Three Day Millionaire: Grimsby is the subject of a movie again – but this time the town is celebrated, rather than mocked

Published

1 year ago

November 27, 2022

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The town of Grimsby in North East Lincolnshire is synonymous with fish, a tumultuous political landscape, and the butt of jokes about poverty and the working classes.

Many will remember the Sacha Baron Cohen film about the town, The Brother’s Grimsby, which relentlessly mocked the town and its people – it left a sour taste in the mouths of Grimbarians, especially as it was filmed in Essex on a set made to look rubbish-strewn and poverty-stricken.

Meanwhile, there are numerous documentaries and shows that depict Grimsby as an end-of-the-road (the A180 and A46 to be precise) town with no prospects, full of poverty, and as having a fishing industry clinging to life support (only last week an Icelandic fish processing centre in the town was threatened with closure, with operators citing Brexit and the pandemic as reasons).

But this view of the town has been flipped on its head by filmmakers Jack Spring and Paul Stephenson, who used Grimsby as a backdrop for new comedy-drama film Three Day Millionaire.

Before we go any further, I must admit to having a conflict of interest here – I grew up in the town. I spent the best part of 20 years in Grimsby and will always have a deep love for the region. I was excited to see a depiction of Grimsby closer to the one I knew.

The film, which features British stars such as former Corrie actors James Burrows and Sam Glen, Gangs Of London legend Colm Meaney, as well as TikToker Grace Long, follows trawler men on shore leave for three days, who have a fat wedge of cash in their pocket, and the town of Grimsby, and everyone in it, at their disposal.

But while the lads go out and drink and snort their hard-earned wages, a plot to dismantle the town’s once powerful fishing industry and replace it with coffee shops and fancy restaurants is under way – led by politicians and yuppie London developers.

What follows is the townsmen doing anything they can to protect Grimsby’s heritage – and their jobs.

“It’s a lazy trope, isn’t it?”, director Jack Spring told Sky News of films that mocks the town.

“There have been previous pieces of media that used the Grimsby name in a very lazy, slapstick, kind of assumptive way.

“We wanted to tell the story of the town’s real identity, rather than just the lazy tropes of ‘it’s not a nice area’ or ‘it’s got nothing’.”

‘It’s about identity’

What the town’s “real” identity is, is different, depending on who you ask – a fishing giant, an industrial firepower, a market town, a political hotbed or a leader in the green revolution.

“The whole film, when you strip it back, is about identity in the towns like Grimsby, almost echoed in every northern industrial town that, at some point, had the same thing happen to it,” Spring explained.

“And holding onto that identity, and that’s perhaps stopping it forming its new one.

“Grimsby is now one of the UK leaders in the renewable energy space and the offshore wind farms and… big companies coming to town and creating new jobs – but it’s taken an awful long time.

“It’s only really in the last kind of five years maybe that you can really say that Grimsby has found its new identity and is kind of on the up.”

But it’s not just the town’s identity explored in the film – there are wider themes of opportunity and levelling up.

Writer Paul Stephenson, who hails from Hull, just over the River Humber from Grimsby, told Sky News that when he was growing up he was told: “If you were a bloke, you would be a plumber; if you were a girl, you’re going to be a hairdresser.

“And if you were talking about art or creativity or self-expression, you’re probably somewhere in between.”

It’s something he reflects in his writing, with two of the characters talking about their lack of prospects in the town, but still feeling guilty about leaving – which from experience is still a real mindset for many in their home towns.

Who is levelling up for – locals or billionaires?

Gentrification isn’t always a welcome idea in these working class industrial towns, as shown by the film, with generational livelihoods being turfed out, in favour of easy access shopping, new coffee shops, and flats overlooking the river.

Stephenson explains his rationale: “Cookie cutter retail parks that just pop up in every town – is that what we’re really asking for, or is somebody else asking for it? The billionaires who can get the thing through planning and get the buildings put there?

“And, some people will welcome that, but if retail is the way forward to give our towns identity, there will be people like the guys in our film who will say no to that.”

A sense echoed by actor in the film Sam Glen, who comes from Oldham – who suggests when it comes to levelling up, sometimes a step back is needed.

“My local theatre in Oldham just lost its (Arts Council) funding, and it’s supposed to be a levelling-up town,” he told Sky News.

“In terms of access to arts, in those cultural cold spots, in terms of funding literally being from all angles for those places… these organisations just come in and, yeah, just read the room.

“I think if it’s not fancy new apartments, every sector is getting slashed in different ways in these towns.”

‘It was a joy and privilege’ to film in the town

So how did Grimsby react to the best and brightest of British filmmaking swooping into the town to make a film?

“People were resistant,” Glen said.

“There was a feeling of like fear because… every time a film crew appears in this town, they kind of know where it’s leading to in terms of the story that it’s trying to tell.”

Director Spring added: “But everyone was great. The whole town really opened the door to outsiders.

“It was during COVID, so we were knocking on people’s doors saying, ‘Hi, can we come and look at your bathroom? We’re making a film’, and what a weird request, but people would let us in.

“It was a genuine joy and privilege to spend a couple of months there doing this.”

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In fact, the town was so enamoured by the attention, hundreds signed up to be extras, and when the premiere was held in neighbouring Cleethorpes, at the country’s largest independent cinema, (Grimsby’s Odeon has been left empty for almost 20 years) thousands of tickets were shifted.

Three Day Millionaire is out now in selected cinemas, or available to buy digitally.

Entertainment

Bernard Hill: Lord Of The Rings and Titanic actor dies aged 79

Published

13 hours ago

May 5, 2024

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Bernard Hill: Lord Of The Rings and Titanic actor dies aged 79

Actor Bernard Hill, who played roles in Lord Of The Rings and Titanic, has died aged 79, his agent has confirmed.

Hill also featured as Yosser Hughes in the iconic drama series Boys In The Blackstuff.

He was given a number of awards for his role as King Theoden in the Lord of the Rings trilogy and played Captain Edward Smith in the 1997 Oscar-winning film Titanic.

The actor was born in Blackley, Manchester, in 1944 and graduated with a diploma in theatre in 1970.

He was married to fellow actor Marianna Hill, with whom he shared a son. His agent Lou Coulson said he died in the early hours of Sunday.

Hill will return to TV on Sunday night starring in the second series of Martin Freeman’s The Responder.

Fans have already started to pay tribute to him on social media.

Scottish musician Barbara Dickson wrote of their time working together: “It’s with great sadness that I note the death of Bernard Hill. We worked together in John Paul George Ringo and Bert, Willy Russell marvellous show 1974-1975.

“A really marvellous actor. It was a privilege to have crossed paths with him. RIP Benny x.”

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Entertainment

Madonna plays biggest-ever show to 1.6 million fans on Rio’s Copacabana beach

Published

14 hours ago

May 5, 2024

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Madonna plays biggest-ever show to 1.6 million fans on Rio's Copacabana beach

Madonna has played her biggest-ever gig to an estimated 1.6 million people on Copacabana beach in Rio de Janeiro.

It was the last show in her Celebration tour and she performed hits such Like A Prayer, Vogue, Hung Up, Into The Groove and Like A Virgin.

The Brazil city was buzzing ahead of Saturday’s free two-hour show, with hotels and Airbnb’s packed and about 170 extra flights expected into the city.

Helicopters and drones buzzed over the beach as the Queen of Pop took to the stage at 10:37pm, nearly 50 minutes late.

“Here we are in the most beautiful place in the world,” Madonna told the crowd as she pointed out Rio’s famous mountains and Christ the Redeemer statue.

The 65-year-old opened up with Nothing Really Matters from 1998’s Ray of Light album.

Eighteen speaker towers were dotted along the beach to ensure everyone could hear the US star’s vocals.

Brazilian musicians and people from local samba schools were involved in the show – with many fans dressing up in Madonna-themed outfits.

“Since Madonna arrived here, I’ve been coming every day with this outfit to welcome my idol, my diva, my pop queen,” said Rosemary de Oliveira Bohrer, 69, who wore a version of Madonna’s iconic gold cone bra.

Many fans had staked out a spot many hours – or even days – before the show, while others took in the spectacle from yachts or apartment balconies.

Madonna’s website said it was the biggest she had ever done – more than 10 times the 130,000 she played to in Paris in 1987.

However, Rio is used to huge shows – The Rolling Stones and Rod Stewart have played to similar-size crowds there.

Thousands of police were on duty for Saturday’s show, which city authorities estimated drew a crowd of 1.6 million and would earn the local economy about 293 million reals (£46m).

For Madonna, it was the culmination of an 81-date retrospective tour that began in London in October and moved across Europe and North and South America.

The singer embarked upon the tour a few months after being admitted to intensive care with a serious bacterial inaction in June 2023.

Entertainment

Olly Alexander addresses ‘extreme’ remarks from fans on Israel’s Eurovision inclusion

Published

17 hours ago

May 5, 2024

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Olly Alexander addresses 'extreme' remarks from fans on Israel's Eurovision inclusion

The UK’s Eurovision Song Contest representative has addressed “extreme” remarks from fans over Israel’s inclusion in the competition.

Olly Alexander was selected as this year’s representative for the UK for the popular singing competition.

It’s set to take place in Malmo, Sweden, next week but tens of thousands are expected to protest Israel’s involvement and its ongoing war in Gaza.

Alexander, the Years & Years singer, has found himself facing criticism from some who called for him to withdraw amid the ongoing war between Israel and Hamas.

Queers for Palestine circulated a letter, signed by thousands including actors Indya Moore, Brigette Lundy-Paine, and Maxine Peake calling for the It’s A Sin actor to pull out of the show.

In March, along with Irish hopeful Bambie Thug, Danish entrant Saba and other Eurovision artists, Alexander released a joint statement, backing “an immediate and lasting ceasefire” but refusing to boycott the event.

Now, speaking out in a new documentary which has followed the 33-year-old as he prepares for the show, he has described some of the comments he and other participants have faced as “very extreme”.

He said: “A lot of the contestants and myself have been having a lot of comments that are like ‘You are complicit in a genocide by taking part in Eurovision’ which is quite extreme. It’s very extreme.

“I understand where that sentiment is coming from but I think it’s not correct.

“It’s an incredibly complicated political situation, one that I’m not qualified to speak on.

“The backdrop to this is actual immense suffering. It’s a humanitarian crisis, a war.

“It just so happens there’s a song contest going on at the same time that I’m a part of.”

Speaking in the BBC’s documentary titled Olly Alexander’s Road To Eurovision ’24, he continued saying that people should boycott Eurovision if they didn’t feel comfortable watching and he respected their decision – but would be taking part himself.

He added: “My plan is to just focus on putting on a good performance in Malmo.

“My team, everyone’s worked so hard, and we’re in the final stretch now.”

Earlier in the week, Alexander broke down crying during an interview with The Times when discussing the pressure he had come under for participating in Eurovision.

He told the paper he knew a number of signatories of the petition against him, and none had reached out to him.

He said: “This is so much bigger than me and Eurovision, it really is. But, obviously, I wish there wasn’t a war or this insane humanitarian crisis.

“I wish for peace and I have found this experience, at times, extremely … I’ve just felt really sad and distressed.”

Speaking on Sky’s Sunday Morning with Trevor Phillips, deputy director general of the European Broadcasting Union who organises Eurovision, Jean Philip De Tender, defended Israel’s inclusion in the competition.

He said: “We do understand the concerns and deeply held views around the war in the Middle East.

“The song contest is a music event organised and co-produced by 37 public broadcasters, it’s not a competition between nations or governments.

“Our governing bodies reviewed the participation of Kan [Israel’s public broadcasting corporation] and found that they met all of the competing rules.”

Phillips pointed out incidences when Kan came under fire for their broadcasting.

This included, he said, when Kan published a video of children singing, in the public broadcaster’s own words, for the “annihilation of Gaza” and when one of their presenters was seen writing “I want to send the people of Gaza artillery shells”.

Mr De Tender said they had been in contact with Kan about the content they published and their editorial output, and had expressed concern on occasion.

He added that Eurovision had competition rules which they had to follow, and taking action beyond these rules to exclude Kan would have been a “political decision as such which we cannot take”.