“It’s people like you that are making the world a worse place.”
That’s one of the milder pieces of feedback Maysa Pritilata has received for encouraging people not to buy the upcoming video game Hogwarts Legacy.
Widely expected to be one of the biggest games of the year so far when it launches this week, it gives players the chance to become their own witch or wizard in JK Rowling‘s fantasy world.
It’s the first release in more than a decade of a major new Harry Potter game. It’s also the first big new game in the franchise since Rowling’s stance on transgender rights became a subject of public debate.
Search for the game online and you don’t have to look far to find opposition among the excitement; a Twitter video encouraging people to boycott has amassed more than nine million views; gaming forum ResetEra has banned all mention of the game; major site GameSpot published an essay about Rowling’s “anti-transgender stance”; and a fundraiser asking people to donate to a trans charity instead of buying the game has amassed more than £6,000.
For Maysa, a trans woman whose article about Hogwarts Legacy for openDemocracy brought vitriol to her inbox, it makes the decision to boycott an easy one.
“I’m not boycotting it because I think my money is going to seriously harm the publisher, Warner Bros, or Rowling.
“But why would I do it to myself? Why would I do it to other people, who would feel like I’m validating the game?”
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Trans fan ‘found solace’ in Potter
Since writing about her stance, Maysa’s inbox has regularly housed abusive messages from people who are excited about the game and support Rowling.
But not everyone who feels hurt by Rowling’s views can so easily brush her most famous creation aside.
“As a fandom, we have been looking forward to this game before it was even announced,” says Asher Chelder, a transgender Potter fan who admits his relationship with the franchise is “complicated”.
“I found a lot of solace in the series and it’s something I can’t shake. It’s part of who I am.”
Asher, who is part of the social media team at Potter fan site MuggleNet, is certainly not alone in his excitement.
But while many of those who have pre-ordered have done so out of pure anticipation, others say they’ve done so to spite the boycott movement or to show support for Rowling.
Asher says he was once one of “many LGBTQ people who looked up to Rowling”, whose views now “genuinely hurt people”.
Representatives for Rowling, who denies being transphobic, declined to comment when contacted by Sky News.
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‘This is an important moment’
In the US, where Human Rights Watch has warned that a record number of anti-LGBTQ bills were filed by state politicians in 2022, there is also opposition to Hogwarts Legacy.
“This is an important moment to stand in solidarity with a very marginalised group with a large target on their back,” says game developer Brianna Wu, who received death threats in 2014 during the gamergate scandal – a misogynistic online campaign against women in the industry.
A former developer on Hogwarts Legacy, Troy Leavitt, left the project in 2021 after it emerged he had posted videos defending the campaign. He said he had resigned despite being “absolutely secure in my position”.
Separating art from the artist
Warner has confirmed that Rowling was not directly involved in the creation of the game, but states they “collaborated closely” with her team on the project in an FAQ page on the game’s website.
Actor Sebastian Croft, who provides one of the voices players can choose for their character, claimed he did not know about her views when he accepted a role. He joins Potter film stars like Daniel Radcliffe and Emma Watson in speaking out against Rowling’s comments.
The latter saw Sky News blocked from asking Potter actor Tom Felton about Rowling at a media event. Warner subsequently said that was “wholly wrong”, hailing Rowling as “one of the world’s most accomplished storytellers”.
“We are proud to be the studio to bring her vision, characters, and stories to life now – and for decades to come,” a statement said.
Warner did not respond to multiple requests for comment about Hogwarts Legacy from Sky News.
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‘No real way to erase her’
The dilemma is one grappled with on a daily basis by Asher and his colleagues at MuggleNet, the world’s oldest Potter fan site, which launched back in 1999.
It now hosts a page outlining its dedication to trans people, stating that Rowling’s views are “out of step with the message of acceptance and empowerment” in her books.
Creative director, Kat Miller, tells Sky News: “We are all cognisant of the fact that she created this world, and there’s no real way to erase her from that – and that’s not our goal.
“But… it’s not only her views that are bothersome, but the fact she doesn’t listen to people who are consistently telling her she’s causing harm.”
For Asher, distancing Rowling from her work makes it easier. He is still planning to play the game, but accepts that “people might hate” him, and that some LGBTQ people might not understand his actions. A view, he says, they have every right to.
“I’m just glad at the very least Rowling’s been separated from it as much as she can.”
Angelina Jolie says although she appreciates being an artist, she would prefer for her legacy to be “a good mother” and to be known for her “belief in equality and human rights”.
The Oscar-winning actress stars as Maria Callas in the new Pablo Larrain film about the opera singer’s life.
She has called Maria “the hardest” and “most challenging” role she has had in her career and put months of preparation into immersing herself into the world of opera.
Jolie, who recently reached a divorce settlement with actor Brad Pitt, told Sky News: “To be very candid, it was the therapy I didn’t realise I needed. I had no idea how much I was holding in and not letting out.
“So, the challenge wasn’t the technical [side of opera], it was an emotional experience to find my voice, to be in my body, to express. You have to give every single part of yourself.”
The biopic combines the voice of the Maleficent actress with recordings of Maria Callas.
Jolie believes it “would be a crime to not have [Callas’] voice through this because, in many ways, she is very present in this film”.
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Who was Maria Callas?
Born in New York in 1923, Maria Callas was the daughter of Greek immigrants who moved back to Athens at the age of 13 with her mother and sister.
After enrolling at the Athens Conservatory, she made her professional debut at 17 and went on to become one of the most famous faces of opera, travelling around the world and performing at Covent Garden in London, The Met in New York and La Scala in Milan.
Callas’s final operatic performance took place at Covent Garden in 1965 when she was 41 but she continued to work conducting master classes at Juilliard School, doing concert tours and starring in the 1969 film Medea.
Written by Peaky Blinders creator Steven Knight, Maria focuses on the artist’s final years in the 1970s when she moved to Paris and disappeared from public view.
She died on 16 September 1977 at the age of 53.
Jolie on changing motivations as an actor
Maria follows the life of an artist fully consumed by the art she creates and even remarks that “happiness never developed a beautiful melody”.
Reflecting on her own life in the spotlight, Jolie said she noticed her own career motivations change over the years.
“There’s this kind of study of being human that we do when we create, and we communicate with an audience because our work is not in isolation – it’s a connection.
“I think when I was younger, I had different questions about being human and different feelings and now as I’ve gotten older, I understand some things and now I have different questions.
“It’s a matter of life, right? And so maybe that’s interesting that this now is a character really contemplating death and really contemplating the toll of certain things in life that I, of course, couldn’t have understood in my 20s”.
A family affair
Two of Jolie’s children, Maddox and Pax, took on production assistant roles during the filming of Maria and witnessed their mother perform opera for the first time in public.
She says the film allowed them to create new experiences together and for her children to see her approach to playing a difficult role.
“Everyone in my home, we all give each other space to be who we are and we’re all different.
“I’m the mom, but I’m also an artist and a person and so my family has been very kind and gives me their understanding. They make fun of me, and they support me and just as you’d hope it would be.”
She adds: “When you play somebody who is dealing with so much pain, it’s very important to come home to some kindness.”
Sam Moore, who sang Soul Man and other 1960s hits in the legendary Sam & Dave duo, has died aged 89.
Moore, who influenced musicians including Michael Jackson, Al Green and Bruce Springsteen, died on Friday in Coral Gables, Florida, due to complications while recovering from surgery, his publicist Jeremy Westby said.
No additional details were immediately available.
Moore was inducted with Dave Prater into the Rock and Roll Hall of Fame in 1992.
This breaking news story is being updated and more details will be published shortly.
Neither star has publicly addressed the rumours but Tom’s comedian father, Dominic Holland, has now confirmed the pair are set to wed.
He wrote in a post on his Patreon account: “Tom, as you know by now was very incredibly well prepared. He had purchased a ring.
“He had spoken with her father and gained permission to propose to his daughter.”
“Tom had everything planned out… When, where, how, what to say, what to wear,” he added.
Dominic also noted that while most men worry about being able to afford an engagement ring, he suspects his actor son was “more concerned with the stone, its size and clarity, its housing, which jeweller”.
Tom and Zendaya met on the set of Spider-Man: Homecoming in 2016, when they played the titular hero and his love interest MJ, respectively. Their romance was confirmed in 2021.
In his post, Tom’s father admitted fears over whether being in the spotlight could put a strain on the couple’s relationship.
He wrote: “I do fret that their combined stardom will amplify their spotlight and the commensurate demands on them and yet they continually confound me by handling everything with aplomb.”
“And even though show business is a messy place for relationships and particularly so for famous couples as they crash and burn in public and are too numerous to mention […] yet somehow right at the same time, I am completely confident they will make a successful union.”