For more than nine months, musician and composer Mehdi Rajabian kept himself hidden away in an underground room in Sari, northern Iran, working to create his latest album undercover.
While many artists will tell you they pour blood, sweat and tears into their art, this is much more than just a throwaway phrase for Rajabian.
He has already served more than two years in prison for making music the Iranian authorities did not agree with, including a period of solitary confinement and a hunger strike, but is undeterred – despite the very real threat of more jail time. No power, he says, can stop the “freedom and thought of music”.
So despite his limitations and the danger he faces in a country where art is heavily censored, the 31-year-old recorded his second album, Coup Of Gods, in a secret basement, patiently dealing with the challenges of keeping hidden, plus low-speed internet, to connect with other musicians from all over the world.
The album includes tracks featuring an orchestra from Brazil, and singers and musicians from everywhere from the US to Italy to Russia. It has been mastered by record producer and songwriter Harvey Mason Jr, who has worked on tracks by stars including Beyonce, Britney Spears, John Legend and Justin Timberlake, and became chief executive of the Recording Academy (which runs the Grammy Awards) earlier in 2021.
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Rajabian approached Mason on email and the Grammys boss tells Sky News he was at first “blown away by his story” but ultimately the music had to be good enough. “For me it all came down to what came out of the speakers,” he says. “The music was beautiful, compelling and so well done. In my mind, it is true art.”
Rajabian, also corresponding with Sky News over email, says he is proud of the album and thinks it has “come out really strong”, despite “all the complications” he has had to overcome.
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“In Iran, women can’t sing and it’s prohibited,” he says. “Even I got arrested a few months back for finishing an album having female voices. Prison and prohibition have caused Iranian artists to be afraid to be in my album.”
Rajabian is all too aware of the horrors he could face should he be jailed again. In 2013, he spent three months in solitary confinement for propaganda against the state. Solitary confinement “kills the human soul,” he says. “You are no longer a normal human being afterwards.”
From 2015, following what Amnesty International described as a “blatantly unfair” trial, he served two years in prison until he was released after a 40-day hunger strike. “Solitary kills the soul and the hunger strike kills the body”, he says, describing it as “like eating your own flesh” because of the damage inflicted. “I lost 15kg of weight and 40% of my vision.”
The musician was arrested again in 2020, for his first album and for working with female dancers and singers, and again, he says, because of his new album earlier this year. He is currently in the midst of a three-year suspended sentence, which could be activated at any time.
Rajabian spent his time behind bars at Iran’s notorious Evin Prison. “It can be said that it is one of the most horrible prisons in the world,” he says. “I spent several months in a Somali pirate cell as a punishment. Prison is a difficult place to live, but what matters is how much you believe in your own thought and philosophy of work; the more you believe, the easier it is for you to overcome difficulties.”
After his arrest, his office was closed and his recordings and hard drives seized. He spent his “whole life” while making the album in his underground room, alone. But he is determined.
“A few months back, I was arrested by the Iranian regime,” he says. “Handcuffed in a court, they asked to seize the project, and [ordered me to] stop making music. But I stated to the judge that even if this means I’m going back to jail, I’ll get my work done. I do not think about the consequences of producing a work of art and I am ready for any consequences. They can imprison me again. I [will] also write music in prison, as I wrote before. Music will not stop under any circumstances.”
The hunger strike left Rajabian with incredibly swollen joints, meaning he can no longer play an instrument himself. So he composed and arranged the album working alongside collaborators including US singers Lizzy O’Very and Aubrey Johnson and musicians such as violinists Yury Revich and Emmanuele Baldini, cellist Rafael Cesario, duduk player Soroosh Nematollahi and sarangi player Vanraj Shastri. His underground room has now been cleared, to remove all trace of his work, and the album is ready to go.
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A teaser for Iranian composer Mehdi Rajabian’s new record, Coup Of Gods.
The first track, Whip On A Lifeless Body, is his most personal. “This piece is the narrator of a human body that no longer has a physical presence,” he says. “The feeling is for the time when I was on a hunger strike, between earth and sky, between life and death, between the living and the dead… on the 29th day of the hunger strike, I opened my eyes that morning and I did not know whether I was alive or dead, on earth or in heaven. I was in a trance. It was a strange feeling.”
Making music, or the type of music Rajabian wants to make, is clearly a dangerous business in Iran. Many would ask why he continues. “Forbidding music for me means sewing my lips,” he says. “I cannot be silent. In the time of oppression, silence means betrayal. Prohibition of art means prohibition of truth and suppression of consciousness. So I have to believe in the freedom of music, even if I go to prison again for it.”
The release comes just weeks after the Taliban’s takeover of bordering Afghanistan, where concerns have been raised for musicians and artists and how their work may be censored. Rajabian says he knows too well the mentality of the country’s new rulers.
“There is only one question for me: how can we as artists express our pain to the world with the language of art, when these kind of painful images are sent to the world from Iran and Afghanistan? As artists, our work has become difficult, because feelings, sadness, surprise and pain are no longer effective.
“The world is no longer amazed by any sound or image; humanity has seen everything that exists. That is why humanity is moving towards fun and entertainment with art. Philosophical, protest and poetic art no longer has a place. Humanity shuns philosophical and painful art because humanity wants to get away from these pains. And that makes it difficult for us.”
Rajabian says that despite everything, hope keeps him alive, “even though I know we have a difficult future ahead of us”.
He continues: “After every darkness there is a light. Finally, I am optimistic about the future.”
Coup Of Gods by Mehdi Rajabian will be released on streaming platforms by Mason’s label Hundredup on 17 September
Pop star Lana Del Rey has married her alligator tour guide partner in Louisiana, according to reports.
The singer, 39, and Jeremy Dufrene, 49, are said to have obtained a marriage licence in Lafourche parish on Monday and had their wedding three days later.
Footage obtained by the Daily Mail appears to show Del Rey, whose real name is Elizabeth Woodridge Grant, wearing a white dress where Mr Dufrene works as a tour guide in Des Allemandes, south of New Orleans.
Del Rey has not commented on the reported wedding.
She met Mr Dufrene in 2019, posting pictures of her on one of his tours with the caption: “Jeremy lemme be captain at Arthur’s Air Boat Tours x.”
Arthur’s Air Boat Tours gives guided tours through the local swamps, where its website says visitors are likely to see “300 species of birds” and “alligators up close and personal”.
Mr Dufrene’s profile page says he previously worked seven days a week at a chemical plant – when he would “shrimp on vacation days”.
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“After a little convincing by his family, he got his captain’s licence and started running tours,” it adds.
“Jeremy’s a great airboat captain and loves interacting with wildlife & customers.”
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Sean “Diddy” Combs was hit with further sexual assault allegations after a woman filed a lawsuit in New York.
In the fresh civil case, the woman – identified by the pseudonym Jane Doe – claims she was repeatedly raped and drugged at the music mogul’s homes and became pregnant after one of the encounters.
It follows a series of similar legal cases brought by women against Combs, 54, who was arrested at a hotel in New York last week on sex trafficking, drug possession and firearms offences.
The latest lawsuit was filed on Friday against Combs, his companies and several associates, and seeks undisclosed damages for physical injuries, severe emotional distress, humiliation, anxiety and other harm.
The woman claims she met Combs abroad in 2020 and that the assaults and harassment continued through to July this year.
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She says she was often coerced and harassed into travelling to Combs’ homes in New York, Los Angeles and Miami and other cities, and during every visit the rapper would make her “perform a show” for him.
In one encounter alleged to have taken place in July 2022, the woman claims she blacked out after being forced to take drugs that included ketamine.
She later allegedly took a pregnancy test and told Combs it was positive. She said an associate of the music producer repeatedly demanded her to get an abortion. The lawsuit states she had a miscarriage.
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The woman, who is being represented by lawyers Marie Napoli and Joseph Ciaccio, also alleges Combs and his associates tracked her location and monitored her conversations.
She claims Combs discouraged her from working and gave her an “allowance” that he used to control her.
“No one is above the law. Fame and wealth do not protect Sean ‘Diddy’ Combs from serious allegations of sex trafficking and abuse,” Ms Napoli said in a statement.
Combs has been facing civil allegations including rape, sexual assault, and forced drugging since November 2023.
He has pleaded not guilty to racketeering conspiracy and sex trafficking but remains jailed, having been denied bail. His attorney said he is innocent and will fight to clear his name.
A lawyer for Combs did not respond to the allegations made in Friday’s lawsuit when contacted by the Associated Press news agency.
Dame Maggie Smith, known for her roles in Harry Potter and Downton Abbey, has died at the age of 89, her sons have said.
The actress died in hospital, her children Chris Larkin and Toby Stephens said.
In a statement, they said: “An intensely private person, she was with friends and family at the end. She leaves two sons and five loving grandchildren who are devastated by the loss of their extraordinary mother and grandmother.
“We would like to take this opportunity to thank the wonderful staff at the Chelsea and Westminster Hospital for their care and unstinting kindness during her final days.
“We thank you for all your kind messages and support and ask that you respect our privacy at this time.”
Born in Essex in 1934, Dame Maggie became an internationally recognised actress – one of the most versatile, accomplished and meticulous actresses of her generation.
Her first significant accolade came after playing the fanatical teacher in The Prime Of Miss Jean Brodie in 1969, which won her a best actress Oscar and BAFTA.
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Her second Oscar came for her role in California Suite in 1978 which won her a best supporting actress trophy, as well as a Golden Globe.
More recently she won a new generation of fans as Violet Crawley, the Dowager Countess of Grantham, in Downton Abbey and playing Professor Minerva McGonagall in the Harry Potter movies.
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Although she was a tour de force in leading roles on the West End stage, she was equally happy – even during the years of her mega-stardom – to accept supporting roles, particularly in films.
The Downton Abbey TV series won her a series of awards – three Emmys, a Golden Globe, and four Screen Actors Guild Awards.
TV presenter Gyles Brandreth has led the tributes, describing her as “wise, witty, waspish, wonderful” and “one of a kind in every way”.
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Sir Keir Starmer posted on X that Dame Maggie was a “true national treasure whose work will be cherished for generations to come” while former prime minister Rishi Sunak described her as “an icon of the stage and screen”.
Meanwhile a message posted by BAFTA said: “Dame Maggie was a legend of British stage and screen, winning five BAFTAs as well as a BAFTA Special Award and BAFTA Fellowship during her highly acclaimed career.”
She took Maggie as her stage name because another Margaret Smith was active in the theatre. She was 18 when she first appeared on stage, in Twelfth Night.
Laurence Olivier spotted her talent, invited her to be part of his original National Theatre company and cast her as his co-star in a 1965 film adaptation of Othello.
Some of her best-known movies included: Young Cassidy in 1966, Death On The Nile in 1979, Quartet in 1982, The Secret Garden in 1994, Tea With Mussolini in 2000, Gosford Park in 2002, and The Lady In The Van in 2016.
She married fellow actor Robert Stephens in 1967. They had two sons and divorced in 1975. The same year she married the writer Beverley Cross, who died in 1998. She was made a Dame in 1990.
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