Connect with us

Published

on

Lots of Great Choices But One Size Wont Fit All A full-size 1911, decked out with many of today’s popular features. This example is a stainless .45 ACP Kimber Eclipse, factory equipped with adjustable night sights.

The U.S. Military is now into their second generation of standard-issue pistols since the Government Model 1911 was phased out. Replaced by the M-9 (Beretta M-92 FS) in 1985, the M17/18 (Sig P320) came next during 2017. Thus, except for those long in the tooth with military handgun experience, the 1911 is probably regarded more as an abstract relic by many veterans.

That may be true, but the Government Model is still a strong contender in the civilian market. Available in numerous calibers and sizes, many are true eye candy.

Polymer pistols enjoy strong sales, but the seemingly immortal Model 1911 Government Model still soldiers on. In fact, nowadays, old slab-sides has even been hybridized, one recent example being Springfield Armorys high-capacity Prodigy. And like the majority of todays single-stacks, this high-cap rendition incorporates features that were previously custom extras.

Prior to (and even well into) the debut of the Glock, many commercial Government Models started life pretty much as their military counterparts had. Three nearly obligatory upgrades were extended (beavertail) grip safeties, larger thumb safety pads, and a better set of sights the latter the topic of this post. 1911 Sights – Many Options Basic G.I. Sights

A genuine U.S. issued Government Model is a Spartan example of todays possibilities. In fact, for those of us old enough to have carried one, the forty-five was already dated, the most recent issued specimens dating to World War II.

Lord knows mine had certainly seen its share of hard knocks, as evidenced by its appearance – and interesting history. Captured (actually recaptured) from an opponent no longer in need of its use, unlike some other battlefield pickups we frequently encountered, it was still configured as issued at some point during its murky past. I wish Id recorded its markings, but priorities were different at the time.

After giving my new acquisition a thorough going over, it became my constant companion. Through some creative scrounging, I eventually accumulated a large stash of .45 Hardball rounds and magazines. The .45 is arguably one of several useful calibers to own, but one remaining loose end was the pistols bore, which showed heavily worn rifling. That problem was solved through dumb luck when, during a trip to the rear, I managed to score a new barrel. Today Id obsess over its fitting and confirm the results via careful range testing.

Ignorance being bliss, I simply dropped in the replacement barrel and proceeded to ventilate an ammo can from around twenty paces. More luck: A satisfying seven-round group formed directly above the pistols sights and, from that point on, the old G.I. .45 performed admirably.

Back to the subject at hand, I never remotely considered its sights a hindrance. I attribute this to the following: At the time, my eyes were a whole lot younger. When I finally handed my trusty old Government Model off to a buddy, they, along with the rest of me, were only 21 years old. Related to the above, Im a product of the era preceding computers, tablets and blue screens. During my pre-military days, phones had rotary dials and cords. Most households had televisions (initially black & white), but programming was limited to three networks received via rabbit ears or roof antennas. The expectation was, kids would either be in school or outdoors during daylight hours, with evenings reserved for homework. Result: My tender baby blues hadnt been fried by steady exposure to electronics.

Earlier on, both of my parents were Word War II veterans who grew up without any visually based electronics other than incandescent lighting – still a novelty in many regions of the U.S. when they were kids. And the Model 1911 predates them both.

Im betting the sights of my Grandfathers Navy-issued World War I version were perfectly adequate for his non-light-polluted eyes. Lots of other old handguns from that period have seemingly rudimentary sights. True enough by todays standards, but maybe their owners could actually see! The fabled U.S. Government Model .45 as it appeared in 1911. Produced by Colt and configured as issued prior to the A-1 version, this example may have been through World War 1. By today’s standards its sights are rudimentary appendages but, during that era, many shooters may have had better eyes.

Anyhow, those days are long gone. And on a personal note, the issued sights of my old 1911 would be close to useless for my now aged eyes.

Good news: Due to the ongoing popularity of this pistol, there are lots of great aiming choices today almost too many. The options include fixed or adjustable sights configured as three-dot versions, fiber optics, night sights, and even small battery-powered red dot units. Where to begin? Red Dot Sights

Today, the aiming system for many shooters young and old is a miniaturized red dot sight (MRDS). These small electronic sights have advanced from novelty status to mainstream – to the point where many currently produced pistols are now offered with optics ready slides, or as fully decked-out packages. However, pickings are still lean among traditional 1911 offerings. And, as far as Im concerned, thats okay. Heck, even with an aluminum frame a standard-size 5-inch version is already quite a handful.

Previous size issues have been addressed through todays genre of carry-friendly pistols, many of which are striker-fired compact 9mms. Thus, manufacturers of 1911s, aiming to please, now offer a number of competing smaller versions chambered for not only .45 ACP, but also 9mm. However, unlike the growing list of other compact pistols, optics-ready versions are conspicuously absent.

The reason probably boils down to reliable function. As originally designed, the Government Model was engineered to fire .45 Automatic Colt Pistol cartridges. The platform has since been adapted to fire a number of other calibers, but function-wise, the .45 ACP has always been the gold standard.

And, across the board, reliability becomes increasingly problematic commensurate with decreasing size, due to greater slide velocities and steeper unlocking angles. Fortunately, thanks to stiff demand and the ensuing R&D, most of these issues have now been overcome, and most of todays smaller 1911s will run reliably – in their factory form.

But, when it comes to MRDS offerings, among Kimbers extensive line, the only listed option is a Custom Shop 10mm version, (equipped with a Leupold Delta Point Pro). Likewise, Springfield Armory has a generous listing of 1911s, however, their MRDS platform is the high-cap Prodigy. 

That said, the 1911 has been adapted to accommodate small optical systems. Beyond MRDS base adapters, existing slides can be machined (at considerable expense), or they can be purchased pre-machined from reputable sources such as Ed Brown: Ed brown 1911 Government Slide.

The great feature of Browns full-sized slide is, its machined for Trijicons 1911 RMR Mount, which ships with an integral night-sight and a dovetailed (NS green) front. The sights are tall enough to co-witness (lower 1/3) with Trijicons excellent RMR dot sights, providing the best of both worlds.

Playing it safe, a satisfactory installation will likely require the services of a competent gunsmith possessing the correct sight fixtures. Attempt to install a dovetailed night sight with a hammer and brass drift and you may discover its Tritium lamp is suddenly kaput. Also, theres the associated expenses. Labor aside, the slide costs around $352, and the RMR mount is $211. Factor in more money for slide components.

Alternate solutions include small aftermarket bases designed to fit factory rear sight slots, something Id just as soon skip – at least for defensive purposes. Durable Iron Sight Options

Jumping back in time, if I ould only add one upgrade to my battle-worn G.I. .45, it would have to be a foolproof set of iron sights, effective in all lighting conditions to include darkness. In fight-mode, durability would take top-billing over precise aiming.

Based on good results with two sight sets on a pair of small S&W polymer pistols (a 9mm Shield and .380 Bodyguard), Id look hard at XD Sights Big Dots for a 1911. The front sight is humongous, but its express design nevertheless affords more precision than one might expect and its also fast. An XS Big Dot Sight set shown here atop an S&W .380 Bodyguard. Although highly visible, they almost look too basic to provide any degree of accuracy. But in reality, they work surprisingly well.

Another route, circling back to Kimber, their Rapide comes factory-equipped with a set of TRUGLO TFX Pro Day/Night Sights. As for the sights themselves, if you log on to TRUGLOs site, you can peruse Truglo’s 1911 offerings. While youre at it, note the slide cuts which are listed as Novak LoMount patterns. Kimber’s full-size .45 ACP Rapide (top) ships with TRUGLO’s TFX Pro Day/Night Sights featuring fiber-optic & Tritium elements. Its smaller 9mm cousin, the 9mm Micro 9 ESV, is sold with Kimber’s low-profile night sights. Sights & Slides

The above is no more than a tiny sampler of the myriad sight possibilities. Nowadays, more 1911s are probably produced with slides machined to accept sights other than those of the original Colt/ Government Model. Rear Sights

Todays more common 1911 slide cuts correspond with the following sights:

Novak LoMount Introduced by Novak Designs in 1985, these streamlined low profile rear sights quickly caught on for defensive use, to the point where they became factory-issue for a number of pistol manufacturers. The line has since expanded to include versions for standard G.I. slides, as well as adjustable Novak models. See the variety of Novak sights.

As originally conceived by Novak, the sloping rear sight can sit low in a slide because it nests in a proprietary cut. But it wasnt the first designed for use in an altered slide. The Novak rear sight (L) is a night-sight version equipped with Tritium inserts that glow 24/7. Elevation is fixed but windage adjustments can be made after loosening the sight’s central setscrew. The fully adjustable BoMar (R) has softened blade corners but it’s really more of a target sight.

Elliason For many years the 1911 has been brought to a fine level of accuracy through careful fitting of its barrel, bushing, slide and frame, etc. Better sights were part of the package so, when Colt introduced a factory Gold Cup National Match version, it was sold with an adjustable rear sight. Recessed into its slide via a proprietary longitudinal slot, several iterations progressed to include a 1965 Eliasson design secured with a somewhat fragile cross-pin.

BoMar BMCS The emergence of the BoMar design provided a stronger low-mounted alternative to the Gold Cups sights. Although BoMar is no longer in business, fortunately for us, the design continues to thrive. Its offered by several manufacturers, using a unique inset crosswise slide cut. Commonly seen atop serious competition 1911s, its also adaptable to defensive roles through the use of melted sight blades featuring Tritium inserts. A closeup view of a Bo-Mar sight. The serrated windage and elevation screws provide precise clicks permitting regulated adjustments. It sits low on the slide thanks to its unique “dovetail” pattern. Sometimes referred to as a “BoMar”, the firm is no longer in business, but a number of other manufacturers now produce it.

LPA TRT Similar to the BoMar pattern, the elevation screw is located differently, another proprietary design.

The takeaway: Particularly when upgrading to todays great rear sight options, much like MRDS footprints, there is no universal size. But, thanks to the Internet, the necessary information is only a click away. Front Sights

The 1911s original front sight was staked, using a stem that protruded through the slide. Done right its secure enough (not all of em are). Two 1911 front sight examples. The sight on the Government Model slide to the right is attached via the original staking system. The dovetailed version is mounted to a “melted” slide, softened for snag-free holster use.

Replacements are available, but today, more slides feature horizontal dovetail cuts compatible with numerous useful designs. Beyond the various aiming options, different heights will usually correct elevation errors. However, because many are super-tight fits, as noted above, a properly designed fixture is the ticket to a damage-free installation. Also, since dovetail cuts can vary, matching combinations are required. There’s no missing this Remington 1911’s highly visible fiber-optic front sight – at least, not during daylight hours! Although less durable than an all-steel type, if the element breaks the sight’s body will probably survive. A new element can easily be installed (including one of a different color) with a nail-clipper and Butane lighter. Lasers

Today, most lights and lasers are mounted to pistols via their integral accessory rails. The process is simple, but a new holster will probably be necessary. Say you already have an older pistol, possibly a 1911 of vintage stock. Assuming it runs reliably, one easy-to-install aiming upgrade is a laser.

As long as the pistol is built to spec, its grip panels can be exchanged a set of Crimson Trace Laser grips. Its a simple kitchen table job requiring no more than a screwdriver. The laser can be zeroed off the iron sights without firing a shot (verify through some shooting), and a standard holster will probably work just fine. A holster friendly set of Crimson Trace Laser Grips attached to a compact Kimber Covert .45 ACP 1911. The laser’s emitter is located in the upper front corner of the grip panel. Activation is per the pressure pad below the pistol’s trigger guard.

If a rail is preferred you can buy a 1911 so equipped, but the pistol will gain weight and need a different holster. Parting Shots

For precise shooting, my hands-down favorite set of 1911 sights consist of a black BoMar adjustable rear (0.115 wide notch) paired with a narrow (0.110), highly visible green fiber-optic front. But, with defense as a top priority, durability should lead, followed closely by fast acquisition in all lighting conditions. And if the rear sight incorporates a shelf permitting a single-handed slide rack, so much the better. Generally, these designs will be fixed, but some adjustable versions can be reasonable picks. BoMar type night sight variations: The Kimber Eclipse set (L) has a horizontal bar, useful insurance against alignment mix-ups during low light situations. Wilson’s “pyramid” design is less likely to snag but still presents a clean sight picture.

A Wilson KZ-9 on hand here is such an example: Like the STI (now Stacatto 2011), this 4-inch 1911 is an earlier hybrid high-cap design. I ordered it with Wilsons BoMar-type Tritium pyramid rear (0.125 notch) and, because it’s a defensive pistol, its Tritium front sight is a bolder 0.125 fast to pick up on the move. The night-sights of a 4 single-stack Kimber I owned produced high hits. That issue was resolved by replacing its Novak-type fixed rear with an adjustable Miniature Machine unit. An example of a small retrofitted rear sight. Initially equipped with a fixed Novak-type night-sight rear, this 4″ Kimber 9mm shot high. Point of impact was corrected via the adjustable Miniature Machine unit, complete with Tritium elements.

If starting from scratch, the simplest route is a 1911 already set up to meet personal needs. If it may serve more as a foundation for future upgrades, a factory-dovetailed front sight is worthwhile. Stick with mainstream domestic manufacturers and the dovetails will offer no surprises.

And beliee me, Im only scratching the surface! Google 1911 Sights and fasten your seatbelt. Maybe, sit on your wallet, too! For more information about the 1911 and other handguns, here’s a link to Handguns: A Buyer’s and Shooter’s Guide. Handguns: A Buyer’s and Shooter’s Guide (Survival Guns) Markwith, Steve (Author)English (Publication Language) $19.95 Buy on Amazon

Continue Reading

Entertainment

Robbie Williams reveals Gary Barlow collaboration on new album Britpop

Published

on

By

Robbie Williams reveals Gary Barlow collaboration on new album Britpop

Robbie Williams has revealed details of several star collaborations on his upcoming album, Britpop – including a track with Gary Barlow.

The former Take That singer teased details at a launch event for the record, which will be his first studio album of original songs in almost a decade.

He also announced he will play his “smallest-ever ticketed gig” as an intimate show for 500 fans, performing both his debut album Life Thru A Lens and Britpop in their entirety, following his current European stadium tour.

Williams and Barlow performing together in 2010. Pic: AP/ Mark Allan
Image:
Williams and Barlow performing together in 2010. Pic: AP/ Mark Allan

Williams listed some of the artists he has collaborated with on the new album, including Black Sabbath‘s Tony Iommi, Coldplay’s Chris Martin, Supergrass frontman Gaz Coombes, and Barlow.

The relationship between the Take That stars famously deteriorated after Williams left the group, but the pair fixed their friendship in later years – and the Angels star reunited with the band for their Progress tour in 2011.

Their song on Britpop is called Morrissey, about the singer-songwriter and former frontman of The Smiths.

Answering questions from comedian Joe Lycett, who hosted the event, Williams said the song was written from the point of view of “somebody that is stalking Morrissey and is completely obsessed and in love with him”, but did not give any further detail.

Coldplay's Chris Martin also collaborated on the album. Pic: Charles Sykes/Invision/AP 2024
Image:
Coldplay’s Chris Martin also collaborated on the album. Pic: Charles Sykes/Invision/AP 2024

Another track, Human, is about AI. “We are being told that we’re all about to be replaced, and we need clothes and we need food, so there’s a chance that we will be removed,” Williams said. “Whether it’s a prophecy, we shall see. But, yeah. It’s a song about what we’ve been told about AI.”

The singer rose to fame in Take That in the early 1990s before quitting and going on to have huge success as a solo star, with hit songs including Let Me Entertain You, Angels, Feel, No Regrets and She’s The One.

In 2023, he reflected on his life and career in a documentary series, in which he spoke about his struggles with the limelight and his mental health at the height of his fame. Last year’s Better Man – a biopic of his life in which the star was portrayed as a monkey – also tackled those issues.

Take That in their 1990s heyday: (L - R) Gary Barlow, Howard Donald, Mark Owen, Williams and Jason Orange. Pic: PA
Image:
Take That in their 1990s heyday: (L – R) Gary Barlow, Howard Donald, Mark Owen, Williams and Jason Orange. Pic: PA

Now, he says he is back with the kind of album he would have loved to have released after he left Take That in 1995 – the “peak of Britpop” and the year of Oasis’s (What’s the Story) Morning Glory?, Pulp’s Different Class, and Blur’s The Great Escape.

“I’ve kind of been musically a bit aimless for a little while because I haven’t known really what to do,” Williams said at the Britpop launch. “I chased yesterday an awful lot. Which happens.”

When you become hugely successful and then “commercial radio, whatever, stops playing you… you think, shit, what was it that I did?” he continued. “I just spent the last 15 years looking backwards. And I think with this album, if I am going to look backwards, I might as well just clear the decks, go back to the start and head off from there.”

Read more from Sky News entertainment:
Grange Hill creator calls for radical TV merger

‘I’m proud’: Noel Gallagher praises Liam for Oasis tour

Williams also spoke about other projects, including artwork and investment in arts education. “I want the entertainment industry to be somebody’s Plan A and Plan B,” he said.

“You know when you go to your parents, you say, ‘I want to be a singer, I want to be a dancer or be an actor, I want to go into the entertainment industry’. [The response is] ‘You better have a Plan B.’ I want to create the Plan B for people, too.”

Robbie Williams will play at Dingwalls in Camden on 9 October. Britpop is out the following day.

Continue Reading

Entertainment

Kneecap rapper greeted by hundreds of supporters at terror charge court hearing

Published

on

By

Kneecap rapper greeted by hundreds of supporters as he arrives at court on terror charge

A member of rap trio Kneecap has been released on unconditional bail after appearing in court charged with supporting a proscribed terror organisation – as hundreds turned out to support him outside.

Liam Og O hAnnaidh, who performs under the name Mo Chara, is accused of displaying a flag in support of Hezbollah at a gig in London in November last year.

Demonstrators waving flags and holding banners in support of the rapper greeted him with cheers as he made his way into Westminster Magistrates’ Court on Wednesday morning.

The rapper was mobbed by supporters and media. Pics: PA
Image:
The rapper was mobbed by supporters and media. Pics: PA

Supported by his Kneecap bandmates Naoise O Caireallain and JJ O Dochartaigh, it took O hAnnaidh more than a minute to enter the building as security officers worked to usher him inside through a crowd of photographers and supporters.

Fans held signs which read “Free Mo Chara”, while others waved Irish and Palestinian flags.

As the hearing got under way, O hAnnaidh confirmed his name, date of birth and address. An Irish language interpreter was present in court.

During a previous hearing, prosecutors said the 27-year-old is “well within his rights” to voice his opinions on the Israel-Palestine conflict, but said the alleged incident at the O2 Forum in Kentish Town was a “wholly different thing”.

O hAnnaidh is yet to enter a plea to the charge. The case has been adjourned for legal argument and he will appear in court for a further hearing on 26 September.

Bandmates Naoise O Caireallain (pictured, centre) and JJ O Dochartaigh are supporting O hAnnaidh. Pic: Reuters
Image:
Bandmates Naoise O Caireallain (pictured, centre) and JJ O Dochartaigh are supporting O hAnnaidh. Pic: Reuters

Who are Kneecap?

Kneecap put out their first single in 2017 and rose to wider prominence in 2024 after the release of their debut album and an eponymously titled film – a fictionalised retelling of how the band came together and their fight to save the Irish language.

The film, in which the trio play themselves and co-star alongside starring Oscar nominee Michael Fassbender, won the BAFTA for outstanding debut earlier this year, for director and writer Rich Peppiatt.

Last year, Kneecap won a discrimination case against the UK government after Conservative leader Kemi Badenoch tried to refuse them a £14,250 funding award when she was business secretary.

They are known for songs including H.O.O.D, Fine Art, and Better Way To Live, featuring Fontaines DC frontman Grian Chatten, with lyrics switching between the Irish language and English.

Continue Reading

Entertainment

BBC and Channel 4 should ‘merge’ to survive, Sir Phil Redmond says

Published

on

By

BBC and Channel 4 should 'merge' to survive, Sir Phil Redmond says

One of Britain’s most legendary TV dramatists, Sir Phil Redmond, is no stranger to tackling difficult issues on screen.

Courting controversy famously with his hard-hitting storylines on his children’s show Grange Hill for the BBC in 1978, before he switched over to Channel 4 to give it its two most prominent soaps, Brookside (1982) and later Hollyoaks (1995).

He’s been a pivotal figure at Channel 4 from its inception, widely considered to be a father to the channel.

Sir Phil Redmond says the BBC and Channel 4 should team up to survive
Image:
Sir Phil Redmond says the BBC and Channel 4 should team up to survive

While he’s been responsible for putting some of TV’s most impactful storylines to air for them – from the first lesbian kiss, to bodies buried under patios – off-screen nowadays, he’s equally radical about what should happen.

“Channel 4’s job in 1980 was to provide a platform for the voices, ideas, and people that weren’t able to break through into television. They did a fantastic job. I was part of that, and now it’s done.”

It’s not that he wants to kill off Channel 4 but – as broadcasting bosses gather for Edinburgh’s annual TV Festival – he believes they urgently should be talking about mergers.

A suggestion which goes down about as well as you might imagine, he says, when he brings it up with those at the top.

He laughs: “The people with the brains think it’s a good idea, the people who’ve got the expense accounts think it’s horrendous.”

Some of the original Grange Hill cast collecting a BAFTA special award in 2001. Pic: Shutterstock
Image:
Some of the original Grange Hill cast collecting a BAFTA special award in 2001. Pic: Shutterstock

A ‘struggling’ BBC trying to ‘survive’

With charter renewal talks under way to determine the BBC’s future funding, Sir Phil says “there’s only one question, and that is what’s going to happen to the BBC?”

“We’ve got two public sector broadcasters – the BBC and Channel 4 – both owned by the government, by us as the taxpayers, and what they’re trying to do now is survive, right?

“No bureaucracy ever deconstructs itself… the BBC is struggling… Channel 4 has got about a billion quid coming in a year. If you mix that, all the transmissions, all the back office stuff, all the technical stuff, all that cash… you can keep that kind of coterie of expertise on youth programming and then say ‘don’t worry about the money, just go out and do what you used to do, upset people!’.”

Brookside's lesbian kiss between Margaret and Beth (L-R Nicola Stapleton and Anna Friel) was groundbreaking TV. Pic: Shutterstock
Image:
Brookside’s lesbian kiss between Margaret and Beth (L-R Nicola Stapleton and Anna Friel) was groundbreaking TV. Pic: Shutterstock

How feasible would that be?

Redmond claims, practically, you could pull it off in a week – “we could do it now, it’s very simple, it’s all about keyboards and switches”.

But the screenwriter admits that winning people over mentally to his way of thinking would take a few years of persuading.

As for his thoughts on what could replace the BBC licence fee, he says charging people to download BBC apps on their phones seems like an obvious source of income.

“There are 25 million licences and roughly 90 million mobile phones. If you put a small levy on each mobile phone, you could reduce the actual cost of the licence fee right down, and then it could just be tagged on to VAT.

“Those parts are just moving the tax system around a bit. [Then] you wouldn’t have to worry about all the criminality and single mothers being thrown in jail, all this kind of nonsense.”

Original Brookside stars at BAFTA - L:R: Michael Starke, Dean Sullivan, Claire Sweeney and Sue Jenkins. Pic: PA
Image:
Original Brookside stars at BAFTA – L:R: Michael Starke, Dean Sullivan, Claire Sweeney and Sue Jenkins. Pic: PA

‘Subsidising through streaming is not the answer’

Earlier this year, Peter Kosminsky, the director of historical drama Wolf Hall, suggested a levy on UK streaming revenues could fund more high-end British TV on the BBC.

Sir Phil describes that as “a sign of desperation”.

“If you can’t actually survive within your own economic basis, you shouldn’t be doing it.

“I don’t think top slicing or subsidising one aspect of the business is the answer, you have to just look at the whole thing as a totality.”

Mark Rylance (L) and Damian Lewis in Wolf Hall: The Mirror And The Light. Pic: BBC
Image:
Mark Rylance (L) and Damian Lewis in Wolf Hall: The Mirror And The Light. Pic: BBC

Since selling his production company, Mersey Television, two decades ago, much of his current work has focused on acting as an ambassador for the culture and creative industries.

Although he’s taken a step away from television, he admits he’s disappointed by how risk-averse programme makers appear to have become.

“Dare I say it? There needs to be an intellectual foundation to it all.”

The Hollyoaks cast in 1995. Pic: Shutterstock
Image:
The Hollyoaks cast in 1995. Pic: Shutterstock

TV’s ‘missing a trick’

He believes TV bosses are too scared of being fined by Ofcom, and that’s meant soaps are not going as far as they should.

“The benefits [system], you know, immigration, all these things are really relevant subjects for drama to bring out all the arguments, the conflicts.

“The majority of the people know the benefits system is broken, that it needs to be fixed because they see themselves living on their estate with a 10 or 12-year-old car and then there’s someone else down the road who knows how to fill a form in, and he’s driving around in a £65k BMW, right? Those debates would be really great to bring out on TV, they’re missing a trick.”

While some of TV’s biggest executives are slated to speak at the Edinburgh Television Festival, Redmond is not convinced they will be open to listening.

“They will go where the perceived wisdom is as to where the industry is going. The fact that the industry is taking a wrong turn, we really need somebody else to come along and go ‘Oi!'”

When I ask if that could be him, he laughs. Cue dramatic music and closing credits. As plot twists go, the idea of one of TV’s most radical voices making a boardroom comeback to stir the pot, realistic or not, is at the very least food for thought for the industry.

Edinburgh TV Festival runs from 19 – 22 August.

Continue Reading

Trending