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When The Charlatans frontman Tim Burgess was spending time looking through the band’s back catalogue for ideas to mark their 30th anniversary, a gem was unearthed in the unlikely setting of his mum’s CD collection.

Sandwiched somewhere between Queen’s A Kind Of Magic and Abba’s Arrival, Burgess found a long-forgotten Charlatans demo, created around the time of seventh album Wonderland in 2001, which had sat gathering dust for the best part of two decades. The CD contained some rough mixes of some familiar songs and then a track Burgess didn’t recognise.

“I thought, okay, well, it’s going to be an instrumental, but that’s still a great find,” he tells Sky News. And then he heard his own vocals kick in. “I started singing [on the demo] and I thought, I don’t even remember doing this. It’s kind of like, so long ago and probably at a period where we were quite frantic and frazzled as well,”

The Charlatans
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It’s been 31 years since The Charlatans released debut album Some Friendly in 1990

The song is C’mon C’mon, a once lost track that has been included in a special vinyl album boxset, the band’s “archival restoration project”, which has been released to mark 30 years since debut album, Some Friendly. Or rather, 31 years now, thanks to the COVID-19 pandemic delaying the celebrations. As well as the greatest hits, it includes live performances, unheard demos, remixes from the likes of The Chemical Brothers, Norman Cook and Sleaford Mods, and previously unseen photographs. There will also be a tour, with the band visiting 18 cities across the UK and Ireland in November and December.

“Many people over the last year or so, they’ve celebrated [special occasions] over Zoom,” says Burgess. “So we had a Charlatans 30th anniversary party on Zoom. [We’re] super excited about doing the shows coming up in November and December, on the 31st anniversary. It’s very Charlatans to do something a little bit odd, you know. The 31st kind of has a better ring to it with our band.”

C’mon C’mon was one of a few “‘why did we not release this as a single?’ moments”, Burgess says the band had as they sifted through the archives. “It was quite a find but had been there, you know, since probably 2001. When you’re making an album, say you put 10 songs out, you normally write at least 16 and then some songs, you know, might sound a little bit like something else and you have to decide on the spot which is your favourite, or in some cases we haven’t finished off a track in time for an album, but yet made it one of the best B-sides that we’ve ever done. But in this case with C’mon C’mon, we just, no one… I don’t remember it at all.”

The boxset, titled A Head Full Of Ideas, is a career-spanning collection that sums up The Charlatans’ journey from young indie hopefuls to a veteran band that has released 13 top 40 albums, three of them chart-toppers, still going strong after more than 30 years. But The Charlatans could so easily have become yet another of rock’s casualties, with the band facing near bankruptcy in the early days and indulging in the typical drink and drugs excesses of rock ‘n’ roll life. They have also lived through tragedy; keyboard player Rob Collins was killed in a car crash in 1996, drummer Jon Brookes died of a brain tumour in 2013. Both were founding members, who brought Burgess into the band.

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“We always have memories,” says the singer. Looking back over 30 years has brought them to the fore. “Tracks from Modern Nature [the band’s 12th album, released in 2015], which fill up the kind of latter half of the greatest hits element of the boxset release… you know, John died just before making that but we always felt that he was a big part of that record. That even though he’d died, he was still, I don’t know, talking to us from another realm. And with Rob, we talk about him every day, still, you know.”

Burgess remembers his first rehearsal after joining the band in 1989. “They had three songs that were instrumentals and I just thought they were the best sounding things I’d ever heard,” he says. “I just wanted to be involved straight away. And, you know, within six months we were playing our first shows. The music scene in the UK was just amazing [at that time], probably the best it’s ever been.”

Singer Tim Burgess of The Charlatans performs at Glastonbury Festival on 26 June 2015. Pic: Jim Ross/Invision/AP
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Playing at Glastonbury in 2015, one of several appearances at the famous festival. Pic: Jim Ross/Invision/AP


The singer was living for the moment. “I was kind of in it just thinking it was the right thing to be doing at that time,” he says. “Obviously I was a massive music fan and it was what I really wanted to be doing. But I had no clue [how long it would last]. I didn’t really think it would last for longer than a year, maybe. Maybe we could do one album. And I had no real idea what to do after that… But it just felt so great. We’d all been in bands before and we just all knew that we had a chemistry, something that was unexplained and something that we all believed in.”

While only Burgess and bassist Martin Blunt remain from the original Some Friendly line-up, the Charlatans sound – signature Hammond organ combined with the Northern Soul and house-influenced rhythms – is still instantly recognisable. They are older but “certainly not any wiser”, Burgess jokes. “Well, I’ve grown up a little bit.”

As well as The Charlatans – and releasing a solo album – Burgess has been spending a lot of time on Twitter over the past 18 months. Tim’s Twitter Listening Parties, something he had previously done with Charlatans albums, became something of a social media phenomenon during the first lockdown in March 2020.

The idea was for fans to play an album, all starting at the same time, with the artist or significant people behind said album offering commentary and answering questions on Twitter. Such was the response that soon listening parties were being organised for Blur, Oasis and New Order albums, and eventually megastars such as Paul McCartney and Kylie Minogue.

By the end of the month, Burgess will have organised listening party number 1,000 – with Blondie’s Debbie Harry and Chris Stein looking back at the 1978 album Parallel Lines. At a time when people across the world were isolated from friends and family, it was a force for good in a little corner of the internet. “Together, apart,” as Burgess put it.

“It became a kind of sharing community between lots of people who really needed something during lockdown,” he says. “I had no idea how big it would be but I think it’s just an amazing thing that people can all listen to an album together with a major player in the making of those records.”

Burgess cites receiving a simple thumbs up emoji from McCartney in response to his invite to take part as one of his highlights. “But there are just so many… Iron Maiden – amazing! Spandau Ballet – amazing! All of the New Orders ones, the Kylie one… all of them.” And if Kate Bush or Peter Gabriel would like to do one, he adds, “that would be amazing”.

And when it comes to Charlatans highlights? After more than 30 years, there have been many of those, too. Most recently, the band playing a storming set at the last Glastonbury festival in 2019, after being brought in at the 11th hour, is up there.

“We were stepping in for Snow Patrol at the last minute,” says Burgess. “We only knew we were playing like a day before and I think we smashed it. I think that is very telling of the band I’m in, really.” He laughs. “We’re like The A-Team.”

The Charlatans’ boxset A Head Full Of Ideas is out now and the band’s UK and Ireland tour starts in Belfast on 22 November

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What if Romeo had a scar? Or Juliet a facial difference? The actors challenging screen conventions

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What if Romeo had a scar? Or Juliet a facial difference? The actors challenging screen conventions

Crystal was 18 when bone cancer changed her face. On top of chemotherapy and operations, she had to deal with other painful realities too.

She told Sky News: “Pre-cancer, and everything that happened I wasn’t aware how people who had facial differences were villainised or victimised.

Crystal before her diagnosis
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Crystal before her diagnosis

“Experiencing that, seeing the trauma, I’ve been so affected by people staring at me in the street, and hate comments about my appearance.”

She believes part of the problem is the screen portrayal of visibly different characters: “There’s a narrative in Hollywood, especially that’s been going on for years, that people are not addressing and seeing that these are real people.”

Refusing to let her differences keep her from pursuing her dreams, Crystal studied acting at LAMDA, one of the UK’s top drama schools.

Now a professional actress, she knows her appearance will always be judged.

“[My visible difference] is on my face. I can’t really hide anything. Every time I talk or enter a room, it’s not like anyone’s fault, I just know that people have that first perception or viewpoint of me.”

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With aspirations to one day appear in a Marvel movie, she hopes her drive to perform will help others in the future.

“I didn’t have anyone who looked like me as a role model… It would have just been so much better if I’d had that one person to look up to, to be inspired by.”

Crystal graduated from LAMDA in 2024
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Crystal graduated from LAMDA in 2024

Lack of representation is not the only problem. When visible difference does make it onto the screen, misrepresentations and negative overtones often reinforce stigma.

Nearly one in five people in the UK self-identifying as having a visible difference, such as a mark, scar or condition, according to charity Changing Faces.

New research they conducted into the way disfigurement is portrayed on screen found that people with visible differences were over twice as likely to be shown as a victim or a villain than as a love interest.

Film and television have used scars, burns and birthmarks as a shorthand for villainy across the genres for years. From Bond to Batman and Star Wars, to more family-friendly productions such as The Lion King.

Heath Ledger as the infamous Joker. Pic: Rex Features
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Heath Ledger as the infamous Joker. Pic: Rex Features

Rami Malek as Safin in No Time To Die, complete with scars. Pic: Universal
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Rami Malek as Safin in No Time To Die, complete with scars. Pic: Universal

And while visibly different characters aren’t common on screen, a woman with a physical difference in film or TV is even rarer.

Author and entertainment journalist Kristen Lopez says it’s because women’s value on screen is so tied up with their sexuality.

The author of Popcorn Disabilities: The Highs and Lows of Disabled Representation in the Movies has even come up with a term to describe the industry’s attempt to keep their leading ladies “sexy and beautiful”.

“You often see what I call ‘pretty disabilities’. It’s a disability that is not going to affect the physical perfection of the actress. And it will also allow for an A-list, usually non-disabled actress, to continue to play the character.”

Lopez says for that reason, films are more comfortable with portraying blind or visually impaired women, deaf women, or non-verbal women, because their disability “doesn’t mar the face”.

Speaking from her own experience of growing up with brittle bone disease, she says: “I worry about the next generation of disabled girls – what are they seeing? Do they feel represented?

“How do you navigate adolescence if you don’t see anybody that looks like you doing the things that every other young person is doing?”

Romeo Olukotun was just one year old when an accident left him with second and third-degree burns on his torso, chest and neck.

With his accident not spoken about at home, he admits, “I just kind of had to deal with that on my own”.

He did find some flashes of inspiration, including from singer Seal.

Romeo was just one when an accident left him with burns on his chest, neck and stomach
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Romeo was just one when an accident left him with burns on his chest, neck and stomach

“I loved how even though he had a visible difference and scarring on his face, he wasn’t looked down because of that. He was seen for his talent.”

With his confidence taking a hit due to his scars while at secondary school and university, he rebuilt his self-esteem as an adult through cheerleading.

Later spotted at a music video shoot he’d gone along to with a friend, he’s now an actor and model. But his visible differences have, at times, affected his casting.

Pic: Changing Faces
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Pic: Changing Faces

Romeo told Sky News: “Because my scar on my neck looks like I’ve been stabbed, I would often be asked to ‘Try this [performance] like a thug or someone who’s on the streets’. And I didn’t like being labelled as that. I’m someone who is much more than my scars.”

He’s now a man on a mission: “I want to be someone who shows other people with a visible difference that they can be anything. They can play the romantic lead, they can play a villain if they want to. They can be a hero, not just be labelled as someone sinister and evil, Machiavellian.”

Pic: Changing Faces
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Pic: Changing Faces

While the film and TV industries might be slow to change, LAMDA vice principal Dr Philippa Strandberg-Long is hopeful for the future.

“We have to make our students aware of the industry that they are going into and not, I guess, create a utopia where they’re not aware of the industry they’re going into. However, we can change it from how we educate our students that come out.

“Things won’t change overnight, but it will change over time. So, we have to put in the work at the grassroots, which is here.”

Changing Faces is the UK’s leading charity for anyone with a visible difference. They have a confidential support and information line for anyone dealing with the impact of visible difference.

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Ibiza lizards ‘near extinction’ due to invasive snakes and mounting litter

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Ibiza lizards 'near extinction' due to invasive snakes and mounting litter

Conservationists in Ibiza are warning the island’s native bright blue and green lizards are coming ever closer to extinction due to the mounting threats of invasive snakes and tourists’ litter.

The Ibiza wall lizard is endemic to Ibiza and neighbouring Formentera and is vital to the ecosystem of the islands, experts say, for pollinating plants and controlling pests.

Since the 2000s, the small, colourful reptiles, which are harmless to humans, have become endangered due to the proliferation of invasive snakes that first arrived in imported trees.

Conservationists say Ibiza lizards are endangered. Pic: Dean Gallagher
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Conservationists say Ibiza lizards are endangered. Pic: Dean Gallagher

Conservation foundation IbizaPreservation says snakes are now present on up to 90% of the island, while the lizard population has decreased massively, believed to have disappeared from about 70%.

But there is also another issue affecting the species – litter left mainly by tourists at beauty spots.

Dean Gallagher, a snake catcher on the island, says he is constantly finding the bodies of dead lizards stuck inside discarded bottles and cans at Es Savinar, a southerly viewpoint where people often gather for sunset.

“I’m finding these lizards trapped in cans and bottles,” he tells Sky News. “Once they get inside their feet get wet from the drink inside, the beer or the Red Bull, and they can’t get out. Sun comes up, heats up the bottle, the can, and just fries a lizard inside. It’s absolutely devastating.”

Dean Gallagher has lived in Ibiza for more than 20 years
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Dean Gallagher has lived in Ibiza for more than 20 years

Tourism accounts for about 84% of Ibiza’s economy and is vital for the island, with tourist spending reaching 4.3bn euros in 2024, according to the Balearic Institute of Statistics (IBESTAT) – an increase of 62% since 2016. The number of tourists reached a record high of more than 3.7m for Ibiza and neighbouring Formentera in 2023 – an increase of almost 25% since 2016.

The land Dean looks after at Es Savinar is private, he says, but people ignore signs and fences which were replaced at the beginning of the summer.

“We do rubbish collections probably once or twice a week,” he says. “We clear the whole area of bottles and cans then the next time, we go back and there’s even more.

“Bottles can cause bush fires. The forests are really dry at the moment, just one spark can set this place alight. And [litter] is also killing our lizards. They’re marvellous, beautiful creatures, they’re not aggressive and they keep the bugs away. The ecological value is really important.”

Signs have been put up around the private land. Pic: Dean Gallagher
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Signs have been put up around the private land. Pic: Dean Gallagher

Dean lives near Santa Eulalia, where he says numbers are scarce. “Lots of parts of the north of the island now, they’ve completely diminished and it’s very sad,” he adds.

“And the very southwest corner of the island where this viewpoint is, this is the last place where they are in stable numbers. But the excessive rubbish, tourism, snakes, are gonna wipe them out completely.”

Gallagher says he is constantly finding the reptiles trapped in glass bottles and cans
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Gallagher says he is constantly finding the reptiles trapped in glass bottles and cans

Visual surveys of areas of Ses Salines Natural Park by environmental association GEN-GOB have found the population there has decreased by between 70% and 90% since 2023.

GEN-GOB, Friends Of The Earth Ibiza and IbizaPreservation are among several organisations that have been working to save the species in recent years.

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Is Ibiza at breaking point?

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Ibiza’s shanty towns – the side of the island most do not see

Jordi Serapio, coordinator of Protegim Ses Sargantanes, IbizaPreservation’s lizard protection project, says abandoned bottles and cans are “deadly traps” for the animals.

And snake numbers continue to grow and expand toward territories where lizards still remain, he adds. The most common snake on the island – and the biggest danger to lizards – is the horseshoe whip snake, but other types have been spotted.

“It has followed a northeast to southwest expansion,” he says. “The highest snake densities are observed in what they have called the ‘invasion front’ – this is known precisely thanks to trapping.

“In contrast, in areas where lizards have already become extinct, there appears to be a much lower density of snakes.”

So the more food available for the snakes, the higher the numbers.

“This is something common in most biological invasions, which end up regulating themselves naturally,” Jordi says. “The unknown in this case is whether some lizard populations will manage to survive and adapt. Although everything seems to indicate that they won’t.”

He also highlights another problem – predation by both feral and domestic cats – which he says is a growing threat.

“In the current context of the species’ extinction, any additional pressure worsens the situation.”

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Former London’s Burning actor John Alford guilty of sexually assaulting girls aged 14 and 15

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Former London's Burning actor John Alford guilty of sexually assaulting girls aged 14 and 15

Former London’s Burning actor John Alford has been found guilty of sexually assaulting girls aged 14 and 15 at a friend’s home.

Jurors heard the 53-year-old, who rose to fame in BBC show Grange Hill, sexually assaulted the girls while they were drunk following a night out at the pub.

St Albans Crown Court was told he bought £250 worth of food, alcohol and cigarettes from a nearby petrol station in the early hours of the morning, including a bottle of vodka which the victims subsequently drank.

Alford then had sexual intercourse with the 14-year-old girl in the garden of the home and later in a downstairs toilet, and inappropriately touched the 15-year-old girl as she lay half asleep on the living room sofa.

He denied four counts of sexual activity with the younger girl and charges of sexual assault and assault by penetration relating to the second teenager at a property in Hertfordshire on April 9 2022.

But, after 13 hours of deliberations, he was found guilty.

As a firefighter in one of his most famous roles. File pic: PA
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As a firefighter in one of his most famous roles. File pic: PA

Alford, of Holloway, north London, who was charged under his real name John Shannon, had previously told the court the allegations were a “set-up”.

He put his head in his hand and shouted “Wrong, I didn’t do this” from the dock as the verdicts were read out in court.

‘I didn’t want sex with an old man’

During the week-long trial, Alford, who cried while giving evidence, told jurors “I never touched either of them girls”, adding there was “no DNA” evidence and that he would stand by his denial “until the day I die”.

However, the 15-year-old girl said: “We were all just like dozing off. That was when John started to touch me.”

Asked how she felt after the assault, the girl said: “Sick. I felt absolutely sick. I wasn’t going to tell anyone.”

In a video of her police interview played to the court, the 14-year-old girl said she had never had sex before the night of the alleged incidents.

“I told him to stop because I didn’t want to have sex with an old man,” she said.

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