Harry and Meghan Netflix documentary: Duke says you ‘get used to lies’ living in Royal Family as latest episodes air
Prince Harry has said “you get used to lies” living in the Royal Family while Meghan discusses having suicidal thoughts, in the final episodes of their documentary series which have begun streaming across the world.
Palace aides will be preparing themselves for bombshells in the second part of Harry & Meghan, after a trailer included accusations that the royal household leaked negative stories as part of a “war against Meghan”.
In episode four, as shots of a walkabout by the couple in Liverpool are shown, Meghan tells how a group of women spoke to her about her father, following reports of the breakdown of their relationship in the press.
‘She never asked me to leave’, Harry says – live updates as final episodes drop
“It was the first time that I went, ‘Oh my God, people actually believe that stuff’, and then my entire centre was rocked to its core,” she says.
Pic: Netflix
Pic: Netflix
Harry then comes into shot, saying: “The lies that’s one thing, you kind of get used to that when you live within this family, but what they were doing to her and the effect it was having on her – like, enough, enough of the pain, enough of the suffering.”
As shots of Diana and Charles are then shown, he continues: “No one sees what is happening behind closed doors. Back in the day my mum was in the back of the car going to engagements in floods of tears, and then my dad saying, ‘we’re almost there’ and 30 seconds to wipe the tears away, slap on some make-up, and the door opens and smile, everything is fine.”
Meghan’s mother and Harry speak of devastation hearing she contemplated suicide
In the same episode, Meghan talks about having suicidal thoughts – something she spoke about previously during the couple’s interview with Oprah in 2021.
“All of this will stop if I’m not here and that was the scariest thing about it, it was such clear thinking,” she says in the documentary.
Her mother, Doria Ragland, recalls finding out how her daughter was feeling: “I remember her telling me that she had wanted to take her own life and that really broke my heart because I knew that it was bad, but to constantly be picked at by these vultures, just picking away at her spirit that she would actually think of not wanting to be here, that’s not an easy one for a mum to hear. And I can’t protect her.”
Harry says he was “devastated” when he realised just how much his wife was struggling.
“I knew that she was struggling, we were both struggling, but I never thought it would get to that stage and the fact that it got to that stage, I felt angry and ashamed,” he says. “I didn’t deal with it particularly well. I dealt with it as institutional Harry as opposed to husband Harry, and what took over my feelings was my royal role.
“I had been trained to think, ‘what are people going to think if we don’t go to this event, we are gonna be late’, and looking back now I hate myself for it.”
‘Then one day this little organism comes in’
Meghan also says the couple’s former private secretary told her about the monarchy: “It is like a fish that is swimming perfectly. It is powerful, it is on the right current. Then one day this little organism comes in. This foreign organism. And the entire thing goes… What is that? What is it doing here? It doesn’t look like us. It doesn’t move like us. We don’t like it. Get it off of us.
“And she just explained that, you know, they’ll soon see, that it’s stronger, faster, even better with this organism as part of it. It will be hard at the beginning for them to adjust to this new thing but then it’ll be amazing.”
Meghan added: “And I was really hopeful that that was true.”
The final episodes of Harry & Meghan come a week after the first three aired, featuring the couple talking about the pressure they felt from press interest in their lives.
Netflix said the first episodes recorded 81.55 million viewing hours, translating to viewing in 28 million households.
The streaming platform has launched the series almost three years after the Sussexes revealed they intended to “step back as ‘senior’ members of the Royal Family and work to become financially independent”.
Pic: Netflix
Pic: Netflix
They officially left the monarchy in March 2020 and went on to sign lucrative deals, thought to be worth more than £100m, with Netflix and Spotify, after quitting as senior working royals.
After their bombshell interview with Oprah Winfrey in 2021, this Netflix docuseries, directed by Oscar-nominated Liz Garbus, aims to show Harry and Meghan sharing “the other side of their high-profile love story”.
Read more:
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Before the first episodes were released, it emerged a photo and footage shown in two preview trailers, apparently to illustrate hounding by the paparazzi, were from events the couple were not associated with.
Neither Kensington Palace, which represents the Prince and Princess of Wales, nor Buckingham Palace have commented on the series.
Sky News understands palace officials are currently focused on the Princess of Wales’s carol service, which is due to be filmed at Westminster Abbey on Thursday.
The event will aim to shine a light on a congregation of almost 2,000 people who have been helping their communities across the UK, as well as remembering the Queen’s legacy.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.
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John David Washington says he felt like he had to conceal his desire to act because of the external expectations of him being the child of Denzel and Pauletta Washington.
He tells Sky News it took some time for him to pursue an acting career, choosing football instead to assert his “independence” and create his own “identity” separate from his famous family.
“I’ve been wanting to do this my whole life… but I was hiding it,” he said.
“I had to conceal that passion based on my relationship to the world and more specifically, my folks being in the industry, so I chose ball.
“I loved ball, but I was sort of hiding my love for the arts under a helmet – literally an American football helmet – and so when I wanted to become an actor, when I decided to pursue it, that was a big shock to some people.”
The 40-year-old actor says when he decided to pursue an acting career, he kept the decision quiet.
“Some people didn’t know I was even pursuing it professionally until I got a job,” he said.
John David with fellow actor Danielle Deadwyler. Pic: David Lee/ Netflix
Since switching to acting, John David has starred in a number of notable roles including the protagonist in Christopher Nolan’s Tenet, Ron Stallworth in BlacKkKlansman and Joshua in The Creator.
He also led the stage revival of the 2022 Tony-nominated play The Piano Lesson on Broadway alongside Samuel L Jackson.
“He [Jackson] originated the role [I play] in 1987 at Yale with Lloyd Richards and August Wilson,” John David said.
“So it was of great importance for us to learn from both he and Michael Potts about August Wilson. It was a great blessing for me, I think, for all of us to have him present on set.”
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The Piano Lesson is the third August Wilson play to be adapted for the screen by Denzel Washington’s production company Mundy Lane Entertainment.
It is part of a pledge made by the Gladiator II actor to make all 10 of the playwright’s works into films.
The Netflix project is directed by another Washington family member, Malcolm, and stars most of the cast from the Broadway revival.
The Piano Lesson is Malcolm Washington’s directorial debut. Pic: Katia Washington/ Netflix
Set in 1936 Pittsburgh in the aftermath of the Great Depression, the film centres on a family heirloom, a piano, that is etched with the carvings of their family history made by their enslaved ancestor.
Malcolm says he started reading the play for the first time during the pandemic and immediately wanted to be involved in the film adaptation.
“I think with this movie, reclamation of story and identity is so central to the theme and it’s something that’s central to my life where I both acknowledge the fertile ground that I was raised on and who I am today.
“That’s what Wining Boy [played by Michael Potts] really is trying to do, he’s trying to build on that legacy, so that’s a story that really resonated with me.”
The filmmaker added: “I take all the gifts that my ancestors laid in front of me, and I’m trying to build something for the next generation to pass down – all of their gifts, plus mine to the next generation and let them build on it.”
Malcolm has dedicated his directorial debut to his mother, Pauletta Washington. Pic: David Lee/Netflix
Malcolm says his goal was to put family at the forefront of the production. By dedicating his feature debut to “Mama”, he is acknowledging the dedication and sacrifices that mothers make for the growth of their families.
“There’s so much pointing to my mother in particular, who inspired this adaptation so much. I see so much of her life in Berniece’s character [played by Danielle Deadwyler] – and that became a guiding light for me in this adaptation,” he said.
“As we made this thing and started reconnecting with our ancestors, my mum became like a kind of representative of them.
“She’s the matriarch of our family. She tells me about my grandparents and great-grandparents and the line that I come from, and I see them in her.
“And when the movie ends, I want people to kind of have that moment of reflection for their own lives. So in dedicating it to her, I was trying to dedicate it to all mums everywhere.”
The Piano Lesson is now available on Netflix.
Blockbuster Wicked has landed the largest opening weekend of 2024 at Vue International.
The film, starring Oscar-nominated actress Cynthia Erivo and Grammy-winning pop star Ariana Grande as Elphaba and Glinda, surpassed both Gladiator II and Paddington In Peru.
It has also had the largest opening weekend for a stage musical adaptation in the cinema chain’s history.
A boss for Vue International said it had seen a “sea of pink and green” over the weekend.
Ariana Grande (left) as Glinda and Cynthia Erivo as Elphaba in the film. Pic: PA
Pic: PA
Pic: PA
Released on Friday, Wicked is up 60% on Les Miserables’ opening weekend in 2012 and three times larger than the 2022 film adaptation of Matilda.
Founder and chief executive of Vue International Tim Richards said: “Vue has seen a sea of pink and green over the opening weekend of Wicked, which has shown continued high demand for the big screen experience.
“We saw record-breaking pre-sales for Wicked, followed by a chart-topping opening weekend – the biggest for 2024.”
The film is the first of two parts, with the second expected in November next year.
Wicked and Gladiator II – known together as Glicked – have reportedly failed to beat out Barbenheimer, Barbie and Oppenheimer, in its own opening weekend last summer.
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Glicked brought in £215m in worldwide ticket sales – with Wicked making the majority of that.
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