A shot of a rare underwater spawning that only takes place around a full moon once a year has been named as the winner of this year’s Wildlife Photographer Of The Year competition.
Judges said French underwater photographer and biologist Laurent Ballesta’s image, entitled Creation, has an “otherworldly beauty” and reveals a “fleeting moment of fascinating animal behaviour” that very few people have ever seen.
It has been selected as the winner of the Natural History Museum’s prestigious annual competition, now in its 57th year, from more than 50,000 entries from 95 countries.
Image: Creation by Laurent Ballesta – Wildlife Photographer Of The Year 2021 winner
Ballesta’s photograph captures camouflage groupers darting away from a milky cloud of eggs and sperm in Fakarava, French Polynesia. It was the result of returning to the lagoon every year for five years, diving day and night so as not to miss the annual spawning.
Writer and editor Rosamund Kidman Cox, chair of the judging panel, described the image as “surprising, energetic and intriguing” with “an otherworldly beauty”.
She added: “It also captures a magical moment – a truly explosive creation of life – leaving the tail-end of the exodus of eggs hanging for a moment like a symbolic question mark.”
Camouflage groupers are a vulnerable species threatened by overfishing, but in this area they are protected within a special biosphere reserve.
Natural History Museum director Dr Doug Gurr described Ballesta’s image as a “compelling reminder of what we stand to lose if we do not address humanity’s impact on our planet”, and said that “the protection provided to this endangered species by the biosphere reserve highlights the positive difference we can make”.
Image: Dome Home, by Vidyun R Hebba – Young Wildlife Photographer Of The Year 2021 winner
Elsewhere, 10-year old Vidyun R Hebbar was awarded the Young Wildlife Photographer of the Year 2021 award for Dome Home, a colourful image of a tent spider pictured near his home in the city of Bengaluru, in India, as a tuk-tuk passes by in the background.
Dr Natalie Cooper, a Natural History Museum researcher, said it was “a great reminder to look more closely at the small animals we live with every day, and to take your camera with you everywhere”.
The two overall winners were selected from 19 category winners, showcasing everything from stunning animal portraits to interesting behaviour, as well as photojournalism images and portfolios. Here are the 17 other category winners.
Grizzly Leftovers by Zack Clothier – Animals In Their Environment winner
US photographer Zack Clothier decided the remains of a bull elk in Montana provided the perfect spot to set up a camera trap to capture any interested animals passing by. But melted snow and fallen trees meant a challenging journey back to the scene, and when the photographer did return his set-up had been ruined. However, this surprising shot of a grizzly bear turned out to be his last frame.
Reflection by Majed Ali – Animal Portrait winner, and Bedazzled by Alex Mustard – Natural Artistry winner
Majed Ali, from Kuwait, trekked for hours to find Kibande, an almost-40-year-old mountain gorilla, but it was worth it to get this snap of the ape closing its eyes in the rain, seemingly enjoying the shower. Mountain gorillas are found at altitudes of over 1,400 metres in two isolated populations – at the Virunga volcanoes in Rwanda and in Bwindi, Uganda – and are endangered due to habitat loss, disease, poaching and disruption caused by human activity.
UK photographer Alex Mustard’s image is of a juvenile ghost pipefish hiding among the arms of a feather star – its loud colours signify that it had not long landed on the reef; its colour pattern would later have changed, enabling it to blend in.
Spinning The Cradle by Gil Wizen – Behaviour: Invertebrates winner
Gil Wizen (Israel/ Canada) discovered this fishing spider under some loose bark in a forest near his home in southern Ontario, and managed to capture it stretching out silk to weave into its egg sac. “The action of the spinnerets reminded me of the movement of human fingers when weaving,” Wizen said.
The Intimate Touch by Shane Kalyn – Behaviour: Birds winner
This picture by Canadian photographer Shane Kalyn shows a raven courtship display captured in midwinter, the start of their breeding season. Lying on the frozen ground, he watched as the couple exchanged gifts – moss, twigs and small stones – and preened and serenaded each other before coming together for the perfect picture.
Head To Head by Stefano Unterthiner – Behaviour: Animals winner
Stefano Unterthiner, from Italy, followed these Svalbard reindeer during rutting season and caught these two battling for control of a harem, clashing antlers until the dominant male chased his rival away. Reindeer populations in the Arctic are affected by climate change, as increased rainfall can freeze on the ground and prevent access to plants that would otherwise sit under soft snow.
Where The Giant Newts Breed by Joao Rodrigues – Behaviour: Amphibians and Reptiles winner
Joao Rodrigues, from Portugal, came across a pair of courting sharp-ribbed salamanders in a flooded forest – his first chance in five years to dive into the lake, which only emerges in winters of exceptionally heavy rainfall. He said he had a split second to adjust his camera settings and capture the moment before the newts swam away.
Nursery Meltdown by Jennifer Hayes – Oceans: The Bigger Picture winner
Following a storm, it took hours of searching by helicopter for US photographer Jennifer Hayes to find this fractured sea ice used as a birthing platform by harp seals. “It was a pulse of life that took your breath away,” she said of her image. Every autumn, harp seals migrate south from the Arctic to their breeding grounds, delaying births until the sea ice forms. But they depend on the ice – which means that future population numbers are likely to be affected by climate change.
Rich Reflections by Justin Gilligan – Plants And Fungi winner
Justin Gilligan, from Australia, created the reflection of a marine ranger among the seaweed for this striking photograph, taken at the world’s southernmost tropical reef. He said he wanted to show how careful human management helps preserve a vibrant seaweed jungle – and had just 40 minutes in which tide conditions were right to get his image.
The Spider Room by Gil Wizen – Urban Wildlife winner
A second winning spider shot for Wizen, who found this venomous Brazilian wandering spider hiding under his bed after noticing tiny spiders all over the room. Yikes. Rather than run away, he grabbed his camera to capture what is one of the world’s most venomous spiders, which is the size of a human hand.
Road To Ruin by Javier Lafuente – Wetlands: The Bigger Picture winner
Using a drone, Javier Lafuente, from Spain, captures the stark line of a road slicing through a wetland landscape, which is home to more than a hundred species of birds.
Elephant In The Room by Adam Oswell – Photojournalism winner
Adam Oswell, from Australia, said he was disturbed by this scene of zoo visitors watching a young elephant perform under water. Elephant tourism has increased across Asia and in Thailand there are now said to be more elephants in captivity than in the wild.
The Healing Touch by Brent Stirton – Photojournalist Story winner
Brent Stirton, from South Africa, profiled a rehabilitation centre caring for chimpanzees orphaned by the bushmeat trade in the Democratic Republic of the Congo. This image shows the director of the centre sitting with a newly rescued chimp she is slowly introducing to the others.
Cool Time by Martin Gregus – Rising Star Portfolio winner
This image by Martin Gregus (Canada/Slovakia) shows two female polar bears cooling off and playing in shallow waters around Hudson Bay in Canada. Captured with a drone, he said he felt the heart shape symbolises the apparent affection between the two animals and “the love we as people owe to the natural world”.
Face-Off by Angel Fitor – Portfolio Award winner
These cichlid fish might look like they’re having a kiss, but they’re actually fighting over a snail shell. Angel Fitor, from Spain, captured the pair in Lake Tanganyika, which is spread across Tanzania, the Democratic Republic of the Congo, Burundi and Zambia in Africa. Fitor monitored the lake bed for three weeks – and while this struggle was over in seconds, it was just long enough to get a winning shot.
Sunflower Songbird by Andrés Luis Dominguez Blanco – 11-14 Years winner
Enjoying itself sitting in the sunflowers on a warm afternoon is a melodious warbler bird. Andres Luis Dominguez Blanco, from Spain, managed to shoot “the king of its territory” from his hide set up in his father’s car.
High-Flying Jay by Lasse Kurkela – 15-17 Years winner
Image: Lasse Kurkela (Finland) watches a Siber
Lasse Kurkela, from Finland, used pieces of cheese to get Siberian jays accustomed to his remotely controlled camera and to encourage them to follow a particular flight path so he could get the exact shot he wanted – one of the birds high in the sky, tiny against the forest trees.
Crystal was 18 when bone cancer changed her face. On top of chemotherapy and operations, she had to deal with other painful realities too.
She told Sky News: “Pre-cancer, and everything that happened I wasn’t aware how people who had facial differences were villainised or victimised.
Image: Crystal before her diagnosis
“Experiencing that, seeing the trauma, I’ve been so affected by people staring at me in the street, and hate comments about my appearance.”
She believes part of the problem is the screen portrayal of visibly different characters: “There’s a narrative in Hollywood, especially that’s been going on for years, that people are not addressing and seeing that these are real people.”
Refusing to let her differences keep her from pursuing her dreams, Crystal studied acting at LAMDA, one of the UK’s top drama schools.
Now a professional actress, she knows her appearance will always be judged.
“[My visible difference] is on my face. I can’t really hide anything. Every time I talk or enter a room, it’s not like anyone’s fault, I just know that people have that first perception or viewpoint of me.”
More from Ents & Arts
With aspirations to one day appear in a Marvel movie, she hopes her drive to perform will help others in the future.
“I didn’t have anyone who looked like me as a role model… It would have just been so much better if I’d had that one person to look up to, to be inspired by.”
Image: Crystal graduated from LAMDA in 2024
Lack of representation is not the only problem. When visible difference does make it onto the screen, misrepresentations and negative overtones often reinforce stigma.
Nearly one in five people in the UK self-identifying as having a visible difference, such as a mark, scar or condition, according to charity Changing Faces.
New research they conducted into the way disfigurement is portrayed on screen found that people with visible differences were over twice as likely to be shown as a victim or a villain than as a love interest.
Film and television have used scars, burns and birthmarks as a shorthand for villainy across the genres for years. From Bond to Batman and Star Wars, to more family-friendly productions such as The Lion King.
Image: Heath Ledger as the infamous Joker. Pic: Rex Features
Image: Rami Malek as Safin in No Time To Die, complete with scars. Pic: Universal
And while visibly different characters aren’t common on screen, a woman with a physical difference in film or TV is even rarer.
Author and entertainment journalist Kristen Lopez says it’s because women’s value on screen is so tied up with their sexuality.
The author of Popcorn Disabilities: The Highs and Lows of Disabled Representation in the Movies has even come up with a term to describe the industry’s attempt to keep their leading ladies “sexy and beautiful”.
“You often see what I call ‘pretty disabilities’. It’s a disability that is not going to affect the physical perfection of the actress. And it will also allow for an A-list, usually non-disabled actress, to continue to play the character.”
Lopez says for that reason, films are more comfortable with portraying blind or visually impaired women, deaf women, or non-verbal women, because their disability “doesn’t mar the face”.
Instagram
This content is provided by Instagram, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable Instagram cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to Instagram cookies.
To view this content you can use the button below to allow Instagram cookies for this session only.
Speaking from her own experience of growing up with brittle bone disease, she says: “I worry about the next generation of disabled girls – what are they seeing? Do they feel represented?
“How do you navigate adolescence if you don’t see anybody that looks like you doing the things that every other young person is doing?”
Romeo Olukotun was just one year old when an accident left him with second and third-degree burns on his torso, chest and neck.
With his accident not spoken about at home, he admits, “I just kind of had to deal with that on my own”.
He did find some flashes of inspiration, including from singer Seal.
Image: Romeo was just one when an accident left him with burns on his chest, neck and stomach
“I loved how even though he had a visible difference and scarring on his face, he wasn’t looked down because of that. He was seen for his talent.”
With his confidence taking a hit due to his scars while at secondary school and university, he rebuilt his self-esteem as an adult through cheerleading.
Later spotted at a music video shoot he’d gone along to with a friend, he’s now an actor and model. But his visible differences have, at times, affected his casting.
Image: Pic: Changing Faces
Romeo told Sky News: “Because my scar on my neck looks like I’ve been stabbed, I would often be asked to ‘Try this [performance] like a thug or someone who’s on the streets’. And I didn’t like being labelled as that. I’m someone who is much more than my scars.”
He’s now a man on a mission: “I want to be someone who shows other people with a visible difference that they can be anything. They can play the romantic lead, they can play a villain if they want to. They can be a hero, not just be labelled as someone sinister and evil, Machiavellian.”
Image: Pic: Changing Faces
While the film and TV industries might be slow to change, LAMDA vice principal Dr Philippa Strandberg-Long is hopeful for the future.
“We have to make our students aware of the industry that they are going into and not, I guess, create a utopia where they’re not aware of the industry they’re going into. However, we can change it from how we educate our students that come out.
“Things won’t change overnight, but it will change over time. So, we have to put in the work at the grassroots, which is here.”
Changing Faces is the UK’s leading charity for anyone with a visible difference. They have a confidential support and information line for anyone dealing with the impact of visible difference.
Conservationists in Ibiza are warning the island’s native bright blue and green lizards are coming ever closer to extinction due to the mounting threats of invasive snakes and tourists’ litter.
The Ibizawall lizard is endemic to Ibiza and neighbouring Formentera and is vital to the ecosystem of the islands, experts say, for pollinating plants and controlling pests.
Since the 2000s, the small, colourful reptiles, which are harmless to humans, have become endangered due to the proliferation of invasive snakes that first arrived in imported trees.
Image: Conservationists say Ibiza lizards are endangered. Pic: Dean Gallagher
Conservation foundation IbizaPreservation says snakes are now present on up to 90% of the island, while the lizard population has decreased massively, believed to have disappeared from about 70%.
But there is also another issue affecting the species – litter left mainly by tourists at beauty spots.
Dean Gallagher, a snake catcher on the island, says he is constantly finding the bodies of dead lizards stuck inside discarded bottles and cans at Es Savinar, a southerly viewpoint where people often gather for sunset.
“I’m finding these lizards trapped in cans and bottles,” he tells Sky News. “Once they get inside their feet get wet from the drink inside, the beer or the Red Bull, and they can’t get out. Sun comes up, heats up the bottle, the can, and just fries a lizard inside. It’s absolutely devastating.”
Image: Dean Gallagher has lived in Ibiza for more than 20 years
Tourism accounts for about 84% of Ibiza’s economy and is vital for the island, with tourist spending reaching 4.3bn euros in 2024, according to the Balearic Institute of Statistics (IBESTAT) – an increase of 62% since 2016. The number of tourists reached a record high of more than 3.7m for Ibiza and neighbouring Formentera in 2023 – an increase of almost 25% since 2016.
The land Dean looks after at Es Savinar is private, he says, but people ignore signs and fences which were replaced at the beginning of the summer.
“We do rubbish collections probably once or twice a week,” he says. “We clear the whole area of bottles and cans then the next time, we go back and there’s even more.
“Bottles can cause bush fires. The forests are really dry at the moment, just one spark can set this place alight. And [litter] is also killing our lizards. They’re marvellous, beautiful creatures, they’re not aggressive and they keep the bugs away. The ecological value is really important.”
Image: Signs have been put up around the private land. Pic: Dean Gallagher
Dean lives near Santa Eulalia, where he says numbers are scarce. “Lots of parts of the north of the island now, they’ve completely diminished and it’s very sad,” he adds.
“And the very southwest corner of the island where this viewpoint is, this is the last place where they are in stable numbers. But the excessive rubbish, tourism, snakes, are gonna wipe them out completely.”
Image: Gallagher says he is constantly finding the reptiles trapped in glass bottles and cans
Visual surveys of areas of Ses Salines Natural Park by environmental association GEN-GOB have found the population there has decreased by between 70% and 90% since 2023.
GEN-GOB, Friends Of The Earth Ibiza and IbizaPreservation are among several organisations that have been working to save the species in recent years.
Please use Chrome browser for a more accessible video player
10:30
Ibiza’s shanty towns – the side of the island most do not see
Jordi Serapio, coordinator of Protegim Ses Sargantanes, IbizaPreservation’s lizard protection project, says abandoned bottles and cans are “deadly traps” for the animals.
And snake numbers continue to grow and expand toward territories where lizards still remain, he adds. The most common snake on the island – and the biggest danger to lizards – is the horseshoe whip snake, but other types have been spotted.
“It has followed a northeast to southwest expansion,” he says. “The highest snake densities are observed in what they have called the ‘invasion front’ – this is known precisely thanks to trapping.
“In contrast, in areas where lizards have already become extinct, there appears to be a much lower density of snakes.”
So the more food available for the snakes, the higher the numbers.
“This is something common in most biological invasions, which end up regulating themselves naturally,” Jordi says. “The unknown in this case is whether some lizard populations will manage to survive and adapt. Although everything seems to indicate that they won’t.”
He also highlights another problem – predation by both feral and domestic cats – which he says is a growing threat.
“In the current context of the species’ extinction, any additional pressure worsens the situation.”
Former London’s Burning actor John Alford has been found guilty of sexually assaulting girls aged 14 and 15 at a friend’s home.
Jurors heard the 53-year-old, who rose to fame in BBC show Grange Hill, sexually assaulted the girls while they were drunk following a night out at the pub.
St Albans Crown Court was told he bought £250 worth of food, alcohol and cigarettes from a nearby petrol station in the early hours of the morning, including a bottle of vodka which the victims subsequently drank.
Alford then had sexual intercourse with the 14-year-old girl in the garden of the home and later in a downstairs toilet, and inappropriately touched the 15-year-old girl as she lay half asleep on the living room sofa.
He denied four counts of sexual activity with the younger girl and charges of sexual assault and assault by penetration relating to the second teenager at a property in Hertfordshire on April 9 2022.
But, after 13 hours of deliberations, he was found guilty.
Image: As a firefighter in one of his most famous roles. File pic: PA
Alford, of Holloway, north London, who was charged under his real name John Shannon, had previously told the court the allegations were a “set-up”.
He put his head in his hand and shouted “Wrong, I didn’t do this” from the dock as the verdicts were read out in court.
‘I didn’t want sex with an old man’
During the week-long trial, Alford, who cried while giving evidence, told jurors “I never touched either of them girls”, adding there was “no DNA” evidence and that he would stand by his denial “until the day I die”.
However, the 15-year-old girl said: “We were all just like dozing off. That was when John started to touch me.”
Asked how she felt after the assault, the girl said: “Sick. I felt absolutely sick. I wasn’t going to tell anyone.”
In a video of her police interview played to the court, the 14-year-old girl said she had never had sex before the night of the alleged incidents.
“I told him to stop because I didn’t want to have sex with an old man,” she said.