Taking place in July, the show will bring Rowntree back together with his Blur bandmates Damon Albarn, Graham Coxon and Alex James for their first headline performance since 2015 – and their first ever gig at the England football team’s home.
Rowntree said the show has been a long time in the making.
“Turns out it’s incredibly difficult to arrange something like this, you know, the technical resources, the staff, the places to play. All of these things are in very, very short supply.
“So it went right up to the wire, but it’s very hard to turn something like that down.
“We’re a band that’s done almost everything it’s possible to do… what an iconic place, what an iconic venue. It’s just incredibly exciting.”
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Rowntree, who is also a former Labour councillor, said that while Blur played Wembley Arena back in the day, Wembley Stadium – which has a capacity of around 90,000 – would be a first.
“It’s one of these iconic places that are secretly up on your bucketlist, even though you pretend they’re not,” he said, adding: “I sincerely hope we are a band that can fill a stadium like that. I don’t want there to be four people and a dog.”
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The Battle of Britpop
Blur rose to fame in the 1990s, releasing debut album Leisure in 1991 followed by Modern Life Is Rubbish in 1993, before really breaking through with third album Parklife in 1994.
Featuring singles including Girls & Boys, End Of A Century and the titular Parklife, it was the first in a series of five successive number one albums and a string of hit singles – including Country House, Charmless Man, Beetlebum, Song 2, Tender and Coffee & TV – which helped shape British music in that decade.
In 1995, the release of Country House on the same day as Roll With It, by rivals Oasis, spawned the “Battle of Britpop” – with Blur winning that first round as they claimed the number one spot in the UK charts.
More than 30 years since they formed, Rowntree joked that Blur are now “kind of embarrassing granddads” in music but said he was looking forward to playing the hits once again.
“You only get to play for an hour and a half at these big shows so almost all of [that] is going to be full of songs that people won’t let us out of the stadium if we don’t play,” he said. “But I think we’ll try to squeeze a few surprises in there.
“I think once we didn’t play Song 2 and the audience refused to go home. They felt short-changed.”
Rowntree said that even after so many years, the nerves can still be there.
“The nerves these days come about half an hour before a show,” he said. “I go from sort of relaxed, kind of sitting around reading a book, to suddenly sitting bolt upright a half an hour before [the] show, pacing the room and kind of suddenly going, ‘Oh my God! What if I can’t remember the songs?'”
And while he says the bandmates “don’t go and hang around each other’s houses every night like we used to”, they are still good friends and support each other.
“Damon’s always doing loads of interesting stuff. Alex has got a great festival we all troop out to every year, and Graham’s got all kinds of stuff on the go as well.
“We all live in different areas of the country now, so it’s really nice to see each other when we do hang out.”
Fans can catch them hanging out at Wembley Stadium on Saturday 8 July, with artists including British rapper Slowthai, Mercury Prize nominee Self Esteem and London-based electro-pop duo Jockstrap also on the bill.
David Graham, whose voice featured in some of the UK’s favourite TV shows, including Thunderbirds and Peppa Pig, has died.
The London-born star was 99.
Jamie Anderson, the son of Thunderbirds creator Gerry Anderson, led the tributes on X as he called Graham a “legendary” actor.
Graham brought to life the Thunderbirds puppet characters Gordon Tracy, scientist Brains, and Lady Penelope’s driver, Aloysius “Nosey” Parker, in the series about the secret International Rescue organisation.
“We will miss you dearly, David. Our thoughts are with David’s friends and family,” Anderson’s post on X confirming the death on Friday said.
Anderson went on to pay tribute to Graham, who also voiced the evil Daleks in Doctor Who, saying: “David was always a wonderful friend to us here at Anderson Entertainment.”
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Anderson also told the PA news agency: “Just a few weeks ago, I was with 2,000 Anderson fans at a Gerry Anderson concert in Birmingham where we sang him happy birthday – such a joyous occasion.
“And now, just a few weeks later, he’s left us. David was always kind and generous with his time and his talent. And what a talent.”
Highlighting all the characters played by Graham, Anderson added: “He will be sorely missed.”
Graham returned as Parker for ITV’s remake Thunderbirds Are Go, which ran between 2015 and 2020, but not for the live-action 2004 film which saw Ron Cook take on the role.
The original 1965 Thunderbirds was created by Gerry Anderson, who died in 2012, and his second wife, Sylvia, the voice of Lady Penelope, who died in 2016.
Graham also played Grandpa Pig in children’s show Peppa Pig, and provided the voice for characters in Ben & Holly’s Little Kingdom.
His in-person acting roles included Doctor Who, Coronation Street and Casualty.
“Trailblazing” actress Cleo Sylvestre who starred in films, soap operas and stage plays has died aged 79, her agent has said.
Sylvestre, also known as Cleopatra Palmer, appeared in productions as diverse as Crossroads, Shakespeare’s As You Like It and the first Paddington movie.
A spokesperson for Fulcrum Talent said: “It is with deep regret that I have to announce the sad news that Cleo Sylvestre MBE died this morning.
“Much loved and admired by her peers, she will be remembered as a trailblazer and a true friend. She will be sorely missed by so many.”
Sylvestre was also a singer and recorded with The Rolling Stones, who backed her on a 1964 cover of To Know Him Is To Love Him. She later worked as a musician with her blues band Honey B Mama And Friends.
Born in Hertfordshire in April 1945, she was brought up in London by her mother Laureen Sylvestre and studied at the Italia Conti Academy of Theatre Arts.
She was made an MBE in 2023 for services to drama and charity and was married to Ian Palmer until his death in 1995.
Sylvestre enjoyed roles in some of TV’s best-known shows, including playing Melanie Harper, the adopted daughter of Meg Richardson in ITV’s long-running Crossroads, during the 1970s.
Other TV roles came in The Bill, New Tricks, Till Death Do Us Part, Grange Hill, Doctor Who and Coronation Street.
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Her more recent parts included ITV thriller Platform 7, and Channel 5’s revamp of All Creatures Great And Small.
Sylvestre began her acting career on the stage and was the first black actress to take a leading role in a National Theatre production – in National Health in 1969.
She made her Royal Shakespeare Company (RSC) debut playing Audrey in a 2023 production of As You Like It.
Her film roles have ranged from the 2014 film Paddington, Kidulthood from 2006 and 1993’s The Punk.
US-born playwright and author Bonnie Greer wrote on X that Sylvestre was “one of the reasons that-from my vantage point in NYC (New York City) that I thought that this country has the best anglophone theatre, and the best place to be a Black woman in it”.
She added: “I still think that. Thank you, Cleo!”
Dame Elizabeth Anionwu, the UK’s first sickle cell nurse specialist, wrote that she was “devastated” at the death of her “wonderful, kind friend”.
A painting of a nude woman with her legs open has prompted a police visit to an art gallery in Mid Wales.
The painting is on display in the window of The Table in Hay-on-Wye, Powys.
Warning: The image below shows the painting
According to gallery owner Val Harris, the police have asked her to remove the painting under the Public Order Act, but she has refused to do so.
Ms Harris told Sky News the response the painting had received from some people was “shocking” and “rather sad”.
“We had the police here under the Public Order Act. They’d had complaints,” she said.
“I’m not prepared to take it out of the window. I run an art gallery, I support my artists, so that’s where we got to.
“And Poppy [Baynham, the artist] wants to keep it in the window, if she wanted to move it ’cause she was finding it too traumatic, I would have respected whatever she wanted.”
The painting formed part of the gallery’s It’s Party Time exhibition.
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Some of the complaints were read out in a public meeting on Thursday afternoon, called so people could ask questions about the artwork.
One complaint was that the painting was “not suitable for children”, while another described it as “very sexualised”.
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Baynham told Sky News it was “only supportive people” who attended the meeting after the complaints had been made.
“I think everyone who didn’t like the painting was just a bit scared to show their faces obviously. So it turned out really, really great, a lot of people showed up,” she said.
“I couldn’t do it without the support, I think I would have given in if it was all hate.”
The discussion that has been sparked by Ms Baynham’s painting is “all an artist dreams of”, she added.
“The publicity has been amazing for my work, I’ve never had so much people talk about it.”