Netflix’s impending crackdown on password sharing includes plans to force users to regularly connect via their home Wi-Fi.
An update to the streaming giant’s help page reveals details of how the company will finally take a tougher stance against the practice, which millions of people in the UK are estimated to partake in.
While logins will still be shareable within a single home, Netflix has outlined new measures to ensure that any device which uses the account is associated with the account holder’s primary location.
Who will I be able to share my account with?
People within your home can still use your account – so if mum or dad are paying, but the kids are still at home, they can have their own profiles and watch Netflix on their own devices as they do now.
But if the kids have gone to university or moved out, maintaining access to their parents’ Netflix will get trickier.
That’s because by using information such as IP addresses, device IDs, and account activity, the company can detect where users are logging in from and may choose to intervene if they suspect a case of freeloading.
How is this going to be enforced?
Netflix will treat devices which use your account as trusted if they are connected to your home Wi-Fi regularly.
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So don’t worry, you can of course still take your Netflix account with you on your phone when you go out, assuming that you bring it back home with you and log in there at least once every 31 days.
But if a device from outside your household signs in or is used persistently, Netflix says it may ask you to verify that device before it can be used to watch anything.
Image: No more Wednesday binging unless you have your own account. Pic: Netflix
What sort of verification?
Netflix says it will send a link to the email address or phone number associated with the primary account holder, containing a four-digit code that will need to be entered on the untrusted device within 15 minutes.
This “may be required periodically”.
And this will also be needed of you if you are away from your home for an extended period of time, for example if you take your phone travelling and plan to keep using Netflix.
So I can still share my account?
Technically, yes, it’s just becoming a lot more inconvenient, riskier, and could end up costing you.
Firstly, don’t forget Netflix limits how many devices can be using one account simultaneously depending on which pricing tier you’re on, and it maxes out at four at £15.99 per month.
Even if the prospect of constant verification code messages or someone swinging by to use your Wi-Fi isn’t inconvenient enough, Netflix may still act if it suspects blatant password sharing is going on.
Those who are logging in from outside the household will either have to pay up for their own account, or the original account holder will need to spend a little extra.
Netflix has been trialling a feature to let people add subaccounts for up to two people they don’t live with. It’s been testing in parts of South America since last year and costs the equivalent of an extra £2-£3 a month.
Image: Netflix is banking on The Crown and other top shows to encourage more sign-ups. Pic: Netflix
With more competition from the likes of Disney+ and Amazon Prime, and the cost of living crisis, the company was looking for ways to reverse the trend and boost revenue.
The Intellectual Property Office has since ruled that password sharers are breaking copyright law – it’s just down to the streaming services themselves to enforce it.
Malcolm-Jamal Warner, who played The Cosby Show character Theo, has drowned in Costa Rica, according to authorities.
The country’s Judicial Investigation Department said the 54-year-old actor drowned on Sunday afternoon off a beach on the Caribbean coast.
It is understood he was swimming at Playa Grande de Cocles in Limon province when he was pulled underwater by a current.
“He was rescued by people on the beach,” according to the department’s early report, but emergency workers from Costa Rica’s Red Cross found him without any signs of life and he was taken to the morgue.
Warner was on holiday with his family at the time, according to US celebrity news site People.
The Cosby Show aired from 1984 to 1992 on NBC in the US and is regarded as a groundbreaking show for its portrayal of a successful black middle-class family. It was also shown on Channel 4 in the UK at around the same time.
Image: Malcolm-Jamal Warner in September 2017. Pic: Reuters
Its star, Bill Cosby, played a doctor named Cliff Huxtable, with Warner in the role of Theo, his only son.
The NBC sitcom was the most popular show in America for much of its run between 1984 and 1992.
Warner played the role for eight seasons in all 197 episodes, winning an Emmy nomination for supporting actor in a comedy in 1986.
For many, the lasting image of the character, and of Warner, is of him wearing a badly-botched mock designer shirt sewn by his sister Denise, played by Lisa Bonet.
Warner ‘proud’ of show despite Cosby claims
The legacy of The Cosby Show has been tarnished after Cosby was jailed in 2018 following a conviction for sexual assault.
Warner told the Associated Press in 2015: “My biggest concern is when it comes to images of people of colour on television and film… We’ve always had ‘The Cosby Show’ to hold up against that. And the fact that we no longer have that, that’s the thing that saddens me the most because in a few generations the Huxtables will have been just a fairy tale.”
In 2023, Warner told People in an interview: “I know I can speak for all the cast when I say The Cosby Show is something that we are all still very proud of.”
Image: Warner (left) on stage with Stevie Wonder and Bill Cosby at an awards show in 2011. Pic: AP
Warner wins a Grammy
Following his career on The Cosby Show,Warner later appeared on the sitcom Malcolm & Eddie, co-starring with comedian Eddie Griffin in the series on the UPN network from 1996 to 2000.
In the 2010s he starred opposite Tracee Ellis Ross as a family-blending couple for two seasons on the BET sitcom Read Between The Lines.
He also had a role as OJ Simpson’s friend Al Cowlings in American Crime Story and was a series regular on Fox’s The Resident.
Films he has appeared in include the 2008 rom-com Fool’s Gold with Matthew McConaughey and Kate Hudson.
A poet and a musician, Warner won a Grammy for best traditional R&B performance for the song Jesus Children with Robert Glasper and Lalah Hathaway. He was also nominated for best spoken word poetry album for Hiding In Plain View.
Warner was married with a daughter, but chose to not publicly disclose their names.
From Human Traffic and The Business to his critically acclaimed performance in the raunchy TV adaptation of Rivals, via a stint as Queen Vic landlord Mick Carter in EastEnders, Danny Dyer has been on our screens for more than 30 years.
But it was his performance in the TV comedy Mr Bigstuff that earned him his first BAFTAwin – and one of the ceremony’s biggest cheers from the audience – earlier this year.
Image: Danny Dyer as Lee Campbell in Mr Bigstuff
Now, he returns to his prize-winning role for the second series of the Sky show, which tells the story of two estranged brothers – Glen (played by creator Ryan Sampson), an anxious carpet salesman living his ideal suburban life with fiancee Kirsty (Harriet Webb), and Lee (played by Dyer), an alpha male who struts back into his brother’s life carrying their father’s ashes.
Image: Ryan Sampson (right) created the series and stars alongside Dyer
Several EastEnders alumni feature, including Nitin Ganatra, Victoria Alcock and Linda Henry, who played Dyer’s on-screen mother, Shirley Carter.
Reflecting on some of Albert Square’s most famous characters and who would work well in Mr Bigstuff, Dyer says he would have loved to see the late June Brown, who played the chain-smoking hypochondriac Dot Cotton for 35 years, taking on a role.
“Absolute legend,” he says.
Sampson suggests the late Dame Barbara Windsor, who played the formidable Queen Vic landlady Peggy Mitchell, but has a clear pitch if season three gets the green light.
“It could still be a possible, it would be amazing,” he says. “You want your Pat Butcher, don’t you? You want Pam St Clement. Why hasn’t she played a mafia boss yet? She’d be amazing. She’d be incredible at it.”
Image: Dyer at the BAFTAs earlier this year. Pic: PA
Dyer reveals his screensaver
After his long career on screen, Dyer is now enjoying playing a variety of roles alongside the Cockney geezer types that became his bread and butter in the early noughties.
His nuanced performance as awkward entrepreneur Freddie Jones in Rivals brought him praise from fans and critics alike, and Mr Bigstuff his BAFTA.
But Dyer always had range. After small TV roles in shows including The Bill and A Touch Of Frost, he grew close to the Nobel Prize-winning playwright Harold Pinter in 2000 after auditioning and earning the role of a waiter in his play Celebration at the Almeida Theatre in Islington, north London.
“I’ve got Harold Pinter as a screensaver on my phone,” he says. “I always feel that he’s sort of looking down on me or close to me, so I like to just feel that he’s around me.”
Dyer continued the role in Celebration both in the West End and on Broadway, with Pinter becoming his mentor in the process.
In 2020, he presented a Sky Arts documentary, Danny Dyer On Pinter, which explored the life, career and impact of the playwright and screenwriter, who died in 2008.
He also has plans to develop a stage tribute to his friend, currently titled When Harry Met Danny.
Reflecting on his entry into the industry, he says theatre was quite inaccessible at the time, but Pinter opened it up to him.
“I think it’s even worse now, which I feel is a sad state of affairs,” he says. “I don’t know why that is. Everything’s become quite elite. All the elite f****** looking after themselves, so that needs to change.”
‘Love in the air’ at Oasis gig
But Pinter isn’t his only big influence – Dyer was one of the thousands of fans to see Oasis make their return to the stage in Cardiff earlier this month.
“It was really emotional seeing them come out,” he says. “There was a lot of love in the air, a lot of good energy.
“You know, there’s a lot of f****** shit going on. I think people, of my age as well, just want to jump around and sing them songs at the top of their lungs. So I’m still recovering, I’m not going to lie.”
Mr Bigstuff returns for season two on Thursday, on Sky Max and NOW
A brief scuffle broke out at London’s Royal Opera House after a performer unfurled a Palestinian flag during a show.
The incident took place during a performance of Il Trovatore on Saturday.
During the final night of the 11-night run of the show, a performer held up the flag on stage.
In video footage, shared online, someone backstage could be seen attempting to take it off the performer. The performer grabs it back following a brief scuffle.
A spokesperson for the Royal Ballet and Opera said: “The display of the flag was an unauthorised action by the artist.
“It was not approved by the Royal Ballet and Opera and is a wholly inappropriate act.”
The reaction to the flag was mixed, with some people heard applauding and cheering, while another audience member was heard saying “oh my God”.
One poster on X, who claimed to have been a member of the audience, said: “Extraordinary scenes at the Royal Opera House tonight.
“During the curtain call for Il Trovatore one of the background artists came on stage waving a Palestine flag. Just stood there, no bowing or shouting. Someone off stage kept trying to take it off him. Incredible.”
Performers show support for Palestinians
A number of performers have shown support for Palestinians amid the Israel-Hamas war in Gaza.
During Glastonbury Festival, numerous acts offered messages of support during their sets, including Kneecap, Bob Vylan, Wolf Alice, and Amyl And The Sniffers.
During her band’s set, Wolf Alice singer Ellie Rowsell told the crowd at the Other Stage: “Whilst we have the stage for just a little bit longer, we want to express our solidarity with the people of Palestine.
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BBC ‘regrets’ not pulling Bob Vylan live performance
Bob Vylan were widely criticised after leading on-stage chants of “death to the IDF” (Israel Defence Forces).
The performance was live-streamed by the BBC, sparking a backlash against the broadcaster – which later issued an apology.
The investigation into Kneecap was later dropped, with the police saying there was insufficient evidence to provide a realistic prospect of conviction for any offence”.