Hugh Jackman has told Sky News he’d love King Charles to join him for a cameo in the new Deadpool movie.
The Wolverine star – who is reprising his X-Men role for the third film in the franchise about a foul-mouthed anti-hero – has a jokey rivalry with Ryan Reynolds who plays the title character.
He joked it’s that friendly feud which has given him mixed feelings about returning to the role – and invited the monarch to give him a hand.
Image: Hugh Jackman. Pic: Black Bear Pictures/See-Saw Films
“It’s mainly joy and excitement and fun [but] I have trepidation in that I have many, many hours every day with Ryan Reynolds.” Jackman laughed.
“That’s going to be a real mental health stretch for me, but I don’t know, maybe we’ll get King Charles in there to do a cameo.
“What do you think, Your Majesty – little cameo? You’re welcome to punch Ryan Reynolds as many times as you like, Your Majesty.”
Promoting his latest film, The Son, the Australian actor said that as he’s also a British citizen the Royal Family is very much part of his own family’s history.
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“I remember even when Lady Di and Prince Charles got married, I remember my father making us all come down,” he said.
“We had to watch television that night and he popped champagne, and it was very important to him.
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“I wish the new monarch all the best – it’s an insurmountable role to take on and I admire him for taking it on, and I wish him all the best.”
Image: Zen McGrath. Pic: Black Bear Pictures/See-Saw Films
Jackman also talked about the way his life has been impacted by his latest film role.
While it’s not uncommon for film stars to see work forcing them to have time away, master a new skill or change their physical appearance, it’s not so usual for them to admit to their relationship with their own children being changed because of a character they’ve played.
The 54-year-old said making The Son – in which he plays the father of a depressed teenager – has given him a new perspective on being a dad to his own children, Oscar, 22 and Ava, 17.
“Any parent knows it’s the most humbling thing you can ever do.
“It pushes your buttons more than anything else, and it somehow brings out a fear and a worry that is so hard to handle, and I’ve become a different parent because of this film.”
The star went on to explain how being in the movie has changed the way he speaks to his children.
“I find I’m more often saying, ‘I don’t know’ or ‘give me a second’, ‘I don’t know what to do’, ‘I’m thinking this, but I’m also thinking that’ and it really disarms them, actually, particularly when we’re getting into a fight.
“And also, to tell them things that I’m feeling that has nothing to do with them, because I don’t want them to think I’m mad with them, and if I’m worried about something else, I explain to them what I’m going through.
“So, it’s changed things for me, for sure.”
Image: Sir Anthony Hopkins. Pic: Black Bear Pictures/See-Saw Films
The Son is the second directorial feature from filmmaker Florian Zeller, whose debut The Father was critically acclaimed, winning Oscars for best adapted screenplay and best actor for star Sir Anthony Hopkins.
Jackman says it was him that approached Zeller about starring in his next project, despite having some “doubts” about the role.
“I actually reached out to the director, like I chased this one down because I just really, really wanted to play the part.
“I loved the story, I love Florian as a filmmaker, as a writer – The Father was incredible and so I was passionate about doing it and also daunted.
“I remember going to have my first talk with him, which he ended up casting me from, thinking I’m equally terrified to get the part and not to get the part because it’s a kind of character I don’t get offered a lot.”
It’s surprising to think of Jackman doing something he’s not done before – in a varied career spanning almost thirty years he’s become the longest running Marvel star as Wolverine/Logan, stolen hearts in Baz Luhrmann’s Australia and showcased his musical talents in Les Miserables and The Greatest Showman.
However, he says he certainly doesn’t feel as though he’s mastered his craft.
“I never feel, to be honest, that I’ve done it all or ‘ah this is a breeze’,” Jackman admitted.
“It never feels easy for me.
“[The Son] was just, it felt like something I rarely get a chance to do, and I relished every minute of it.”
In the film, Jackman’s character struggles to understand his son’s mental health issues.
Image: (R-L): Jackman and Vanessa Kirby. Pic: Black Bear Pictures/See-Saw Films
The teen, played by Zen McGrath, is skipping school and finding it increasingly hard to function.
Jackman says he’s extremely sympathetic to young people who are finding it hard to cope.
“It’s so hard to be a teenager, and I think particularly with the pandemic, I think it’s incredibly difficult,” he said.
“There’s social media, all these things that are so different than what we grew up with, it was hard for me growing up as a teenager – it’s a really difficult time for any kid, I think – but I would say right now it’s the hardest it’s ever been – that’s my sense of it.
“And yet, having said that, I think there’s real hope, I feel that the younger generation, those teenagers are much more open about talking about things, they’re much more fluid and less judgemental about what group you’re in or what sexuality you have – they don’t care about any of that stuff and so I see a lot of hope, but I think it’s really difficult for them.”
Despite recognising how tough things are now, the star also admits there are certain aspects of life now that he would have appreciated when he was younger, and toxic masculinity prevented some honest exchanges.
“Thankfully, we are getting better at having open conversations about being more vulnerable, about accepting that we don’t have all the answers, about relying on other people for help,” Jackman said.
“All of these things, I think, are long overdue.
“And, you know, I wish I could have had those conversations when I was a teenager.”
After his award-winning role in Zeller’s previous film, Sir Anthony Hopkins returns in a cameo part in The Son – playing a different character and the father of Jackman’s character Peter.
They have one, long scene together, with Jackman describing the veteran as an “acting hero” of his.
“I think the thing I learned most, that I admired about him most was that he was the first one to turn up on set before any crew member turned up he was there,” he explained.
“He woke up at 3:30 in the morning so excited that he just went to work and he arrived at like 4am or something – the security guard was there, no one else and he just waited and then he was so good that we finished at like 11:30 in the morning.
“The scene was done and he asked the director if he could go again and I said to [Zeller] ‘Why do you think he’s going again?’ He said, ‘I think he just misses acting’ – because of the pandemic he hadn’t acted, so he just wanted to get out there and do it and he loves it.”
Gossip Girl actress Michelle Trachtenberg died as a result of complications from diabetes, New York City’s medical examiner has said.
The 39-year-old, who was also known for Buffy the Vampire Slayer and Harriet the Spy, was found dead at her home in New York City after officers responded to a 911 call on 26 February.
According to a source quoted by Sky News’ US partner network NBC, she had recently received a liver transplant.
At the time of her death, officials said no foul play was suspected, and the medical examiner’s office had listed her death as “undetermined”.
Trachtenberg’s family had objected to a post-mortem, which the medical examiner’s office honoured because there was no evidence of criminality.
But the medical examiner’s office said in a statement on Thursday it amended the cause and manner of death for the actress following a review of laboratory test results.
Trachtenberg was best known for her role as Dawn Summers in Buffy, the younger sister of the title character played by Sarah Michelle Gellar between 2000 and 2003.
Between 2008 and 2012, she played Georgina Sparks on Gossip Girl – the malevolent rival of Blake Lively’s Serena van der Woodsen and Leighton Meester’s Blair Waldorf.
She also starred in the movie 17 Again, where she portrayed daughter Maggie O’Donnell, comedy film Eurotrip and the 2005 teen film Ice Princess.
In 2001, she received a Daytime Emmy nomination for hosting Discovery’s Truth or Scare.
Seven years after allegations against him first emerged online, Harvey Weinstein is back in court.
When the accusations surfaced in late 2017, the American actress Alyssa Milano tweeted: “If all the women who have been sexually harassed or assaulted wrote ‘Me too’ as a status, we might give people a sense of the magnitude of the problem.”
This gave birth to what we now know as the #MeToo movement and a flood of women – famous and not – sharing stories of gender-based violence and harassment.
Weinstein, 73, was jailed in 2020 and has been held at New York’s notorious Rikers Island prison complex ever since.
On 15 April, jury selection for his retrial got off to a false start, with none of the 12 potential candidates or six alternatives being deemed suitable. One, an actor, described Weinstein as a “really bad guy” and claimed he could not remain impartial. A woman also bowed out after declaring she had been the victim of sexual assault.
Once jurors are selected, the original charges of rape and sexual assault will be heard again, with opening statements and evidence due to start on 21 April.
Here we look at why there’s a retrial, why Weinstein will likely remain behind bars – and what has happened to #MeToo.
Why is there a retrial?
Weinstein is back in court because his first two convictions were overturned last April and are now being retried.
In 2020, he was sentenced to 23 years in prison after being found guilty of sexually assaulting ex-production assistant Mimi Haley in 2006 and raping former actor Jessica Mann in 2013.
Image: Miriam (Mimi) Haley arrives at court in New York in 2020. Pic: AP
Image: Jessica Mann outside court in Manhattan in July 2024. Pic: AP
But in April 2024, New York’s highest court overturned both convictions due to concerns the judge had made improper rulings, including allowing a woman to testify who was not part of the case.
At a preliminary hearing in January this year, the former Hollywood mogul, who has cancer and heart issues, asked for an earlier date on account of his poor health, but that was denied.
Image: Arriving at court for his original trial in New York in February 2020. Pic: Reuters
When the retrial was decided upon last year, Judge Farber also ruled that a separate charge concerning a third woman should be added to the case.
In September 2024, the unnamed woman filed allegations that Weinstein forced oral sex on her at a hotel in Manhattan in 2006.
Defence lawyers tried to get the charge thrown out, claiming prosecutors were only trying to bolster their case, but Judge Farber decided to incorporate it into the current retrial.
Weinstein denies all the allegations against him and claims any sexual contact was consensual.
Speaking outside court on 15 April, his lawyer Arthur Aidala, said he was “cautiously optimistic that when all the evidence is out, the jury will find that all of his relationships were consensual and therefore reach a verdict of not guilty”.
Why won’t he be released?
Even if the retrial ends in not guilty verdicts on all three counts, Weinstein will remain behind bars at Rikers Island.
This is because he was sentenced for a second time in February 2023 after being convicted of raping an actor in a Los Angeles hotel room in 2013.
Image: At a pre-trial hearing in Los Angeles in July 2021. Pic: Reuters
He was also found guilty of forcible oral copulation and sexual penetration by a foreign object in relation to the same woman, named only in court as Jane Doe 1.
The judge ruled that the 16-year sentence should be served after the 23-year one imposed in New York.
Weinstein’s lawyers are appealing this sentence – but for now, the 16 years behind bars still stand.
Has #MeToo made a difference – and what’s changed?
“MeToo was another way of women testifying about sexual violence and harassment,” Dr Jane Meyrick, associate professor in health psychology at the University of West England (UWE), tells Sky News.
“It exposed the frustration around reporting cases and showed the legal system was not built to give women justice – because they just gave up on it and started saying it online instead.
“That was hugely symbolic – because most societies are built around the silencing of sexual violence and harassment.”
Image: Women on a #MeToo protest march in Los Angeles in November 2017. Pic: Reuters
After #MeToo went viral in 2017, the statute of limitation on sexual assault cases was extended in several US states, giving victims more time to come forward, and there has been some reform of non-disclosure agreements (NDAs), which were regularly used by Weinstein.
This has resulted in more women speaking out and an increased awareness of gender-based violence, particularly among women, who are less inclined to tolerate any form of harassment, according to Professor Alison Phipps, a sociologist specialising in gender at Newcastle University.
“There’s been an increase in capacity to handle reports in some organisations and institutions – and we’ve seen a lot of high-profile men brought down,” she says.
“But the #MeToo movement has focused on individual men and individual cases – rather than the culture that allows the behaviour to continue.
“It’s been about naming and shaming and ‘getting rid’ of these bad men – by firing them from their jobs or creating new crimes to be able to send more of them to prison – not dealing with the problem at its root.”
Image: Actress Alyssa Milano tweeted about #MeToo when the Weinstein accusations surfaced. Pic: AP
Dr Meyrick, who wrote the book #MeToo For Women And Men: Understanding Power Through Sexual Harassment, gives the example of the workplace and the stereotype of “bumping the perp”, or perpetrator.
“HR departments are still not designed to protect workers – they’re built to suppress and make things go away.” As a result, she says, men are often “quietly moved on” with “no real accountability”.
The same is true in schools, Prof Phipps adds, where she believes concerns around the popularity among young boys of self-proclaimed misogynist and influencer Andrew Tate are being dealt with too “punitively”.
“The message is ‘we don’t talk about Andrew Tate here’ and ‘you shouldn’t be engaging with him’,” she says. “But what we should be doing is asking boys and young men: ‘why do you like him?’, ‘what’s going on here?’ – that deeper conversation is missing,” she says.
Image: The former film producer on the red carpet in Los Angeles in 2015. Pic: AP
Have high-profile celebrity cases helped?
Both experts agree they will have inevitably empowered some women to come forward.
But they stress they are often “nothing like” most other cases of sexual violence or harassment, which makes drawing comparisons “dangerous”.
Referencing the Weinstein case in the US and Gisele Pelicot‘s in France, Dr Meyrick says: “They took multiple people over a very long period of time to reach any conviction – a lot of people’s experiences are nothing like that.”
Prof Phipps adds: “They can create an idea that it’s only ‘real’ rape if it’s committed by a serial sex offender – and not every person who perpetrates sexual harm is a serial offender.”
Image: A woman holds a ‘support Gisele Pelicot’ placard at a march in Paris during her husband’s rape case. Pic: AP
Image: Gisele Pelicot outside court. Pic: Reuters
Part of her research has focused on “lad culture” in the UK and associated sexual violence at universities.
She says: “A lot of that kind of violence happens in social spaces, where there are drugs and alcohol and young people thrown together who don’t know where the boundaries are.
“That doesn’t absolve them of any responsibility – but comparing those ‘lads’ to Harvey Weinstein seems inappropriate.”
Dr Meyrick says most victims she has spoken to through her research “wouldn’t go down the legal route” – and prosecution and conviction rates are still extremely low.
“Most don’t try for justice. They just want to be believed and heard – that’s what’s important and restorative,” she says.
But specialist services that can support victims in that way are underfunded – and not enough is being done to change attitudes through sex education and employment policy, she warns.
“Until we liberate men from the masculine roles they’re offered by society – where objectification of women is normalised as banter – they will remain healthy sons of the patriarchy.
“We need transformative, compassionate education for young men – and young women. That’s where the gap still is.”
Body camera footage of Gene Hackman’s home has been released by authorities investigating the deaths of the actor and his wife.
The video captured by Santa Fe County Sheriff’s Office shows officers inside and outside the property in northern New Mexico, with a German shepherd barking at some points as they carry out their search.
Image: Hackman and Arakawa pictured in 2003. Pic: AP/ Mark J Terrill
The bodies of Hackman, 95, and his wife, Betsy Arakawa, 65, were found in separate rooms of their home on 26 February.
“He’s guarding her,” a male officer can be heard saying, about the dog found alive at the home. “He seems pretty friendly.”
There is another “10-7 dog” – meaning the pet is dead – “round the corner in the kennel”, the officer says.
Rat nests and dead rodents were also discovered in several outbuildings around the property, an environmental assessment by the New Mexico Department of Health revealed.
The inside of the home was clean and showed no evidence of rodent activity.
In March, a medical investigator concluded Arakawa died from hantavirus pulmonary syndrome, a rare infectious disease that can be caused by exposure to rodents.
Image: Law enforcement officials pictured outside the property in Santa Fe the day after Hackman and Arakawa’s bodies were found. Pic: AP/Roberto Rosales
According to the records now released by the county sheriff’s office, Arakawa was researching medical conditions related to COVID-19 and flu between 8 February and the morning of 12 February.
In one email to a masseuse, she said Hackman had woken on 11 February with flu or cold-like symptoms and that she wanted to reschedule an appointment “out of an abundance of caution”.
Search history on the morning of 12 February showed she was looking into a medical concierge service in Santa Fe. Investigators said there was a call to the service which lasted under two minutes, and a follow-up call from them later that afternoon was missed.
The police footage shows officers checking the home and finding no signs of forced entry or other suspicious signs.
Image: Pic: Santa Fe County Sheriff via AP
What is hantavirus?
HPS, commonly known as hantavirus disease, is a respiratory disease caused by hantaviruses – which are carried by several types of rodents.
It is a rare condition in the US, with most cases concentrated in the western states of New Mexico, Arizona, Colorado and Utah. This was the first confirmed case in New Mexico this year.
There has so far been no confirmation about any potential link by authorities between the rodents and the hantavirus disease that claimed Arakawa’s life.
Who was Gene Hackman?
Image: Pic: AP 1993
Hackman was a former Marine whose work on screen began with an uncredited TV role in 1961.
Acting became his career for many years, and he went on to play villains, heroes and antiheroes in more than 80 films spanning a range of genres.
He was best known by many for playing evil genius Lex Luthor in the Superman films in the late 1970s and ’80s, and won Oscars for his performances in The French Connection and Unforgiven.
After roles in The Royal Tenenbaums, Behind Enemy Lines and Runaway Jury in the 2000s, he left acting behind after his final film, Welcome To Mooseport.
He and Arakawa, a pianist, had been together since the mid-1980s.