Damien Hirst has started burning millions of pounds worth of his art as part of a project testing the value of physical paintings versus digital works – and told Sky News: “Who’s to judge what’s right and wrong and what’s real and not?”
The British artist, who rose to fame in the 1990s – winning the Turner Prize with an installation of a bisected cow and calf in formaldehyde – is setting fire to works created for The Currency, a project launched in July 2021.
With the collection of 10,000 pieces featuring his famous spot prints, collectors were given a choice: take a physical Hirst original (quite a bargain at $2,000) or opt for an NFT digital version.
Given a year to decide, buyers had to make their minds up in July this year. The result? Some 5,149 physical pieces will remain intact, their virtual doppelgangers deleted – while 4,851 NFTs will live on in the digital sphere, their painting equivalents going up in smoke.
Hirst has now started the fire for the unchosen physical pieces, with burning set to continue at his Newport Street Gallery near Vauxhall, south London, over the next few weeks.
He told Sky News he doesn’t see his project as burning his art, rather transforming it – but admitted that with his background firmly in the physical art world, he did need to get to grips with the digital one.
“I’m kind of rooted in the physical world, so I find the digital world more challenging,” he said. “I think this has to be part of the process. To create truly digital artworks is to destroy the physical artwork.”
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On the first day of the burning, the smell of torched paper lingers throughout the gallery. All 10,000 paintings are represented here, with the 5,149 works whose owners opted for the physical greyed out.
At the moment, the majority of the other 4,851 are still in place, ready to be burnt, while blank rectangles occupy the spaces of those torched so far. By the end of the month, these will represent almost half.
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Why opt for a digital artwork rather than a physical painting to display on your wall?
Kyle Johns, 28, from Cwmbran in south Wales, said he originally thought it was an obvious choice – but as the year went on, he changed his mind.
“I came into it, I was always art. I was going to have art on the wall. But it changed. We were in the community and it was nice. We were all in an [online] group and it’s just been brilliant.
“Over the year, the NFT became appealing. It’s hard to explain. If I try and tell my mum I’ve got a picture of a picture that’s going to be burnt, it doesn’t make sense. But when you think of it as the future, it is an art form, it’s digital – and we all have a phone.
“I’m not taking my wall [out] with me, I’m taking my phone and my NFT collection.”
Hirst says he views The Currency as a work of art in which people participate by buying, holding, selling and exchanging the works. The community, the burning, is all part of the art, part of the experiment.
Many who chose NFTs and resold early on have done well. In September 2021, the buyer of number 2,604, titled Revocation, sold it for $172,239 (£154,313). This was the NFT version. According to Hirst’s book on the project, The Currency has so far generated $89m (£78.9m) in sales.
Mr Johns, whose physical piece will burn later in October, says he may look to sell at some point, but for now he is enjoying the experience.
His joining The Currency led to a charity fundraising event supported by the artist – and he now even has a tattoo of another of Hirst’s famous artworks, the formaldehyde shark.
“For now, it’s about the community,” he said. “I think [the NFTs] are trading at about $7,000 (£6,281) now. We’ll see what happens.”
Zaheer Raffeeq, 28, who lives in London, opted to keep a physical Hirst painting – deciding three days before the deadline.
”NFTs are too new for me, whereas having something I can hold – I prefer that,” he said. “I thought it was taking too much of a risk to take the NFT.
“I see why people picked the NFT, because it’s also cool to say that Damien Hirst burnt my piece of art… I think I made the right choice.”
Is he worried he might miss out on a lot of money should the value of the NFTs rise more than the physical pieces?
“I think I would have thought the same thing if I’d had the NFT,” he said.
Once the burning is complete, who knows what will happen to the value of either of the sets, physical or digital? NFTs certainly have their critics – but Hirst says it is not for anyone to judge what others appreciate as art.
“With NFTs, we’re making art for people who haven’t been born yet,” he said. “Who’s to judge what’s right and wrong and what’s real and not?
“The people who aren’t born yet are going to decide what’s going to be remembered and what’s not. We’re just here to try and record today for the people of the future.”
Glastonbury 2025 is in full swing, with artists including Charli XCX, The 1975, Olivia Rodrigo, Neil Young, Rod Stewart, and Alanis Morissette among the stars set to entertain the masses this year.
But politicians who won’t even be setting foot on Worthy Farm in Somerset have been making their thoughts known about this year’s line-up – in particular the Irish-language rappers Kneecap, who are on the bill on Saturday.
The trio made a huge Glastonburydebut last year – impressing the likes of Noel Gallagher, who turned out for a set. But the path to a bigger stage this time round has made headlines for different reasons.
Image: Kneecap at the premiere of their self-titled film in London. Pic: PA
Outspoken on the war in Gaza, Liam O’Hanna, or Liam Og O hAnnaidh, appeared in court earlier this month charged with a terror offence, for allegedly displaying a flag in support of the proscribed group Hezbollah at a Kneecap gig in London last November.
He is due back in court in August. On social media, he denied support for Hezbollah after the charge was announced, but the trio have held firm on their support for Palestinians.
Removed from the bills of some festivals in the run-up to Glastonbury, there were calls from some for them to be taken off here, too – including from the prime minister.
When asked by The Sun, Sir Keir Starmer said it was not “appropriate”, and he did not think they should play.
Image: Kneecap’s Liam Og O hAnnaidh leaves Westminster Magistrates’ Court. Pic: PA
Image: Protesters gather in support of Kneecap outside court in London. Pic PA
In an interview with The Guardian as the festival got under way, O hAnnaidh, who performs under the stage name Mo Chara, was asked if he regretted what was depicted in a video of the alleged offence that circulated on social media.
“It’s a joke,” he replied. “I’m a character. Shit is thrown on stage all the time. If I’m supposed to know every f****** thing that’s thrown on stage, I’d be in Mensa.”
He told the newspaper he did not know every proscribed organisation, saying he had enough to think about when he is on stage.
“I’m thinking about my next lyric, my next joke, the next drop of a beat.”
Image: Glastonbury gets under way at Worthy Farm in Somerset
Dilemma for the BBC
For the BBC, which broadcasts a lot of the main sets live, it poses a dilemma.
When asked if it would be showing Kneecap’s set live, a spokesperson said artists were booked by festival organisers and their own plans would ensure editorial guidelines are met.
“Whilst the BBC doesn’t ban artists, our plans will ensure that our programming will meet our editorial guidelines,” they said. “Decisions about our output will be made in the lead up to the festival.”
Which means it’s unlikely they’ll be streaming Kneecap live – but some of their set at least may be made available later.
To those who object to them being allowed a stage here at all, it’s still allowing the band a very prominent platform.
But Glastonbury has always leaned left, featuring acts unafraid to share their political views – and hosting former Labour leader Jeremy Corbyn on stage in 2017.
Festival founder Michael Eavis told the Glastonbury Free Press that people have always come to the festival for these reasons – and made his views clear: “People that don’t agree with the politics of the event can go somewhere else.”
Image: Glastonbury co-founder Sir Michael Eavis and his daughter Emily as the festival opens for 2025. Pic: PA
Singer and activist Billy Bragg, who organises the Left Field stage each year, said Glastonbury has always been political.
“When I first came here in 1984, it was a CND (Campaign For Nuclear Disarmament) festival, and everybody was in opposition, or every young person, was opposed to Margaret Thatcher’s policies. And whatever issues – CND, the miners, gay rights, they came, it’s always been that.
“So I don’t know why everyone’s saying this year it’s a bit political. It’s always been political. I suppose the prime minister saying who can and who can’t play might have something to do with it.”
Bragg said he was “proud” of Glastonbury organisers for “standing up to it” and ignoring the noise.
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Glastonbury Festival 2025 has started – here’s what you need to know
Accusations of ‘corporate control’
Politics and pop have always been intertwined for older acts such as Neil Young, who headlines the Pyramid Stage on Saturday – and we know the BBC won’t be showing this one live, but perhaps for different reasons.
Before his headline slot was confirmed, Young, who began his career in the 1960s with the band Buffalo Springfield, said he had initially turned down the offer to perform, saying the festival was “under corporate control” of the broadcaster.
Earlier this week, the corporation confirmed it would not show the set live “at the artist’s request”.
Image: Neil Young won’t have his set televised by the BBC. Pic: Getty
Singer-songwriter John Fogerty, one of the founders of US blues rock band Creedence Clearwater Revival, is also on the bill this year – and said songwriters should talk about what’s going on in the world around them, “certainly if they have a point of view and they’d like to share it”.
There’s a balance, he added. “I was happy to write Proud Mary, which is sort of Americana, you know, sort of love song to America, really.
“But I wrote Fortunate Son right in the middle of the Vietnam War in the late 1960s. And that has a place too. People need to feel free to write more music like that.”
Image: John Fogerty is on the bill this year. Pic: Getty
With Donald Trump back in power, the US is in “political turmoil”, Fogerty said. “It’s almost, you know, I should go sit down somewhere and write a song about this – and then you go, oh my goodness, I already did.”
For fans at Glastonbury, music as ever is the focus here – and the feeling from most is that politicians should stay out of it.
“The prime minister and pop music don’t really go together,” said Bragg. “I don’t think anybody, leader of the opposition either, should say who can and who can’t play at a festival.”
Jeff Bezos and Lauren Sanchez’s star-studded wedding celebrations in Venice have begun, with VIP guests including the Kardashians descending on the Italian city.
The billionaire Amazon founder and his journalist fiancee waved to onlookers as they left a luxury hotel to travel to their pre-wedding reception by water taxi on Thursday evening.
Hollywood star Orlando Bloom was seen flashing a peace sign to fans as he left Venice’s Gritti Palace Hotel and he was soon followed by TV presenter Oprah Winfrey, who smiled and waved.
Image: Orlando Bloom donning all white. Pic: Reuters
Image: Oprah Winfrey is one of the 200-250 guests. Pic: Reuters
Kim and Khloe Kardashian travelled to the reception with their mother Kris Jenner – who snapped a picture of the pair on a water taxi – and other notable figures in town for the nuptials include Ivanka Trump and Jared Kushner.
Image: Kris Jenner snaps a photo of Khloe and Kim Kardashian. Pic: Reuters
Image: Kim Kardashian gestures on a boat as Khloe appears to take a selfie.
Pic: Reuters
Some 200-250 A-list guests from showbusiness, politics and finance are expected to attend the events, with the wedding and its parts estimated to cost €40m-€48m (£34m-£41m).
Bezos, his soon-to-be wife and their famous guests have taken over numerous locations in the city, with the couple staying in the luxury Aman hotel, where rooms go for at least €4,000 per night.
Image: The bride and groom leaving their hotel. Pic: AP
The first of the weekend’s many wedding parties is taking place in the cloisters of Madonna dell’Orto, a medieval church that hosts masterpieces by 16th century painter Tintoretto.
While the couple and their A-list guests were all smiles, some in Venice are not happy about the wedding – with protesters seeing it as an example of the city being gift-wrapped for ultra-rich outsiders.
Image: An activist from Extinction Rebellion unfolds a banner in front of St Mark’s Basilica. Pic: AP
An activist climbed one of the poles in the main St Mark’s Square on Thursday, unfurling a banner which said: “The 1% ruins the world.”
Elsewhere, a life-size mannequin of Bezos clutching an Amazon box was dropped into one of the city’s famous canals.
Jeff Bezos and Lauren Sanchez’s wedding in numbers
€48m price tag
The wedding and its parts are expected to cost €40m-€48m (£34-£41m), Luca Zaia, the president of Venice’s local government, said on Tuesday.
This includes sizeable charity donations from the Amazon founder, including €1m (£850k) to Corila, a consortium that studies Venice’s lagoon ecosystem, local media has reported.
90 private jets
The first private jets began landing at Venice airport on Tuesday and there will be around 90 in total, Mr Zaia said.
They’re not all arriving in Venice though, as some have landed at the nearby Treviso and Verona airports.
250 guests
Five of the city’s most luxurious hotels have been booked out to host an estimated 200-250 guests.
These include the celeb favourite Cipriani, where George and Amal Clooney married in 2014.
30 water taxis
Attendees of course aren’t hopping on public water buses to get around the city’s many islands.
The wedding’s organisers have booked at least 30 water taxis for them to use instead.
In a bid to keep demonstrators away from Thursday’s party, the city council banned pedestrians and water traffic from the area surrounding the venue, from 4.30pm local time to midnight.
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Bezos wedding protests explained
The couple will exchange their vows on Friday, on the small island of San Giorgio, opposite St Mark’s Square.
Another party will follow on Saturday – the venue for which was changed at the last-minute earlier this week.
A convicted killer previously jailed for stalking Girls Aloud singer Cheryl has admitted another breach of his restraining order after turning up at her home.
Daniel Bannister, 50, pleaded guilty to the new charge at Reading Magistrates’ Court on Tuesday.
Confirming his plea, he told the court he attended an address he “reasonably believed or suspected” was the star’s home.
A court previously heard Bannister “can’t stay away” from the 41-year-old singer.
He had initially been jailed for four months in September last year and was handed a three-year restraining order, which he breached when he turned up at her home unannounced in December 2024.
At the March hearing, Cheryl said she “immediately panicked” when he rang the bell at the gate and was “terrified” when she saw him – fearing for the safety of her eight-year-old son Bear.
Image: Cheryl in June 2022. Pic: PA
In 2012, Bannister killed 48-year-old Rajendra Patel in an attack at a south London YMCA shelter and pleaded guilty to manslaughter.
He was remanded in custody on Friday and will appear at Reading Crown Court on 23 September.