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Director Spike Lee has been given the British Film Institute’s highest honour – a fellowship.

Throughout his career, the filmmaker has provoked debate and inspired progress with films including Malcolm X, Do The Right Thing and the Oscar-winning BlacKkKlansman.

Now this accolade pays tribute to his four decades in the business – which has seen change, though the director has told Sky News, not enough.

“[I’ve] seen a much greater diversity in this industry in front of and behind the camera,” Lee said.

“So more stories are being told that really weren’t given a chance in the past.”

“But that’s not to say that the struggle is over, you know, it’s still not the way it should be, but a lot better than when I started way back in 1986 with She’s Gotta Have It.”

Asked about the secret of his success and longevity in the industry, Lee has a simple answer.

“The only secret of success in anything is you gotta work, gotta bust your a**e – and love what you’re doing.”

Pic: Scott Garfitt/Invision/AP
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Pic: Scott Garfitt/Invision/AP

Lee is an ‘auteur’

There’s no doubt Lee’s efforts have paid off – renowned for a body of work that explores the African American experience and addresses controversial subjects, he also helped launch the careers of actors including Denzel Washington, Laurence Fishburne and Samuel L Jackson.

For the BFI, the director was an obvious choice for their most prestigious accolade.

“He’s an auteur,” explained the organisation’s chief executive Ben Roberts.

“I remember my first experience of a Spike Lee film was when I was 14 and it was Do The Right Thing, and it sort of exploded for me as something I hadn’t seen before in terms of his stylings, what he was talking about, the energy, the passion in his filmmaking.”

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“And he’s just sustained that across such a diverse range of storytelling over the last 30 years.”

‘It’s all like a blur’

While this fellowship may be viewed by some as a lifetime achievement prize, Lee insists it’s not the right time for him to look back and reflect.

“It’s all like a blur, to be honest,” he said of his career.

“I’ve been very fortunate to really go from project to project for the last forty years, and I really have not the time nor want to take time to reflect.

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“So when that day comes, hopefully not very soon, you know, that will be the time to reflect – but I’ve got too much work to do to look back on the past.”

In receiving the honour, Lee joins a list which also includes Martin Scorsese and Thelma Schoonmaker, Tilda Swinton, Sir Steve McQueen, Orson Welles and Sir Ridley Scott.

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Creatives having to be even more creative as National Theatre overhauls how it stages productions

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Creatives having to be even more creative as National Theatre overhauls how it stages productions

The National Theatre is overhauling how it stages productions – as its ambitious climate targets mean creatives are having to be even more creative.

After setting itself the goal of achieving net zero as an organisation by 2030, off-stage quietly radical changes are under way.

Pic: Reed Watts
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Pic: Reed Watts

Sky News was invited to see how the theatre, based in Southbank, central London, has gone about overhauling its approach to staging productions, meeting with some of those who’ve worked on its adaptation of the much-loved children’s classic Ballet Shoes.

While critics have been full of praise for the visual spectacle on-stage, how the whole look was created required a fundamental shift in approach.

“All of the team have had to be on board with reinventing, recutting and reimagining items rather than just making them from scratch,” costume designer Samuel Wyer said.

A new resource they had to work with was the National Theatre Green Store in Bermondsey, southeast London.

The warehouse has more than 131,000 items of costume and almost 22,000 props now housed under one roof so that designers can repurpose items from previous productions to try to cut their carbon footprint.

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It’s a surprisingly satisfying challenge.

Mr Wyer said they were able to “dip and cut clothes… which meant I was finding things even outside my imagination that were more perfect than I could have drawn on a piece of paper”.

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Trying to lead by example, the theatre hopes to demonstrate how the industry needn’t take a fast fashion approach to making sets, props and costumes from scratch.

“I think if it’s demonstrated that we can do things in this way that helps all of us imagine a world where we can use what we’ve got rather than new, new, new, because we need that balance,” Mr Wyer said.

“Theatre is where we come to imagine who we could be.”

Pic: Reed Watts
Image:
Pic: Reed Watts

‘Every piece has its own little quirks’

Last year, the National set itself targets of 50% of the materials used in its productions having had a previous life, and 65% being repurposed at the end of each production.

For set designer Frankie Bradshaw, hitting those targets has meant working with a lot more repurposed furniture.

“Lots of second-hand cabinets, bookshelves,” she said. “Ordinarily [carpenters] would have been used to building from scratch following a drawing and this has been quite different.

“Every piece has its own little quirks, and they’ve had to adapt their processes to fit that way of working.”

While it’s by no means straightforward, the process is proving rewarding.

“It requires everyone to be a little bit more flexible, a little more patient, but it does mean you can end up with a product you’re a lot more proud of,” Ms Bradshaw added.

Ballet Shoes runs at the National Theatre until Saturday 22 February.

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Neil Young confirmed as Glastonbury headliner – days after saying he was pulling out

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Neil Young confirmed as Glastonbury headliner - days after saying he was pulling out

Neil Young has been confirmed as a headliner at this year’s Glastonbury – despite saying he was dropping out due to the BBC’s involvement in the festival.

The 79-year-old Canadian musician wrote on his website earlier this week that both he and his band, The Chrome Hearts, were pulling out because the BBC’s involvement was a “corporate turn-off”.

He has now said in a statement that this decision was down to “an error in the information I received”.

Emily Eavis, the organiser of the Glastonbury Festival, posted on Instagram on Friday: “Neil Young is an artist who’s very close to our hearts at Glastonbury.

“He does things his own way and that’s why we love him.

“We can’t wait to welcome him back here to headline the Pyramid in June.”

Glastonbury, which takes place at Worthy Farm in Somerset in the summer, has worked closely with the BBC – its exclusive broadcast partner – since 1997.

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Posting on Neil Young Archives, the Rock and Roll Hall of Famer wrote in his initial statement: “The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs.

“We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.

“It seems Glastonbury is now under corporate control and is not the way I remember it being.”

Young performing at Glastonbury in 2009. Pic: AP
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Young performing at Glastonbury in 2009. Pic: AP

Young, who headlined the festival’s Pyramid stage in 2009, added: “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.

“Hope to see you at one of the other venues on the tour.”

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In an updated statement, he wrote: “Due to an error in the information received, I had decided to not play the Glastonbury festival, which I always have loved.

“Happily, the festival is now back on our itinerary and we look forward to playing! Hope to see you there!”

Young, who is married to US actress Daryl Hannah, was booked to play Glastonbury in 1997 but pulled out after cutting his left index finger while making a ham sandwich.

Glastonbury, one of the UK’s largest music festivals, is set to take place between 25 and 29 June, with Sir Rod Stewart booked for the Sunday teatime legend slot.

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Wayne Osmond, one of the original members of The Osmonds, dies at 73

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Wayne Osmond, one of the original members of The Osmonds, dies at 73

Wayne Osmond, one of the original members of The Osmonds, has died aged 73.

The singer, who rose to fame alongside his siblings including Donny, Jimmy and Marie Osmond, died on New Year’s Day with his wife and five children by his side after suffering a stroke, family members said in posts on social media.

“His legacy of faith, music, love, and laughter have influenced the lives of many people around the world,” a family statement said.

“He would want everyone to know that the gospel of Jesus Christ is true, that families are forever, and that banana splits are the best dessert. We love him and will miss him dearly.”

Donny Osmond, 67, paid tribute to his “dear brother” and said he was grateful to have seen him in hospital before his death.

“Wayne brought so much light, laughter, and love to everyone who knew him, especially me,” he said. “He was the ultimate optimist and was loved by everyone.”

American band 'The Osmonds' from left Merrill, Jimmy, Donny, Alan, Marie, Jay and Wayne pose for photographers at a media event in London, Thursday, May 29, 2008. The Osmonds are currently on a tour of the UK. (AP Photo/Kirsty Wigglesworth)
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The Osmonds in 2008 (L-R): Merrill, Jimmy, Donny, Alan, Marie, Jay and Wayne. Pic: AP/Kirsty Wigglesworth


Born in Ogden, Utah, Wayne Osmond was the fourth of nine siblings. The two oldest Osmond brothers, Virl and Tom, were both born with hearing problems.

The family were members of The Church of Jesus Christ of Latter-day Saints.

Wayne’s musical career started when he was just a boy, when he formed a barbershop quartet with three of his brothers, Alan, Merrill and Jay. They were later joined by younger siblings Donny and Jimmy and became household names in the 1970s, with hits including One Bad Apple, Crazy Horses, and Love Me For A Reason.

Sister Marie also rose to fame as a singer.

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Merrill and Jay Osmond were among the family members sharing tributes, with Merrill, 71, also saying he visited Wayne before his death.

“I’ve never known a man that had more humility,” Merrill said. “A man with absolute no guile. An individual that was quick to forgive and had the ability to show unconditional love to everyone he ever met…

“My brother Wayne endured much. He gave it his all. His legacy will go down as someone who was not only a genius in his ability to write music, but was able to capture the hearts of millions of people and bring them closer to God.”

Jay, 69, said he had always “felt most connected to Wayne out of all of my siblings” and that a “true legend” had left the world.

Wayne Osmond is survived by all of his siblings, as well as his wife Kathlyn and their children.

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