After this year’s Mercury Prize ceremony had wrapped up, Laura Mvula found herself in tears in a hotel room. Nominated for a rare third time – she has never released an album that hasn’t been shortlisted – the pressure had built up.
While Mvulanever really went away, the ’80s pop-inspired Pink Noise was a return of sorts, released through Atlantic in July after she was unexpectedly dropped by former record label Sony early in 2017. A difficult period was followed by yet another when the pandemic hit, and suddenly an accolade that previously would simply have been the cherry on top of an exceptional career had become all-consuming.
On the night, the prestigious Mercury Prize went to Arlo Parks, for her debut album Collapsed In Sunbeams. “I get robbed. A lot,” Mvula tweeted afterwards, following it up with: “Mercury Prize can lose my number.” The next day, she shared a longer message on Instagram: “I really thought Pink Noise might’ve won last night… I needed it for several reasons too complex to dive into here. I don’t expect to be understood fully by the British public but try not to judge my pain… I’m just tired. Please buy the album if you can and come to a show. Many thanks. Love you.”
Image: Mvula released her third album, Pink Noise, earlier in 2021. Pic: Danny Kasirye
A few weeks later, Mvula is feeling a lot more positive, her energy and infectious laugh lighting up a Zoom call. We are here to talk about National Album Day, for which she is an ambassador this year, and she is keen to praise the artists who have inspired her – everyone from Erykah Badu, Jill Scott and Des’ree to contemporaries such as Lianne La Havas, Little Simz and Nao, as well as the late Amy Winehouse and composer Errolyn Wallen.
She is also candid about how strongly she feels about her own record and the Mercury Prize. There is “no malice” towards Parks but she is honest about how missing out made her feel.
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“I was so exhausted,” she begins. “I don’t just mean from the day, I mean from the moment I even thought about making a third record… I’d had two previous nominations so there was a sense of ‘third time round’. I allowed myself to get caught up in the noise, pardon the pun, of it all. That’s what I regret the most, is that for the first time I really started to make so many things matter to me that ordinarily have nothing to do with what I really care about.”
Mvula chuckles as she adds that she’s “mid-30s, still trying to make a living”, but it matters. It’s not often an artist is so candid about their own personal situation, but the way the industry treats female artists as they get older is no secret.
“It’s a weird thing to get used to high critical acclaim,” Mvula goes on. “There’s something bittersweet because it’s wonderful to be acknowledged as an artist who makes things people respect. That’s something I consider to be a high privilege and something I’m proud of. But at the same time, when it doesn’t necessarily translate to something tangible, that can be where it gets complicated. And [there’s a] need or desire to be visible and to have a growing audience, to not want to just have a legacy that is, ‘yes, we know of her, but oh, she never broke through’, or whatever the narratives are in my mind.”
Image: Laura Mvula is an ambassador for National Album Day 2021. Pic: Danny Kasirye
Of the handful of artists who have been nominated three times or more, the classically trained musician is not in bad company when it comes to those who have not won: David Bowie, Coldplay, Laura Marling, Florence And The Machine, to name a few; Radiohead have a record five nominations, but no win. So clearly it speaks nothing of her talent; she won the equally prestigious Ivor Novello award for best album in 2017 – just months after being dropped by Sony – for the previous year’s The Dreaming Room, on which she collaborated with Nile Rodgers and reportedly had to turn down Prince.
But still, in that moment, it hurt. “I really yearned for it in a way that I wasn’t even ready for. When it went to Arlo, it was almost nothing to do with Arlo Parks and her music and Laura Mvula and her music, and all the other artists and the music, it became about something else.”
Image: Pictured at the Mercury Music Prize shortlist launch earlier in 2021
She refers to recent comments made by Ed Sheeran about awards shows, which he described as “filled with resentment and hatred”. “There’s something really draining about the whole experience, and the win and the lose aspect,” Mvula admits. Her tweets after the Mercury Prize were tongue in cheek, she says, but came from a place of truth. “I guess, that was the real, unfiltered Laura. It was my rejection of all the pressure and all the nonsense and all the being pitted against one another… Here we are all desperately trying not to care. But somehow you end up caring so much.”
Back in the hotel room, Mvula’s friend and sister suggested she take her online posts down. “I just went to bed crying. I ignored them and I felt sort of more alone in that moment.” In the morning, they discussed a “pain” that many women will identify with. “We’re not supposed to say things that make us look not elegant and put together and demure and softly spoken, because anything else is just ugly,” says Mvula.
“I’m not going to lie: there was something very liberating about saying what I felt, knowing that I hold no malice in my heart at all towards Arlo or any other artists, but knowing I feel so passionately about what I do, and that me and the people who work so hard around me deserve some kind of break.” She shrugs. “That was it, really.”
Image: The star says she has become more comfortable being ‘loud and noticed’. Pic: Danny Kasirye
She is sanguine about it all now. The reason the Mercury Prize matters is because it celebrates the album as an art-form, something Mvula feels passionately about. Pink Noise and its ’80s shoulder-padded aesthetic is a fun record, a shift from the more experimental, baroque soul of her first two albums. But making it did not come easily. “In the beginning… even making one song would have felt impossible at one stage,” she says, because she has to “really believe” in everything she puts out. But now it’s here, vibrant, unsubtle and a statement of intent, she couldn’t be more proud.
“I wasn’t always the most confident person, I didn’t always want to feel loud and be noticed or be seen or heard. In fact, the idea of being on a stage as a solo artist was something that used to freak me out. Pink Noise was my celebration of my life in its loud, bombastic, romantic, fragile glory.”
While the colour pink held lazy connotations and once felt “imposed” upon young girls growing up, now Mvula embraces it. “I wasn’t interested in wearing pink clothes and fluffy dresses because that supposedly fit some ideal or that meant I was beautiful and whatever,” she says. “And weirdly, I feel more beautiful [now] than ever.”
National Album Day 2021
National Album Day takes place on 16 November and this year celebrates women in music
Laura Mvula is an ambassador, alongside Kylie Minogue, Sharleen Spiteri, Ray BLK and Joy Crookes
Tim Burgess, who launched Twitter listening parties in 2020, will host events with artists including Spiteri and Minogue as part of the celebrations
Fans will be able to buy limited edition versions of new albums, boxsets and classic reissues by artists including Stevie Nicks, Donna Summer, HAIM, Eva Cassidy, Dido, Garbage, Roisin Murphy, Patti Smith, Solange, Lykkie Li, Amy Winehouse and more
Various events will be taking place at local music shops throughout the UK
Along with artists including Kylie Minogue, Ray BLK and Sharleen Spiteri, Mvula is an ambassador for National Album Day 2021, which is this year shining a spotlight on female performers. “I think it’s so important to lift women up, and specifically in the arts and making albums because for decades there’s so many unsung heroines.”
When it comes to black, female artists especially there is “always so much work to be done” she says, in terms of making the opportunities available and visible. “But I’m encouraged because I do feel like we’re now living in a time where there’s much more awareness, much more dialogue, and there seems to be a widespread acknowledgement.
“My story began in music because I was taught I could do anything; there wasn’t a room I felt uncomfortable in, whether that was learning to play the violin and piano or putting a neo-soul band together when I was in my teens, or singing in an a cappella group with my auntie. At the time as a kid, I was not aware of how rich that plethora of different experiences was.”
Mvula is positive. “I think we’re living in exciting times,” she says. And that also applies to being able to perform live again after more than a year of venues being shut. So far this year she has performed at the Olympics Homecoming ceremony with Rodgers and played a sold-out show at Islington Assembly Hall, as well as at the Edinburgh Festival. A tour is planned and as well as Pink Noise, she also features on the soundtrack to “new-school Western” The Harder They Fall, starring Idris Elba.
“I now feel sort of ready to refocus on the next thing, which for me is performing and getting back on the road,” she says. “Trying to get that good feeling back that I think the pandemic stole from a lot of us who made lockdown albums. I think there’s a weird exhaustion that comes from that as well.”
It has been a challenging time, “dire for everyone”, she admits, but good things are on the horizon. “I was chatting with my accountant on text, and he was like, ‘yeah, man, it’s rough’, but he said we’re going to get back on the road and, you know, it’s not going to be so troublesome,” she laughs.
“We’re on the up and up, it’s just gradual. And I think that’s good because my God, am I now savouring everything. I do not miss a moment, you know, I really just drink it in. There is beauty in suffering, I think. That’s what I’ve been taking from this very trying time.”
Laura Mvula’s latest album, Pink Noise, is out now. National Album Day, celebrating women in music, takes place on Saturday 16 October with new albums, boxsets and classic reissues including: Amy Winehouse, Stevie Nicks, Solange, Donna Summer, HAIM, Eva Cassidy, Dido, Garbage, Roisin Murphy, Patti Smith and more
Penn & Teller have finally been inducted into the Magic Circle – after 50 years of being denied membership.
Rock stars of magic, Penn & Teller found fame in the mid-1980s, earning them fans on both sides of the pond, but their habit of explaining their tricks to the audience also earned them magical disapproval.
The duo were famously barred from the Magic Circle for exposing their tricks as part of their act, flying in the face of the organisation’s belief in keeping magical secrets from the public.
Formed in 1905, the Magic Circle currently has around 1,750 members from around the world, all of whom have passed an exam to join.
The presentation took place on Friday, on the steps of the Palladium, in London’s West End, where Penn & Teller are currently performing their 50th Anniversary residency.
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Magic Circle president Marvin Berglas said: “In the past they may have been known as the bad boys of magic with their sometimes controversial and hard-hitting choice of material.
“There was criticism from some in the past for their apparently exposing magical secrets. However, for those in the know, the real magic was always with their original and artistic performances whereby audiences thought they understood how something may have been done only to be utterly amazed with an entirely different original method.
“For this – Penn and Teller are the kings. These days The Magic Circle is the place for a truly diverse group of creative minds and talented performers.”
Image: Penn & Teller in 2010. Pic: AP
Penn & Teller said: “We’re honoured that the Magic Circle has invited us to be members, after we’ve violated its cardinal rule – don’t give away secrets – for five decades. This is going to be fun.”
Penn & Teller first performed together in August 1975, breaking into the mainstream in the mid-1980s, and touring with critically acclaimed shows throughout the 1990s and achieving TV success in both the US and UK.
They will be performing their 50th Anniversary Tour at The London Palladium until Wednesday, 24 September.
US talk show host Stephen Colbert has condemned the cancellation of fellow late-night star Jimmy Kimmel as a “blatant assault on freedom of speech”, as America’s top late night presenters came out fighting.
The move by Disney-owned ABC has been widely criticised, with the network accused of kowtowing to President Donald Trump, who celebrated the decision.
Speaking to reporters on board Air Force One on Thursday, Mr Trump suggested certain networks should have their licenses revoked over a lack of support for him.
“When a late-night hosts is on network television there is a licence,” he said. “I read somewhere that the networks were 97% against me… they give me only bad publicity or press. I mean [if] they’re getting a licence. I would think maybe their licence should be taken away.”
Also airing on Thursday night, Jon Stewart, host of Comedy Central’s Daily Show, appeared in a garish gold set, in parody of Mr Trump’s redesign of the White House, to tell viewers the episode would be “another fun, hilarious, administration-compliant show”.
Stewart, playing the role of an over-the-top, politically obsequious TV host under authoritarian rule, lavished praise on the president and satirised his criticism of US cities and his deployment of the National Guard to fight crime.
“Coming to you tonight from the real […] crime-ridden cesspool that is New York City. It is a tremendous disaster like no-one’s ever seen before. Someone’s National Guard should invade this place, am I right?” he said.
He then introduced his guest – Maria Ressa, a journalist and author of the book How To Stand Up To A Dictator.
Image: Jon Stewart. Pic: Associated Press
Over at The Tonight Show, Jimmy Fallon told his audience he was “not sure what was going on” but that Kimmel is “a decent funny and loving guy and I hope he comes back”.
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Fallon then promised viewers that in spite of people being “worried that we won’t keep saying what we want to say or that we will be censored”, he was going to cover the president’s recent trip to the UK “just like I normally would”.
He was then replaced by a voiceover describing Mr Trump as “incredibly handsome” and “making America great again”.
Image: Jimmy Fallon on Thursday’s Tonight Show. Pic: The Tonight Show X
Seth Meyers also joined the fray.
“Donald Trump is on his way back from a trip to the UK,” he said at the top of his show Late Night, “while back here at home, his administration is pursuing a crackdown on free speech… and completely unrelated, I just wanted to say that I have always admired and respected Mr Trump.
“I have always believed he was a visionary, an innovator, a great president, and an even better golfer.”
Kimmel’s removal from the show he has hosted for two decades led to criticism that free speech was under attack.
But speaking on his visit to Britain, Donald Trump claimed he was suspended “because he had bad ratings”.
It came after fellow late-night host Colbert saw his programme cancelled earlier this year, which fans claimed was also down to his criticism of Mr Trump, who has since railed against Kimmel, Meyers, and Fallon.
He has posted on Truth Social that they should all be cancelled.
Image: Jimmy Kimmel hosting last year’s Oscars. Pic: AP
Figures from both the worlds of entertainment and politics lined up to lament ABC’s removal of Kimmel.
Chat show doyen David Letterman said people should not be fired just because they don’t “suck up” to what he called “an authoritarian” president.
During an appearance at The Atlantic Festival 2025 in New York on Thursday night, he added: “It’s no good. It’s silly. It’s ridiculous.
“I feel bad about this, because we all see where see this is going, correct? It’s managed media.”
Image: Barack Obama on Jimmy Kimmel Live in 2016. Pic: Susan Walsh/AP
Former US president Barack Obama wrote on X: “After years of complaining about cancel culture, the current administration has taken it to a new and dangerous level by routinely threatening regulatory action against media companies unless they muzzle or fire reporters and commentators it doesn’t like.
“This is precisely the kind of government coercion that the First Amendment was designed to prevent, and media companies need to start standing up rather than capitulating it.”
Football and the royals are two subjects which have always attracted very outspoken fans. Now, aged 90, Lord Norman Foster is attempting to please both.
One of the one of the world’s most important living architects, he is known for being the vision behind some of the world’s most iconic designs – including London’s “Gherkin” building, the Millennium Bridge and the British Museum’s spectacular Great Court.
Arguably, however, two of his most talked about designs are yet to be built.
In June, his firm Foster + Partners was announced as having won the commission to build a national memorial in honour of the late Queen Elizabeth II.
Image: A conceptual image of what the new Manchester United stadium could look like. Pic: Foster + Partners/PA
Image: Pic: Foster + Partners/PA
‘A galvanising project’
“The fan base is incredible,” Lord Foster said of his excitement at being commissioned to work on the new ground.
For the renowned architect it is a homecoming of sorts, given Lord Foster’s working-class roots, having grown-up in Manchester.
Was he excited to be involved?
“You bet,” he exclaims.
“It’s a galvanising project… and so many things can naturally ride on the back of that sporting, emblematic kind of team.”
Set to cost around £2bn – with its three tall masts acting as a vast umbrella over Old Trafford – the design is part of a larger regeneration project which Lord Foster claims could be completed in five years.
Image: The stadium design is part of a larger regeneration project.
Pic: Foster + Partners/PA
It is described as a “master plan that will create streets, squares, neighbourhoods and connect with the heart of Manchester.”
Asked whether it will feel unlike any other British stadium, he said: “Manchester United is different and therefore its stadium’s going to be different… and better, of course.”
And what of the QEII memorial?
He says his design to remember the late monarch in London’s St James’ Park will be “more of all the good things”.
His plans include a statue of Queen Elizabeth II standing next to her husband Prince Philip, and a semi-glass bridge which is a nod to her wedding tiara.
Image: The royal gardens design. Pic: Foster+Partners and Malcolm Reading Consultants/PA
As for those who’ve questioned whether maintaining its sparkle might prove to be problematic, Lord Foster insists it’ll be “less maintenance, more joy”.
He says his hope is “to address the many millions who traverse that [park], the daily commuters and many tourists, and to make that more human, to make it a better experience and a reminder of the legacy of the most extraordinary long-serving monarch”.
After collecting the London Design Festival’s prestigious lifetime achievement medal earlier this week, with six decades of experience under his belt, Lord Foster says he finds Britain’s inability to invest in infrastructure frustrating.
Image: Lord Foster speaks at the awards ceremony
“I lamented, like so many, the cancellation of HS2,” he says. The long-delayed rail route’s northern leg to Manchester was scrapped by Rishi Sunak in 2023.
“That was about levelling-up. It wasn’t about getting from one place in lightning speed, it was taking the burden off the regional network so it would serve local communities better.”
He says “connectivity is the answer to many of the social issues that we talk about”.
The tendency of politicians, he says, to prioritise short-term issues doesn’t help when it comes to seeing the bigger picture.
“There is not the awareness of the importance of design and planning… you do need a political awareness,” he says.
“The city is not static, it’s dynamic. It’s always changing, evolving, adapting to change, and it can do that well, or it can do it badly. But it needs planning, it needs anticipation.”