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When it comes to crazy electric vehicles from Alibaba, I’ve seen and written about seemingly every category under the sun. From animal-shaped electric boats and e-submarines to electric versions of Henry Ford’s Model T and even electric motorcycles with only one wheel. But never before have I found a direct-from-China EV that was as equal parts fascinating and suicidal as this one. And so it is with a combination of morbid curiosity and substantial trepidation that I present to you this week’s Awesomely Weird Alibaba Electric Vehicle of the Week: a 60+ mph (100 km/h) standing electric scooter.

You know, like a Bird electric scooter. The kind you ride to go get a coffee.

Except this one looks like it ate a few Bird scooters. And it’s the kind you stand up on to go meet Odin in Valhalla.

This massive electric scooter touts a peak power rating of 8,000 W from a pair of gigantic hub motors. That’s enough power to rocket this bad-idea-on-wheels to a claimed 100 km/h, or 62 mph.

I’d call the scooter death defying at these speeds, but I think it might be more accurate to call it death inducing.

The vendor helpfully mentions that the scooter can be limited to 25 km/h (15.5 mph), presumably to make it street legal. Good luck explaining that to the cop that pulls you over after finally catching up with you. I imagine it’d be a bit like pointing to the turn signals you added to your monster truck while stamping your foot and indignantly saying “See, officer?”

The scooter comes with two 72V battery options of either 35Ah or 45Ah. But let’s not kid ourselves, if you’re getting something this ridiculous, then you’re going to max out the pack.

With the larger 3.2 kWh option, that 25 km/h speed limit would probably let the scooter cross the US on a couple of charge stops. At modest speeds of 60 km/h (37 mph) though, the seller rates that battery for 100-130 km (62-81 miles) of range.

Still not too shabby!

That’s a big battery; credit where credit is due. It’s so big that the scooter even comes with two chargers so you have a prayer of filling that battery in a single overnight charge.

The good news is that even though you’ll be flying through the night at breakneck speed (perhaps literally), people will surely see you coming from a distance and have time to get out of the way. That’s because this rolling liability has more lights than a landing strip at O’Hare.

There are four giant spotlights, standard headlights, “ambient lighting,” LED lights built into the acrylic deck, tail lights, and turn signals. Even the instrument display lights up like a Christmas tree.

To be honest, though, that’s a pretty nice instrument panel. Despite the relatively low price of $2,645, the screen seems nicer than you used to find on most electric Zero Motorcycles costing 5-7x the price (until Zero updated those screens lately).

And while I’m making concessions, the scooter actually seems fairly decently built. The full suspension will at least give you a fighting chance when you hit anything on the road larger than a pencil at max speed. And the 13-inch wheels are quite large by scooter standards. They might even help you fare better against potholes. Of course you could also use the scooter’s other defense against potholes: Just hit them at 60 mph and your wheels won’t have time to drop down into them.

Check out how many gadgets we’ve got on those bars, too! This scooter is more decked out than a mall rent-a-cop’s tactical belt.

One area of the sales page that I absolutely love is the “notes” section. In it, the seller provides a couple key pieces of advice for prospective new scooter owners:

Note:
1.This scooter is not 100% waterproof, the water can not come in the battery (water don’t steep the pedal);

2. For the drop testing in the video, it don’t mean customer can drop it. Pls love your scooter and protect it carefully.:)

That is to say, this scooter appears to be able to handle anything you could throw at it up to and including the apocalypse, as long as it’s a dry end of times. And also, don’t drop your scooter. Though good luck even trying not to. The damn thing weighs 58 kg (127 lb).

I also love how the kind helmet-less organ donor in the demo video below is decked out in tactical elbow and knee pads but is just raw-dogging it down the road with no skid-lid. This man made the conscious decision to ride a 60 mph standing scooter with no helmet, but then thought to himself, “I better protect myself with elbow pads, that’s how I make my money.”

For the actually reasonable price of $2,695, the scooter may just be one of the cheaper ways to go out in a blaze of glory on a thrill ride.

I’m not saying I recommend anyone get one of these, and in fact I’m actively advising against it. Though the free shipping is working against me by making this out to be an even sweeter deal – if the kind of deal you’re looking for is a kamikaze scooter.

I suggest we all sit this one out and just enjoy the scooter on paper for its ridiculousness. There are plenty of other fun and weird electric vehicles on Alibaba that won’t actively try to kill you.

Check out some of my other Awesomely Weird Alibaba Electric Vehicle of the Week finds below, or drop me a line if you happen to find something fun and weird in your own perusings!


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Salt Path author Raynor Winn responds to claims she lied about ‘true’ story

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Salt Path author Raynor Winn responds to claims she lied about 'true' story

Salt Path author Raynor Winn has said claims she lied about her story are “highly misleading” and called suggestions her husband made up his illness “utterly vile”.

A report in The Observer disputed key aspects of the hit book, billed as an “inspiring and life-affirming true story” about a couple’s coastal trek.

Winn released a lengthy statement denying the paper’s claims and shared medical letters apparently sent to her husband, Moth, that appear to support a diagnosis for a rare neurological condition, Corticobasal Degeneration (CBD).

One letter mentions his prior “CBS [Corticobasal Syndrome] diagnosis”, while another concludes he has “an atypical form” of CBD.

The author said accusations he lied about having CBD/CBS are false and have “emotionally devastated” him.

Pic: Steve Tanner/Black Bear
Image:
Raynor and husband Moth (centre) with actors Jason Isaacs (L) and Gillian Anderson (R). Pic: Steve Tanner/Black Bear

“I have charted Moth’s condition with such a level of honesty, that this is the most unbearable of the allegations,” Winn wrote on her website.

The Observer claimed to have spoken to experts who were “sceptical” about elements of his story, such as a “lack of acute symptoms and his apparent ability to reverse them”.

PSPA, a charity that supports people with CBD, ended their relationship with the family following The Observer’s claims.

Winn said she had never suggested walking was “some sort of miracle cure” and that there can be “symptoms for many years before they finally reach a diagnosis”.

“Even then, many sufferers’ symptoms present in an atypical way,” she wrote.

“They might not present with the same symptoms, occurring in the same order, or with the same severity.”

Pic: Steve Tanner/Black Bear
Image:
The memoir was turned into a film, released. Pic: Steve Tanner/Black Bear

Winn also posted the letters on Instagram and said they are grateful Moth’s condition is slow-progressing.

She clarified it is now commonly referred to by specialists as CBS, “which describes the symptoms observed during life”.

The bestselling book was also recently released as a film, starring Jason Isaacs and Gillian Anderson, charting the couple’s 630-mile trek along the Cornish, Devon, and Dorset coast – a journey sparked by the devastation of losing their house.

The Observer claimed the portrayal of a failed investment in a friend’s business wasn’t true, rather they lost their home after Raynor Winn embezzled money from her employer, Martin Hemming, and had to borrow to pay it back and avoid police action.

Winn’s statement said the dispute with Mr Hemmings wasn’t the reason they lost their home – but admitted she may have made “mistakes” while in the job.

“For me it was a pressured time,” she wrote. “It was also a time when mistakes were being made in the business. Any mistakes I made during the years in that office, I deeply regret, and I am truly sorry.”

She admitted being questioned by police but said she wasn’t charged.

Winn added: “I reached a settlement with Martin Hemmings because I did not have the evidence required to support what happened. The terms of the settlement were willingly agreed by both parties.”

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The author reiterated the book’s version of events: that the loss of their home in Wales stemmed from an investment in a friend’s property portfolio that went sour.

Her statement goes into legal detail about how it transpired and admits – as The Observer suggested – that the couple at one point tried to raffle the house.

However, the author said they “quickly realised it was a mistake as it clearly wasn’t going to work. We cancelled it and refunded the few participants.”

The 63-year-old also denied having any outstanding debts and said it was “blatantly untrue” the couple were hiding behind pseudonyms after The Observer quoted people who said they knew them by the surname Walker.

“Winn is my maiden name and like most women who have married I’ve used both my maiden name, Winn, and married name, Walker,” said the statement.

She also explained she preferred the first name Raynor, rather than her birth name Sally Ann, so took that as her pen name; while Moth is an abbreviation of her husband’s name, Timothy.

“The legal names we use on our bank records, our utility bills etc. Our friends and neighbours use Sal and Tim interchangeably with Ray and Moth – there is nothing hiding in our names,” she said.

Sky News has contacted The Observer for a response to Winn’s statement.

Raynor Winn had been scheduled to make numerous appearances over the summer, performing with Saltlines, her collaboration with Gigspanner Big Band.

However, the band has since announced on social media that she will no longer be taking part in the tour.

She was also scheduled to take part in various Q&As, conversations, writing courses and festivals.

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Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

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Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

Actor Michael Madsen, who starred in Reservoir Dogs and Thelma & Louise, died from heart failure, his cardiologist has said.

The 67-year-old was found unresponsive in his home in Malibu, California, last Thursday and pronounced dead.

His doctor said heart disease and alcoholism will be listed as factors which contributed to the star’s death, reported NBC Los Angeles.

With no suspicious circumstances and the death listed as being from natural causes, the Los Angeles Sheriff’s Department considers the case closed.

In a career spanning more than 40 years, Madsen’s film credits include Free Willy, Donnie Brasco and Sin City.

He was also known for his collaborations with director Quentin Tarantino, including in Kill Bill: Vol. 2, The Hateful Eight and Once Upon A Time In Hollywood.

The Chicago-born actor also linked up with Tarantino when he played Mr Blonde in 1992’s Reservoir Dogs.

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Michael Madsen played Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock
Image:
Madsen played numerous roles, including Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock

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His sister, Oscar-nominated actress Virginia Madsen, paid tribute to her brother in a statement to Variety.

She wrote: “My brother Michael has left the stage.

“He was thunder and velvet. Mischief wrapped in tenderness. A poet disguised as an outlaw. A father, a son, a brother – etched in contradiction, tempered by love that left its mark.”

Madsen was preparing to release a new book called Tears For My Father: Outlaw Thoughts And Poems.

A statement by managers Susan Ferris and Smith, and publicist Liz Rodriguez, said the book by “one of Hollywood’s most iconic actors” was currently being edited.

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Fantasy v reality: Lena Dunham’s Too Much is a new spin on the London romcom

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Fantasy v reality: Lena Dunham's Too Much is a new spin on the London romcom

Horse-drawn carriages, picturesque gardens and endless cups of tea are just some of the stereotypical tropes that have shaped America’s romanticised image of England before even stepping foot on the island.

Thanks to classical literature and a steady stream of period dramas, Lena Dunham was no exception.

“I had so many fantasies,” she tells Sky News about growing up slightly obsessed with British culture.

“I loved Jane Austen, I loved Charlotte Bronte, I love British film, I was one of those little Anglophile kids.”

The writer and director believed it would be that area of classically depicted England that would fill her time when she first moved to “jolly old London” as a teenager with her mother for a brief time.

Instead, her attention was taken by another, and possibly equally influential group of artists.

“There was a pop show about S Club 7 and all I did was just sit in the hotel and obsessively watch things relating to [the group],” she said.

“So, I didn’t go home with all this cultural British knowledge. I went home with a deep abiding love of S Club 7 and came back to school when everyone was obsessed with the Backstreet Boys and NSYNC.

“For me, I was literally like, ‘Guys, you got to hear this hot track right off the presses, it’s called Reach For The Stars’.”

Lena Dunham in a clip from Netflix series Too Much. Pic: Netflix
Image:
Pic: Netflix

It wasn’t until her 30s, when the actress moved again to the city, that reality took hold and she quickly learned the difference between the imagined London and the real city.

Some stereotypes hold true, like the universal love for Paddington. Still, TV tropes like renting a flat on a single income in the city does not necessarily mean you’ll be treated to lavish rooms and a picturesque garden.

She says it was social cues she found most challenging to adjust to, as well as the different dictionaries used when speaking, technically, the same language.

“You come to a new country and even though you speak the same language, you’re totally absent from those tools,” she says.

“And I found that really striking as an adult in my 30s, trying to make friends, trying to date. I found it confusing enough to be a person in my own city of origin, so this was extra confounding.”

Too Much, her new Netflix series, is loosely inspired by her own London chapter and follows a workaholic New Yorker in her 30s who is sent across the Atlantic to work on a new project.

The 10-episode show is produced by Working Title – the company behind Bridget Jones, Notting Hill, About A Boy and Love Actually – and stars Hacks breakout actress Megan Stalter and The White Lotus actor Will Sharpe.

Megan Stalter stars as Jessica in Lena Dunham's new Netflix comedy Too Much. Pic: Netflix
Image:
Pic: Netflix

Dunham says she always wanted to write about her time in the UK, but it was a conversation with Irish actor Andrew Scott that got the ball rolling.

“Actually, he’s the reason that I came to know Meg as an actor because he loved her on Hacks and he loved her videos, and he said: ‘Have you watched this woman’s work? I feel like there’s a real connection between you two’, and I started watching because of him and built a show around her.”

In a full circle moment, Scott appears in the series briefly as an arrogantly odd man who crosses paths with Megan Stalter’s character Jessica.

Andrew Scott in Lena Dunham 's new Netflix comedy series Too Much. Pic: Netflix
Image:
Pic: Netflix

The Ridley actor isn’t the only famous face joining the cast in a cameo role. Dunham put a call out to most of Hollywood, and luckily lots were on board.

To name just a few, guest stars include Jessica Alba, Stephen Fry, Adwoa Aboah, Kit Harington, Rita Wilson, Rita Ora, Richard E Grant, Emily Ratajkowski, Andrew Scott, Prasanna Puwanarajah and Jennifer Saunders.

“It was one of those situations where you just reach for the stars, literally, and then you can’t believe when they appear,” says Dunham.

“It was just a non-stop parade of people that I was fascinated by, wanted to be around, completely enamoured of.”

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Lena Dunham speaks to Sky's entertainment reporter Debbie Ridgard
Image:
A whole host of high-profile cameos feature in Lena Dunham’s Too Much

She adds: “I remember asking Naomi Watson, thinking, there’s absolutely no way that you’re going to want to come play this slightly demented woman. And she’s so playful and she’s so joyful and she just wanted to come and engage.

“Also, Jennifer Saunders has meant so much to me for so long, I had the AbFab box set as a kid, and I just think Patsy and Edina are the ultimate kind of messy women.

“She really showed me what comedy could be and… the space that women could occupy in comedy, and so having her come and join the show was really incredible.

“That was an episode that someone else was directing, Alicia McDonald, an amazing director, so I just got to sit and watch at the monitor like I was watching a movie, and it was very surreal for me.”

Too Much is out on Netflix now.

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