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TV presenter Jeremy Clarkson has said he has emailed Prince Harry and Meghan to apologise over his column in The Sun newspaper, in which he said he “hated” the Duchess of Sussex.

In his column, which was published in December, he said he was “dreaming of the day when she is made to parade naked through the streets of every town in Britain while crowds chant, ‘Shame!’ and throw lumps of excrement at her”.

The remarks sparked a huge backlash, with Clarkson’s daughter Emily, as well as many others, speaking out against him.

The column became the most complained about ever and was removed from The Sun’s website at Clarkson’s request, with the publisher also apologising.

Following the backlash, Clarkson wrote: “Oh dear. I’ve rather put my foot in it. In a column I wrote about Meghan, I made a clumsy reference to a scene in Game of Thrones and this has gone down badly with a great many people. I’m horrified to have caused so much hurt and I shall be more careful in future.”

In his latest statement, he said: “It was a slow rumble to start with, and I ignored it. But then the rumble got louder. So I picked up a copy of The Sun to see what all the fuss was about.

“We’ve all been there, I guess. In that precise moment when we suddenly realise we’ve completely messed up. You are sweaty and cold at the same time. And your head pounds. And you feel sick. I couldn’t believe what I was reading. Had I really said that? It was horrible.

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“I knew what had happened straight away. I’d been thinking of a scene in Games Of Thrones, but I’d forgotten to mention this. So it looked like I was actually calling for revolting violence to rain down on Meghan’s head. I was very angry with myself because in all those controversial days on Top Gear, when I was accused of all sorts of things, it was very rarely sexism.

“We never did ‘women can’t park’ gags for instance. Or suggested that powerful cars were only for men. And I was thrilled when Jodie Kidd and Ellen MacArthur set fastest-ever laps in our reasonably-priced car. I’m just not sexist and I abhor violence against women. And yet I seemed to be advocating just that.

“I was mortified and so was everyone else. My phone went mad. Very close friends were furious. Even my own daughter took to Instagram to denounce me.”

He went on to add: “Usually, I read what I’ve written to someone else before filing, but I was home alone on that fateful day, and in a hurry. So when I’d finished, I just pressed Send. And then, when the column appeared the next day, the landmine exploded.

“I therefore wrote to everyone who works with me saying how sorry I was and then, on Christmas morning, I e-mailed Harry and Meghan in California to apologise to them too. I said I was baffled by what they had been saying on TV but that the language I’d used in my column was disgraceful and that I was profoundly sorry.

“Over the last 30 years, I have written very nearly 5,000 newspaper and magazine columns, so it was inevitable that, one day, I’d do a Harry Kane and sky one of the damn things. Which is what happened with the piece about Meghan.”

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Adele bids tearful farewell to Las Vegas residency as star admits she doesn’t know when she’ll perform next

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Adele bids tearful farewell to Las Vegas residency as star admits she doesn't know when she'll perform next

Adele has bid a tearful farewell to her Las Vegas residency show, as the Someone Like You star admitted she doesn’t know when she’ll perform again next.

The British singer-songwriter, 36, launched Weekends with Adele at Caesars Palace in November 2022 and performed her 100th show there on Saturday.

Her mammoth run of sell-out shows at the venue, which seats around 4,000 people, has been a success but has taken its toll.

In July, Adele said she would be taking a “big break” from music after her current run of shows.

Videos posted online from her concert on Saturday show the singer getting tearful as she bid Vegas goodbye.

“It’s been wonderful and I will miss it terribly and I will miss you terribly,” she said.

She added: “I don’t know when I next want to perform again.”

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Adele has performed every Friday and Saturday across the residency, with plenty of memorable moments.

One included when she burst into tears after spotting Celine Dion at a performance.

Adele is known to idolise the Canadian singer.

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Speaking at the beginning of September, during a show in Germany, Adele told fans she wouldn’t see them “for an incredibly long time”.

“I just need a rest and I have spent the last seven years building a new life for myself, and I want to live it now,” she added.

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Denzel Washington’s sons talk about family, secrets, identity, and The Piano Lesson

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Denzel Washington's sons talk about family, secrets, identity, and The Piano Lesson

John David Washington says he felt like he had to conceal his desire to act because of the external expectations of him being the child of Denzel and Pauletta Washington.

He tells Sky News it took some time for him to pursue an acting career, choosing football instead to assert his “independence” and create his own “identity” separate from his famous family.

“I’ve been wanting to do this my whole life… but I was hiding it,” he said.

“I had to conceal that passion based on my relationship to the world and more specifically, my folks being in the industry, so I chose ball.

“I loved ball, but I was sort of hiding my love for the arts under a helmet – literally an American football helmet – and so when I wanted to become an actor, when I decided to pursue it, that was a big shock to some people.”

The 40-year-old actor says when he decided to pursue an acting career, he kept the decision quiet.

“Some people didn’t know I was even pursuing it professionally until I got a job,” he said.

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Danielle Deadwyler as Berniece and John David Washington as Boy Willie in The Piano Lesson. Pic: David Lee/ Netflix 2024
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John David with fellow actor Danielle Deadwyler. Pic: David Lee/ Netflix

Since switching to acting, John David has starred in a number of notable roles including the protagonist in Christopher Nolan’s Tenet, Ron Stallworth in BlacKkKlansman and Joshua in The Creator.

He also led the stage revival of the 2022 Tony-nominated play The Piano Lesson on Broadway alongside Samuel L Jackson.

“He [Jackson] originated the role [I play] in 1987 at Yale with Lloyd Richards and August Wilson,” John David said.

“So it was of great importance for us to learn from both he and Michael Potts about August Wilson. It was a great blessing for me, I think, for all of us to have him present on set.”

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The Piano Lesson is the third August Wilson play to be adapted for the screen by Denzel Washington’s production company Mundy Lane Entertainment.

It is part of a pledge made by the Gladiator II actor to make all 10 of the playwright’s works into films.

The Netflix project is directed by another Washington family member, Malcolm, and stars most of the cast from the Broadway revival.

The Piano Lesson (L-R): Actor Ray Fisher, writer-director Malcolm Washington, and his brother and star John David Washington on set. Pic: Katia Washington/ Netflix 2024
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The Piano Lesson is Malcolm Washington’s directorial debut. Pic: Katia Washington/ Netflix

Set in 1936 Pittsburgh in the aftermath of the Great Depression, the film centres on a family heirloom, a piano, that is etched with the carvings of their family history made by their enslaved ancestor.

Malcolm says he started reading the play for the first time during the pandemic and immediately wanted to be involved in the film adaptation.

“I think with this movie, reclamation of story and identity is so central to the theme and it’s something that’s central to my life where I both acknowledge the fertile ground that I was raised on and who I am today.

“That’s what Wining Boy [played by Michael Potts] really is trying to do, he’s trying to build on that legacy, so that’s a story that really resonated with me.”

The filmmaker added: “I take all the gifts that my ancestors laid in front of me, and I’m trying to build something for the next generation to pass down – all of their gifts, plus mine to the next generation and let them build on it.”

John David Washington in The Piano Lesson. Pic: David Lee/Netflix
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Malcolm has dedicated his directorial debut to his mother, Pauletta Washington. Pic: David Lee/Netflix

Malcolm says his goal was to put family at the forefront of the production. By dedicating his feature debut to “Mama”, he is acknowledging the dedication and sacrifices that mothers make for the growth of their families.

“There’s so much pointing to my mother in particular, who inspired this adaptation so much. I see so much of her life in Berniece’s character [played by Danielle Deadwyler] – and that became a guiding light for me in this adaptation,” he said.

“As we made this thing and started reconnecting with our ancestors, my mum became like a kind of representative of them.

“She’s the matriarch of our family. She tells me about my grandparents and great-grandparents and the line that I come from, and I see them in her.

“And when the movie ends, I want people to kind of have that moment of reflection for their own lives. So in dedicating it to her, I was trying to dedicate it to all mums everywhere.”

The Piano Lesson is now available on Netflix.

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Blockbuster Wicked lands largest opening weekend of 2024 at Vue

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Blockbuster Wicked lands largest opening weekend of 2024 at Vue

Blockbuster Wicked has landed the largest opening weekend of 2024 at Vue International.

The film, starring Oscar-nominated actress Cynthia Erivo and Grammy-winning pop star Ariana Grande as Elphaba and Glinda, surpassed both Gladiator II and Paddington In Peru.

It has also had the largest opening weekend for a stage musical adaptation in the cinema chain’s history.

A boss for Vue International said it had seen a “sea of pink and green” over the weekend.

Ariana Grande (left) as Glinda and Cynthia Erivo as Elphaba in the film.
Pic: PA
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Ariana Grande (left) as Glinda and Cynthia Erivo as Elphaba in the film. Pic: PA

Pic: PA
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Pic: PA

Cinemagoers in London's Leicester Square Vue on the opening night of Wicked. 
Pic: PA
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Pic: PA

Released on Friday, Wicked is up 60% on Les Miserables’ opening weekend in 2012 and three times larger than the 2022 film adaptation of Matilda.

Founder and chief executive of Vue International Tim Richards said: “Vue has seen a sea of pink and green over the opening weekend of Wicked, which has shown continued high demand for the big screen experience.

“We saw record-breaking pre-sales for Wicked, followed by a chart-topping opening weekend – the biggest for 2024.”

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The film is the first of two parts, with the second expected in November next year.

Wicked and Gladiator II – known together as Glicked – have reportedly failed to beat out Barbenheimer, Barbie and Oppenheimer, in its own opening weekend last summer.

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Glicked brought in £215m in worldwide ticket sales – with Wicked making the majority of that.

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