Diversity and equality were at the heart of discussions last week, when TV titans rolled into Edinburgh for its annual festival.
Okay, so it was a virtual festival, but the flagship industry event tackled the issue head-on, centreing largely on disabled representation and black talent.
The timing could not have been better, with a new report revealing this week that disabled people who work in the British television industry are facing “consistent difficulties” when it comes to career progression, with 80% of those surveyed saying their disabilities have adversely affected their careers.
Image: Jack Thorne gave this year’s MacTaggart Lecture. Pic: Richard Shotwell/Invision/AP
Jack Thorne delivered this year’s headline MacTaggart Lecture at the event, slamming the TV industry saying it has “failed disabled people, utterly and totally.”
The prolific screen and play writer, who is known for projects such as His Dark Materials and Harry Potter And The Cursed Child, used the speech to launch a group named Underlying Health Condition, which will lobby the industry to be more accessible and a fund will be set up to pay for it.
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Thorne, who was diagnosed with cholinergic urticaria (which makes sufferers allergic to their own body heat) also said that his disability is invisible, and “as a white man with all the privilege that entails… I have had opportunities that my disabled family have not”.
The push towards inclusion was underlined at the festival by the likes of streaming giant Netflix, which said that its policy of “show not tell” when it came to achieving its diversity goals was working, and that viewers can expect to see changes on screens in the next few years.
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Vice president for original series Anne Mensah said that while the company is not “perfect”, it is “working towards it”.
The BBC also weighed in, with chief content controller Charlotte Moore agreeing with Thorne, saying of his speech: “I think it makes all of us say, ‘We know we’re changing but my God we’ve got to change faster’.”
Hollywood firepower also became part of the conversation too, with Hamilton writer and actor Lin-Manuel Miranda saying the industry needs a “chorus of voices” and to attack the inequalities that exist.
“Some of it is really attacking that stuff systemically and supporting folks who are at the ground-floor level of this industry and making sure that a living wage exists, so that I can make a living doing the thing I love,” he said.
Racial inequality was also discussed at the festival – a year on from the Black Lives Matter movement and the conversation about having black voices more represented on (and off) screen.
Queer Eye star Tan France, who acted as the international editor of the festival, said the TV industry in the UK was “lightyears” behind the US, and that he feels tokenism has become commonplace in place of actual representation.
Image: Tan France, (L) was the festival’s international editor. Pic: Willy Sanjuan/Invision/AP
This was a view echoed by comedian London Hughes, who said that it shouldn’t take the death of an unarmed black man to get networks to employ black talent.
Hughes had previously criticised Channel 4 for its Black To Front initiative, which she described as “performative tokenism”, telling the conference: “The people in charge need to do more… I wish George Floyd didn’t have to die for Alison Hammond to get a slot on This Morning.
“She should have had it already.”
But these were the same conversations being had 12 months ago, and networks will now need to put their money where their mouths are and follow through on their promises of better commissioning policies and more inclusive hiring practices.
Snoop Dogg has become a co-owner and investor of Swansea, with the US rapper hailing the Welsh football club as “an underdog that bites back, just like me”.
The former Premier League club, which plays in the English second tier, confirmed theUS rapper and producer plans to use his own money to invest in it, Sky Sports reports, although it didn’t disclose financial details.
“My love of football is well known, but it feels special to me that I make my move into club ownership with Swansea City,” the music icon said in the announcement.
“The story of the club and the area really struck a chord with me,” he added. “This is a proud, working class city and club.
“An underdog that bites back, just like me.
“I’m proud to be part of Swansea City. I am going to do all I can to help the club.”
Swansea’s American owners, led by Brett Cravatt and Jason Cohen, are trying to grow the Championship club’s global brand and increase commercial revenue.
Snoop Dogg, 53, who has 89m followers on Instagram and more than 20m on X, helped launch the team’s 2025-26 home shirt last weekend.
The club ownership group said: “To borrow a phrase from Snoop’s back catalogue, this announcement is the next episode for Swansea City as we seek to create new opportunities to boost the club’s reach and profile.”
Luka Modric, who recently signed with AC Milan from Real Madrid, joined Swansea’s ownership group in April.
Police are taking no further action over Kneecap’s performance at Glastonbury.
Officers said they had investigated “comments about a forthcoming court case made during Kneecap’s performance” at the festival on 28 June.
However, after Crown Prosecution Service advice, they decided there is not enough evidence “to provide a realistic prospect of conviction for any offence”.
It said they were looking at a possible public order incident.
Police said on Friday that the investigation into Bob Vylan’s performance was ongoing.
The London duo were widely criticised – and caused a BBC crisis – after leading on-stage chants of “death to the IDF” (Israel Defence Forces).
Image: Kneecap’s Liam Og O Hannaidh appeared at Westminster Magistrates’ Court in June. Pic: PA
Kneecap posted a photograph on Instagram, which the group said was an email from police announcing the case was being dropped.
They said their packed Glastonbury gig was a “celebration of love and solidarity” and reporting used “wildly misleading headlines”.
Fears over what Kneecap might do or say during the performance had prompted the BBC not to show it live.
The group said: “Every single person who saw our set knew no law was broken, not even close… yet the police saw fit to publicly announce they were opening an investigation.”
“There is no public apology, they don’t send this to media or post it on police accounts,” they added.
The police statement on Friday said they had informed Kneecap of their decision to drop the case.
A huge fire has destroyed the main stage of a major festival in Belgium – two days before it was due to begin.
Tomorrowland is a dance music event as big as Glastonbury – and David Guetta was due to perform.
Footage showed flames and thick plumes of black smoke engulfing the stage and spreading to nearby woodland on Wednesday.
Image: The fire gutted the main stage
Image: Fire crews attempt to bring the blaze under control
The annual festival in the town of Boom, north of Brussels, is one of the biggest in Europe and attracts about 400,000 people over two consecutive weekends.
It is famous for its immersive and elaborate designs and attracts big names within dance music – including Guetta, best known for tracks When Love Takes Over and Titanium.
Dutch DJs Martin Garrix and Charlotte de Witte were also due to perform, along with the likes of Swedish House Mafia, Eric Prydz and Alok.
Image: Black smoke could be seen rising into the sky
The festival’s website described the creative elements which went into the elaborate main stage.
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The theme, described as Orbyz, was “set in a magical universe made entirely out of ice” and “full of mythical creatures”.
Organisers said no one was injured in the blaze but confirmed “our beloved main stage has been severely damaged”, adding they were “devastated”.
Spokesperson Debby Wilmsen added: “We received some truly terrible news today. A fire broke out on the Tomorrowland site … and our main stage was essentially destroyed there, which is truly awful.
“That’s a stage that took years to build, with so much love and passion. So I think a lot of people are devastated.”
Image: Spokesperson Debby Wilmsen told reporters ‘a lot of people are devastated’
Despite the fire, Tomorrowland organisers said they were still expecting 38,000 festivalgoers at DreamVille, the event’s campsite.