‘We cannot let Faye’s life end here’: The campaign to save a young star fighting a rare brain tumour
When the fatigue set in and the sensation in parts of her left side started flickering away, Faye Fantarrow thought she knew what was coming. At 20, the leukaemia she had survived twice as a child had returned for a third time, she feared.
“Just” the leukaemia, she says, knowing cancer is never a “just”. But having survived it twice before, at least she knew what to expect. Or thought she did.
Blood tests, however, came back normal, she says. No leukaemia. It was not until she had scans and eventually a biopsy that doctors were able to give her a diagnosis: an aggressive glioma brain tumour, believed to be an incredibly rare consequence of previous radiotherapy she had undergone as a teenager.
This was back in August. Since then Faye, from Sunderland, has had further radiotherapy to try and shrink several growths. But there is no cure in the UK.
An up-and-coming singer and musician, spotted on social media and subsequently signed by Eurythmics star Dave Stewart earlier in 2022, she was made aware of a lifeline – a trial at the City of Hope hospital in the city of Duarte in Los Angeles County, California; a complex treatment, at a total cost of £450,000.
Now, her friends and family, as well as other musicians, are doing everything possible to try to raise the money. Three-and-a-half weeks since a fundraising page was set up, donations have reached just over £121,000. A huge amount, but there is still a way to go.
“We cannot let Faye’s life end here,” her sister Abigail says on the fundraising webpage. “She is the brightest star you could ever find on the darkest night, she is strong, independent and talented… please donate… please help to help Faye fight.”
“It’s daunting but the security blanket I have around me because of the people who are putting money in and just not giving up on me – it doesn’t seem as daunting,” says Faye.
The fight is now on to raise the money for treatment in California.
Surviving leukaemia
Faye was just eight when she was diagnosed with acute lymphoblastic leukaemia, a form of blood cancer, for the first time. She underwent two-and-a-half years of chemotherapy that took away her hair and mobility, but as a child, she says a lack of proper awareness cushioned her from the situation, making her illness in some ways harder for her family.
And in a strange way, her cancer led to her life changing in a positive way; given a Brave Heart award for children facing illness or adversity, she chose an acoustic guitar, paving the way for her career as a singer-songwriter.
The leukaemia returned when she was 13 and this time, she would have to have a bone marrow transplant – a long, difficult process, but one she came through once again.
‘And then Mr Dave Stewart got in touch…’
Faye signed to Dave Stewart’s Bay Street Records label earlier in 2022
Aged 15, Faye started playing the guitar seriously and began writing her own songs the following year. Aged 17, her music was played by BBC Introducing for the first time. And in 2021, she was named the winner of the Alan Hull award for songwriting – a prize given annually in the North East in memory of the Lindisfarne founder.
After years of cancer dominating her life, Faye was well and her music career was taking off. “And then Mr Dave Stewart got in touch,” she says.
Having first followed her on Instagram, Stewart later messaged the singer and began mentoring her, at first adding some production work to her demos remotely, then inviting her to record with him in London. Then they went to the Bahamas to record an EP.
“Things were going so well… and then I decided to mess everything up,” Faye jokes, referring to the tumour. But this is the hardest thing about being diagnosed now, she says. “I’m more aware of it now and obviously it’s affected my career as well. I don’t want this to undermine my career and everything I’ve worked to build.”
‘She’s a national treasure already’
Stewart and his Eurythmics bandmate Annie Lennox have both donated: Pic: AP/Chris Pizzello
Stewart, also from Sunderland, has shared Faye’s story, calling her “an amazing young artist”. He has donated £50,000, and his Eurythmics bandmate Annie Lennox has also donated £10,000.
“Faye is a brilliant young artist, a singer-songwriter in a class of her own,” Stewart told Sky News. “Unique writers like Faye come few and far between and I knew the minute I heard her voice she was extraordinary.
“We spent an amazing time together recording her new EP this summer only to be hit with this devastating news no more than a few weeks after we finished recording.
“I cannot express enough how much I believe in Faye and her talents as a singer and performer, but it’s her astute observations of the world around her put in the words that makes me believe she deserves to be heard for a long, long time.
“At only 20 years old she’s a national treasure in my mind already and hopefully she will become one in yours, too.”
‘I can look towards a future’
Faye now suffers from seizures as a result of her tumours. She says she has good days and bad days. But she remains upbeat, saying she feels “euphoric” thinking about performing again following treatment in California; she is not thinking of it as a case of if, but when.
The treatment she needs is called CAR T-cell therapy, which is a type of immunotherapy – a “complex and specialist treatment”, according to Cancer Research UK. T cells are a type of white blood cell.
“With this treatment, a specialist collects and makes a small change to your T cells. After a few weeks, you have a drip containing these cells back into your bloodstream. The CAR T-cells then recognise and attack the cancer cells,” the charity says on its website.
“It is available as a possible treatment for some children with leukaemia and some adults with lymphoma. People with other types of cancer might have it as part of a clinical trial.”
Faye says the NHS has been “amazing” so far, but now she needs to get to the US.
“If anybody can give whatever they can, I’m eternally grateful for that,” she says. “I’m aware of the current climate… so even if it’s just sharing the story, talking about it. I’m fortunate enough that I have this option and people are getting behind me, that I can look towards a future. Even if it’s just talking about it, I can’t express the gratitude for that alone.”
But Faye’s mum puts it simply. “£450,000 seemed an insurmountable amount. But then I thought, well, if we can reach 450,000 people and they all just give a pound, then we can do it. And that’s all we ask. If someone can give a pound, then we can do it.”
You can donate to the Fight For Faye fundraiser here.
Entertainment
Pulp’s fan club president dished out Jarvis Cocker’s trouser scraps – and his car – to fans. Then he joined the band
Mark Webber’s role as Pulp’s fan club manager started simply enough, writing newsletters and posting out small bits of memorabilia such as postcards, stickers and badges. But, just like the band he loved, he wanted to do things a little differently.
A balloon launch to drum up publicity in their hometown of Sheffield didn’t attract too many people, he recalls, but one did make it all the way to Slovenia. The following year, he cut up a pair of Jarvis Cocker‘s trousers into 500 pieces, “all put in individually numbered envelopes and sent out to fans”.
It was 1993, a decade on from the release of Pulp‘s debut album, but still two years before they were to achieve huge mainstream success. A few years later, they decided to offer Cocker’s old Hillman Imp car, no longer roadworthy, as a competition prize. “It was crushed, compacted into a cube, someone won it, and we delivered it in a truck to their garden.”
It was genius silliness, indicative of the time. Nowadays, if you’re a young fan who loves a band or an artist, you assemble on social media – but back in the 1990s, it was all about signing up to the official fan club.
Some 500 Pulp fans were once treated to scraps of Cocker’s trousers in the post. Pic: Mark Webber
For Webber, who started out as a Pulp fan himself, it was a dream job which eventually led to him becoming the band’s tour manager – and then, just before they hit the height of their fame, joining as guitarist.
Following the group’s second and long hoped-for reunion in 2023, he is now telling his story – from super fan to joining the band – in I’m With Pulp, Are You?.
It’s not an autobiography as such, but a scrapbook of moments told mainly through ephemera collected over the last five decades, from photographs and flyers to set lists and press clippings, as well as other notes and scribblings kept through the years.
Webber went through his hoard during the pandemic lockdown. “It was in disarray at the time,” he says. “I hadn’t looked at it for so long I was finding things I couldn’t even remember what they were.”
‘We were in a bubble – suddenly the world caught up’
Jarvis Cocker on stage in Wolverhampton in 1992. Pic: Mark Webber
His story with Pulp starts in 1985, when he was an “obsessive” teenage music fan hanging out at a small independent record store in Chesterfield “where all the weird kids would go”. Back then, the band’s fan base was small, he says, and they were “amused” by the “daft, psychedelic kids” who followed them. They got to know them.
Webber eventually started helping out with stages sets before taking on the fan club duties. Then his role morphed again as he was called on to play guitar and keyboards at live shows, and began to contribute to songwriting.
He became an official member in 1995 – just before they became one of the biggest bands in the UK with their fifth album, Different Class, thanks to songs such as Disco 2000, Sorted For E’s and Whizz, and signature track Common People.
In the days before social media, Pulp People kept fans up to date. Pic: Mark Webber
“Do you think it’s a coincidence that happened just as I joined?” Webber asks, laughing. “There was this trajectory. There was such a momentum building that it just became clear that, like, every next thing the group did was going to be more successful.”
It was a strange feeling, he says. “Because we were in the bubble at the time, just doing our thing, and suddenly the world had caught up and kind of realised how great Pulp was.”
I’m With Pulp documents some of the milestone moments in the band’s history, such as the 1995 Glastonbury headline set, before the release of Different Class, which came about at short notice after The Stone Roses were forced to pull out. Webber recalls how the band spent the night camping backstage.
“That was horrible because I hate camping,” he says. “And the concert, at the time it didn’t feel like such a great show. But everyone seemed to love it.”
Headlining Glastonbury – but camping in tents
Pulp played a secret set at Glastonbury when they first reunited in 2011 – but didn’t camp that time. Pic: AP/ Mark Allan
Looking back at the roster of recent Glastonbury headliners – Elton John, Paul McCartney, Adele, Dua Lipa, The Killers – it’s hard to imagine any of them pitching a tent in the mud before performing to 100,000 people.
“Well, I’ve never spent the night in a tent since then,” says Webber. “So it changed my life.”
A more infamous incident in Pulp’s history was Cocker rushing the stage during Michael Jackson’s performance of Earth Song at the Brits the following year.
At the time, it didn’t feel as significant a moment as it has become in popular culture, Webber says. “There was disbelief in the moment, that he actually dared to do it. And that it was so easy to do. That’s the thing none of us could really understand, that there was no security or anything stopping anyone getting on the stage that easily.”
Cocker invaded the stage during Michael Jackson’s performance of Earth Song at the Brit Awards in 1996. Pic: Reuters
The aftermath was more concerning. “Like, ‘is Jarvis going to go to prison?’ Because we were starting a tour the next day.”
Ultimately, says Webber, most awards ceremonies and industry events are “boring – you have to do something to amuse yourself”.
After splitting in 2002, Pulp reunited for the first time in 2011, and then again for shows last year.
The response was “kind of amazing”, Webber says. It’s “quite likely we will play in England before we disappear again”, he hints. “There’s nothing confirmed yet but we expect there’ll be more concerts next year.”
‘I probably should have enjoyed it more’
Webber says his tour manager briefcase is one of his favourite items from his early days. Pic: Mark Webber
The book documents Webber’s story. The item he was most happy to rediscover, he says, was the briefcase he used during his time as tour manager, adorned with a vintage ‘I’m With Pulp, Are You?’ sticker, which provided inspiration for the title.
“I knew I had it somewhere, but what I didn’t expect when I opened it up was that it still contained some contracts, to do lists, itineraries, a Bic biro, a packet of Setlers, and the business cards of various guest houses,” he says. “I used to carry this around everywhere, and in the days before we all had mobile phones, it had to contain everything we’d need for a concert or tour.”
After taking the time to look back, is there anything he would change?
“Well, I mean, I probably should have enjoyed it more.” Webber laughs. “I’m always like the slightly glass half-full, grass is always greener type outlook… I did maintain quite a normal life, I didn’t have an address book full of celebrities that I’d go and hang out with – not that that’s something to aspire to, but, you know, maybe I should have been a bit more wild at the time when I had the chance.”
I’m With Pulp, Are You, published by Hat & Beard, is out now, with a launch night at the ICA in London on 27 November
Paul Mescal praised fellow Irish star and friend Saoirse Ronan for speaking out about women’s safety in a TV talk show clip that went viral.
The two Oscar nominees appeared on The Graham Norton Show, where Eddie Redmayne was talking about how he trained for his role as a lone assassin in Sky Atlantic series The Day Of The Jackal, where he was taught how to use a mobile phone if attacked.
In response, Mescal, 28, joked: “Who is going to think about that though?”
He continued:: “If someone attacks me I’m not going to go [reaches into pocket] phone.”
But Ronan chimed in and said: “That’s what girls have to think about all the time. Am I right ladies?”
The clip quickly went viral on social media, with Ronan praised for holding the men to account.
Mescal was asked on Irish broadcaster RTE’s The Late Late Show if they were surprised by the reaction the clip had.
“I’m not surprised that the message received as much attention that it got, because it’s massively important and I’m sure you’ve had Saoirse on the show, like, she’s… quite often, more often than not, the most intelligent person in the room,” he replied.
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He said she was “spot on” and “hit the nail on the head”, adding it was good “messages like that are kind of gaining traction – that’s a conversation that we should absolutely be having on a daily basis”.
Ronan previously called the reaction to her comments “wild”.
Saoirse Ronan was appearing on the show to promote her latest movie, The Outrun
She told The Ryan Tubridy Show on Virgin Radio UK: “It’s definitely not something that I had expected, and I didn’t necessarily set out to sort of make a splash.”
But she said men and women from around the world had reached out to her following the moment.
She said the men on the show “weren’t sort of like debunking anything that I was saying”, and explained Mescal “completely gets” the issue as they have talked about it before.
Entertainment
Jon Kenny: Irish comedian who starred in Father Ted and Banshees of Inisherin dies aged 66
Jon Kenny, an Irish comedian and actor known for D’Unbelievables and roles on Father Ted, has died aged 66.
His wife Margie told local news outlet the Limerick Leader that the comedian had died on Friday evening in Galway Clinic.
In a statement to the newspaper, Kenny’s family said he had a cardiac arrest early on 10 November. They added the comedian “grabbed life and shook it as hard as he could getting every ounce of fun, madness and love from it”.
They also said: “His wit, humour, generosity and kindness will outlast his passing. The memories and stories of those who knew him will be his legend.”
Kenny was best known as half of the comedy duo with Pat Shortt called D’Unbelievables in the 1980s. He also made two guest appearances in Father Ted as Michael Cocheese and Fred Rickwood.
The comedian was reunited with Shortt in the 2022 film The Banshees of Inisherin, where both had small roles.
Paying tribute, Taoiseach Simon Harris called the Limerick actor a “gifted performer,” while Sinn Fein president Mary Lou McDonald called him a “comedic genius”.
In a post on social media, Mr Harris said: “Jon had the ability, that very few people possess, to make his audiences crack up laughing with a glance or a single word.
“Behind that seemingly effortless talent to joke, there was a gifted performer and an extremely deep thinker.”
The Taoiseach added he was in Limerick on Friday “when word of his death came through and to say he is beloved, is a huge understatement”.
Ms McDonald also said of Kenny: “Along with his compadre Pat Shortt – [he] connected with the unique humour and wit of the Irish people in a very special way.
“He leaves the best legacy – he made people laugh and smile. Jon Kenny will be deeply missed.”
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Fellow Irish comedian Dara O Briain said on social media Kenny “was a lovely, lovely man, and a comedy powerhouse”.
He said: “D’Unbeliveables opened the door to all the rest of us, doing epic tours and dragging the audience, sometimes bodily, into a mad world of their creation.
“A unique man, and will be missed.”
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