‘It felt liberating’: Laura Mvula on her ‘unfiltered’ Mercury Prize reaction and championing female artists
After this year’s Mercury Prize ceremony had wrapped up, Laura Mvula found herself in tears in a hotel room. Nominated for a rare third time – she has never released an album that hasn’t been shortlisted – the pressure had built up.
While Mvula never really went away, the ’80s pop-inspired Pink Noise was a return of sorts, released through Atlantic in July after she was unexpectedly dropped by former record label Sony early in 2017. A difficult period was followed by yet another when the pandemic hit, and suddenly an accolade that previously would simply have been the cherry on top of an exceptional career had become all-consuming.
On the night, the prestigious Mercury Prize went to Arlo Parks, for her debut album Collapsed In Sunbeams. “I get robbed. A lot,” Mvula tweeted afterwards, following it up with: “Mercury Prize can lose my number.” The next day, she shared a longer message on Instagram: “I really thought Pink Noise might’ve won last night… I needed it for several reasons too complex to dive into here. I don’t expect to be understood fully by the British public but try not to judge my pain… I’m just tired. Please buy the album if you can and come to a show. Many thanks. Love you.”
Mvula released her third album, Pink Noise, earlier in 2021. Pic: Danny Kasirye
A few weeks later, Mvula is feeling a lot more positive, her energy and infectious laugh lighting up a Zoom call. We are here to talk about National Album Day, for which she is an ambassador this year, and she is keen to praise the artists who have inspired her – everyone from Erykah Badu, Jill Scott and Des’ree to contemporaries such as Lianne La Havas, Little Simz and Nao, as well as the late Amy Winehouse and composer Errolyn Wallen.
She is also candid about how strongly she feels about her own record and the Mercury Prize. There is “no malice” towards Parks but she is honest about how missing out made her feel.
“I was so exhausted,” she begins. “I don’t just mean from the day, I mean from the moment I even thought about making a third record… I’d had two previous nominations so there was a sense of ‘third time round’. I allowed myself to get caught up in the noise, pardon the pun, of it all. That’s what I regret the most, is that for the first time I really started to make so many things matter to me that ordinarily have nothing to do with what I really care about.”
Mvula chuckles as she adds that she’s “mid-30s, still trying to make a living”, but it matters. It’s not often an artist is so candid about their own personal situation, but the way the industry treats female artists as they get older is no secret.
“It’s a weird thing to get used to high critical acclaim,” Mvula goes on. “There’s something bittersweet because it’s wonderful to be acknowledged as an artist who makes things people respect. That’s something I consider to be a high privilege and something I’m proud of. But at the same time, when it doesn’t necessarily translate to something tangible, that can be where it gets complicated. And [there’s a] need or desire to be visible and to have a growing audience, to not want to just have a legacy that is, ‘yes, we know of her, but oh, she never broke through’, or whatever the narratives are in my mind.”
Laura Mvula is an ambassador for National Album Day 2021. Pic: Danny Kasirye
Of the handful of artists who have been nominated three times or more, the classically trained musician is not in bad company when it comes to those who have not won: David Bowie, Coldplay, Laura Marling, Florence And The Machine, to name a few; Radiohead have a record five nominations, but no win. So clearly it speaks nothing of her talent; she won the equally prestigious Ivor Novello award for best album in 2017 – just months after being dropped by Sony – for the previous year’s The Dreaming Room, on which she collaborated with Nile Rodgers and reportedly had to turn down Prince.
But still, in that moment, it hurt. “I really yearned for it in a way that I wasn’t even ready for. When it went to Arlo, it was almost nothing to do with Arlo Parks and her music and Laura Mvula and her music, and all the other artists and the music, it became about something else.”
Pictured at the Mercury Music Prize shortlist launch earlier in 2021
She refers to recent comments made by Ed Sheeran about awards shows, which he described as “filled with resentment and hatred”. “There’s something really draining about the whole experience, and the win and the lose aspect,” Mvula admits. Her tweets after the Mercury Prize were tongue in cheek, she says, but came from a place of truth. “I guess, that was the real, unfiltered Laura. It was my rejection of all the pressure and all the nonsense and all the being pitted against one another… Here we are all desperately trying not to care. But somehow you end up caring so much.”
Back in the hotel room, Mvula’s friend and sister suggested she take her online posts down. “I just went to bed crying. I ignored them and I felt sort of more alone in that moment.” In the morning, they discussed a “pain” that many women will identify with. “We’re not supposed to say things that make us look not elegant and put together and demure and softly spoken, because anything else is just ugly,” says Mvula.
“I’m not going to lie: there was something very liberating about saying what I felt, knowing that I hold no malice in my heart at all towards Arlo or any other artists, but knowing I feel so passionately about what I do, and that me and the people who work so hard around me deserve some kind of break.” She shrugs. “That was it, really.”
The star says she has become more comfortable being ‘loud and noticed’. Pic: Danny Kasirye
She is sanguine about it all now. The reason the Mercury Prize matters is because it celebrates the album as an art-form, something Mvula feels passionately about. Pink Noise and its ’80s shoulder-padded aesthetic is a fun record, a shift from the more experimental, baroque soul of her first two albums. But making it did not come easily. “In the beginning… even making one song would have felt impossible at one stage,” she says, because she has to “really believe” in everything she puts out. But now it’s here, vibrant, unsubtle and a statement of intent, she couldn’t be more proud.
“I wasn’t always the most confident person, I didn’t always want to feel loud and be noticed or be seen or heard. In fact, the idea of being on a stage as a solo artist was something that used to freak me out. Pink Noise was my celebration of my life in its loud, bombastic, romantic, fragile glory.”
While the colour pink held lazy connotations and once felt “imposed” upon young girls growing up, now Mvula embraces it. “I wasn’t interested in wearing pink clothes and fluffy dresses because that supposedly fit some ideal or that meant I was beautiful and whatever,” she says. “And weirdly, I feel more beautiful [now] than ever.”
Along with artists including Kylie Minogue, Ray BLK and Sharleen Spiteri, Mvula is an ambassador for National Album Day 2021, which is this year shining a spotlight on female performers. “I think it’s so important to lift women up, and specifically in the arts and making albums because for decades there’s so many unsung heroines.”
When it comes to black, female artists especially there is “always so much work to be done” she says, in terms of making the opportunities available and visible. “But I’m encouraged because I do feel like we’re now living in a time where there’s much more awareness, much more dialogue, and there seems to be a widespread acknowledgement.
“My story began in music because I was taught I could do anything; there wasn’t a room I felt uncomfortable in, whether that was learning to play the violin and piano or putting a neo-soul band together when I was in my teens, or singing in an a cappella group with my auntie. At the time as a kid, I was not aware of how rich that plethora of different experiences was.”
Mvula is positive. “I think we’re living in exciting times,” she says. And that also applies to being able to perform live again after more than a year of venues being shut. So far this year she has performed at the Olympics Homecoming ceremony with Rodgers and played a sold-out show at Islington Assembly Hall, as well as at the Edinburgh Festival. A tour is planned and as well as Pink Noise, she also features on the soundtrack to “new-school Western” The Harder They Fall, starring Idris Elba.
“I now feel sort of ready to refocus on the next thing, which for me is performing and getting back on the road,” she says. “Trying to get that good feeling back that I think the pandemic stole from a lot of us who made lockdown albums. I think there’s a weird exhaustion that comes from that as well.”
It has been a challenging time, “dire for everyone”, she admits, but good things are on the horizon. “I was chatting with my accountant on text, and he was like, ‘yeah, man, it’s rough’, but he said we’re going to get back on the road and, you know, it’s not going to be so troublesome,” she laughs.
“We’re on the up and up, it’s just gradual. And I think that’s good because my God, am I now savouring everything. I do not miss a moment, you know, I really just drink it in. There is beauty in suffering, I think. That’s what I’ve been taking from this very trying time.”
Laura Mvula’s latest album, Pink Noise, is out now. National Album Day, celebrating women in music, takes place on Saturday 16 October with new albums, boxsets and classic reissues including: Amy Winehouse, Stevie Nicks, Solange, Donna Summer, HAIM, Eva Cassidy, Dido, Garbage, Roisin Murphy, Patti Smith and more
Coldplay have become the first act in history to headline Glastonbury five times – playing a record-breaking set to a huge, sparkling audience for whom it felt like coming home.
Thousands in the crowd will no doubt have seen them at least once here before, but no matter – they have their detractors, but you cannot argue with the fact Chris Martin’s band can put on a headline performance worthy of Worthy Farm.
Glastonbury founder Michael Eavis was among the special guests watching stage-side as they performed to a crowd stretching way back into the night, and they were also joined by stars and musicians including rapper Little Simz on stage.
Theirs was a celebration not just of their own significant achievements, as one of the most successful British bands in recent history, but of Glastonbury festival and the talent it has supported throughout the decades.
Pic: PA
But the biggest surprise came from Hollywood legend Michael J Fox, who appeared on guitar for the rousingly emotional Fix You as the penultimate track. It’s a song and a performance even the hardest hearts could not fail to be moved by.
Backstage, Tom Cruise was among the fans watching as fireworks lit the sky.
Michael J Fox in Back To The Future. Pic: Universal Pictures/Kobal/Shutterstock
Michael J Fox and his wife Tracy Pollan in April. Pic: Reuters
Having handed out their traditional Coldplay LED wristbands before the set was under way, this was a gorgeous light show and epic sing-along of audience participation as the band performed hits starting with Yellow, where it all began, and continued through their extensive back-catalogue.
“I look around and I just see amazing, wonderful people from all over the place and that’s what makes Glastonbury the greatest city on Earth,” Martin told the crowd, in a set featuring songs including Higher Power, Clocks, Viva La Vida, The Scientist and My Universe, which the band recorded with K-pop boy band BTS, with lyrics sung in both English and Korean.
Pic: PA
Earlier in the day, Kasabian had been worst-kept secret of the festival with their surprise set, which led the Woodsies area to be closed off as the crowd grew in anticipation.
And at the Other Stage, The Streets’ Mike Skinner entertained fans with a crowd-surfing set – with Friday night headliner Dua Lipa spotted in the crowd, making good on her promise to enjoy the festival for the full weekend as a punter, as well as one of its biggest stars.
But Saturday night belonged to Coldplay. This was their first Pyramid Stage headline appearance since 2016 and their fifth in total, meaning they now overtake The Cure, who have headlined four times.
Pic: PA
When the band was announced by festival organisers earlier this year, the news was met with the same criticism the band have faced for years: the music is dull, the choice of headliner uninspired, jokes about Martin turning up everywhere here, etc etc.
Similar will no doubt have been tweeted out during their set. The answer is simple, though: those who don’t like them, don’t have to watch them.
Read more:
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Keep up with all the latest news from the UK and around the world by following Sky News
There’s plenty else going on at Glastonbury to keep people entertained, whether you’re here soaking it all up in person, or following on TV at home.
The size of the Coldplay crowd says it all – they put on an epic show, and this is why they were chosen to headline Glastonbury once again.
Entertainment
Glastonbury: Controversial Irish-language rappers draw ‘headline-worthy’ crowd against the odds
In a morning timeslot when most respectable Glastonbury-goers would usually be in bed, Irish-language rappers Kneecap drew what stage organisers described as a headline-worthy crowd to the area.
The trio have built a name for themselves with a balance of socially conscious lyrics and satire but have really come to the fore in recent months after taking legal action over a UK government decision to block funding they had been granted by the British Phonographic Industry (BPI).
Often described as controversial, there is no doubt they are unafraid to say what they think – but argue they are simply speaking up for the deprived areas of Northern Ireland, in a language which is “often ignored”.
Kneecap fans during the Electric Picnic Festival in 2022. File pic: PA
Plus, there is a lot of tongue firmly in cheek here.
Three friends from Belfast, Kneecap are Mo Chara (Liam Óg Ó hAnnaidh), Móglaí Bap (Naoise Ó Cairealláin) and DJ Próvaí (JJ Ó Dochartaigh, a former teacher who still wears a balaclava initially put in place to disguise himself from his students).
One of their most famous tracks, Get Your Brits Out, has been criticised for being anti-British – but the trio say this is the biggest misconception about the band. And clearly, as it blasts out from a tent in the English countryside, it is loved by the Glastonbury crowd.
Kneecap fans at one of their concerts in 2022. File pic: PA
“This is a thing that people love to spin, like we’re some anti-British band,” says Mo Chara, speaking to Sky News following their successful set. “We have English family. We have loads of good friends who call themselves British. It’s the British government we don’t like.”
They come from a “serious” area of the world where there has been “drama, a lot of violence”, he says.
“I think we’re the first generation… because we came after the ceasefire or just before it, around that time – ceasefire babies, as people like to call us – […] we’re able to joke about these things that were once traumatising for people in our community.
“But every side of the community can take a joke and we don’t give people enough credit, that people know how to have a laugh.”
“I think being offended is subjective,” says Móglaí Bap. “We’re having a good time, a bit of craic. There’s a lot of fun with it and all these jokes, humour, it’s all in context, and you can take it out of context and get offended. But I think genuinely, we meet people from all walks of life and they enjoy it.”
Read more:
Glastonbury’s greatest secret sets of all time
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Dua Lipa at Glastonbury: A masterclass from a proper pop star
Unsurprisingly, the trio have locked horns with quite a few politicians.
At the minute, they are embroiled in a legal battle with the British government over the blocking of £15,000 in funding from the Music Export Growth Scheme, which aims to help UK music groups market themselves abroad.
It’s a “slippery slope” and sets a “bad precedent”, says Móglaí Bap, to only give funding to artists that “align with them… that doesn’t make any sense”.
They are all taxpayers, he adds, and therefore have “every right” to funding that is available to British artists.
A government spokesperson says they are unable to comment due to this being an election period, but the Department for Business and Trade’s decision at the time was that Kneecap’s Republican views made them ineligible.
Rich Peppiatt, Michael Fassbender and Kneecap attend the UK premiere of Kneecap, the opening film of the Sundance London Film Festival. Pic: PA
While they await the outcome of the legal case, the rappers are busy performing following the release of their second album, Fine Art, earlier this month, and are also looking forward to their big-screen debut.
The band members play themselves in a biopic about their rise to prominence, set in post-Troubles Belfast, also starring Irish actor Michael Fassbender. The film has been shown at festivals including Tribeca in New York, and the band say the reaction has been “crazy”.
Which all means it looks like the fanbase will expand even more when the film is released in the summer.
Keep up with all the latest news from the UK and around the world by following Sky News
So while some politicians may fail to see the funny side of Kneecap, there are plenty of young people in Belfast, Glastonbury and beyond who clearly enjoy their irreverence.
Dua Lipa has set the bar high for this year’s Glastonbury headliners, performing a slick set of hits to an enormous crowd at the festival’s famous Pyramid Stage.
The 28-year-old star told fans she had manifested the moment, but watching her command the stage – hit after hit played, voice soaring, dance moves effortless – it seems her talent was always going to bring her here.
Starting with Training Season, from her latest album Radical Optimism, Lipa kept the energy levels high throughout for tracks including Be The One, Levitating, Hallucinate, One Kiss, Physical, New Rules and Don’t Start Now.
As is Glastonbury tradition, fireworks lit the sky, during and after the set, while several costume changes also added to the sense of occasion – which the singer described as “the maddest night of my life”.
Pic: AP
Telling the crowd about manifesting the experience, she also hinted she would be staying on at the festival to enjoy the rest of the weekend (although probably not in a tent, I’m guessing).
“I have written this moment down. I’ve wished for it, I’ve dreamt, I’ve worked so hard in the hopes that maybe one day I’ll get to do it and I can’t believe I’m here,” she said.
“You know when I wrote it down, I was very specific, I said I really wanted to headline the Pyramid stage on a Friday night because then I knew I could party for the next two days in the best place on Earth.
“I’m so grateful, little me would just be beside herself right now.”
Read more: Full line-up for Glastonbury 2024 – with space for surprises
Pic: PA
Lipa’s performance included Cold Heart, her Sir Elton John collaboration, which saw her greeting delighted fans at the front of the crowd, who had no doubt been there for hours beforehand to save the spot.
She followed another Glastonbury tradition by bringing out a surprise guest – Kevin Parker from Tame Impala, to perform The Less I Know The Better from his band’s 2015 album, Currents – and teased Barbie’s Dance The Night during one of her several costume changes.
The star also showed awareness of the festival audience, with 90s rave imagery on screens and confetti cannons blasting rainbows.
It’s something some big acts can get wrong – to go down in Glastonbury headlining history, it needs to be more than just an extra tour show.
Pic: PA
At times, however, the set was so slick, it felt more geared to the TV audience than to the crowd – a couple of songs saw Lipa performing to the camera, back to the audience, for good chunks of time – but when the choreography is this good, it’s captivating to watch wherever you are. It’s a small complaint.
Festival organiser Emily Eavis had said beforehand that Lipa was “born” to headline.
By the time the star had closed the set with Houdini, she had proved her absolutely right.
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Glastonbury ‘likely taking break in 2026’
Keep up with all the latest news from the UK and around the world by following Sky News
If Lipa is indeed staying on to enjoy the weekend, she’ll get to see for herself the huge array of brilliant acts on offer.
But as headline sets go, hers will be a hard act to beat – a masterclass from a world-class, proper pop star.
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