A shot of a rare underwater spawning that only takes place around a full moon once a year has been named as the winner of this year’s Wildlife Photographer Of The Year competition.
Judges said French underwater photographer and biologist Laurent Ballesta’s image, entitled Creation, has an “otherworldly beauty” and reveals a “fleeting moment of fascinating animal behaviour” that very few people have ever seen.
It has been selected as the winner of the Natural History Museum’s prestigious annual competition, now in its 57th year, from more than 50,000 entries from 95 countries.
Image: Creation by Laurent Ballesta – Wildlife Photographer Of The Year 2021 winner
Ballesta’s photograph captures camouflage groupers darting away from a milky cloud of eggs and sperm in Fakarava, French Polynesia. It was the result of returning to the lagoon every year for five years, diving day and night so as not to miss the annual spawning.
Writer and editor Rosamund Kidman Cox, chair of the judging panel, described the image as “surprising, energetic and intriguing” with “an otherworldly beauty”.
She added: “It also captures a magical moment – a truly explosive creation of life – leaving the tail-end of the exodus of eggs hanging for a moment like a symbolic question mark.”
Camouflage groupers are a vulnerable species threatened by overfishing, but in this area they are protected within a special biosphere reserve.
Natural History Museum director Dr Doug Gurr described Ballesta’s image as a “compelling reminder of what we stand to lose if we do not address humanity’s impact on our planet”, and said that “the protection provided to this endangered species by the biosphere reserve highlights the positive difference we can make”.
Image: Dome Home, by Vidyun R Hebba – Young Wildlife Photographer Of The Year 2021 winner
Elsewhere, 10-year old Vidyun R Hebbar was awarded the Young Wildlife Photographer of the Year 2021 award for Dome Home, a colourful image of a tent spider pictured near his home in the city of Bengaluru, in India, as a tuk-tuk passes by in the background.
Dr Natalie Cooper, a Natural History Museum researcher, said it was “a great reminder to look more closely at the small animals we live with every day, and to take your camera with you everywhere”.
The two overall winners were selected from 19 category winners, showcasing everything from stunning animal portraits to interesting behaviour, as well as photojournalism images and portfolios. Here are the 17 other category winners.
Grizzly Leftovers by Zack Clothier – Animals In Their Environment winner
US photographer Zack Clothier decided the remains of a bull elk in Montana provided the perfect spot to set up a camera trap to capture any interested animals passing by. But melted snow and fallen trees meant a challenging journey back to the scene, and when the photographer did return his set-up had been ruined. However, this surprising shot of a grizzly bear turned out to be his last frame.
Reflection by Majed Ali – Animal Portrait winner, and Bedazzled by Alex Mustard – Natural Artistry winner
Majed Ali, from Kuwait, trekked for hours to find Kibande, an almost-40-year-old mountain gorilla, but it was worth it to get this snap of the ape closing its eyes in the rain, seemingly enjoying the shower. Mountain gorillas are found at altitudes of over 1,400 metres in two isolated populations – at the Virunga volcanoes in Rwanda and in Bwindi, Uganda – and are endangered due to habitat loss, disease, poaching and disruption caused by human activity.
UK photographer Alex Mustard’s image is of a juvenile ghost pipefish hiding among the arms of a feather star – its loud colours signify that it had not long landed on the reef; its colour pattern would later have changed, enabling it to blend in.
Spinning The Cradle by Gil Wizen – Behaviour: Invertebrates winner
Gil Wizen (Israel/ Canada) discovered this fishing spider under some loose bark in a forest near his home in southern Ontario, and managed to capture it stretching out silk to weave into its egg sac. “The action of the spinnerets reminded me of the movement of human fingers when weaving,” Wizen said.
The Intimate Touch by Shane Kalyn – Behaviour: Birds winner
This picture by Canadian photographer Shane Kalyn shows a raven courtship display captured in midwinter, the start of their breeding season. Lying on the frozen ground, he watched as the couple exchanged gifts – moss, twigs and small stones – and preened and serenaded each other before coming together for the perfect picture.
Head To Head by Stefano Unterthiner – Behaviour: Animals winner
Stefano Unterthiner, from Italy, followed these Svalbard reindeer during rutting season and caught these two battling for control of a harem, clashing antlers until the dominant male chased his rival away. Reindeer populations in the Arctic are affected by climate change, as increased rainfall can freeze on the ground and prevent access to plants that would otherwise sit under soft snow.
Where The Giant Newts Breed by Joao Rodrigues – Behaviour: Amphibians and Reptiles winner
Joao Rodrigues, from Portugal, came across a pair of courting sharp-ribbed salamanders in a flooded forest – his first chance in five years to dive into the lake, which only emerges in winters of exceptionally heavy rainfall. He said he had a split second to adjust his camera settings and capture the moment before the newts swam away.
Nursery Meltdown by Jennifer Hayes – Oceans: The Bigger Picture winner
Following a storm, it took hours of searching by helicopter for US photographer Jennifer Hayes to find this fractured sea ice used as a birthing platform by harp seals. “It was a pulse of life that took your breath away,” she said of her image. Every autumn, harp seals migrate south from the Arctic to their breeding grounds, delaying births until the sea ice forms. But they depend on the ice – which means that future population numbers are likely to be affected by climate change.
Rich Reflections by Justin Gilligan – Plants And Fungi winner
Justin Gilligan, from Australia, created the reflection of a marine ranger among the seaweed for this striking photograph, taken at the world’s southernmost tropical reef. He said he wanted to show how careful human management helps preserve a vibrant seaweed jungle – and had just 40 minutes in which tide conditions were right to get his image.
The Spider Room by Gil Wizen – Urban Wildlife winner
A second winning spider shot for Wizen, who found this venomous Brazilian wandering spider hiding under his bed after noticing tiny spiders all over the room. Yikes. Rather than run away, he grabbed his camera to capture what is one of the world’s most venomous spiders, which is the size of a human hand.
Road To Ruin by Javier Lafuente – Wetlands: The Bigger Picture winner
Using a drone, Javier Lafuente, from Spain, captures the stark line of a road slicing through a wetland landscape, which is home to more than a hundred species of birds.
Elephant In The Room by Adam Oswell – Photojournalism winner
Adam Oswell, from Australia, said he was disturbed by this scene of zoo visitors watching a young elephant perform under water. Elephant tourism has increased across Asia and in Thailand there are now said to be more elephants in captivity than in the wild.
The Healing Touch by Brent Stirton – Photojournalist Story winner
Brent Stirton, from South Africa, profiled a rehabilitation centre caring for chimpanzees orphaned by the bushmeat trade in the Democratic Republic of the Congo. This image shows the director of the centre sitting with a newly rescued chimp she is slowly introducing to the others.
Cool Time by Martin Gregus – Rising Star Portfolio winner
This image by Martin Gregus (Canada/Slovakia) shows two female polar bears cooling off and playing in shallow waters around Hudson Bay in Canada. Captured with a drone, he said he felt the heart shape symbolises the apparent affection between the two animals and “the love we as people owe to the natural world”.
Face-Off by Angel Fitor – Portfolio Award winner
These cichlid fish might look like they’re having a kiss, but they’re actually fighting over a snail shell. Angel Fitor, from Spain, captured the pair in Lake Tanganyika, which is spread across Tanzania, the Democratic Republic of the Congo, Burundi and Zambia in Africa. Fitor monitored the lake bed for three weeks – and while this struggle was over in seconds, it was just long enough to get a winning shot.
Sunflower Songbird by Andrés Luis Dominguez Blanco – 11-14 Years winner
Enjoying itself sitting in the sunflowers on a warm afternoon is a melodious warbler bird. Andres Luis Dominguez Blanco, from Spain, managed to shoot “the king of its territory” from his hide set up in his father’s car.
High-Flying Jay by Lasse Kurkela – 15-17 Years winner
Image: Lasse Kurkela (Finland) watches a Siber
Lasse Kurkela, from Finland, used pieces of cheese to get Siberian jays accustomed to his remotely controlled camera and to encourage them to follow a particular flight path so he could get the exact shot he wanted – one of the birds high in the sky, tiny against the forest trees.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.