Christmas and New Year party season is one of the most lucrative times of the year for nightclubs.
But post-COVID pandemic many are continuing to struggle, with a third now being forced to close.
Those still open say a perfect storm is making it extremely difficult to operate.
Yuval Hen, founder of E1 nightclub in London, told Sky News he sometimes feels like a “punching bag”.
“We need to please a lot of different authorities, from police, council, the local community, the residents, the customers, the agents, the management – so many different bodies and they are all pulling in a different direction,” he said.
“It’s a constant battle, and now recently, after two years of COVID, where we were hoping for a big comeback of having fun, of parties, of bringing back our businesses to pay back our big loans that we were taking during COVID, we thought ‘this is our time’ and the economy [has] again gone.”
“And we have the living crisis started and the war in Russia and Ukraine and yeah, everything hit us so hard at the same time.”
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The night-time culture economy brings in £36.4bn – and also provides 425,000 jobs across the UK.
It’s also an essential part of the music industry’s eco-system, with even those at the top of their careers concerned by the impacts of closures.
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Multi-award-winning singer-songwriter Craig David told Sky News clubs were an essential part of the machine that got him to where he is today.
“Grassroots is where I started my music, so I was in those clubs, I was in the social club practising and DJing,” he said.
“So for me working my way up from a young kid with aspirations and dreams to actually being able to perform, grassroots, the clubs are everything to me.
“I really hope that that maintains the same – there has to be balance. I know people want to change things, they want to update, they want to build new things and things move on but there has to be balance, because you can’t lose at the same time.”
Clubbers will also lose out as venues close their doors permanently, as they have provided a home for parts of British culture – and counterculture – for decades.
If clubs are left empty it will not just leave a hole in the industry but could also force music lovers underground.
Michael Kill, CEO of the Night Time Industries Association, said: “The worry that we have with everything is as we start to lose clubs and things like counterculture, electronic music, etc. If there are no spaces or platforms for people to perform, then they will find spaces for people to perform.
“We saw that in the late 80s when the freedom to dance movement came out and people decided that they weren’t willing to allow their nights to end in line with where that current government was asking the terminal hour to be.
“They went out and there were underground raves, that really sort of were counterproductive for government, for policing and when you talk about costs to operate the night-time economy, that really put so much pressure on everybody because it exploded at that period.”
“What we’re concerned about is we’re going to get to a point where clubs are going to be lost at such a level that people are just going to decide to start looking at other sites and places which are unregulated, potentially don’t have the safety protocols in place, the licences, the security…
“And that’s where there is a real fear.”
There are calls for the government to help the night-time economy by freezing alcohol duty, or helping with VAT bills, as without support it will be the last dance for many nightclubs.
It’s easy to see why Anora, the film currently creating a lot of awards buzz, is being described as a modern day Pretty Woman.
It tells the story of a young woman, a sex worker, who ends up falling in love with a very rich man; this time round, he’s the son of a Russian oligarch.
But the similarities end there. More than 30 years on from Richard Gere and Julia Roberts’ famous Hollywood ending, Anora takes the sugar-coating away from the realities of sex work.
It is one of those rare films that has already impressed critics – taking the biggest prize at this year’s Cannes Film Festival and now leading the nominations at the Gotham Awards – but will also appeal to a wider audience looking for something fun and smart, too.
It is the latest story from writer-director Sean Baker, a filmmaker who often focuses on marginalised people and has covered sex work in several of his previous works, from a retired porn star in Red Rocket to a transgender sex worker in Tangerine, and a character who solicits sex work online in The Florida Project.
The theme was never intentional, he tells Sky News, but after discovering more about the industry he realised he wanted to tell these stories.
“I never imagined me making five films in a row focused on sex work,” he says. “It just happened to be that when I started doing research on the first one, I met sex workers, became friends with sex workers, and discovered that there were a million stories to be told in that world. And each one can be individual and very different, being that there’s so many aspects of sex work, so one led to the next.
“I don’t know if it will continue, I’m not sure, it has to happen organically though – I’d never want it to be a shtick of mine, you know, I want it to be something I’m inspired to do and there has to be a reason behind it.”
‘The sex work community is amazing’
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Mikey Madison, who plays the lead character Anora – or Ani for short – is now tipped for best actress nominations come awards season next year.
She says she immersed herself in the world of her character when preparing for the role.
“I think that I went into the research not with much knowledge about sex work, and so I was able to learn a lot and educate myself in a way that I don’t know I would have if it weren’t for this film,” she says. “I’m so grateful to have that experience because the sex work community is amazing and I’ve made so many incredible friends.”
But that wasn’t the only prep Madison had to do. She’s listed in the credits as helping to choreograph her character’s dances, and she also had to learn Russian – though admits she’s out of practise again now.
“My Duolingo app has been bothering me trying to get me back into it. I think I just haven’t had a chance to practise any of it, but on the last handful of days of shooting, I was able to listen to pretty full conversations and understand what they were talking about. And at this point, I think it’s gone, but maybe I’ll be able to redevelop it.”
When Anora competed at Cannes in May it won the Palme d’Or, the top prize for the best feature film.
Baker says the win was far more than just a tick off his bucket list.
“I think it was the bucket list! I mean, that was it,” he says. “It’s been incredible, it really has been, and I really didn’t expect it – we were just so happy to be in competition at Cannes, and next thing you know we’re at the awards ceremony, and next thing you know I’m up on stage and George Lucas is handing me the Palme d’Or.”
Tiger King star Joe Exotic has announced he is engaged to a fellow prison inmate.
The 61-year-old, whose real name is Joseph Maldonado, revealed on X that he plans to marry 33-year-old Jorge Marquez.
“He is so amazing and is from Mexico,” he wrote. “Now, the quest of getting married in prison and getting him asylum or we [will] be leaving America when we both get out.
“Either way, I wish I would have met him long ago.”
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Exotic rose to fame on the hit Netflix documentary series Tiger King, which followed the rivalry between his zoo and a big cat sanctuary run by Carole Baskin.
He is serving a 21-year prison sentence after trying to hire two different men to kill Baskin, who had accused him of treating his animals poorly.
Prosecutors said Exotic had offered $10,000 to an undercover FBI agent to kill his rival, telling them: “Just like follow her into a mall parking lot and just cap her and drive off.”
Exotic has always denied the accusations, and his lawyers said he was not being serious.
The 61-year-old was also convicted of killing five tigers, selling tiger cubs and falsifying wildlife records.
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His zoo in Wynnewood, Oklahoma, has since closed down.
Exotic is reported to have said he has submitted a marriage application to the federal prison to wed Mr Marquez.
Exotic famously had an unofficial three-way marriage with long-time partner John Finlay and then 19-year-old Travis Maldonado. Mr Maldonado and Exotic later officially married in 2015, but Finlay became estranged.
In October 2017, Mr Maldonado died from a self-inflicted, accidental gunshot wound.
Two months later, Exotic married Dillon Passage, but Passage later announced he was filing for divorce.
GB News has been fined £100,000 for breaking impartiality rules over a programme featuring Rishi Sunak, Ofcom has said.
It comes after the media watchdog announced in May that the show called People’s Forum: The Prime Minister had breached broadcasting guidelines.
The programme featured then prime minister Mr Sunak answering questions from a studio audience and a presenter.
GB News chief executive Angelos Frangopoulos said the fine was a “direct attack on free speech and journalism in the United Kingdom”.
“We believe these sanctions are unnecessary, unfair and unlawful,” he added.
The hour-long show, which aired on 12 February, prompted 547 complaints to Ofcom.
The regulator found earlier this year that while featuring Mr Sunak was fine in principle, “due weight” should have been given to an “appropriately wide range of significant views” other than the Conservatives.
Ofcom said Mr Sunak “had a mostly uncontested platform to promote the policies and performance of his government in a period preceding a UK general election,” which it recorded as a breach of impartiality rules.
The watchdog said “given the seriousness and repeated nature of this breach,” it had imposed a £100,000 financial penalty.
GB News was also directed to “broadcast a statement of our findings against it, on a date and in a form determined by us”.
The TV channel is challenging the breach decision by judicial review and Ofcom will not enforce the sanction decision until those proceedings are concluded.
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Mr Frangopoulos insisted the show featuring Mr Sunak “was an important piece of public interest programming”, and that “appropriate steps” were taken to ensure due impartiality.
He added: “It was designed to allow members of the public to put their own questions directly to leading politicians.
“GB News chooses to be regulated and we understand our obligations under the Code.
“But, equally, Ofcom is obliged by law to uphold freedom of expression and apply its rules fairly and lawfully.”