’d be crazy high, though on the heavy XF900 it’s just quite high. It’s not going to throw you off the saddle, but you’ll want to make sure you’re holding on tight when you blip the throttle or engage the pedal assist.

A cool feature that I don’t see very often is that the throttle’s power level is actually tied to the pedal assist level selector. With five levels of pedal assist, if you start in level 1 and mash the throttle to 100%, you’ll experience a gentle takeoff. In pedal assist level 5, the throttle gives you that jolt of power that many riders are looking for. Any number in between provides an increasingly more enthusiastic throttle response.

With a powerful e-bike like this, being able to tone down the throttle is a nice feature. It’s useful when you want to do low-speed maneuvering as well as when letting a friend try the bike when you aren’t so sure how familiar they are with powerful e-bikes. I can leave it in level 1 or 2 until I see that they aren’t going to whiskey throttle their way into a brick wall.

On the battery side of things, the company doesn’t mess around with puny 48V 10Ah batteries and they don’t even waste time with a 14Ah pack. They go straight to the 48V 17Ah pack to give the best range. That’s the kind of big battery you need when you’ve got a powerful motor and controller. They still advertise the silly range of 100 km (62 miles), but that would only be possible on pedal assist level 1 and with a tailwind. Expect a throttle-only range of a third of that, and a pedal assist level 3-ish range of maybe just over half the max stated range. This is a heavy bike with lots of rolling resistance, so it’s not going to be terribly efficient.

Off-road riding ready

As I mentioned in the opening, this e-bike is really designed for exploring the unexplored.

The giant fat tires and suspension make it easy to hit obstacles you’d never consider on a hardtail e-bike with 2″ tires.

Both the front and rear suspension are middle shelf; they aren’t top notch parts like we find on e-bikes that cost nearly twice this much. But they’re good enough for recreational riding, which is exactly what I was looking for.

When the riding got seriously rutted out or technical, I definitely had to come out of the saddle. The suspension just isn’t plush enough for the really rough stuff. But by and large I could stay planted and have a great ride through dirt, gravel, high grass, and some light sand.

The powerful motor and the tires’ ability to pretty much float over anything means you aren’t limited to trails. I did plenty of riding through tall grass fields where I had no idea what I was riding over, but apparently it didn’t matter. I couldn’t see the ground but I could still roll right over everything.

The only thing getting in my way was the pair of derailleurs to snag grass and weeds. This is one of very few e-bikes to sport multiple front chainrings. The 21-speed setup is interesting, but it feels unnecessary.

The advantage of all of those gears is mostly on the low end, where you can drop into lower gears for more torque during hill climbing. But with a powerful motor like this, you don’t really need to drop so low since you’ll be climbing at faster speeds anyways.

The increased granularity also makes it easy to find the perfect cadence. But again, that just feels unnecessary on such a powerful e-bike. Maybe the purists will enjoy the increased gears, but I pretty much left the bike in a single gear the whole time: the highest one.

That’s because the Cyrusher XF900 is just so damn fast. It tops out at 28-ish mph (45 km/h), and it gets there on throttle-only riding or with pedal assist. Technically it’s not a class 3 e-bike if it can surpass 20 mph on throttle, but no one stopped me to ask and I didn’t volunteer that info to anyone.

At those speeds, the bike is an equally capable road warrior and trail tackler. I don’t often hit top speed on the trail, but the open road gives me the room I need to run fast. Back on the trails, if I hit the mid-20s of mph, I consider that pretty darn fast.

Any complaints?

Nothing is perfect, and I have a few gripes about the Cyrusher XF900.

The fenders are as cheap as they come, though I get that fat tire fenders for a full-suspension e-bike are a hard nut to crack. The good news is the rear doesn’t flop too much because the rear rack holds it in place. The front gets a bit floppy, but what can you do? That’s cheap plastic for you.

Next, the front headlight is fine but the rear tail light frustrates me. It isn’t a typical e-bike light that runs off the main battery. Instead, its a saddle light that has its own battery. That means two main downsides: the battery will need somewhat frequent replacing if you ride at night often, and it will be blocked if you put stuff on the rear rack. I also found myself sometimes clicking the button when I moved the bike by lifting under the saddle. If I didn’t notice that I accidentally clicked on the light, it could run for hours during the day and drain the battery by the time I need it at night.

A torque sensor also would have been nice. The cadence-based pedal assist sensor is fine, but when you’re playing in the big leagues you start to want to see those nicer parts that make the riding experience just a bit more comfortable and responsive. At this price, a torque sensor would have been a nice touch.

Lastly, I’d say the price is a tough sell. At $2,799, this is one expensive e-bike. You certainly get a lot: high power, larger-than-average battery, fast speeds, full-suspension, hydraulic disc brakes, included rack and fenders, etc. But it doesn’t come cheap.

It’s actually evenly priced against several other full-suspension fat tire e-bikes in its class, but you have to really want all of these features to write a check that big.

From my time on the bike though, I can definitely say that this is one hell of a ride. Being able to explore everything from the concrete jungle to an actual jungle, and doing it for more than just a few miles, is an experience that I hope everyone can have at some point.


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It Ends With Us star Justin Baldoni sues New York Times for libel over Blake Lively harassment allegations

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It Ends With Us star Justin Baldoni sues New York Times for libel over Blake Lively harassment allegations

Actor and director Justin Baldoni has sued The New York Times newspaper for libel after it published allegations that he had sexually harassed and tried to smear the reputation of his It Ends With Us co-star Blake Lively.

The lawsuit, which seeks at least $250m (£199m) in damages, was the latest in a legal battle that has engulfed the two stars. Lively has filed a separate federal lawsuit against Baldoni and others alleging harassment.

The Baldoni lawsuit was filed in Los Angeles Superior Court on Tuesday by the director, 40, and by other defendants named in the Lively lawsuit.

It accuses The New York Times of accepting a “self-serving narrative” by the actress, 37, who claimed Baldoni, production company Wayfarer Studios and others attempted to damage her reputation after she and her husband Ryan Reynolds, 48, addressed “repeated sexual harassment and other disturbing behaviour” by the actor and a producer on the set of the film.

According to Lively’s complaint, the plan included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories that are critical of her.

But Baldoni’s libel lawsuit claims The Times article, which was called ‘We Can Bury Anyone’: Inside a Hollywood Smear Machine, “disregard[s] an abundance of evidence” that contradicts Lively’s accusations.

Photo by: NDZ/STAR MAX/IPx 2024 8/6/24 Blake Lively and Ryan Reynolds at the premiere of "It Ends With Us" on August 6, 2024 in New York City.
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Lively and her husband Ryan Reynolds at the premiere of It Ends With Us. Pic: AP

The Times has defended its reporting and said it plans to “vigorously defend” against the lawsuit.

In a statement, it said: “The role of an independent news organisation is to follow the facts where they lead.

“Our story was meticulously and responsibly reported. It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article.”

Baldoni was dropped by his agency, WME, immediately after Lively filed her complaint and The Times published its story. The agency represents both Lively and Reynolds.

Bryan Freedman, a lawyer who represents Baldoni, Wayfarer Studios, and its representatives, previously called the accusations “completely false, outrageous and intentionally salacious with an intent to publicly hurt and rehash a narrative in the media”.

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Why is Blake Lively suing Justin Baldoni?

He said on Wednesday that The Times had “aided and abetted their own devastating PR smear campaign designed to revitalise Lively’s self-induced floundering public image and counter the organic groundswell of criticism amongst the online public”.

Lively is not a defendant in the libel lawsuit against the paper.

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In a statement, lawyers representing the actress said: “Nothing in this lawsuit changes anything about the claims advanced in Ms Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today.”

It Ends With Us, which is an adaptation of Colleen Hoover’s bestselling 2016 novel, was shrouded by speculation over discord between the lead pair at the time of its release in August.

Baldoni took a backseat in promoting the film while Lively took centre stage along with Reynolds, who was on the press circuit for Deadpool & Wolverine at the same time.

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Neil Young pulls out of Glastonbury over BBC ‘corporate control’

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Neil Young pulls out of Glastonbury over BBC 'corporate control'

Neil Young has announced he will not be performing at this year’s Glastonbury, saying he believes the BBC’s involvement in the popular festival means it is “now under corporate control”.

The 79-year-old musician wrote on his website that both he and his band, The Chrome Hearts, were pulling out because it was a “corporate turn-off”.

Glastonbury, which takes place at Worthy Farm in Somerset in summer, has worked closely with the BBC since 1997.

The BBC is the festival’s exclusive broadcast partner.

Canadian-born Young had yet to be announced as an act at this year’s event.

Posting on Neil Young Archives, the Rock and Roll Hall of Famer wrote: “The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs.

“We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.

“It seems Glastonbury is now under corporate control and is not the way I remember it being.”

File photo dated 26/06/09 of Neil Young performing on the Pyramid Stage during the 2009 Glastonbury Festival at Worthy Farm in Pilton, Somerset. The Canadian-born singer-songwriter, 79, has announced he will not be playing at Glastonbury Festival this year as he believes the music event is "now under corporate control" of the BBC. Issue date: Thursday January 2, 2025.
Image:
Young performing at Glastonbury in 2009. Pic: PA

Young, who headlined the famous Pyramid Stage in 2009, thanked fans for supporting both him and his band the last time they were at the festival.

He added: “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.

“Hope to see you at one of the other venues on the tour.”

Young, who is married to US actress Daryl Hannah, was booked to play Glastonbury in 1997 but pulled out after cutting his left index finger while making a ham sandwich.

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Following his headline performance in 2009, viewers were left disappointed when only a portion of his set was broadcast on the BBC.

In a statement at the time, the corporation said it had “spent the last couple of months” negotiating with Young’s management over what it could show on TV, radio and online.

The broadcaster added: “Neil Young’s career has been conducted on his own terms.

“Last night Neil’s management agreed to let TV and radio broadcast five songs as they watched and listened to his performance.

“They believe in the live event and retaining its mystery and that of their artist.

“They have decided to make one song available online over the weekend to give a flavour of his set. That’s Rockin’ In The Free World and that’s their decision.”

Glastonbury is one of the UK’s largest music festivals.

It is set to take place between 25 and 29 June, with Sir Rod Stewart booked for the Sunday teatime legend slot.

The BBC and Glastonbury Festival were contacted for comment.

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Ross Kemp returning to EastEnders as Grant Mitchell for soap’s 40th anniversary

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Ross Kemp returning to EastEnders as Grant Mitchell for soap's 40th anniversary

Ross Kemp is returning to Albert Square in celebration of EastEnders’ 40th anniversary.

The 60-year-old first made his debut as Grant Mitchell in 1990 and has returned to the soap a number of times over the past 35 years.

He last appeared in the show in 2016 but will reprise his role this year in what the BBC has described as an “explosive” storyline.

Kemp said: “I’m delighted to be returning to EastEnders as the show heads towards its 40th anniversary.

“EastEnders has always meant so much to me, so to return as the show is about to celebrate such a special anniversary is an absolute honour.

“Grant has never been far from the action and, let’s just say, this time is no different as he certainly comes back with a bang.”

EastEnders first aired on 19 February 1985.

More on Eastenders

The character of Grant will return to the show as his brother Phil Mitchell (Steve McFadden) struggles with loneliness.

The pair’s childhood best friend Nigel Bates (Paul Bradley) has also recently returned to the square after almost three decades away.

The return comes as Grant’s ex-wife Sharon (Letitia Dean), who had an affair with his brother Phil in the early 1990s and went on to marry him, is now dating his long-lost cousin Teddy Mitchell.

Nicknamed “Sharongate”, the storyline is one of the most memorable in the Walford soap’s history.

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Over the years, Grant has been involved in some of the soap’s classic storylines, including his fraught marriage to Tiffany Mitchell (Martine McCutcheon).

In 2016, the character returned for a heartbreaking family reunion to say goodbye to his mother Peggy Mitchell (Dame Barbara Windsor) as part of the late star’s exit storyline.

Kemp initially appeared in the soap for nine years from 1990 to 1999, also returning between 2005 and 2006.

Grant initially departed in 1999 after Phil fired a gun at a car he was driving causing it to slide into the River Thames when he found out that his brother vengefully had sex with his then-wife Kathy Mitchell (Gillian Taylforth), but the character was not killed and instead left the square with his daughter Courtney for a new life in Brazil.

His 2000s return saw him involved in the unveiling of the killer of Den Watts (Leslie Grantham), have an affair with Jane Collins (Laurie Brett), the girlfriend of Ian Beale (Adam Woodyatt), and a series of episodes which saw the Mitchell brothers embroiled in a vendetta against gangland boss Johnny Allen (Billy Murray).

During his time away from the soap, Kemp presented the Bafta award-winning documentary series Ross Kemp On Gangs between 2004 and 2009, which spawned a number of similar series such as Ross Kemp In Afghanistan and Ross Kemp In Search of Pirates.

Chris Clenshaw, EastEnders executive producer, said: “We are absolutely thrilled to welcome Ross Kemp back to EastEnders as he reprises the legendary role of Grant Mitchell.

“Whilst I’m not currently revealing exactly what brings Grant back to Walford, I can say that his return will play a significant part in the show’s 40th anniversary and will make up many moments of truly unmissable TV.”

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