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From Kristen Stewart’s portrayal of Diana to the hugely anticipated return of a fan-favourite TV show, the London Film Festival is back as cinemas are filling up once again.

Hot on the heels of the release of the latest James Bond film No Time To Die, which has smashed box office records, the prestigious film festival returns with physical, in-person premieres and red carpets, after the COVID-19 pandemic forced last year’s event online.

After months of cinemas being closed, Tricia Tuttle, director of BFI Festivals, which organises the flagship event, says it is an exciting time for the industry.

Cast member Daniel Craig poses during the world premiere of the new James Bond film "No Time To Die" at the Royal Albert Hall in London, Britain, September 28, 2021. REUTERS/Toby Melville
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No Time To Die, which premiered at the Royal Albert Hall in September, has broken box office records

“Bond has just come out and at the festival we’re going to be 100% capacity – with COVID safety protocols, of course,” she tells Sky News. “Audiences have shown willingness to go back to theatre and people are interested in these big, large-scale live events again.

“There is something incredible that happens when you sit in a dark, packed cinema. It really transforms the work and I can’t wait for our audience at the festival to have that experience this year.”

While the industry continues to find its feet with new filming protocols, the festival promises to wow film lovers with its line-up of more than 150 movies, 21 of which will be world premieres – as well as the return of a huge TV show.

Sky News has collated a list of things to watch out for during the festival, which starts on Wednesday.

British film fans will get their first glimpse of Kristen Stewart as Diana, Princess Of Wales in Spencer

Kristen Stewart is the latest actress to take on the role of Diana, Princess Of Wales. Pic: Topic Studios
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Kristen Stewart is the latest actress to take on the role of Diana, Princess Of Wales. Pic: Topic Studios

Arguably one of the most anticipated films of the year, Spencer will get its British unveiling at the festival.

The latest depiction of the people’s princess has been made by Chilean director Pablo Larrain and is set at the Sandringham Estate over the course of a Christmas weekend in the early 90s.

It will look at what could have happened over those days, as her marriage to Prince Charles stalled – but she was still required to be involved with the Royal Family.

It got rave reviews at the Venice Film Festival, with Kristen Stewart in particular winning praise.

It screens on the 7, 8 and 17 October at the Royal Festival Hall.

King Richard – the new Will Smith drama about the Williams tennis sisters

Will Smith leads in King Richard. Pic: Warner Bros
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Will Smith leads in King Richard. Pic: Warner Bros

It got its world premiere at Telluride festival in the US last week, but European film buffs will get their first look at the latest Will Smith film.

King Richard is based on the true story of the Williams sisters‘ rise to stardom, told from the perspective of their father Richard.

It’s already got “Oscars buzz” (read: critics reckon Smith might get a look in at the Oscars for it) and those who have already seen it reckon it’s a good film.

It screens at the Royal Festival Hall on 15 and 16 October.

Wes Anderson’s new film – The French Dispatch

Wes Anderson, Tilda Swinton, Bill Murray, Benicio and Alexandre Desplat pose for photographers upon arrival at the premiere of the film 'The French Dispatch' at the 74th international film festival, Cannes, southern France, Monday, July 12, 2021. (Photo by Vianney Le Caer/Invision/AP)
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Wes Anderson (left) and some of the cast of The French Dispatch. Pic: Vianney Le Caer/Invision/AP

The film world absolutely loves a Wes Anderson film – which are known for being colourful, quirky and distinct.

His latest effort, The French Dispatch, is no different, having been described as a “love letter to journalists” (Thanks, Wes – we love you too), it stars one of the busiest men in Hollywood at the moment, Timothee Chalamet, as well as ensemble cast featuring comedian Bill Murray, Doctor Strange star Tilda Swinton, and Loki actor Owen Wilson.

It follows the the French foreign bureau of a fictional Kansas newspaper as it creates its final issue.

As you would expect, it’s already had plenty of praise heaped on it since it had its Cannes premiere, so expect screenings to be pretty busy.

It screens at the Royal Festival Hall on the 10, 11 and 13 of October.

Starry Shakespeare is closing the festival

The Tragedy Of Macbeth will close the festival. Pic: Apple TV+
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The Tragedy Of Macbeth will close the festival. Pic: Apple TV+

The Tragedy of Macbeth, a new version of the classic Shakespeare play, will close the festival on 17 October.

We’ve seen a lot of big screen Shakespeare adaptations throughout the years, with this latest one starring two Oscar-winning actors – Denzel Washington and Frances McDormand – in the lead roles.

It’s in black and white, and has an exciting, ethnically diverse cast, including the likes of In The Heights star Corey Hawkins, Irish acting royalty Brendan Gleeson and the rough-voiced northern Game Of Thrones actor Ralph Ineson.

Joel Coen (one of the Coen Brothers – Hollywood’s power-siblings) is in the directing chair for this one, and reviews are yet to come out, because it doesn’t get a screening until later in October at the New York Film Festival.

One fans have been waiting for – season three of Succession

David Rasche in Succession season two. Pic: HBO
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David Rasche in Succession season two. Pic: HBO

But hold on – this is a film festival?

Yes, it is, but with the line between film and TV blurring every year, it feels right to include the blockbusting show at the festival.

The first two episodes of the third season of Peep Show writer Jesse Armstrong’s comedy-drama will screen at the event before it hits Sky later in the year.

Two noteworthy Westerns

Idris Elba during a photo call for Luther series 5, at the Courthouse Hotel in Shoreditch, London. PRESS ASSOCIATION Photo. Picture date: Tuesday December 11th, 2018. Photo credit should read: Matt Crossick/PA Wire
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A new Idris Elba western will open the festival

This year’s festival will open with the world premiere of The Harder They Fall, inspired by the real African-American cowboys whose stories are rarely told.

It’s a first feature from director Jeymes Samuel but the experienced cast includes Idris Elba, Regina King, Jonathan Majors and Delroy Lindo.

Later in the festival The Power of the Dog, from director Jane Campion (the first and only female director to ever win Canne’s Palme d’Or for The Piano back in 1993 – you’re welcome festival trivia fans!), will tell the story of two rich brothers running a ranch on the edge of a frontier town.

The film premiered to very favourable reviews in Venice last week, with Benedict Cumberbatch being tipped for the awards race for his performance in the drama, which also stars Kirsten Dunst and Jesse Plemons.

Directorial debuts

Olivia Colman. Pic: Jennifer Bloc/Geisler-Fotopress/picture-alliance/dpa/AP Images
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Olivia Colman will be featuring in The Lost Daughter To London. Pic: Jennifer Bloc/Geisler-Fotopress/picture-alliance/dpa/AP Images

First timers are certainly welcome at LFF with one of the prizes going to the most original and imaginative debut, but there are two we wanted to highlight.

Maggie Gyllenhaal will bring her adaptation of Elena Ferrante’s The Lost Daughter to London, starring Olivia Colman as a woman who while on holiday becomes obsessed with another woman and her daughter. The supporting cast includes Dakota Johnson, Jessie Buckley and Paul Mescal.

Elsewhere Sadie Frost is turning her hand to documentary with Quant about the fashion designer Mary Quant.

She told Sky News she’s thrilled her film’s been included as it’s been a massive undertaking: “I got an opportunity to direct and even though I’ve done short films before I’ve never actually directed a feature-length documentary and the responsibility of that is huge, but I threw myself in to it and I’ve gone back and done a masters in film studies and a directing course at Raindance.”

Family fun from a British studio for a British festival

Ron's Gone Wrong is the first film from British studio Locksmith. Pic: Locksmith
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Ron’s Gone Wrong is the first film from British studio Locksmith. Pic: Locksmith

Ron’s Gone Wrong is the first film from British animation studio Locksmith and explores what happens when Artificial Intelligence has a mind of its own.

It’s directed by Jean-Philippe Vine and Sarah Smith who told Sky News how exciting it was to be included on this year’s line-up: “We were delighted because to have the opportunity to have a big UK event, it’s a UK studio and we’re super proud of that, and the London Film Festival is unbelievably vibrant – who could not be proud of this country in terms of films when you see the London Film Festival”.

Watching films in augmented reality

China

As if the mere idea of watching a film in a cinema with other people isn’t exciting enough after the last 18 months, there’s also plenty on offer for those wanting a new way to experience storytelling.

This year’s expanded programme at LFF has, well, expanded – the idea is to showcase different mediums so expect Augmented Reality, Virtual Reality, immersive audio and more as the festival looks to highlight work that doesn’t come under the traditional ‘film’ heading.

The London Film Festival becomes less London-centric!

It might be called the London Film Festival but that doesn’t mean you have to be in the capital to get involved.

After last year’s event was forced to be virtual, organisers were pleased with how going online increased accessibility and as well as a virtual offering this year, partner cinemas across the UK will also show a selection of festival films.

The BFI London Film Festival runs from 6 to 17 October

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Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

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Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
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Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
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Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
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Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

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Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

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Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
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Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

More on The Who

Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
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Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
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Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

Read more from Sky News:
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Richest billionaires named
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In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

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Russell Brand charged with rape and sexual assault

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Russell Brand charged with rape and sexual assault

Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

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Ashna Hurynag discusses Russell Brand’s charges

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

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Last UK blast furnaces days from closure
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The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

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