It’s midday at the Corinthia Hotel in London and I’m sitting on a bench in a corridor waiting to talk to Daniel Craig.
The main entrance doors are open for ventilation. Pre-pandemic there would have been a lot of security, this is Bond after all, but in the age of coronavirus the hotel is like a socially distanced Fort Knox.
There’s a doctor on standby and before I’m allowed in the same room as 007, I’ve had to pass a temperature check – and that isn’t all.
To get into the hotel itself I’ve had to show the results of a negative PCR test taken within the last 48 hours, prove I’d done a lateral flow test this morning AND sign paperwork promising I’m not secretly trying to give everyone at the press junket COVID.
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Daniel Craig’s ‘joyous’ return to the cinema
The mask I had with me had to be taken off, only to be replaced by an industrial-looking number that everyone around me was wearing. “It does look a bit like we’ve all got beaks!” one woman commented in the hallway to nods and muffled agreement.
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This whole process is very weird and certainly not conducive in terms of making you feel nice and relaxed ahead of interviewing an actor who has a reputation for being notoriously tetchy.
If there are journalists before or after me, I haven’t come into contact with any, so pre-Daniel I settle for a hushed gossip with a woman who may have been a member of security (but really who knows when our faces are covered-up with a giant white beak?).
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Image: Sep 2019: Daniel Craig on the set of No Time To Die. Pic: AP
“Have you met Daniel before?” she said. “No” I say.
“Every time he’s come out here he’s made a point of asking us if we’re all ok, he’s REALLY nice!”
“That’s good to know,” I tell her, adding: “because he’s got a bit of a reputation for being, you know, grumpy.”
But not today.
Just one final hurrah of press interviews and that’s it, Daniel Craig is done.
There’s no way he’s repeating those “he’s so moody” headlines he got after the very first news conference he did.
Image: Casino Royale was Craig’s first Bond outing. Pic: Nicola Dove/MGM
So it is a seemingly demob happy Craig I’m introduced to, sat alongside super-producer Barbara Broccoli.
No handshakes, of course, and they’re sat well over two metres away from me in the hotel’s well-ventilated ballroom.
But those blue eyes are twinkling, he’s laughing, relaxed even, and happy to chat now the rollercoaster is about to stop.
“I mean, I was definitely in two minds about taking it at the beginning but… I’ve never regretted it,” he says.
“It’s been tough, but it’s always, always, always, always been interesting. It’s always been creatively satisfying. I’ve had the chance to work with just some of the most incredible people and it’s made a mark on my life and, I mean, that’s a massive understatement.”
Broccoli refuses point blank to think who her next Bond will be.
“I’m in denial. I don’t want to think about it and I’m not going to think about it. As far as I’m concerned Daniel Craig is James Bond. End of story.”
It hasn’t been easy 15 years for Craig, being the leading man in one of Britain’s biggest cultural exports.
Aside from broken legs and twisted ankles, the run-ins with the press were there from day one, with critics saying it was wrong to have a blond Bond.
He’s had paparazzi in trees outside his house, photographers willing to bury themselves under sand to get pictures of him on the beach in his trunks.
He admits, before he met his wife Rachel Weisz, the attention ruined relationships and made him never want to leave the house.
“I think I’ve changed,” he reflects, looking back on it now.
“I’ll be perfectly honest, I couldn’t deal with it but it is part of the nature of the beast, you have to sort of accept it. I think you have to find a level.
Image: Lashana Lynch has taken on the mantel as 007. Pic: Nicola Dove/MGM
“I’ve tried my best not be hypocritical about it. I keep myself away from everything when I’m not promoting a movie. I’m not on social media. I try and keep a very private life. So that’s my sort of that’s my sort of line in the sand, I suppose.”
Has it got any better as he prepares to leave the role?
“The press don’t seem as interested in me anymore,” he laughs. “I’m probably just a bit boring for them.”
So it’s official Daniel Craig isn’t grumpy… he wants to be boring… but then he is a very good actor. And surely that’s all that matters?
A judge has quashed a summons against comedian Reginald D Hunter, brought privately by Campaign Against Antisemitism, ruling it “abusive” and intended to get the comedian “cancelled”.
The 56-year-old US comic had been accused of three counts of sending an offensive communication on three different occasions – 24 August, 10 September and 11 September last year – to Heidi Bachram on X.
The summons was quashed at Westminster Magistrates’ Court on Tuesday by District Judge Michael Snow following an application by the defence.
Judge Snow ruled that the Campaign Against Antisemitism (CAA) charity’s motive in seeking to prosecute Hunter was “to have him cancelled” and that the prosecution was “abusive”.
Bought as a private prosecution, rather than by the state, the judge said the charity was seeking to use the criminal justice system “for improper reasons”.
The CAA describes itself as a volunteer-led charity, “dedicated to exposing and countering antisemitism through education and zero-tolerance enforcement of the law”.
In his ruling, Judge Snow said: “The CAA have demonstrated by the misleading and partial way in which it summarised its application and its wilful, repeated, failure to meet its disclosure obligations, that its true and sole motive in seeking to prosecute Reginald Hunter is to have him cancelled.
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“I have no doubt that the prosecution is abusive.
“My view of the conduct of the CAA is consistent with them as an organisation which is not ‘playing it straight’ but is seeking to use the criminal justice system, in this case for improper reasons.”
Image: Hunter at Westminster Magistrates’ Court earlier this year.Pic: PA
‘Inadequate’ summary and failure to flag compliance probe
Judge Snow said the summary of Ms Bachram’s tweeting in the application case summary was “wholly inadequate”.
He added: “It did not reveal the extent of her tweets directed against Reginald Hunter in the period immediately preceding the complaints (her tweets were sent between 15 August and 11 September 2024).
“The summary misled me into believing that his comments were addressed to her involvement with the Jewish faith as opposed to his response to attempts that were being made to have him ‘cancelled’.”
The judge said the CAA had failed to inform him of a compliance investigation by the Charity Commission into the CAA in November 2024.
CAA accused of ‘weaponising’ the court
Hunter’s lawyer Rebecca Chalkley KC told the hearing on Tuesday that “very little was disclosed” to the judge and the “lack of candour” meant the summons should be quashed.
Ms Chalkley said: “It calls into question the whole juridical process as judges before issuing summonses need to have everything in front of them.”
The lawyer told the judge: “You were led to believe in papers in front of you that the CAA was no more than a charity, that it had no history – as since demonstrated as a vexatious litigant – no complaints, no criticism in Parliament, no investigations by the Charity Commission.”
The lawyer added: “The CAA are weaponising and using the courts for their own political agenda and not just in this case.”
The CAA’s prosecutor Donal Lawler told the hearing that the charity had complied with its duty of candour.
Hunter regularly tours the UK and has appeared on comedy panel shows Never Mind The Buzzcocks, Have I Got News For You and 8 Out Of 10 Cats.
A crowdfunding campaign he launched to help him cover his legal fees raised over £58,000 in less than six months.
Chris Rea, known for hits including Driving Home For Christmas and The Road To Hell, has died after a short illness, according to a family spokesperson.
A statement on behalf of his wife and two children stated: “It is with immense sadness that we announce the death of our beloved Chris.
“He passed away peacefully in hospital earlier today following a short illness, surrounded by his family.”
Image: Chris Rea arrives at the Odeon Leicester Square for the opening of the London Film Festival in 1996. Pic: PA
The Middlesbrough-born musician was diagnosed with pancreatic cancer and had his pancreas removed in 2001, and in 2016 he suffered a stroke.
Rea found fame in the late seventies and eighties with hits such as Fool (If You Think It’s Over), Let’s Dance and The Road To Hell.
Known for his gravelly voice and latterly for his slide guitar playing, he was nominated for a slew of top awards, including Brit Awards, at the height of his success and sold millions of records.
Rea’s debut album, titled Whatever Happened To Benny Santini?, a reference to the stage name his record label wanted him to adopt, was released in 1978.
His track Fool (If You Think It’s Over), from the album, went on to be nominated for a Grammy.
He did not find such success again for a few years, but by the time his eighth album On The Beach was released, he was a star in the UK and around Europe, with sporadic hits in the US.
When Road To Hell was released in 1989, he became one of the biggest solo stars in the UK. Two of his studio albums – The Road To Hell (1989) and Auberge (1991) – went to number one in the country.
His famous song Driving Home For Christmas, first released in 1986, features in this year’s M&S Food Christmas advert – which sees comedian Dawn French sing along to the single in her car.
Speaking about the song during the 2020 Mortimer And Whitehouse Gone Fishing Christmas special, he told comedian Bob Mortimer: “I was on the dole when I wrote that.
Image: Chris Rea arrives at the Mojo Awards in 2009. Pic: PA
“My manager had just left me. I’d just been banned from driving, right. My now wife, Joan, she had to drive down to London, picked me up in the Mini, and take me home, and that’s when I wrote it.”
The singer returned to his blues roots after a string of health problems.
“I wasn’t frightened of dying,” he once said in an interview.
“It did look like the end, but what got me through was the thought of leaving a record that my two teenage daughters could say, ‘That’s what Papa did – not the pop stuff, but the blues music. That’s what he was about’.”
Image: Chris Rea arrives at the Odeon Leicester Square for the opening of the London Film Festival in 1996. Pic: PA
Image: The coffin is carried from the ceremony by Alan Wren (L), Liam Gallagher (R) and John Squire (2nd R). Pic: PA
Image: Pic: PA
His death came two years after that of his wife, Imelda Mounfield, who was diagnosed with stage 4 bowel cancer in November 2020. The couple welcomed twin boys in 2012.
He had been due to travel the UK later this year for an in-conversation tour sharing memories of his rock experiences.
The funeral, which was held at Manchester Cathedral, drew hundreds of fans, including a guard of scooter riders with black bands and a photo of Mani on their bikes.
Arriving at the service, The Stone Roses frontman Ian Brown said Mani was “a brother to me”, calling him a “beautiful human being”.
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Some of the biggest names of British 1990s music were at the ceremony, including Oasis star Liam Gallagher, singer-songwriter Paul Weller, Primal Scream frontman Bobbie Gillespie and Bez, from the Happy Mondays.
Tim Burgess, lead singer of The Charlatans, Elbow frontman Guy Garvey, Ian McCulloch of Echo & The Bunnymen, Mike Joyce, drummer from The Smiths, Inspiral Carpets keyboardist Clint Boon, and former Joy Division and New Order bassist Peter Hook also came to pay tribute.
Image: Liam Gallagher. Pic: PA
Image: David Beckham. Pic: PA
Former Manchester United players David Beckham and Gary Neville were also among hundreds of mourners arriving for the service.
Manchester mayor Andy Burnham and Coronation Street star Sally Lindsay were also in attendance.
Image: Paul Weller. Pic: PA
Image: Bez from the Happy Mondays. Pic: PA
Hundreds more fans gathered outside the cathedral and applauded as the cortege arrived, and as I Wanna Be Adored – one of The Stone Roses’ biggest hits – blared from the speakers.
The coffin, which was decorated with artwork from the cover of The Stone Roses – the band’s self-titled debut album – had travelled around eight miles from Heaton Moor in Stockport to the cathedral.
Gallagher, along with The Stone Roses drummer Alan Wren – also known as Reni – and bandmate John Squire carried the coffin from the ceremony after the service.
Mani was part of the Stone Roses’ classic line-up alongside Brown, Squire and Wren.
Pausing briefly as he went into church, Brown said he was there to celebrate “what a beautiful human being that he was”.
Asked what his bandmate meant to him, the singer said: “Everything. He’s a brother to me.”
Image: Guy Garvey, from Elbow, arriving for the funeral service of former The Stone Roses and Primal Scream bass player Gary Mounfield, who was known as Mani
Image: Actress Sally Lindsay. Pic: PA
Forming in 1983, Mani was part of The Stone Roses until they split in 1996, playing on both the eponymous debut album, released in 1989, and their 1995 follow-up, Second Coming.
The “Madchester” band was known for blending indie with acid house, psychedelia and pop.
Mani went on to play with Scottish band Primal Scream for 15 years, leaving in 2011 to rejoin the reuniting Roses.