The blown-up newspaper pages displayed through the windows of an otherwise sparse, all-white gallery space in London’s busy Mayfair district stop you in your tracks.
“Greta Thunberg, who has died aged 19, enjoyed a meteoric career as a climate activist,” begins one, the text surrounding a photograph of the young campaigner speaking into a mic; on the wall facing her is Formula 1 star Lewis Hamilton, one hand on heart, the other held aloft in a triumphant fist. “Sir Lewis Hamilton, who has died aged 38, was the greatest British racing driver…”
Dolly Parton, Grace Jones, Sadhguru, Marc Almond and David Hammons are also immortalised. The text is there in black and white, past tense, matter-of-fact, next to images of their instantly recognisable faces.
Image: Pic: Lucy Dawkins courtesy Gagosian
Like the horrible moment you see your favourite celebrity trending on Twitter for no apparent reason, the incredibly real-seeming works evoke a panicked double-take. But don’t worry – these obituaries are in fact hypothetical, the latest works by artist Adam McEwen, featured in his first solo exhibition in London.
The great equaliser, death is one of art’s most prolific subjects – “the biggest subject”, McEwen says – but forecasting the inevitable so intricately and so specifically for very real, very much alive human beings, makes these faux newspaper articles rather uncanny.
While some might consider the works morbid or even distasteful, McEwen sees them as celebratory, though not uncritical. Similar to the introduction these subjects might get should they appear on Desert Island Discs or This Is Your Life, they are warts-and-all markers of a life well lived; a lifetime of experiences and personal qualities distilled into roughly 1,400 words.
The works are homages to “people I love”, McEwen tells Sky News. What links Parton, Thunberg, Lewis and the other figures featured is a thread of “tension”, he says, or triumph over adversity; they have played by their own rules and won.
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“These people are demonstrations that despite it appearing life is very difficult – if not impossible – to negotiate, you in fact have more choices and freedom than you realise.” McEwen points to Parton, a performer who has written thousands of songs and who has revelled, according to his artwork, in “subverting expectations about large-breasted, big-haired women” from the American South.
“You look at the story of Dolly Parton and she demonstrates it. And Lewis Hamilton, let’s say; [it was] almost impossible to be a young black man who wants to be a Formula One driver, if not impossible. But he shows it is possible.”
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Thunberg’s rapid rise from unknown schoolgirl to the world’s most famous environmental activist is one that fascinates McEwen. “Apart from her youth and her conviction,” he writes in her fake obit, “her ability to strike a chord lay in the power and simplicity of her message: older generations had left the young to suffer the consequences of their consumption. Everyone knew it; now the young weren’t going to let them ignore it anymore.”
From Malcolm McLaren to Kate Moss, Rod Stewart and Bill Clinton
Image: Adam McEwen’s previous works were part of The George Michael Collection sale at Christie’s in 2019. Pic: Nils Jorgensen/Shutterstock
As a young artist in the 1990s, McEwen subsidised his passion working part-time as an obituary writer for the Daily Telegraph. The idea to turn the form into art was born from a group show he was taking part in in 2000. “Everyone was given a Vivienne Westwood muslin shirt, a straitjacket, and we were told to do whatever we wanted. I decided to write Malcolm McLaren’s obituary… it was a homage to Malcolm and it had a kind of dark, slightly punk sensibility that made sense.”
Further fake obituaries to stars and notable figures followed, featuring everyone from Nicole Kidman, Kate Moss and Macaulay Culkin to Rod Stewart, Jeff Koons and Bill Clinton. Some would read differently now should he be starting afresh in 2023.
“They won’t be updated,” says McEwen. “Also, they function differently later. Let’s say, Macaulay Culkin, the actor. In 2004 he had a certain stature and a certain story; he was in Home Alone… 20 years later, we see it from a different position… You see this artwork now and it’s like, that’s not how I think about Macaulay Culkin anymore.”
McLaren, the former Sex Pistols manager and partner of Westwood, later came to hear about his own obit. “I met him once and told him,” McEwen says. “He was sort of initially nonplussed and then he laughed.”
He says Koons was also aware of his. “It’s a funny relationship, but it’s not… people have said to me, why don’t you do Trump? Kill him! They’re not really getting the point.”
‘This isn’t a morbid wish – death is a fact’
Image: Adam McEwen. Pic: Andisheh Avini
McEwen says he doesn’t worry about how his subjects might react to seeing the stories of their lives told through their made-up deaths. “The only thing I know about Greta Thunberg, for real… the only thing I know for sure about Nicole Kidman or Bill Clinton, is that they are going to die. I’m not using it as a morbid wish. It’s a fact. For me also, I’m going to die.
“I don’t think [it’s] upsetting. Apart from anything else, these things exist in filing cabinets, or in digital filing cabinets, already for famous people. For Dolly Parton, there are already obituaries written for her, because they have to be. All I’m doing is appropriating something that’s already there.”
When he worked for the Telegraph, McEwen wrote obituaries in reaction to sudden deaths – including for John F Kennedy Jr in 1999, when he died alongside his wife and sister-in-law in a private plane crash – as well as planned pieces.
Just like a real newspaper article, there may be errors to look out for in his artwork, he says. “Typos, sure. Maybe factual errors. I mean, exactly like a newspaper. It’s 6pm. It’s got to go to press. We do the best [we can] and then the next morning, ‘Oh f***, we’ve missed that typo’. It’s the same. I’ve done them when they go, ‘in 19XX…’ and I was going to find the date [but forgot], and then it’s done and it’s in the exhibition. ‘Damn, I didn’t see that.’ But it doesn’t matter, because it’s the same. It’s all part of it.”
Adam McEwen’s exhibition of fake obituaries dedicated to living celebrities is showing at Gagosian’s Davies Street gallery in London until 11 March
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The Met Office said strong winds forecast from Monday evening through until Wednesday could cause disruption, with gusts of 50-60mph predicted widely and 70-80mph in some places.
A yellow weather warning for rain comes into force from 6pm on Monday, and will be in place until 2pm on Tuesday, covering parts of southwest England and Wales, and stretching to parts of Herefordshire and Hampshire.
The Met Office has also issued a yellow warning for high winds from Dorset to Cornwall and up to north Wales, in place from 10pm on Monday until 4pm on Tuesday.
It said transport networks could face disruption, with delays for high-sided vehicles on exposed routes and bridges, and coastal roads and seafronts affected by spray and large waves. Power outages are also possible.
For 24 hours from 6pm on Monday, up to 40mm of rain could fall in some areas, with 60-80mm of rain over Dartmoor and high ground in South Wales, which would amount to more than half the average monthly rainfall in December.
The predicted rainfall across southwest England and South Wales is expected to hit already saturated ground and could lead to difficult travel conditions.
An amber warning for wind has been issued for northwest Scotland on Tuesday, from 4pm until the end of the day.
Flying debris “could result in a danger to life” – and there could be damage to buildings and homes along with the risk of roofs being “blown off” due to the “very strong and disruptive winds”, the Met Office warned.
Forecasters added there was the potential for large waves and beach material “being thrown” across sea fronts, roads and properties.
There are also further yellow warnings for wind and rain on Tuesday across Northern Ireland, Scotland, Wales and northern England.
Image: Weather warnings issued for Tuesday. Pic: Met Office
Yellow warnings for wind have been issued for Scotland and parts of northern England on Wednesday.
The Met Office’s deputy chief meteorologist, Steven Keates, said: “A deepening area of low pressure will approach the UK from the southwest later on Monday, bringing with it heavy rain and strong winds, which are likely to affect the UK between late Monday and early Wednesday.
“The exact track, depth and timings of this low are uncertain, which makes it harder to determine where will be most impacted by strong winds and/or heavy rain.
“This system has the potential to cause disruption, and severe weather warnings are likely to be issued over the weekend as details become clearer. We therefore urge people to keep up-to-date with the latest Met Office forecast.”
Former Radio 1 DJ Tim Westwood has pleaded not guilty to four counts of rape, nine counts of indecent assault and two counts of sexual assault.
The 68-year-old arrived at Southwark Crown Court on Monday, wearing a black hooded jacket, a maroon shirt and dark trousers.
Westwood stood with his hands clasped in front of him as he confirmed his name, before sitting down in the glass dock.
He is alleged to have raped women, kissed them and touched their bodies without consent.
The offences are said to have taken place against seven different women between 1983 and 2016.
Three of the alleged indecent assaults are said to have taken place at the BBC studios in the 1990s.
Westwood was granted bail, with the condition not to contact the complainants ahead of a pre-trial review hearing, scheduled for next December.
Last month, Westwood returned to the UK from Nigeria to appear in court.
He has attended five police interviews voluntarily since the investigation into the alleged offences began.
Westwood has previously denied all allegations of sexual misconduct made against him.
The charges
Charges against Westwood include an allegation of rape against a woman at a hotel in London in 1996, one count of rape from the early 2000s at an address in London, and two counts of rape at an address in London in the 2010s.
He is further accused of four indecent assaults in London in the 1980s, three indecent assaults at the BBC in the 1990s, and two indecent assaults in the early 2000s.
The former DJ is also alleged to have sexually assaulted a woman at a nightclub in Stroud, Gloucestershire, in 2010.
Westwood began his broadcasting career in local radio before joining Capital Radio in the late 1980s.
He moved to the BBC in 1994, working on Radio 1 and Radio 1Xtra for almost 20 years.
After leaving the BBC in 2013, he then joined Capital Xtra, hosting a regular Saturday show where he was referred to as “The Big Dawg”, before he left the company in 2022.
Retired footballer Joey Barton has been sentenced over X posts he sent to football pundits Eni Aluko and Lucy Ward, along with broadcaster Jeremy Vine.
Barton, 43, had been found guilty of six counts of sending a grossly offensive electronic communication with intent to cause distress or anxiety.
He was sentenced to a six-month prison sentence, suspended for 18 months.
The former Manchester City, Newcastle United and Rangers midfielder had claimed he was the victim of a “political prosecution” and denied his aim was to “get clicks and promote himself”.
But the jury decided Barton, capped once for England in 2007, had “crossed the line between free speech and a crime” with the six posts he made on the social media platform.
The prosecution argued that Barton, who has 2.5 million followers, “may well be characterised as cutting, caustic, controversial and forthright”.
Peter Wright KC continued: “Everyone is entitled to express views that are all of those things.
“What someone is not entitled to do is to post communications electronically that are – applying those standards – beyond the pale of what is tolerable in society.”
Barton denied 12 counts of sending a grossly offensive electronic communication with intent to cause distress or anxiety between January and March last year.
He was found guilty on six counts, but cleared of another six.
In one post in January 2024, Barton compared Aluko and Ward to the “Fred and Rose West of football commentary”, and superimposed the women’s faces on a photograph of the serial murderers.
He also described Aluko as being in the “Joseph Stalin/Pol Pot category”, suggesting that she had “murdered hundreds of thousands, if not millions, of football fans’ ears”.
The jury found him not guilty in relation to the comparison with the Wests, Stalin and Pol Pot, but decided the superimposed image was grossly offensive.
Another message allegedly suggested Vine had a sexual interest in children, after the broadcaster posted a question relating to the posts about the football commentators asking whether Barton had a “brain injury”.
The ex-footballer told the court the posts were “dark and stupid humour” and “crude banter”. He also said he had no intention of implying Vine was a paedophile.
This breaking news story is being updated and more details will be published shortly.